We found 44426 price guide item(s) matching your search

SAMUEL CLARE (WARRINGTON); a good 19th century mahogany cased eight day longcase clock with rare Bermondsey arched enamel dial, height approx 218cm.

HENRY HIGGINBOTHAM, MACCLESFIELD; a late 18th century 30 hour longcase clock, the hood with broken swan neck pediment and with hand-painted gilt verse, enclosing the brass face with applied chapter ring bearing both Arabic and Roman numerals and with moon phase painted dial fitted in the oak case with carved and inlaid decoration and quarter Corinthian column corners, height 220cm, complete with pendulum and weight.The two winding apertures connect to dummy winding bars, therefore, this is an altered movement / none original 30 hour movement. The movement Is 30hour, not 8-day, the winding hols collect to dummy winding bars. The movement is not original to the case.

JOHN WHITEHURST, CONGLETON; an 18th century oak eight day longcase clock, the square brass dial with subsidiary seconds, height 200cm.Clocks are not guaranteed to be in full working order. Dial with general marks and some light tarnishing. Case a little tired with Bernal rubbing, some cracks to be base, thicker patches of varnish etc.

JAMES, WHITEHURST; an 18th century oak cased eight day longcase clock, the brass face with applied scrolling detail to the corners, with silvered chapter ring with Roman numerals and subsidiary wheel dial, in plain oak case with shaped door, height 188cm.

JOHN GARTLEY; a George III eight day longcase clock, the brass face set with silvered chapter ring bearing Arabic and Roman numerals, with two subsidiary dials and strike and silent dial, in inlaid mahogany case with arched door, on bracket feet, height 214cm.The glass is cracked in the hood, the columns and the hood are loose, losses to the veneer, splitting to the corners and case throughout, we offer no guarantee of working order, complete with pendulum.

SIM NISH SHERBORN; an 18th century eight day oak case longcase clock, the brass face set with applied scrolling decoration and the silvered chapter ring with Arabic and Roman numerals and subsidiary dial, fitted in a later oak case, height 203cm, complete with weights and key.The case is modern and the hinges are replaced. The movement may me made of different elements.

A late 19thC beech cased miniature longcase clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement with bell strike, the case with a shaped hood, glass fronted door and base with painted paterae, raised on bracket feet, with pendulum and key, 46cm high.

A George III oak longcase clock, with moulded cornice and inset pillared hood, full length moulded arched trunk door, and plain base with added bracket foot, the 28cm square dial having applied figures to the spandrels depicting the Four Seasons, the silvered chapter ring with Roman numerals, the matted centre field marked Woolley Codnor, and having silvered date crescent, thirty hour movement striking a bell, 196cm high. NB. James Woolley (c. 1695 - 1786) produced turret and longcase clocks including one in the Nottingham Exchange.

Allan Gibson of Nelson. An early 20thC oak longcase clock, circular silvered dial bearing Arabic numerals, the case inset with nine bevelled rectangular and square glass panels, above a floral carved panel, raised on block feet, with pendulum and weights, 207cm high.

R Seaton. A Georgian oak longcase clock, circular brass dial with engraved floral and rococo scroll decoration, chapter ring bearing Roman and Arabic numerals, two train eight day movement with bell strike, the hood with swan neck pediment, raised on brass capped fluted columns, the trunk with fluted quarter pilasters, door with mahogany cross banding, raised on bracket feet, with pendulum and weights, 213cm high.

A late 19thC stained pine longcase clock, the arched top with a concave glass plate and a brass numeric dial, with two weights and pendulum.

Lambert (Jonathan) of Haxey, Lincolnshire.  A Georgian oak and mahogany longcase clock, the break arch dial painted with a vase and rose spandrels, dial bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the hood with swan neck pediment and floral inlay, with two brass capped turned columns, the trunk similarly inlaid with a cross banded door, raised on a plinth base, with pendulum and weights, 203cm high. (AF)

George III longcase clock by Thomas Lister Luddenden in a heavily carved oak case with damages, lacking hood. Not available for in-house P&P

A WALNUT LONGCASE CLOCK BY PETER ROGER, LONDON, LATE 17TH / EARLY 18TH CENTURY the brass eight day movement with five turned and finned pillars, the anchor escapement striking on a bell, the 12 inch brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, signed 'Peter Roger London', with crown and boys spandrels, the raised hood with columns, the trunk door with a lenticle, with two brass cased weights and pendulum 227.4cm high

