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An oak longcase clock the 18th century movement by Henry Harrison High Wycomb having 12ins broken-arched dial with silvered Roman chapter ring subsidiary seconds dial date aperture engraved matted centre urn spandrels and lunar aperture and date dial to the arch flanked by dolphin spandrels in later case H 212.5cm W 49cm

A George III oak longcase clock John Owen Llanrwst the eight-day movement having 12ins brass dial with Roman chapter ring subsidiary seconds date aperture and foliate-engraved matted centre; the case mahogany crossbanded and having concave cornice over fluted pilasters with shaped trunk door below flanked by quarter-fluted columns on plinth base and ogee bracket feet H 202.5cm W 62cm

A VICTORIAN NORTH COUNTRY MAHOGANY EIGHT DAY LONGCASE CLOCK, by Oliver Young of Newcastle having broad case of tall proportions, arch painted face with peacock and floral decoration, pointed arch waist door and panelled base. 94" High overall. Strikes on one bell.

A 19TH CENTURY SCOTTISH MAHOGANY EIGHT DAY LONGCASE CLOCK, by J.Weir of Glasgow having drum hood with “C” scroll mouldings painted face with seconds dial and Roman numerals, tapering waist and panelled base, on bun feet. 12.5" Diameter face. 84" High.

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK BY WILLIAM MARSTON, BISHOPS CASTLE, having flat hood with square apeture flanked by reeded columns, later carved waist door flanked by quarter reeded pillasters, under carved base and bracket feet. Square brass face with date apeture and figural spandrels. (face & case associated) 11.5" Dial. 77" High. C1750 and later.

AN EARLY 19TH CENTURY WELSH OAK 30 HOUR LONGCASE CLOCK BY HENRY EVANS OF LLANGADOG, having broken swan neck pediment above arched apeture, herringbone and string inlaid waist with pointed arch door, panelled base with bracket feet. 30Hour movement striking on one bell, arch painted face 18" x 12.5" with cottages and castles, date apeture 83" High. C1830. (Henry Evans, Llangadog 1830-50).

AN EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK BY JAMES ISAAC & SON OF CARMARTHEN, the hood with broken swan neck pediment above arched apeture, shaped waist door and plain base with bracket feet. Arch painted face 12" x 16" with floral spandrels, seconds dial and date apeture. 86" High. C1810. (some restorations).

A 19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK BY DANIEL LEVY OF CARMARTHEN, having arched hood flanked by reeded columns, inlaid decoration to the waist and base, on bracket feet, 8 day movement with painted face, (17.25" x 12"), having seconds dial, date apeture and floral spandrels with country scene to the arch. 84" High. C1840.

AN 18TH CENTURY OAK 8 DAY LONGCASE CLOCK BY SAMUEL BURGES, LONDON, having arch hood (lacking pediment) above arched apeture, plain waist with arched door, panelled base with bracket feet. Eight day five pillar movement striking on one bell, arch brass face 16.5" High x 12" Wide with engraved decoration, pierced spandrels, silvered chapter ring and seconds dial, date window. 80" High. (Restored).

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK BY WILLIAM STRUMBELS, having flat hood with square apeture, plain waist door and panelled base on bracket feet. 11.5" brass dial with pierces spandels, 30 hour movement striking on one bell. 78" High. C1740 and later. (See lot 218 for illustration)

A TALL 1920’S OAK LONGCASE CLOCK, having applied mouldings, gilded circular face and quarter striking movement, with exposed weights.

A 1930’S THREE WEIGHT MAHOGANY LONGCASE CLOCK, with domed case, silvered circular face and arch glazed door.

A longcase clock by Jas. Wilson, Stamford, circa 1780, with oak cross banded mahogany case, eight day movement with chime, painted spandrels.

A George III Oak Country Longcase Clock, the square hood with chequer inlays and turned pilasters above a rectangular door and conforming plinth base, the repainted dial with Roman Numerals and subsidiary seconds dial, thirty hour movement by John German, Bishops Waltham

Early 19th century mahogany longcase clock, arched hood with glazed door enclosing 14.25in circular painted enamelled dial with Roman numerals, marked Robert Roskell, Liverpool, eight day striking movement, trunk with arched door flanked by reeded quarter columns, 210cm high.

