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Click here to subscribeA Mahogany Eight Day Longcase Clock, unsigned, the case with swan neck pediment and pierced work, arched inlaid trunk door flanked by turned columns, inlaid plinth upon bracket feet, 14 inch brass break-arch dial with silvered chapter ring, moon disc in the arch, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar movement with anchor escapement and rack strike on bell, {244cm high} (case, movement and dial associated).
An Oak Chiming Longcase Clock, early 20th century, the "Mouseman" case with flat top and carved floral decoration, carved mouse to the side, glazed rectangular trunk door and moulded plinth, 11 inch square brass dial with silvered chapter ring, matted centre with subsidiary seconds and a silvered plaque signed "Sinclair Handing, Cheltenham", three train movement with eight hammers striking on eight bells and a further bell for the hours, {194cm high} .
An Oak Eight Day Longcase Clock, signed Jn Bell, Hexham, circa 1810, the oak case with flat top and turned pillars, the trunk flanked by canted angles, 13 inch painted dial signed Jn Bell, Hexham, and depicting painted figures to the arch and corners, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar rack striking movement on bell with anchor escapement, shortened plinth, {205cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case pediment with arched central finial, pierced side frets, the break-arch door flanked by carved canted corners, carved and moulded plinth upon bracket feet, 12 1/2 inch brass break-arch dial with silvered chapter ring, subsidiary seconds, the arch with chime/silent and Westminster/Whittingham chimes, the massive three train movement quarter chiming on eight bells and striking the hour on a gong, {268cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case with swan neck pediment and central finial, pierced sound frets to the sides, fluted corninthian pillars, moulded glazed trunk door upon a carved and moulded plinth, 12 1/2 inch brass break-arch dial with silvered chapter ring, foliate engraved dial centre with subsidiary seconds, the arch with chime/silent and Whittington/Westminster chimes, the massive three train movement with nine hammers striking on nine tubular bells, anchor escapement, {234cm high}.
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, gilt metal capped fluted Corinthian columns above a short trunk door, box base and bracket feet, the 30.5 cms painted dial with moonphase to the arch and fruit painted spandrels with a seconds subsidiary dial and calendar aperture, inscribed Benjamin Greening, Coleford, the 30 hour movement striking on a bell.
A 19th century carved oak longcase clock, the two-train eight-day movement with anchor escapement and rack-strike on a bell, the arched brass 12 1/4in dial with a painted arch depicting a cottage beneath the legend IMPROVE YOUR TIME, the brass chapter ring with Roman numerals and Arabic five-minute divisions, surrounding date and moon-phase aperture and inscribed Samuel Fletcher Dewsbury, the foliate carved case with an arched hood, 212cm high
An Edwardian mahogany chiming longcase clock, the eight-day two-train movement with anchor escapement and striking the hours and chiming the quarters on nine tubular gongs, the arched and silvered dial engraved with a foliate ground and with gilt-metal Arabic numerals, about a subsidiary seconds dial and inscribed with retailer's name Harrods Ltd, the arch with chime/silent and Westminster/Whittington/ St. Michael dials, 225cm high
A mahogany longcase clock in the George III style, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and subsidiary seconds dial, inscribed with retailer's name W. Carter & Son SALISBURY, the arch with sunburst, the case with brass capped pilasters and the hood with three gilt-metal ball finials, 144cm high
A 19th century oak and mahogany banded longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic sub-divisions, date aperture and subsidiary seconds dial, the arch painted and gilt with a shell motif, indistinctly inscribed Robt. Fletcher (?), the case with two brass capped fluted pilasters, the hood similarly ornamented and with broken pediment, 211cm high, (some wear to dial).
UpJohn, Exeter; a William IV/early Victorian mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the white painted circular dial with Roman numerals and subsidiary seconds dial, indistinctly inscribed UPJOHN EXETER, the plain case of figured mahogany and with canted corners, the arched hood applied with a carved wood frieze with central cabochon, 200cm high, (extensive flaking to dial).
A 19th century oak North Country longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass 13in dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed William Pearson. Berwick on Tweed and engraved with scrolling foliage and surmounted with a basket of flowers, the plain case with a lancet door and blind fret canted corners, the hood with dentil frieze and flat pediment, 209cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic five-minute divisions, the centre with subsidiary seconds and date dials, painted with floral spandrels, the plain case with arched door, the hood with scroll pediment, 228cm high, (some wear to the dial)
A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed In. Darke Barnstable, the arch with ship automaton, the plain case with fluted pilasters, the hood with broken pediment, 209cm high, (worn and over-painted dial, replacement automaton)
An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 11inch brass dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, putto-head spandrels and inscribed Well. Clofs SQUARE, plain case and flat pediment hood, 205cm high
A pine longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, date aperture and inscribed C. Boney Padstow, the arch with an automaton representing Adam and Eve, the plain case with a rectangular door applied with a lozenge boss, the domed hood with two small flamiform finials, 207cm high, (suspension of pendulum broken).