A WALNUT LONGCASE CLOCK BY ASSELIN, LONDON, LATE 17TH / EARLY 18TH CENTURY the brass eight day movement with three turned pillars and an anchor escapement striking on a bell, the brass 12 inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, with finely cast mask and foliage spandrels, the arch engraved with flowers and leaves with cast dolphins flanking Jupiter riding an eagle, the case with cross and feather banding, with two brass cased weights, pendulum, case and winding keys 225.2cm high

A FINE QUEEN ANNE EBONISED LONGCASE CLOCK BY JOHN KNIBB, OXFORD, EARLY 18TH CENTURY the brass eight day fully latched movement with five turned and finned pillars and inside countwheel, the anchor escapement striking on a bell, with a separate shaped cock for the pallet arbor and a cut-out on the backplate for the pallets, with a long crutch, the brass 11 3/4inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lis half hour markers, the matted centre with subsidiary seconds dial and date aperture, with blued steel hands, signed 'John Knibb Oxon' with gilt brass crown and boys spandrels, the hood with a Knibb type button capped giltwood centre finial flanked by conforming brass finials to the domed caddy top above a blind fret friezes, with integral columns with gilt brass caps and plinths, the trunk with a concave moulding and a lenticle to the door, on a plinth base, with two brass cased weights, pendulum and case key 239cm high Catalogue Note John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took-on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Throughout the latter three decades of the 17th century John and Joseph worked in parallel, however when the products from both workshops are examined, it is evident that they had a close working relationship. Joseph Knibb retired in 1697 selling-up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb continued in business until his death in 1722. The movement of the current lot is fully latched and has the feature of separate cock for the pallet arbor (and cut-out for the pallets in the backplate) normally found on earlier clocks by Joseph with butterfly-nut pendulum regulation, however the casting for the pendulum hanging cock differs from those found on earlier clocks and the use of internal countwheel for striking the hours certainly dates it towards the end of the century. From these observations one could speculate that the movement of the current lot may well have been acquired by John from Joseph's stock when he retired in 1697 or even on his death in 1711 before finishing and fitting with a dial. The fine proportions of the case closely echoes London work of the period. Despite being provincially made (probably Oxford) the case does exhibit features such as the distinctive spherical finials with button-shaped caps (which are often seen on other longcase clocks by the Knibb family) which set it aside from other provincial examples of the period.

A GEORGE III JAPANNED LONGCASE CLOCK BY GEORGE JEFFERYS, CHATHAM the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the arched 12 inch brass dial with Roman and Arabic numerals, with a subsidiary seconds dial and date aperture, with gilt Rococo spandrels and strike / silent dial, signed 'George Jefferys Chatham', the faux tortoiseshell case decorated with gilt highlights with chinoiserie scenes 225cm high

A MAHOGANY CHIMING LONGCASE CLOCK 19TH CENTURY the substantial brass three train movement with an anchor escapement striking on five gongs, the brass 12inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial, with cast spandrels, the arch with a moonphase, the hood with Corinthian columns and brass finials, the case with reeded quarter pilasters, with three large weights and a winding key 236cm high

A MAHOGANY LONGCASE CLOCK BY F. GUGERI, BLANDFORD, EARLY 19TH CENTURY the brass eight day movement with four turned pillars, the anchor escapement striking on a bell, the 13 inch painted arched dial with Roman numerals and subsidiary seconds and date dials, signed 'F. Gugeri Blandford', the arch with a moonphase, the hood with brass finials, the case with outline mouldings, with winding and hood keys 230cm high

A DUTCH MAHOGANY AND MARQUETRY LONGCASE CLOCK BY BARENT DIKHOFF, HAARLEM, LATE 18TH CENTURY the brass eight day movement with four turned pillars and an anchor escapement striking on two bells, the brass 13 1/4 inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with date and day of the week apertures and a subsidiary seconds dial, the arch with a moonphase, with the four seasons spandrels, signed 'Barent Dikhoff, Haarlem', the case inlaid with urns of flowers, with birds and a butterfly, the trunk door with a lenticle, with two brass cased weights and pendulum 215.5cm high

A MAHOGANY MUSICAL LONGCASE CLOCK BY ROBERT ALLAM, LONDON, 18TH CENTURY AND LATER the brass three train movement with five turned pillars, the anchor escapement striking on a bell and chiming on eight bells, the brass 12inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, a strike / silent dial to the arch, signed 'Robert Allam London' with scrolling foliate spandrels, the arched hood with a bird and orb finial, fluted and reeded columns and silk backed fretwork side panels, with three brass cased weights, pendulum, case and winding keys 237cm high