Early 19th century oak and mahogany longcase clock, hood with swan neck pediment and brass ball finial over a painted glass frieze, with reeded turned columns flanking the glazed door enclosing 13in painted enamelled dial with subsiduary seconds dial and date dial, marked W (William), Jackson, Frodsham, the trunk with a frieze inlaid with oval panels, above a shaped door flanked by reeded quarter columns, 234cm high.

An early 19th century mahogany eight day longcase clock arched painted dial with moonphase date aperture and subsidiary seconds inscribed Horwood Bristol in an ebony strung case domed hood and octagonal corner columns 6ft. 9in.

A George III mahogany eight day longcase clock the arched silver dial with strike silent Roman numerals and subsidiary date and seconds dials signed William C.Tooke Lynn 7ft 10ins

A George III oak thirty hour longcase clock the 10 inch square brass dial with silvered chapter ring signed William Warren Royston 7ft 2ins

A George III oak eight day longcase clock with arched painted 13ins dial of a seated lady looking at a globe with shell spandrels signed Rankin with subsidiary seconds and dated dials 6ft 11ins

John Marshall London eight day longcase clock the brass arched dial with strike silent mechanism date chapter and second finger is housed within a pagoda top hood raised on a slender Japanned chinoiserie case 93" high.

William IV eight day mahogany longcase clock the brass and silvered arched dial with second finger and date window is housed within a swan neck pediment hood 88" high.

A 19th Century longcase clock, by Wm Parkes Retford, with eight day movement the painted dial with cottage and figure to the arch and floral spandrels, date aperture, in oak and mahogany cross banded case, the hood with phoenix finial and swan neck pediment over fluted columns with gilt capitals, the arched door inlaid with urn of flowers, the panelled base inlaid with a conch shell, on shaped bracket feet, 93" high.

An 18th Century longcase clock, by S. Ashton Ashburn, the white painted circular dial with date aperture and thirty hour movement, in oak case with mahogany cross banding, the hood with swan neck pediment over satin stringing and fluted columns, reeded pilasters, shaped door on panelled base and bracket feet, c.1790, 80" high.

A George III oak longcase clock, by Newby, Kendal with broken arch pediment above the glazed door enclosing the 12in. square brass dial, chapter ring with Roman numerals, foliate engraved centre inscribed "Newby, Kendal" with date aperture beneath and thirty-hour movement flanked by turned columns and with shaped trunk door being crossbanded in mahogany and flanked by quarter round turned mahogany columns with conforming base. Height 86ins.

A mahogany longcase clock, having a swans neck pediment above the glazed door enclosing the 14in. diameter circular painted dial and eight-day movement by Tyson, Whitehaven with Roman numerals and subsidiary seconds hand flanked by flat pilasters in turn above the short shaped trunk door and conforming base raised on bracket feet. Height 79.5ins.

A George III oak longcase clock, having a moulded cornice above the arched glazed door enclosing the 12in. silvered brass dial with Roman numerals to the chapter ring, subsidiary seconds dial and eight-day striking movement by Brownleys, Staindrop flanked by fluted pillars, the long arched trunk door with centre inlaid medallion flanked by canted fluted angles and with conforming base raised on bracket feet. Height 84ins.

A Thirty Hour Longcase Clock], Japanned case with flat top pediment and depicting oriental scenes, trunk door with moulded border and glazed lenticle, 'shortened' plinth, 12-inch square brass dial with silver chapter ring signed "Thomas Kefford, Royston", dial centre with date aperture, four pillar movement with outside countwheel striking on a bell, dial and movement (circa 1730) associated to case (mid-18th century), 188cm high

A Carved Oak Single Hand Thirty Hour Longcase Clock, signed Rd Bullock, Ellesmere, circa 1730], the highly carved case with flat top pediment, arched trunk door, "shortened" plinth, 10-inch square brass dial with single hand, alarm disc and dummy date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, 202cm high

An Oak Single Hand Thirty Hour Longcase Clock, signed Willm Porthouse, Penrith, circa 1740], the case with flat top pediment, the trunk with shaped door, 10-1/2-inch square brass dial, matted dial centre with date aperture and plaque signed "Willm Porthouse, Penrith", single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 206cm high *William Porthouse was from a family that made clocks for several generations. He is recorded as between 1706-90.