Geo. Gemmel and Helen Hutton; a late Georgian/William IV mahogany and line-inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted gilt circular dial with Roman numerals, subsidiary seconds and date dials and inscribed GEO. GEMMEL and HELEN HUTTON, the case with figured mahogany, the hood with swan-neck pediment, 221cm high, (some wear to dial)
A Regency/William IV mahogany longcase clock, the eight-day two-train movement with rack-strike on a bell, the enamelled circular dial with Roman numerals, subsidiary seconds and date dials and indistinctly signed, the case with a pair of plain column supports, the domed hood with brass bezelled glass, 199cm high
A 19th century oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial, date aperture and indistinctly inscribed ....HARRIS...., the arch painted with a cottage in a landscape, the case with a shaped door with rosette motif and flanked by a pair of fluted pilasters, the hood with broken pediment, 226cm high
J E Armson, Leebrooks; a 19th century mahogany North Country longcase clock, the eight-day two-train movement with rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and inscribed J. E. ARMSON LEEBROOKS, the arch with moon-phase automaton, the figured case with lancet door and canted corners, the hood with broken pediment, 227cm high
Richard Gibbs, London; a George III black lacquer longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and inset plate inscribed Rich.d Gibbs LONDON, with finely cast mask-head spandrels, the arch with date dial with dolphin spandrels, the case japanned with Oriental figures and buildings, the hood with tall dome inset with a glass window, 227cm high.
A carved oak longcase clock; the thirty-hour movement with anchor escapement and striking on a bell, the brass 12 1/4inch square dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, date aperture and plate inscribed SAML LIDDELL OLDSWINFORD, the heavily carved case with a flat pediment hood, 195cm high
John Gladstone, Biggar; a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic quarter-hour divisions, subsidiary seconds dial and date dial, painted with birds and flowers, the plain case of figured mahogany and with two fluted pilasters, the hood with swan-neck pediment, 210cm high, (some over painted sections to dial).
A 19th century mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and painted with Scottish figures, the line-inlaid case with canted corners, the hood with flat pediment, 205cm high.
A 19th century oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, indistinctly inscribed J. & S. Sunbery (?) Wolverhampton, the arch painted with a castle and with similar spandrels, the case with lancet door and brass-capped fluted columns, the hood with broken pediment and eagle and ball finial, 221cm high, (some wear to dial)
Thomas Crofts Junior, Newbury; a late George III oak longcase clock, the thirty-hour single-train movement with anchor escapement and striking on a bell, the 11 3/4in brass square dial with Roman numerals and Arabic five-minute divisions and engraved with foliate spandrels, inscribed Thos. Crofts. Junr. Newbury, with plain case and hood, the latter with flat pediment, 209cm high, (case partially stripped).
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials, the arch painted with a Highland shepherd and shepherdess, the dial with spandrel figures emblematic of the Four Seasons, with chequer line-inlaid case and flat pediment hood, 208cm high
Peter Bower, Redlynch. An 18th century oak cased 30 hour longcase clock, striking on a bell to a 10in square brass dial, the centre engraved a ship in an estuary, a manor house and columns inscribed Peter Bower, Redlench to a brass chapter ring and shell and foliage spandrels, the hood with a pierced frieze above tapering pilasters, a rectangular moulded edge waist door to a base with a moulded plinth, 6ft 3.5in (191.8cm) high.
An early 18th century later ebonized longcase clock, the 8 day movement striking on a bell to a brass arch dial with subsidiary seconds dial and date aperture, to a silvered chapter ring, the boss inscribed James Hagger, London, the case with traces of gilt chinosierie decorated (the movement restored, the case reduced and altered) 7ft 4in (223.5cm) high.
An early 19th century oak cased longcase clock, the 30 hour movement to a painted 11in square dial, with a date aperture inscribed Barry, Marlborough, the hood with ebonized fluted columns above a moulded edge waist door to a reeded edge, the base to a plinth moulding, 6ft 0.25in (183.4cm) long.
An oak cased longcase clock, the 30 hour movement striking on a bell to a 12.1/4in square brass dial, the centre engraved birds and foliage, inscribed John Lawson, Bradford above a date aperture and a bull crest, the hood with a broken pediment turned columns, a serpentine top waist door, quarter pilasters, the base on bracket feet (restored), 7ft 1.5in (217cm) high.
A late 18th century oak longcase clock, the 8 day movement to a brass arched dial with subsidiary seconds dial and foliage engraved centre, the boss inscribed Richardson Bubwith, the case with a swan neck pediment, and fluted columns, a moulded edge serpentine top waist door to reeded quarter pilaster, to a panelled base, (plinth missing) 7ft 2in (218.5cm) high.