Three trays of crested ware souvenir items to include: pigs, urns, vases, top hat, miniature cheese dishes, figure of a gentleman with dog, harp, salt, miniature teapot, longcase clock, Arcadian china ferris wheel, suitcase, jugs etc. (3) (B.P. 21% + VAT)

A MODERN BRASS FACED LONGCASE CLOCK WITH ROLLING MOON, THREE WEIGHTS AND SWAN NECK PEDIMENT

AN 18TH CENTURY OAK CASED LONGCASE CLOCK WITH ARCHED BRASS DIAL (JN. HARRISON, NEWCASTLE) WITH SWAN NECK PEDIMENT AND DENTIL RIM

A VICTORIAN MAHOGANY EIGHT-DAY LONGCASE CLOCK WITH PAINTED ENAMEL DIAL, BY THOS. METCALFE, STOCKTON

ROBERT HALL, CHICHESTER: A GEORGE III AND LATER CHINOISERIE DECORATED LONGCASE CLOCKThe 12 inch dial, with twin-train 8-day movement and moon indicator in the arch, 213cm highCondition Report:2 weights, 1 pendulum 

An early 19th century oak longcase clock with swan neck pediment and reeded side columns to the hood, full length door, arched painted dial with moon phase to the arch, 8 day striking movement by A Chrisholm, Dumfries

Chas. Haines, Swindon, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell with the square painted dial having black Roman numerals, floral corner decoration and signed to the centre Chas. Haines, Swindon, with decorative brass hands, the oak case having a swan-neck pediment with brass centre finial and patrae, the hood with cast-brass capitals to the pillars, all standing on bracket feet, height 206cm inc. finial.Biography Charles Haines, born Antage, Berkshire in 1798, is recorded as working as a clockmaker in Wood Street, Swindon by 1829 and still listed in 1861 as a widower living with his daughter Louise and a servant.Reference John Young Wiltshitre Watch and Clockmakers Pub. Sedghill Publishing 2004, with a longcase clock by Haines illustrated p.82.

Fletcher, Barnsley, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell, with the thirteen-inch round painted dial having black Roman numerals, date aperture and signed Fletcher, Barnsley, with brass hands, the oak case having quartered columns, the hood with a swan-neck pediment and brass capitals to the pillars, the base with raised mouldings and standing on bracket feet, height 208cm.Biography There are three members of the well-known Fletcher family working in Barnsley, Yorkshire at this period with the maker of this clock quite probably one of the two clockmaking sons of Tobias Fletcher, either Charles born circa 1780 or Tobias II born 1782.Reference Brian Loomes Yorkshire Clockmakers Pub. Daleman Books 1972

Richard Longhurst, Steyning an oak longcase clock the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, decorative corner spandrels and signed R. Longhurst, Steyning, with decorative blued steel hands, the flat-top oak case with cast-brass capitals to the hood pillars, height 190cm.Biography Richard Longhurst is recorded as working in Steyning, Sussex having married there in 1776/7 prior to his move to Seaford in 1784 until at least 1834 being no longer recorded by 1839.Reference Brian Loomes Watchmakers and Clockmakers of the World NAG Press 1988.

William Johnson, Evesham, an oak longcase clock, the thirty-hour duration full-plate movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, floral corner spandrels, blued steel hands and indistinctly signed to the centre W. Johnson, Evesham, the flat-top oak case having cast-brass capitals to the hood pillars, height: 190cm.Biography William Johnson is recorded as working in Bengworth, a locality adjoining Evesham, prior to 1801 when he took Ebenezer Fisher as an apprentice. Johnson died in 1804.Reference Joseph McKenna Clockmakers & Watchmakers of Central England Pub. Mayfield Books 2002.

Joseph Liddell, Oldswinsford, an oak longcase clock, the thirty-hour duration bird-cage movement striking the hours on a bell with an outside countwheel, the eleven-and-a-half-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and decorative half-hour markings, with the matted centre having a subsidiary date aperture and silvered plaque engraved Jos. Liddell, Oldswinsford, with cast-brass cherub-head corner spandrels and blued steel hands, the oak case having an arched trunk door with the hood having a caddy-top, and turned quarter-columns, height 214cm.

