A George III oak and mahogany longcase clock, circa 1810, the dial inscribed 'T. Smith, Sheffield' the the hood with a swan neck pediment with brass applied terminals, the circular glazed door set between turned columns, opening to reveal a white enamelled dial with a hand painted scene to centre and black Roman numerals, with an eight day movement, the case door opening to reveal a double weight movement, cross-banded edges, 215cm high
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An 18th century eight day oak cased longcase / grandfather clock by John Thomas of Crewkerne. The twin-train movement striking on a bell having brass and silvered dial with gilt metal spandrels and date aperture to lower centre with notation for John Thomas Crewkerne (Recorded The Clockmakers of Somerset 1650-1900 as working in Crewkerne circa 1690-1760 )
Oak thirty hour longcase clock, the 12" square brass dial signed Steph. Miles, Kidderminster to the foliate engraved centre, also engraved with a Hebrew name and enclosed by a silvered chapter ring, the case with long wavy pointed arched moulded door and the hood surmounted by a moulded swan neck pediment, 85" high (pendulum)
A Victorian oak inlaid longcase clock, curly pediment with carved paterae to hood, arched dial flanked by turned columns, painted dial with landscape scenes in arch and spandrels Roman chapter, indistinctly signed by a Cambridge maker, thirty hour movement striking on a bell, short trunk door inlaid with shell patera and later brass knob, flanked by fluted quarter columns, panel below door and skirt to base. 87in (221cm) tall.
A George III brass mounted mahogany striking longcase clock, Thomas Drew, London, late 18th century, the brass dial with silvered Roman chapter ring with Arabic five minutes, subsidiary seconds and date, signed Thos Drew London, the two train movement with recoil anchor escapement, rack striking to bell and strike/silent (234cm high) (pendulum and case key).
A late 19th century thirty day mahogany and inlaid longcase clock, the arch top hood enclosing a painted metal dial plate, with moon phase and subsidiary seconds dial and half moon aperture detailed 'Jos Wilde, Macclesfield', mounted over a pinched waist trunk and plinth base, 225cm high. (pendulum, two weights and three keys)
Walnut crossbanded and marquetry inlaid longcase clock, the square hood flanked by three quarter spiral twist columns above a rectangular panelled door with oval glass pendulum window and a moulded plinth base, the gilt brass and silvered dial later inscribed Daniel Quare with subsidiary seconds dial and calendar aperture, the two train five pillar movement striking on a bell
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell
19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above a shaped panelled door and conforming plinth base, the painted dial with decorated arch above Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, signed to the dial David Shaw, Leicester
George III mahogany shell and line inlaid longcase clock, the arched hood with swan neck pediment above a shaped door and conforming base raised on low bracket supports, with a silvered and gilt dial with moonphase, inscribed Jo Simpson, Wigton, the two train eight day movement striking on a bell
18th Century walnut longcase clock, the arched hood above a crossbanded arched door and a plinth base (reduced and extended with a later mahogany plinth), the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and date aperture, inscribed Thomas Smith Norwich, the two train movement striking on a bell
An early 19th century mahogany inlaid longcase clock by Michael Johnson, Barnard Castle (1782-1843), the painted dial with two subsidiary dials, boxwood inlaid stringing to trunk, with two lead weights and pendulum, 205cm high x 55cm wide x 27.5cm deep CONDITION REPORT: Lot 246 - scuffs, scrapes and wear to hood door, piece of inlay missing to left side on top of trunk, repairs to lower trunk and some small pieces of wood missing, beading missing to left side of base.
An 18th century oak longcase clock by William Wilks Wolverton, the arched brass dial decorated with mask spandrels and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, eight day two train movement, striking on bell, with pendulum, lacking weights, 222cm high x 48cm wide
Thomas Mawkes of Derby - late 18th century mahogany longcase clock, the painted arched dial (w.12¾") signed to the centre and with rolling moon-dial, subsidiary seconds dial and date dial, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having canted corners and rosewood crossbanding, h.230cm Condition Report / Extra Information The whole in excellent but fully restored condition. All parts appear original, although cheeks are probably replacement. With weights and pendulum.