A mid 19th century mahogany veneered and oak longcase clock, the 8 day movement striking on a bell to a painted arch dial with subsidiary seconds dial and date aperture inscribed Bothamley Boston, painted a basket of fruit and roses, the swan neck pediment to reeded columns, the shaped top banded waist door, to inlaid stringing corners, the base with a moulded plinth, 6ft 8in (203cm) high.
A GLOUCESTERSHIRE OAK 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1820, the 4-pillar rack and bell striking movement with 12 white painted Arabic numeral break-arch dial with arch calendar aperture, subsidiary seconds dial and signed 'Sheppard & Potter, Wotton' to centre, with Four Continents figural spandrels and rolling moon to arch, in swan neck pedimented case with reeded hood pilasters, rectangular tall square-top trunk door and on plain plinth base with bracket feet, 214cm.
AN INTERESTING GLOUCESTERSHIRE PAINTED PINE 30-HOUR LONGCASE CLOCK WITH RACK STRIKING, c.1720, the 4-finned pillar movement with trip repeat lever and unusual motionwork layout, with 11 square brass dial applied with Roman numeral chapter ring, female head pattern spandrels and arched brass plaque inscribed 'John Voyce, Dean' to the matted centre, with ringed dummy winding holes, calendar aperture and pierced steel hour and minute hands, in flat-top naive case with integral hood pilasters, lenticle to the rectangular trunk door and on shortened plinth base, 200cm, (case AF).
A BRISTOL 8-DAY LONGCASE CLOCK WITH 'HIGH WATER AT BRISTOL KEY', the 4-pillar rack-striking movement now with passing half hour strike on a bell and gong for the hour, with 12 brass break-arch dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn. Williams, Bristol', with two birds and urn pattern spandrels, subsidiary seconds dial and calendar aperture to the matted centre and silvered moonphase to arch, in later carved oak caddy-top case with grotesque relief decoration to trunk door and plinth, movement c.1750, case c.1900, 230cm.
A QUEEN ANNE OAK 8-DAY LONGCASE CLOCK, the 5-pillar movement with inside countwheel strike and 12 brass dial applied with Roman numeral chapter ring with fleur de lys half-hour marks, seconds ring, female head pattern spandrels and oval plaque signed 'W'm Moore, London' to centre, with wheat-ear engraved border and calendar aperture, in caddy-top case with integral hood pilasters over long trunk door and plinth with double skirt base, case with alterations, 252cm.
A WEST COUNTRY INLAID MAHOGANY 8-DAY LONGCASE CLOCK, c.1830, the rack-striking movement with 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture, rose painted spandrels and landscape to arch, in 'whales tail' fretwork arch pedimented case with wavy edge door and turned pilasters to hood, over short panel inlaid trunk door flanked by canted corners, on conforming plinth base with tall bracket feet, 220cm, (hood door AF).
A Bristol area inlaid mahogany 8-day longcase clock, c.1820, the 4-pillar rack and bell striking movement now with 12 brass break-arch dial applied with silvered Roman numeral chapter ring, subsidiary seconds dial, cherub head spandrels and 'Tempus Fugit' silvered boss to arch, in shaped crest pedimented arch-top case with wavy edge door and spiral turned pilasters to hood, over short line inlaid trunk door flanked by further pilasters, on conforming plinth base with tall bracket feet, 214cm.
A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.
A GOOD SOMERSET OAK 30-HOUR LONGCASE CLOCK, c.1720, the posted countwheel bell-striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring with lozenge half-hour markers and signed 'E. Rundell, Norton' to lower edge, with twin cherub and crown pattern spandrels and finely engraved tulip decorated centre with calendar aperture, in flat-top pedimented case of good colour with integral hood pilasters, rectangular trunk door and on plain plinth base, 197cm.
A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.
A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).
A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.
A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.
A WILLIAM & MARY 8-DAY LONGCASE CLOCK MOVEMENT AND DIAL, c.1695, the 5-finned pillar inside countwheel striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring signed 'Fab' Robin, Londini Fecit' along lower edge, with cherub head spandrels, subsidiary seconds dial, calendar aperture with unusual crown engraved surround, ringed winding holes and tulip engraved centre to the mated ground, with original blued steel hands and now in later North Country oak case with ogee caddy to the pedimented hood with break-arch topped trunk door and on plain plinth base, 207cm.
A late 18th century mahogany longcase clock, the arched brass dial with silvered chapter ring, with alarm set engraved in reverse to the inner edge, with matted centre and subsidiaries for seconds and for date. The latter with aperture signed Robert Sampson, petty France, Westminster and with subsidiary in the arch for strike/silent. The twin train movement with anchor escapement and with alarm work to the side striking on a bell, the swan neck hood with original flambeau and leaf finials and fretwork sides the trunk showing 'Liverpool' brickwork carved features. 236cm high.
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