We found 44425 price guide item(s) matching your search

Art Deco "Enfield" Longcase Clock, Silvered Dial, Arabic Numerals, Chrome Triple Weighs And Pendulam, Glazed Front. Height 72 Inches

20thC Mahogany Finish Longcase Clock, Triple Weights, Glazed Front. Broken Scroll Pediment, Height 84 Inches

A GEORGE III 8-DAY LONGCASE CLOCK with enamel dial inscribed 'THOS JOYCE WHITECHURCH', subsidiary seconds dial and date aperture, painted with a hunting scene to the break arch, in an oak and mahogany case with line inlaid decoration, 58cm wide 25cm deep 221cm high

A GEORGE III 8-DAY LONGCASE CLOCK the enamel convex dial with subsidiary seconds dial and date aperture, painted decoration to spandrels and break-arch, in an oak and mahogany case with swan neck pediment, 51cm wide 25cm deep 230cm high including eagle finial

A MAHOGANY CASED 30-HOUR LONGCASE CLOCK the 10' brass dial decorated to centre with a scene of animals and a figure on horseback before buildings, the mahogany case probably associated, 54cm wide 31cm deep 201cm high

AN OAK CASED 30 HOUR LONGCASE CLOCK the brass dial engraved with shipping scene to the centre, the Roman numeral chapter ring and mask spandrels, 44cm wide 23cm deep 209cm high

A mahogany longcase clock, unsigned, circa 1780, the eight-day bell striking movement with 12inch break arch dial, the arch with moonphase, the white enamel Roman numeral dial with Arabic five minutes, subsidiary seconds dial and date aperture and with painted spandrels to the corners, the hood with broken swan neck pediment with eagle above detached columns, trunk with full length door flanked by quarter columns, 221cm highPlease Note: The measurements should read 221cm high and not 112cm as originally catalogued.

An oak and rosewood longcase clock inscribed Kienzle International to face.

A mahogany and inlaid longcase clock , late 18th century and later, with an eight-day bell striking and concentric bell chiming movement, the 12inch break arch Roman numeral dial signed for Lockwood, Swaffham and with Strike/Silent boss to the arch, in a case with broken swan neck pediment above detached fluted columns, the trunk door with later Dutch style marquetry inlay, 230cm high overall G.H.Baillie in Clockmakers of the World Vol 1. lists two Lockwoods in Swaffham, Benjamin a maker of longcase clocks and watch (1749-95) and David, clocks and watches (1752), p.200.

A George III oak and mahogany cross banded longcase clock with broken scroll pediment and a ball and eagle finial and two ball and spire finials above a 13 inch square dial with Arabic numerals, subsidiary seconds dial and date aperture and gilded patera, in the corners between fluted brass capped pilasters, eight day movement striking on a bell over a shaped top, trunk door, plain base base and later plinth, 225cm overall height

A George III oak and mahogany crossbanded longcase clock, the broken scroll swan neck pediment above an arched glazed hood enclosing a thirteen inch white enamel dial, with Roman numerals, subsidiary seconds dial and date dial and marked Prince Dunllett, painted with a classical muse playing a lyre in the arch and roses to the corners, eight day movement striking on a bell, between fluted brass capped pilasters over a concave top full length trunk door, inlaid with an urn and flowers motif, flanked by quarter pilasters over a plain base and later plinth, 220cm high

An early 18th century chinoiserie lacquered longcase clock, the square hood enclosing a twelve inch arched brass dial with Roman numerals, subsidiary seconds dial and date aperture and dolphin engraved foliate decoration to the matted centre, ringed winding holes, the silvered dial marked Jos Cooper, Malpas, coloured rolling moon phase in the arch, eight day movement striking on a bell above an arched top full length trunk door, detailed with pagodas and figures and European sailing chips over a concave moulding and similarly decorated later painted base and on ogee bracket feet, 230cm high

A George III oak cottage longcase clock, the pagoda top square hood enclosing a twelve inch square dial with silvered chapter ring and Roman numerals, the centre with rolling moon phase and date aperture and engraved foliate scrolls and marked Thos. Lister, Halifax within pierced foliate spandrels, a thirty hour movement striking on a bell between brass capped pilasters over a plain shaped top trunk door and plain base and plinth with shaped bracket feet, 212cm high

A George III mahogany chequer strung and rosewood crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above a glazed hood door enclosing a fourteen inch white enamel dial with Roman numerals, subsidiary date dial and rolling moon phase with shipping and country scenes, the dial painted with exotic birds and flowers to the corners, later painted M. Walker, Bolton eight day movement, striking on a bell above an ogee arched top trunk door, flanked by reeded quarter columns over an ogive cornice and base board between canted angles, 215cm high

A George III oak and mahogany crossbanded longcase clock, the broken scroll swan neck pediment above an arched glazed door enclosing a 12 inch white enamel dial with Arabic numerals, subsidiary seconds dial and date dial and marked T. Slater, Lichfield, painted with shells to the corners and in the arch, eight day movement, striking on a bell, between fluted brass capped pilasters and over a shaped top trunk door centre by a conch sell motif of a further tablet between fluted quarter pilasters, raised panel canted base and on a plinth, 216cm high

A blond oak Tempus Fugit longcase clock with pendulum and weights

A 19th century mahogany longcase clock with classical painted dial by Roberts, height 221 cm.