Peirson, Stokesley, an unusual mahogany and oak longcase clock, the movement striking the hours on a gong and having an unusual layout with large barrel wheels and high-count pinions, with alterations, the twelve-inch round brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour markings with the outer aspect having Equinox markings, signed either side of VI o'clock T. Peirson, Stokesley, A.D. 1724, the associated oak case with fluted quarter columns to the trunk, decorative inlaid stringing and decoration to the base, the hood with fluted columns and a swan-neck pediment, height 235cm.Biography Thomas Pierson was an interesting character who appears to have had many professions including whitesmith, watchmaker, schoolmaster, apothecary, customs officer and poet, with much written about his life, especially as regards his poetry. He published a number of stories and plays including The Treacherous Son-in-Law in 1786. Prone to wearing a substantial wig, a likeness of him doing so is illustrated in The History and Antiquities of Cleveland by John Walker Ord alongside a poem written by Ord which ended, '…for Pierson's wig, it was so big, it covered both his eyes!'. Pierson died in August 1791 and was buried at Stokesley.Reference David F. Severs Stokesley's Clockmakers Pub. 2008.

John Sampson, Penzance a Georgian oak longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute markings, the matted dial centre having an inset subsidiary seconds dial and date aperture, with cast-brass c-scroll and female-head spandrels, the arch having a round silvered boss engraved with the maker's name John Sampson, Penzance, the oak case with cast-brass capitals to the fluted hood columns and surmounted by a caddy- top with fretwork panel and flanked by two brass ball-and-spire finials, height 226cm.Biography John Sampson is recorded as working in Penzance from at least 1752 when he advertised for 'any young man bred in the clock or watchmaking way wanting employment to apply to him'. He is also known to have been looking for an apprentice in 1762 and 1767.Reference Cornish Clocks and Clockmakers H. Miles Brown Pub. David & Charles 1980.

James Christie, Perth a mahogany Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the fourteen-inch round painted dial having black Roman numerals, subsidiary seconds and date dials and signed J. Christie, Perth, with decorative blued-steel hands, the mahogany curved-top case with inlaid stringing and having decorative floral inlay to the trunk and cast-brass capitals to the ebonised fluted pillars, the hood with a heavy cast-brass bezel and canted corners, the base standing on bracket feet, height 210cm.Biography There are two makers named James Christie known working in Perth. James Sr. at 62 High Street, and the probable maker of this clock, who married in 1818 whilst still working with his father and who died in 1859, and his son James Jr. working from circa 1840 in the High Street before moving to 52 St. John Street where he died in 1856.Reference Clockmakers & Watchmakers of Scotland Donald Whyte Pub. Mayfield Books 2005.

Alexander Stewart, Dublin, an Inlaid mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name Alexr. Stewart, Dublin, with subsidiary seconds dial and date aperture to the dial centre, cast-brass cherub-head spandrels to the four corners and decorative blued steel hands, the mahogany case having satinwood cross-banding to the trunk and base, with Sheraton-style inlaid decoration to the trunk, base and corners, surmounted by an architectural pediment and all standing on bracket feet, height 252cm.Alexander Stewart is recorded as working in Dublin from circa 1766 until at least 1774.

Two pairs of brass bound longcase clock weights.

A pair of heavy brass bound longcase clock weights, possibly for a month duration movement.

A pair of brass bound longcase clock weights, plus two others.

Four brass bound longcase clock weights, plus one other weight.

A Dutch miniature silver longcase clock,  late 19th c, incorporating a earlier verge watch with polychrome painted dial, backplate inscribed "Joseph London 32684", 27mm h, second standard control mark The collection of C. W. Briggs (1906-1971) (lots 1-429) Good condition, enamel dial damaged

Antique burr walnut and oak eight day longcase clock having square brass dial signed Jn Fielder, Alton, 212cm.

An antique longcase clock with painted river scene & black roman numerals to the dial, having eight-day movement, & in an inlaid-mahogany case, 85” high (for restoration, various damage/repairs, trunk separate from block base).

A reproduction continental-style longcase clock, the brass dial signed “Carrilhao Silencio”, & in an inlaid-wooden case, 79½” high (various damage/repairs to hood, structurally sound, hood will not separate from case).

A vintage painted metal longcase clock dial, together with a pair of longcase clock weights, and a vintage aneroid barometer in a carved oak case, 39” high (waf).

A bag containing eight brass and steel crank, Vienna and longcase clock keys.

A bag containing nine brass and steel longcase clock crank keys.