John Cooke of Aylesbury Street, London - mid-18th century chinoisserie lacquered longcase clock, having a pagoda top, the square brass dial (w.12") having engraved and matted centre, cast brass mask spandrels, silvered chapter ring with Roman and Arabic numerals, further signed plaque, subsidiary seconds dial, date aperture, twin winding holes for an eight day brass five pillar weight driven movement striking on a bell, the case decorated with Japanned figure and pagoda scenes, h.220cm (excluding finials), sold with weights and pendulum Condition Report / Extra Information Movement, case and dial appear to belong. Has been overhauled in the last 25 years. Seatboard is replacement. In working order. Some lacquer losses to door and fine vertical split.
EDWARDIAN INLAID MAHOGANY EIGHT DAY QUARTER CHIMING LONGCASE CLOCK with a broken swan neck pediment and central urn above an arched glazed door with fretwork side panels to the hood, flanked by pillars, the dial with a silvered chapter ring marked 'Johnston & Co Glasgow', with three subsidiary dials for the seconds, chime/silent and the Whittington/Westminster, above the body with an arched bevelled glass door revealing a fretwork back panel, the whole decorated with trophy and garland inlay, 258cm high with a winding handle
A late 18c eight day longcase clock by Peter Hunter of Allon, the 13 arched brass dial having a silvered and engraved dial centre with scroll and urn spandrels and a strike silent lever in the arch. It has unmatched steel hands and seconds and date indicators. The movement is of standard construction having anchor escapement and rack striking on a bell. It is contained in a mahogany case with swan neck pediments to the hood with a central finial and fluted freestanding columns flanking the dial. The long trunk door has a wavy top and a boxwood edge line inlay and is flanked by fluted quarter columns. There is a rectangle of chequer inlay above the door and the quarter columns have line inlay below them. The base has canted corners and a rectangle of line inlay with indented corners and a wavy plinth, 86 tall overall.
A mid 18c eight day longcase clock, the 12 arched brass dial signed Robert Pyle, Newport and having a matted centre and female head spandrels. It has unmatched steel hands and date and seconds indicators. The movement is of standard construction with rack striking and anchor escapement and is now housed in a later plain oak case. The hood is flat topped and has plain columns attached to the door. The long trunk door has a lenticle glass and chamfered edges and the base is plain with a solid skirting, 81.5 tall.
A late 18c eight day longcase clock, the 11 square brass dial signed Daniel Bing, Ramsgate and having scroll spandrels, matched steel hands and date and seconds indicators. The five pillar movement has rack striking and anchor escapement and is contained in a plain oak case with flat topped hood and the hood door has plain columns attached. The trunk has a long plain rectangular door and the base is plain with a plain skirting, 80 tall overall.
A George III oak longcase clock by Thompson of Wigton, with arched brass dial with moon phase to the arch, with centre seconds movement, the case with long trunk door flanked by fluted quarter column corners. Height 216 cm (see illustration). CONDITION REPORT: The clock hood is in good order with no issues. The trunk door is not warped and the sides of the case are in good condition. The base is in generally good structural order although a little scuffed and dirty particularly around the plinth. We have both weights and pendulum but no key. The clock is currently ticking away and striking but the movement is dirty as is the dial. The clock is not in our opinion a marriage, the cheeks have not been altered and the mask fits well around the dial.
A George III mahogany longcase clock, with eagle and ball finial above the swans neck pediment in turn above the glazed door enclosing the 30 cm arched painted dial and two-train striking movement, flanked by fluted columns with brass capitals, with rectangular trunk door flanked by canted angles and the whole raised on bracket feet. Height including finial 223 cm (see illustration).
An 18th century Dutch marquetry longcase clock, with bronze figure of Atlas above the caddy top in turn above the arched glazed door enclosing a brass dial and two-train movement by Archibald Lawrie, Carlisle, width 31.5 cm, and with long arched trunk door with lenticle and canted angles and raised on a bombe base. Height 285 cm (see illustration). CONDITION REPORT: As the case is Dutch and the dial and movement English it is unlikely that the case and movement have always been together. The mask around the dial does fit extremely well and the clock does not look like a marriage. The movement appears complete but it is dirty. We have not had the clock running. The case is in generally good unestored condition but would benefit from some cabinetwork. There are small areas of veneer and marquetry missing but no significant amounts. There are various cracks to the veneers and mouldings but again none of these are particularly problematic. The trunk door is not warped. The side panels are in good order. The canted angels are in good condition. The base is generally in good order although there is a crack from left to right through the top half of the vase and further stress cracks to the veneers above this. The base moulding is generally in good order and the feet are original. The backboards are original. There is very little trace of any woodworm and certainly none that is currently live. We have no specific or interesting information re provenance unfortunately.
