We found 44426 price guide item(s) matching your search

A Victorian mahogany longcase clock, the hood with broken swan neck pediment and rope twist columns above a short trunk door, box and base, the 35.5 cms dial painted with a shepherd to the arch and cottages to the spandrels with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed 'Hooper & Wen Cardiff', 228 cms high.

An early 18th Century Dutch longcase clock movement, the arched brass dial with moonphase and signs of the zodiac, the dial inscribed Pieter Swaan, Amsterdam, with a seconds dial, ringed winding holes and a triangular calendar aperture showing the days of the week, the movement striking the hours and half hours on two bells, dial 34cm across, now in a later English oak and mahogany banded case, with later seatboard and case repairs, overall height 2.22m

A 19th Century mahogany and ebony inlaid longcase clock, the arched painted dial with floral spandrels and subsidiary seconds and date dials, with an eight day movement, 222cm

A George III oak 8 day longcase clock the hood with full turned columns having a frieze painted with a hunting scene below swan neck pediment enclosing painted enamel dial with moon-phase and date aperture 146cm

An early 19th century oak and mahogany 8 day longcase clock, painted enamel dial with subsidiary seconds and date dials, 244cm high

An early 19th century oak and mahogany 8 day longcase clock inlaid with satinwood shell motif, painted dial, 228cm high

A William IV richly figured mahogany 8 day longcase clock by Wignall of Liverpool, painted enamel dial with moon phase and subsidiary second and date dials, 238cm high

An early 19th century oak 30 hour longcase clock by Thomas Belt of Guisborough, crossbanded in mahogany, 216cm high

A 19th Century oak and mahogany eight day longcase clock, circa 1840, the 13 inch painted dial with foliate spandrels and vase of flowers to the arch, inscribed 'Fred K Denton, Rotherham', with a swan neck pediment a brass orb finials, above turned pillars and a serpentine door, on bracket feet, 226cm high.

A late 18th Century oak and mahogany banded eight day longcase clock, the arched rectangular dial inscribed 'Thomas Fayrer Lancaster', with subsidiary seconds dial and date aperture, painted ship to the arch, swan deck pediment and turned pillars above an arched door, weights and pendulums, 227cm high.

A Victorian oak and brass mounted miniature longcase clock stand, (movement lacking) 40cm high; also A Victorian mahogany cased clock, of gothic architectural design (movement lacking, 49cm high; A mahogany cased dome top mantel clock, 20th century, the dial signed 'Kendal & Dent', London, another mahogany cased mantel clock by the same maker; a red veined marble portico mantle clock, 19th century, 30x41cm, also another painted wooden musical timepiece.(6)

An 18th century brass longcase clock face with attached movement, signed by John Redshaw, Newcastle. John Redshaw listed as c.1740

A 19th century square white enamel longcase clock face painted with a cockerel and indistinctly signed by a Bridgnorth maker, with attached movement

A late 18th century carved oak longcase clock, the square white enamel dial with date aperture and signed by J Hallam, Nottingham. John Hallam listed as c.1799

A late 18th century carved oak eight day longcase clock, the square dial with second counter and date aperture, the silver chaptering signed by Standring, Bolton. Jeremiah Standring listed as c.1780

An early 19th century oak and mahogany eight day longcase clock with arched painted white enamel dial (indistinctly signed) (see lot 864 for illustration)

A late 18th century oak and mahogany eight day longcase clock, the square painted white enamel dial with moon phase and date aperture, by E Shepley, Manchester. E Shepley listed as c.1790-1800 (see lot 864 for illustration)

A 19th century inlaid mahogany eight day longcase clock with arched painted white enamel dial, indistinctly signed (cut down)

A late 18th/early 19th century oak and inlaid mahogany thirty hour country longcase clock, the circular white enamel dial signed by Thomas Gilbert of Rugeley. Thomas Gilbert listed as c.1795

An early 18th century longcase clock movement 8-day and striking on a bell with five knoped and ring pillars to a 12inch square brass dial with a silvered chapter ring inscribed “E Rundell Norton St Phillip” with subsidiary seconds dial and date aperture engraved birds and fruit in a basket the hands later.