A 19th century mahogany longcase clock with brass and silvered dial, by Smith Pittenmeen, height 213.5 cm.

An early 19th century oak longcase clock with painted dial, Thomas Corker of Stafford with pendulum and weights

A 19th CENTURY MAHOGANY AUTOMATON LONGCASE CLOCK by H & J Daniel, Liverpool, the arched top hood and door with turned pillar side decoration housing a 14 ins arched top dial set with Roman numerals, subsidiary seconds and date aperture with 'sawing man' moving figure, set before an anchor escapement brass movement, twin weight pendulum driven striking on a bell (pendulum and weights included), the cast backplate stamped 'Finnemore & Son', the dial front with maker's name, numbered 3537, having floral painted spandrels, the shaped top trunk door flanked by turned pillars on a stepped base and turned feet, the panel front string inlaid, 225 cms high overall

A GOOD ROLLING MOON MOVEMENT OAK & MAHOGANY LONGCASE CLOCK, the hood with broken swan neck pediment over a single arched top glazed door and flanking reeded pillars, enclosing a 14 ins dial set with Arabic numerals, twin wind apertures with date and second subsidiary dials, floral painted spandrels and ship painted moon face plate, stamped to the reverse 'Walker & Hughes', repeated to the cast backplate, the twin weight pendulum driven movement striking on a bell (pendulum and weights included), the shaped top trunk door with flanking reeded pillar decoration and raised lower panel, on a stepped trunk base with shaped lower panel and canted corners, on a plinth base, 223 cms high, 56 cms wide maximum

AN EARLY 19th CENTURY INLAID MAHOGANY ROLLING MOON LONGCASE CLOCK by Jameson, Ormskirk, the broken swan neck pediment with brass bird finial and painted decoration over a single arched door with reeded side pillars, housing a 14 ins painted dial set with Roman numerals and painted moon dial before a brass twin weight pendulum bell striking movement, the bell stamped 'G Ainsworth, Warrington', the cast backplate stamped 'William Whittaker', (pendulum and weights included), the shaped top trunk door and reeded side pillar decoration having various string inlay, on a stepped trunk base (plinth moulding missing), 230 cms high overall, 64 cms wide, (some restoration required)

AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the hood with caddy top, the case with long trunk door and plinth base, the 11-inch square brass dial, signed Barnard/ Newark and numbered 819, with date crescent, with weights and pendulum. Overall 209cm

THOMAS DICKER, SILCHESTER, AN INLAID WALNUT THIRTY-HOUR LONGCASE CLOCK, the 10-inch square brass dial with silvered chapter and single pointer, the hood with caddy top, the trunk door with cushion moulded edge and star inlay, the panel base with plinth and bun feet. 199cm.

JOHN STEWART, EDINBURGH, A SCOTTISH GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 12-inch break-arch brass dial with silvered Roman chapter, aperture and subsidiary seconds, the hood with fluted columns with Corinthian capitals and swan-neck pediment, the trunk with fluted quarter columns with Corinthian capitals, raised on bracket feet. 220cm.

MANOAH RHODES & SONS LTD, BRADFORD, AN EARLY 20TH CENTURY OAK EIGHT DAY LONGCASE CLOCK OF GOOD QUALITY, the 9-inch square brass dial engraved with scrolls and with Roman numerals, the hood with half barley twist columns, the trunk with plinth base, with weights and pendulum. 180cm.

A MAHOGANY CHIMING LONGCASE CLOCK, signed Simcock, Liverpool, adapted to strike the quarter hours on nine bells, the 12¾-inch break-arch brass dial with silvered chapter and subsidiary seconds, third hand date, rolling moon in the arch, the handsome flame mahogany case with quarter reeded columns and panel base. 230cm.

THOMAS HUMPHREYS, BARNARD CASTLE, A 19TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the 12½-inch break-arch painted dial with subsidiary seconds and date, painted in the arch with a landscape vignette, the case with arch-top trunk door and fielded panel base. 215.5cm

A Georgian oak 'World Time' longcase clock, the hood with Corinthian columns and swan neck pediment, enclosing a painted broken arched dial and eight day striking movement, the unusual dial segmented in to twenty four hours and marked 'Morning Noon Evening Midnight', with pierced pointers and additional dial in brass detailing further geographical locations ie China, Great Southsea, New Zealand, California, Virginia, Canary Isles, etc, further engraved 'Sam Younger' dated 1794, to the dial 'S Younger Alford', with painted floral spandrels

A Georgian mahogany and inlaid longcase clock, the painted dial with broken arch and painted floral spandrels including a map of the two hemispheres and a rolling lunar phase with marine landscape panels, indistinctly signed, with subsidiary calendar and secondary dial and eight day striking movement.