A 19th century oak longcase clock with painted dial, pendulum, weights and key

An early 19th century 30 hour longcase clock, later oak cased, height 192cm

A GEORGIAN FLAME MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, glazed door that's enclosing a painted 13 inch dial, moonphase automaton movement to arch, Roman numerals, indistinctly singed cooper of *****pton, on a trunk with a shaped door, and bracket feet, with two weights and a pendulum, height 227cm (condition:-pendulum in two pieces, no winding key or trunk key, movement untested and dusty, case with losses)

TWO GEORGIAN OAK LONGCASE CLOCKS, one clock with a 30 hour movement and painted dial, height 215cm, the other clock with a painted with no movement, with two weights and a pendulum (condition:-both clocks distressed and ideal for restoration, see images)

Francis Allison & Co. Finkle Street Richmond - late 19th century 8-day mahogany veneered longcase clock, with a swan's neck pediment and break-arch hood door flanked by ring turned pillars, broad trunk with cushion moulding and recessed half-pillars to the sides, short trunk door with carved cresting to the top, rectangular plinth with conforming side pillars, fully painted 13� dial with matching brass hands, Roman numerals, minute track, subsidiary seconds and date dials, diagonally matched painted spandrels and a depiction of a seated shepherd to the break arch, dial pinned directly to an eight-day rack striking movement, striking the hours on a bell. With weights and pendulum. Dimensions: Height: 220cm  Length/Width: 58cm  Depth/Diameter: 26cm

German - 20th century 8-day mahogany longcase clock, with a three-train chain-driven quarter-chiming movement chiming the quarters and striking the hours on 12 gong rods, with a flat-topped hood and square hood door, glazed trunk door with visible weights and pendulum, square brass dial with a silvered chapter ring, matted dial centre and cast spandrels. With three brass cased weights and pendulum.Dimensions: Height: 188cm  Length/Width: 42cm  Depth/Diameter: 25cm

English - Late 18th century 8-day oak longcase clock, with a swans neck pediment and dentil moulding beneath, break arch dial flanked by reeded pilasters with Corinthian capitals, long trunk door with a pointed arched top, trunk with canted corners on a rectangular plinth raised on bracket feet, dial with a silvered chapter ring, dial inscribed John Frost, London, with Roman numerals, five minute Arabic's, matted dial centre, silvered seconds dial and semi-circular date aperture, with non-matching serpentine hands and cast spandrels, 8-day rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 220cm  Length/Width: 48cm  Depth/Diameter: 26cmCondition Report:Seconds hand missing.

English - Late 20th century pine longcase clock, with a 19th century painted circular dial inscribed W K Neeshaw Pickering, Roman numerals and spade hands, with a battery-operated quartz movement.Dimensions: Height: 330cm  Length/Width: 48cm  Depth/Diameter: 33cm

An early 20th century oak glazed front longcase clock. 197 cm high.

An early 19th century mahogany eight-day longcase clock, the dial inscribed 'Thos Church Norwich'. Approximately 230 cm high.

19th century mahogany longcase clock with a carved arched top over a painted dial inscribed Winters, Glasgow, complete with pendulum and weights 223 x 49 x 23cm

A Scottish Mahogany Eight Day Longcase Clock, signed Joseph Durward, Edinburgh, late 18th Century, arched pediment, nicely figured trunk door flanked by fluted pilasters, bracket feet, 13-inch circular silvered dial signed, seconds dial and date aperture, four pillar movement with an anchor escapement and rack striking on a bell 203cm highCase colour is faded, hood side frets are later, hood left hand side with chips and some moulding missing, trunk door with a chip to the top left hand corner and scratches, trunk door is closing and has no door key to open the door, front of the base with moulding missing, wooden dial surround is later, later hour hand, seconds hand is missing, dial is dirty, movement is dirty and needs cleaning, with two weights and a pendulum.

An Interesting Oak and Mahogany Eight Day Longcase Clock, signed W Chapman, Lincoln, circa 1840, swan neck pediment, crossbanded trunk door, inside the case on the backboard with the casemakers own label inscribed "Henry Blow case maker Lincoln", inside the trunk door with a Brian Loomes label, 12-inch arch painted dial signed, seconds dial, painted scene in the arch possibly depicting a postal delivery scene perhaps commemorating the introduction of the postage stamp service in 1840, four pillar movement with an anchor escapement and rack striking on a bell217cm highFront of the trunk with two small pieces of inlaid stringing missing, front of the plinth with some small pieces of veneer missing, front of the plinth with cracks, dial is clean, hour hand with slight damage to the centre which has been an old repair to the same position, movement is clean, with two weights and a pendulum.