An 18th century longcase clock movement 8-day and striking on a bell with five ring and knopped pillars to an 11inch brass dial with a silvered chapter ring inscribed “Will Cockey Wincanton” having a subsidiary seconds dial and date aperture.

A mahogany and line inlaid longcase clock the 30 hour movement striking on a bell to a 12in square painted dial inscribed “Osmond Tisbury” with date aperture 80.5in (204.5cm) h.

An oak longcase clock the 8-day movement striking on a bell to an engraved brass arch dial and chapter ring with subsidiary seconds dial and date aperture with moon phase 73.75in (187.4cm) h.

An oak longcase clock the 30 hour movement striking on a bell to a painted square dial re-inscribed “John Pitt Tetbury” to painted bird spandrels 80in (203cm) h.

An oak longcase clock the 30-hour movement striking on a bell to an associated 10in square brass dial the chapter ring inscribed “P. Bower Redlench” the matted centre with a date aperture 77in (195.5cm) h.

A 19th century oak and mahogany longcase clock the 8-day movement striking on a bell to a circular dial with subisdiary seconds dial and date aperture inscribed “T.C. Skarratt Kington” the hood with a later pediment 82.5in (209.5cm) h.

A 19th century oak and mahogany banded longcase clock the 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial 84in (213.4cm) h.

A late Victorian mahogany longcase clock the 8-day movement striking on a bell to a painted arch dial with subsidiary seconds and date dials inscribed “Jno. Johnson Newcastle” painted a continental shore scene and ruins the case with satinwood banding and stringing 95in (241.2cm) h.

An early 19th century mahogany longcase clock the associated 8-day movement striking on a bell to an “enamel” arch dial with subsidiary seconds dial and date aperture inscribed “Gill Rye” with gilt highlights 85.5in (217cm) h.

A George III mahogany longcase clock the 8-day movement striking on a bell to a brass arched dial with silvered chapter ring subsidiary seconds dial and date aperture a shaped plaque inscribed “Kenth. McLennau London” the arch with a subsidiary strike/silent dial 84.25in (214cm) h.

A late 18th Century oak longcase clock, with bell top hood and fluted columns to the sides, the trunk enclosed by a shaped arch top door and on bracket feet, fitted an associated engraved square brass dial with date recorder and eight-day striking movement, by James Wrigley Manchester

An early 19th Century oak and mahogany banded longcase clock, fitted a painted dial

Cooper, Derby. A George III oak longcase clock, the case with hood and shaped waist panel door between turned quarter pilasters, on a box base, the 33cm. circular white metal dial signed “Cooper, Derby”, having subsidiary date aperture, the twin train movement with anchor escapement and bell strike, 213cm. high.

Gilbert Bullock, BP Castle. An oak longcase clock, the hood with turned columns, the trunk enclosed by a waist panel door, the 25cm. square brass Roman dial signed “Gilbert Bullock, BP Castle”, with single hand, the thirty-hour movement with anchor escapement and bell strike, 209cm. high.

W Tomlinson, London. An 18th century mahogany longcase clock, the square hood with moulded cornice and brass capped turned three-quarter columns, on a box base, the 28cm. square brass Roman dial with silvered chapter ring signed “W Tomlinson, London”, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 202cm. high.

Arnold & Dent. A William IV mahogany and crossbanded longcase clock, the square hood with arched pediment and moulded ear finials, scroll decorated canted corners, the trunk with tapering waist panel door on a box base with moulded decoration, the 28cm. circular dial signed “Arnold & Dent, Strand, London”, with subsidiary seconds dial and strike/silent above the numeral XII, the twin train movement with dead beat escapement striking to a bell, 196cm. high.