James Davis, Leominster, an early 19th century eight-day longcase clock movement and period painted Arabic and calendar subsidiary dial, in a 1930s oak case, 188cm

A longcase brass clock face with Roman numeral dial

AN IRISH INLAID MAHOGANY LONGCASE CLOCK, early 19th century by Vizer of Dublin, the architectural hood enclosing a white painted dial inked with Roman numerals and second subsidiary dial, above a single trunk drawer and plinth base, with weights and pendulum. 220cm high

An early 20th century electric clock designed by R.G. Wilson, 1909, contained within an Arts & Crafts oak longcase 214 x 54cm

A 19th century mahogany longcase clock, the swan neck pediment over a painted dial by Wm Dobbie, Falkirk, with Roman numerals and two subsidiary dials 215 x 50cm

Colin Ruffell (born 1939), an interior still life study with bureau bookcase, chair, occasional table and longcase clock. Impasto oil on canvas, signed lower right, 75cm x 75cm.

A reproduction longcase clock with a triple train moonphase dial facing an eight day movement.

A reproduction mahogany stained longcase clock, having a 31 day movement.

George III mahogany and inlaid longcase clock, Richard Martin, London, the step inlaid cornice above a square glazed hood with wavy outline glazed door above the long trunk door having flower inlay, the dial with a silvered chapter ring with subsidiary dial and date aperture, brass spandrels, twin train movement striking on a bell, 214cm high

George III oak longcase clock, H Lough, Penirth, the blind fret cornice above a square glazed hood flanked by columns with a heavily carved trunk door and carved plank base, the signed brass dial with a brass chapter ring, Roman hours and Arabic outer minutes, date aperture, the single train movement striking on a bell, later carved case, 190cm

Rare wild cherry wood 18th Century longcase clock, Lee High Wycombe, the concave cornice above a square glazed door flanked by three quarter columns above a long trunk door and panel base, the white painted signed dial with Roman hours and outer Arabic minute, 30 hour movement, 193cm high

George III mahogany longcase clock, Mallell, Woodbridge, the arched pediment above an arched glazed hood flanked by columns, a long trunk door flanked by quarter columns on a plinth base, the white painted dial with Roman hours, subsidiary seconds dial and date aperture, the arch with a rocking ships leaving a port, twin train movement striking on a bell, 206cm high

Two scratch built miniature longcase clock watch holders, the first in oak with an arched hood and trunk body, 31cm high, the second with a brass clad body and arched top, 31cm high, (2)

A moon phase rolling longcase clock dial and a chapter ring

A 19th Century 30-hour longcase clock movement and dial

A 1930's oak triple weight longcase clock

Early C18th Longcase Clock circa 1720 with square brass dial signed by John Wilkins, Oakham, date aperture, secondary seconds dial, cherub spandrels, engraved centre, door with shaped top, canopy with fluted columns & gilt Corinthian capitols, under dentil cornice, movement striking on bell, 2 iron weights & brass pendulum, approx. 6' H

An oak and mahogany eight day longcase clock, 30 1/4 '' painted arch dial, later case

An early 19th century longcase clock, ca 1820, signed to the 13 inch arched, painted dial for J. MacNab of Perth, the dial is colourfully painted with four seated lady's in pastoral poses in the corners and a seated lady to the arch, the case of mahogany with inlaid decoration, quarter-reeded columns, matched reeded columns to the hood, swan necked pediment with brass paterae and single ball and spire brass finial, 8-day bell striking movement, with painted pendulum, weights, winding key and cabinet key. 212cm to top of the ball finial. (John MacNab is listed by Loomes as working at Leonard Street, Perth, 1820 to 1842)Estimate £350 to £450 - This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday following the auction.

A cast iron bell, an eight day longcase clock movement and face and a projector

An oak eight day longcase clock, 12'' square brass dial with chapter ring signed Jno Beech, Newcastle, later oak case

An oak thirty hour longcase clock, 18th century, 9 3/4'' square brass dial, with chapter ring signed J. Hall. Desford

A French comtoise striking longcase clock, 20th century

A French comtoise striking longcase clock, 20th century

A Berlin Woolwork Depiction of a Seated Girl with a Dog, in ebonised frame, and a repainted longcase clock face. (2)

ARTS & CRAFTS OAK LONGCASE CLOCK WITH A CIRCULAR DIAL OF 11 INCHES AND A BEVELLED GLASS DOOR. HEIGHT: 79 INCHES.WIDTH: 18 INCHES.DEPTH: 10 INCHES.IN WORKING ORDER.

Miniature mahogany and inlaid longcase clock, the 3.5" white dial within a chevron banded case surmounted by a broken arch pediment, the Buren movement with platform escapement, 17.75" high

Eight day longcase clock 12" brass arched dial signed James Gandy, Cockermouth on the chapter ring, enclosing a foliate engraved centre with subsidiary seconds and calendar dials

Eight day five pillar longcase clock movement, the 12" brass arched dial signed John Edwards on a silvered shaped plate to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch (pendulum and two weights)

Eight day five pillar longcase clock movement, the 12" square brass dial signed Charles Harris, Peterbrow on the silvered chapter ring enclosing a subsidiary seconds dial, ringed winding holes and calendar aperture (pendulum and two weights)