A Mahogany Eight Day Longcase Clock, the case with flat top pediment and "later" inlay around the case, reeded columns, broken arched trunk door flanked by canted corners, rectangular plinth with raised quatre form moulding, 13-inch silvered circular dial with Roman and Arabic chapter, dial centre signed "Jno Agar & Son, York", four pillar movement with anchor escapement and rack striking on a bell, 207cm high, dial and movement circa (1790), case with "later" inlay (19th century)

An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, plain turned brass capped columns, plain rectangular trunk door upon 'shortened' rectangular plinth, 10-inch square brass dial with silvered chapter ring, matted dial centre with recessed silvered plaque signed "R Hardwick, Ashwick", single pierced hand, four posted movement with slender pillars, anchor escapement and outside countwheel striking on a top mounted bell, 189cm high, dial and movement (circa 1740) and case (later)

A Mahogany Eight Day Longcase Clock, G.Brabbs, Asselby, circa 1825], the case with pagoda inlaid pediment, central inlaid with a marquetry vase of flowers, reeded columns with brass Corinthian capitals, the trunk of good patination flanked by ebony inlaid canted corners, rectangular inlaid plinth raised upon 'later' shaped feet, 12-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "G.Brabbs, Asselby", the corners and arch with painted scenes depicting ruins of churches and monasteries, four pillar movement with attached falseplate stamped "Wilson", anchor escapement and rack striking on a bell, 243cm high

A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicting Oriental scenes, broken arched trunk door with moulded borders, rectangular plinth with stepped base, 12-inch arched brass dial with Roman and Arabic chapter ring, floral engraved dial centre with subsidiary seconds dial and date aperture, the arch with recessed silvered plaque signed "Robt Donne, London", four pillar movement with anchor escapement and rack striking on a bell, 245cm high

An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and eagle finials, reeded brass capped columns, the trunk door with mahogany crossbanding and flanked by canted corners, rectangular crossbanded plinth with (feet missing), 13-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "H.Fox, Beverly", multi-coloured corners and the arch also with flower decoration, four pillar movement with attached falseplate stamped "Wilkes & Son, Birmingham", anchor escapement and rack striking on a bell, 230cm high

A Small Edwardian Mahogany Chiming Longcase Clock, Retailed by Harrison & Son, Darlington], the nicely figured mahogany case with swan neck pediment, blind fret work to the hood and slender turned columns, the good good coloured arched trunk door with moulded borders and flanked by reeded pilasters, plinth with raised quatre form panel and dial with silvered chapter ring signed "Harrison & Son, Darlington", triple barrel movement chiming four hammers on to four gongs, backplate numbered "96 921363", 176cm high

A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top pediment, pierced side sound frets, wavy shaped trunk door flanked by twisted inset pilasters, plain rectangular plinth raised on bracket feet, 13-inch arched brass dial with silvered chapter ring, engraved floral dial centre with date aperture and subsidiary seconds, "later" minute hand, silvered plaque signed "Geo Graham, Glasgow, made by Jon Key", twin barrel movement with anchor escapement and with rack striking on a bell, 199cm high

An Edwardian Mahogany Inlaid Chiming Longcase Clock], the case with swan neck pediment, hood with pierced sound frets to the sides, floral, scrolled inlay round the case, satinwood crossbanding, rectangular inlaid plinth upon wavy shaped feet, 12-1/2-inch arched brass dial with silvered chapter ring, subsidiary seconds and chime/silent in the arch, the massive three train movement with anchor escapement, four hammers striking on four gongs and a further hammer striking the hours on a gong, backplate numbered "3842", 240cm high