Francis Shuttleworth, Sarum. A late 18th century oak longcase clock, the dome topped hood with shaped pediment and turned three-quarter columns, the trunk enclosed by a shaped waist panel door, on a box base with shaped plinth, the 30.5cm. arched brass Roman dial with rocking “man o war” mechanism to the arch, signed “Francis Shuttleworth, Sarum”, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high

Fearnly, Wigan. A George III mahogany and inlaid longcase clock, the hood with swan-neck pediment and verre eglomise panels, the door with turned fluted pilasters flanked by similar columns, the trunk enclosed by a shaped waist panel door between fluted quarter columns, the box base with inlaid fan spandrels and canted corners, the 33cm. arched brass and silvered Roman dial with moonphase mechanism to the arch, signed “Fearnly, Wigan”, having subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 234cm. high.

An 18th century 30 hour birdcage longcase clock movement for total restoration.

A Victorian carved oak longcase clock case fitted with 18th century 11in square brass dial silvered single hand chapter ring and cast queens head spandrels with modern electric movement fitted to reverse. 202cm high.

A Georgian mahogany eight-day longcase clock circa 1790 the four-pillar rack and bell striking movement with 12in enamel break-arch dial signed R Hewitt Fowey decorated with gilt floral sprays and roman numerals in a swan neck pedimented case over fluted hood pilasters blind fret panel with arch shaped long door to trunk. 238cm high. R Hewitt of Fowey recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. Late 18th century.

An 18th century longcase clock movement the 10in brass dial with cherub and crown spandrels silvered chapter ring with quarter and half hour divisions bearing maker’s name Wainwright Bunny. Single hand and date aperture. The 30 hour movement with outside locking plate is set in a new waxed pine case. 200cm high. Humphrey Wainwright of Bunny is recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. as working in the late 18th century.

An 18th century oak cased thirty-hour longcase clock the movement with outside countwheel strike on a bell the 11in square brass dial with matted centre field date aperture single hand chapter ring with roman numerals quarter hour and half hour divisions inscribed ‘Blackburn Oakham’ Maltese cross and cherub supporting spandrels the thirty hour movement with turned pillars and anchor escapement. 212cm high.

A circa 1930oak longcase clock the eight day three train chiming movement with circular silvered 29cm dial arabic numerals chiming quarterly on gongs and set in case having mouldings to top and flanked by barley twist columns. 222cm high.

A 19th century longcase clock set in mahogany veneered case with eight day rack striking movement anchor escapement the 13in arch dial decorated with floral painted spandrels and shipping scene to arch. Signed Long of Tiverton. 202cm high.

A late Georgian mahogany veneered longcase clock the eight day rack striking movement with arch dial painted with deer spandrels and lady picking roses in garden. Signed on dial R Coates Dudley. The mahogany veneered case decorated with boxwood string inlays Gothic style door to trunk swan-neck pediment to hood flanked by columns. 227cm high.

A 20th century miniature longcase clock with French eight day movement locking plate striking mechanism circular enamel dial with roman numerals and trefoil hands set in polished walnut case of 17th century influence with architectural pediment and hood flanked by spiral columns with brass capitals. 90cm high.

Oak longcase clock, the stepped cornice over a blind fretwork frieze above a square painted dial with central bird motif and Roman numerals in black and with a thirty one day aperture flanked by turned columns and over a plain case with bracket feet, 76 1/2in (194.3cm) high

Walnut drumhead longcase clock, the gilt and white enamel dial marked for D. Roberts, Airdrie with Roman numerals in black and seconds dial and thirty one day dial over a glazed door and sides on an ogee base section, 82 1/2in (209.5cm)

Mahogany drumhead longcase clock, the silvered dial with Roman numerals in black with seconds ring and thirty one day ring marked for Will Hislop, Biggar above a trunk with bow front door and raised on bracket feet