A William Porthouse of Penrith 30 hour longcase clock movement, with date aperture and inscribed "Jane Williamson 1772", in later carved oak case. CONDITION REPORT: The cheeks have not been built up. The seatboard is old. If the case is original then the mask around the dial fits well. If the case is original then perhaps it is later carved.
A George III oak and walnut banded longcase clock, with eight day striking movement by R. Deaves, Whitchurch, the arched brass dial with moon phase, subsidiary seconds dial and date aperture, the long trunk door flanked by quarter column corners and raised on a conforming base. Height 207 cm (see illustration). CONDITION REPORT: The clock case is generally in very good order. The hood has no issues and is of good colour. The crossbanded frieze beneath the bottom edge of the hood has minor veneer losses at the corners. The trunk door is not warped. The sides of the case and base are all in good condition and the bracket feet are original. The case is of good colour and requires very little work if any. The clock winds on both trains and appears to be ticking and striking however it is a little dirty. There do not appear to be any pieces missing and the moon phase mechanism is present. We do not think that the clock is a marriage as the fit around the dial is good,the seatboard original and the cheeks not built up.
A George III oak and mahogany crossbanded longcase clock, by Timothy Graham of Workington, with two-train striking movement and moon phase to the arch. Height 223 cm. CONDITION REPORT: The left hand swans neck has been broken and re-attached. Other than this the hood is in very good order. The trunk door is not warped and shuts as it should. The sides of the case are in good condition as is the base. The bottom board is clearly later and the clock may well have had a deeper plinth and/or bracket feet. We have a pendulum but it does not appear to be the correct one for the clock, we have the weight. The movement is ticking away without the pendulum and also striking. The movement is however very dirty and requires an overhaul in our opinion. The case movement and dial are in our opinion not a marriage. Please note this a 30 hour clock not eight day.
A Regency mahogany longcase clock by Muirhead of Glasgow, with carved pediment, circular dial, two-train movement, subsidiary seconds and date dial, with rectangular trunk door flanked by fluted column corners. Width 198 cm (see illustration). CONDITION REPORT: The hood is in very good condition. The door is not warped. The seat board is clearly original and the clock is not a marriage. The silvered brass dial is a little dirty as is the silvering in places. The movement is all present and correct and appears to operate when weight is applied to the going train. We have the weights and pendulum and there is a winding key. The trunk door is flat and not warped. The trunk itself is in extremely good condition as is the base and feet which are original.
A George III longcase clock by Bancroft of Scarbro, with fretwork pediment, arched painted dial, two-train striking movement, subsidiary date and seconds dials, flanked by fluted columns, with long trunk door, crossbanded base and raised on bracket feet. Height including brass finial 231 cm (see illustration). CONDITION REPORT: The hood is in generally very good order. There is no significant damage, no losses and the door is not warped and operates as it should. The colour is good, the trunk and base are also in very good order and no cabinetwork is required. The door is not warped and locks and we have the key. The bracket feet are all present and appear to be original. The rear of the case is original. The dial is a little tired. The numerals are rubbed and worn and some have been badly overpainted. The clock is currently not operating. The movement is very dirty but appears to be all present. The pendulum is damaged although we have all of the pieces. We have a winding key. The seatboard is clearly original however it does not sit directly on top of the cheeks which appear to have been first reduced in height and then packed out back to the original height which is a little odd. The mask around the dial fits extremely well. In our opinion the clock is not a marriage however we cannot be certain. We have only one pulley and no weights.
An early 19th century mahogany cased longcase clock, by L.W. Banks of Leicester, dial width 38.5 cm, with moon phase and with three-train movement striking on a gong and with four further musical gongs, with moon phase to the arch and spandrels emblematic of the Continents, the case being ebony strung and raised on bracket feet. Height 243 cm (see illustration). CONDITION REPORT: The clock case is in extremely good order and does not require any repairs or restoration. There have been minor veneer repairs to some of the crossbanding but none of these are significant. The only minor issue is some vertical stress fractures to the base which should be visible from our images. The dial looks to have been fairly recently cleaned and is in very good order as is the movement which is currently ticking away and seems to be operating as it should. We have all keys, weights and pendulum.
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41637 item(s)/page