A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment and with central eagle finial, reeded columns with Corinthian capitals, wavy shaped trunk door flanked by inset reeded Corinthian pilasters, rectangular flame mahogany plinth raised on 'later' block feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture, subsidiary seconds dial with pie crusted decorated border, and a silvered arched plaque signed "John Stewart, Edinburgh", the arch with strike/silent selection, four pillar movement with anchor escapement and rack striking on a bell, 218cm high

A Mahogany Eight Day Longcase Clock, signed Joseph Denton, Hull, circa 1780], the case with pagoda pediment with shell inlaid front, wood stop fluted Corinthian columns, the arched trunk door of good colour with barber pole stringing flanked by canted corners, rectangular plinth with moulded frame, 12-inch arched brass dial with silvered chapter ring, dial centre with fine engraved floral decoration and subsidiary dials for seconds and date, the arch with rolling moon with lunar scale, silvered arch plaque signed "Joseph Denton, Hull", four pillar movement with anchor escapement and rack striking on a bell, 230cm high *Joseph Denton is recorded as working in Hull between 1779-1814.

A Victorian Mahogany Chiming Longcase Clock, signed William Page, West End, Chime & Turret Clock Manufacturer, Gt Portland St, London, No.559, circa 1850], the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed "William Page, Gt Portland St, London, No.559", matted dial centre, silent/chime selection lever positioned above 12 o'clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high

A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by a fleur de lys finial and inlaid fleur de lys medallion and stringing, the 16 inch painted arch dial with rolling moon disc, subsidiary dial for days of the week and specified tunes (named Carpet Weaver, d. of Yorks March, St Bride's bells, and Life Let us Cherish), the central reserve painted with angels and symbols of the Passion, one of the four Evangelists to each spandrel, the movement striking the hours on a bell, with pin barrel and graduated bells for seven tunes, in a richly figured mahogany case, the bracketed door with turned bone vase finial, cluster column stiles and husk inlay, on ogee bracket feet, 261cm high

An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case pediment with barley twist pilasters and scroll fretted frieze, glazed side panels, early concave moulding beneath the hood, the moulded trunk door with brass edged lenicle and three marquetry panels edged with boxwood stringing and depicting birds, tulips, carnations and other flowers around acanthus foliage, the sides also panelled with boxwood stringing, conforming plinth raised on bun shaped feet, 10-1/2-inch square brass dial with silvered chapter ring, dial plate with engraved floral decoration to the borders and positioned at 6 o'clock signed "Christopher Gould, Londini, Fecit", the finely matted dial centre with engraved central Tudor rose, date aperture and subsidiary seconds dial, ringed winding holes, pierced cherub and leaf spandrels, the eight day five pillar movement with bolt and shutter maintaining power, countwheel striking on a bell, 203.5cm high *Christopher Gould (1655-1718) was a famous maker of fine clocks. He was admitted to the Clockmakers' Company as a Free Brother in 1682. He took on several apprentices between 1682 and 1718, but despite his skill as a good clockmaker he was declared bankrupt in 1706, and from that time on he suffered misfortune, until his death in 1718. He worked near Royal Exchange in London and was a great repute making a number of well made clocks in superb cases, bracket and grande sonnerie examples, and for which he was particularly noted from his longcase clocks. His work is illustrated and described in all the major horological reference books and there are examples of his clocks in the British Museum and Metropolitan Museum of Art. Four of his longcase clocks were in the Wetherfield Collection including three walnut marquetry and one which is also illustrated in Cescinsky and Webster's "English Domestic Clocks" in a black lacquered case.