Victorian mahogany longcase clock, the dentil cornice above an arched and painted dial with upper scene entitled 'Lord of the Isles' above a face with Roman Numerals in black and figures representing the continents in the spandrels flanked by spiral twist columns over a trunk with corner spiral details, 76 1/4in (193.7cm) high

AN EDWARDIAN MAHOGANY LONGCASE CLOCK the eight day movement striking the hours on a gong, the 13 inch arched brass dial having a subsidiary seconds dial below XII o'clock , a date aperture above VI o'clock, raised chapter ring with engraved black Roman hour numerals, blued steel hands, an engraved boss within the arch, female head spandrels to the four corners and dolphin spandrels to the arch, the mahogany case having a shaped trunk door, oval inlay to the trunk and base, boxwood stringing to the trunk and base and having fluted pillars to the hood with brass Corinthian capitals and a swan neck pediment, height 213cm.

AN OAK LONGCASE CLOCK the thirty hour movement striking the hours on a bell with an outside countwheel, the 11 inch painted dial having a date aperture, Roman numerals and Arabic five minute markings, floral and rococo painted corner decoration, a cartouche with a river scene to the dial centre, and signed 'John Fry, Okehamton' (Okehampton), with decorative blued steel hands, the date wheel stamped with the dial maker's name 'Wilson, Birmingham', the oak case having a flat top with denticular moulding and oval blind fretwork to the frieze, tapered hood pillars, a long door to the trunk and plain base, height 222cm.

A WALNUT LONGCASE CLOCK the five pillar, eight day movement having ringed pillars and striking the hours on a bell, the 10½ inch brass dial with cast 'crown and cherub' spandrels to the corners, a matted centre with ringed winding holes, subsidiary seconds dial below XII o'clock, a raised chapter ring engraved with black Roman hour numerals, Arabic five minute numerals, decorative half hour engraving of the 'meeting arrow head' style and signed either side of VI o'clock 'John Sims, Alderbury', with decorative blued steel hands, the later walnut case having satinwood and ebonised crossbanding to the case and hood, the fluted columns to the hood surmounted by brass capitals and having blocks to the flat top with brass eagle and ball finials, height 225cm (inc. finial). * John Sims is recorded as working in Alderbury near Salisbury, Wiltshire prior to 1764.

JAMES FIELD, HEMPSTEAD AN OAK LONGCASE CLOCK the thirty hour bird cage movement striking the hours on a bell with an outside countwheel, the 11 inch brass dial having a matted centre, date aperture, cast 'female head' spandrels to the four corners, a silvered chapter ring engraved with Roman hour numerals, Arabic five minute markings and 'fleur-de-lys' half hour markings, having blued steel hands, signed below VI o'clock with the maker's name 'Jams. Field, Hempstead', the oak case having an arched trunk door and a carved swan neck pediment, height 203cm.

Wm MATTHEWS, PENRITH A LONGCASE CLOCK MOVEMENT AND DIAL the thirty hour plated movement striking the hours on a bell with an outside count wheel, the 12 inch painted arched dial having black Roman hour numerals, painted floral decoration to the four corners on a blue ground and a scene in the arch depicting a gentleman in a field loading a gun, with a subsidiary date aperture above VI o'clock and decorative steel hands.

AN EARLY 19TH CENTURY OAK LONGCASE CLOCK with mahogany crossbanding and boxwood and ebony inlay, the square painted dial with seconds hand and date aperture, painted gilt scrolling spandrels and signed Green of Tenbury, the hood with outset fluted columns, the trunk with canted corners, 81 1/2" high.

A reproduction mahogany longcase clock, the eight-day movement quarter Westminster chiming and striking on gongs, H 195cm

A George III oak longcase clock, Hanbury (?) West Haddon, having thirty-hour movement striking on bell, H 189cm W 52cm

An oak longcase clock, late 18th century, the movement striking on bell and having 12ins painted broken-arch dial, H 225cm W 46cm