19th Century mahogany longcase clock, the hood with brass mounted swan neck pediment and with reeded pilasters, the trunwith oval shell medallions with crossbanded arch shaped door flanked by reeded pilasters on bracket feet, the square paisigned Alker of Wigan and with painted seconds and calendar subsidiary dials - eight day striking movement, 235cm high

19th Century crossbanded oak and mahogany longcase clock, the hood with swan neck pediment and rope twist pillars, the tconforming pillars standing on bracket feet, the arch shaped painted dial with rocking ship movement signed Evans of Abesubsidiary seconds dial and calendar aperture - eight day striking movement, 221cm high

18th Century oak longcase clock with stepped and moulded cornice having blind fret decoration, the case with long door obase, brass square dial with square calendar aperture and signed Samuel Holbin of Bitton - 30 hour striking bird-cage mo 216cm high

George III mahogany longcase clock, the hood with moulded arch shaped cornice and reeded pillars, the trunk with blind f carved florettes, arch shaped long door, the arch shaped brass dial with rococo scroll spandrels, conforming engraved dwith seconds subsidiary dial and fan shaped calendar aperture signed Matthew Dawson of Plymouth Dock - eight day strikin 220cm high

18th Century oak longcase clock with long door, the square brass dial with cherub head spandrels and with seconds subsidand square calendar aperture signed Richard Berry of North Petherton - eight day striking movement, 214cm high

Barwise London a Regency mahogany longcase clock the hood with three ball finials and circular glazed door flanked by canted corners the trunk with arched long door and flanked by quarter columns raised on a panelled plinth with stepped base and bracket feet the 12inch (30.5cm) silvered circular dial with seconds subsidiary and strike/silent lever above XII the five pillar bell striking movement with deadbeat escapement and brass bob pendulum with rating nut 208cm high

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass -arch dial with recessed subsidiary dial and calendar aperture to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, the arch now with silvered plaque 'Tempus Fugit' flanked by conforming rococo mounts, in a case with shallow break-arch pediment and double baluster turned pilasters to hood over rectangular trunk door and plain plinth base with shaped skirt, associated movement and dial late 18th century, case 19th century, 210cm high

"An eight day longcase clock with a painted arch dial, in an oak case signed JONES LLANDOVERY"

"A 1930's three train longcase clock with a brass arched dial marked GOMERSALLS Blackpool contained in a mahogany case with an arched carved top and long glass door, in working order 7' tall"

Pine eight day longcase clock with 12" circular white dial, 84" high

Oak and mahogany eight day longcase clock, the 13" arched painted dial signed George Kiddle?, Sherbourne and with subsidiary seconds dial and calendar aperture, the case with cross banded short door flanked by fluted quarter pillars and surmounted by a swan neck pediment, 82.5" high

Mahogany eight day longcase clock, the 14" arched painted dial signed A.G. Hodges, Bristol, with subsidiary seconds and calendar dials, the case surmounted by a swan neck pediment, 93" high

A 19th century pollarded oak and mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a windmill, and painted with cottages and churches to the spandrels with a seconds subsidiary dial and calendar aperture, inscribed 'D.Morgan, Llandovery', 227 cms high.

A 19th century oak longcase clock, the hood with broken swan neck pediment and fluted Ionic columns above an ogee long trunk door, on a box base and bracket feet, the 33.5 cms dial with moonphase to the arch, seconds subsidiary dial, the main dial painted with Roman numerals and Arabic seconds, inscribed 'Shaw, Halifax', the 30 hour movement striking on a bell.

A 19th century oak longcase clock, the hood with broken swan neck pediment and Ionic columns, above a long trunk door, box base and bracket feet, the 31 cms dial painted with a landscape to the arch and floral spandrels with seconds subsidiary dial, calendar aperture, inscribed 'Thos Mills, Caerleon', the 30 hour movement striking on a bell, 205 cms high.

A 19th century oak longcase clock, the hood with moulded cornice, blind fretwork frieze and three quarter Ionic columns above a long trunk door, the 30 cms brass dial with roundel to the arch, David Bowen, Swansea, the brass chapter ring with Roman numerals and Arabic seconds, with a seconds subsidiary dial and calendar aperture, the centre engraved with a scene of a landscape, the eight day movement striking on a bell, 207 cms high.

A Victorian mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a short trunk door, box and base, the 35.5 cms dial painted with a shepherd to the arch and cottages to the spandrels with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed 'Hooper & Wen Cardiff', 228 cms high.