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8 day Longcase clock by William Bucknall of Burslem circa 1800-15: The arch top rolling moon with white Wilson dial. There are flowers and birds and showing dates and seconds. The case is Oak and Mahogany.

8 day Longcase clock by John Brugger & Co. Circa 1862: It has a white painted dial showing date and seconds. In the arch is a hunter and his dogs. The case is of the fat Yorkshire type case in Mahogany. The clock was made in Sheffield.

8 day Longcase clock by Allen of Barnsley. This arch top white dial showing seconds and flowers to the corners and farm scene in the arch. Circa 1820 and the case is flame Mahogany. Slight damage to the hood but parts are present with the clock.

8 day Longcase clock by John Fenton of Congleton circa 1828-34: A nice flame Mahogany case with fruit wood cross banding and birds eye maple stringing, rope twist columns and cast capitals. Arch top rolling moon and swan neck pediment.

8 day Longcase clock by Thomas Hadley of Birmingham circa 1828: An exceptional case of flame Mahogany with swan neck pediment, rope twist columns and cast capitals. The dial having four seasons and rolling moon and showing date and seconds.

8 day Longcase clock by John Thacknell of Cardiff circa 1740-1830: The case is veneered with Mahogany and cross branded with Fruitwood. It has a white dial showing date and seconds. Reeded columns with cast capitals.

8 day Longcase clock by Francis Chambley of Newcastle under Lyme circa 1795 - 1800: The clock is of Oak cross banded construction with Mahogany. Square dial.

8 day Longcase clock by William Twell of Birmingham circa 1770-5: The clock case is deep carved in oak with Gargoyle motif on the door. It has an arch top silvered dial and London style hood.

8 day Longcase clock by John Rhodes of London circa 1755-1762: It has a brass dial with silvered chapter ring. Solid oak case with swan neck pediment. Plain and slim.

8 day Longcase arch top circa 1810 in mahogany case. Swan neck pediment. This clock has a broken door glass.

A 30 hour square dial Longcase clock by C.W. Nickisson of Newcastle circa 1793-1826: The case is of the cottage style and made of oak.

An 8 day Longcase clock by Edward Massey the second of Burslem 1792-1802: He was apprentice to his father and started on his own in 1792. The hood has fretwork to the top with swan neck pediment, reeded columns, a Wilson white dial arch to with figure in. The case is oak.

Art Deco Mahogany Longcase Clock: c1930 round silvered dial on three weights (musical) in Mahogany case.

8 day Longcase clock, square dial by Adams of Middlewich:

Reproduction Boulle effect Longcase clock: Eight day, quarter striking Westminster chime.

Early oak longcase clock with square brass dial by Whitehurst of Repton, dial 28cm, oak case with later additions.

19th century Oak Welsh Longcase clock with square painted dial: by David Jones dial 33cm square.

A longcase clock, the 28cm (11ins) square brass dial with Roman numerals and Arabic numerals, date aperture, signed 'Richard Lawrence', fitted with a 30-hour movement striking on a bell, in an oak case, 98cms (78ins) high.

A longcase clock, the 30cms (12ins) painted square arched dial with Roman numerals, subsidiary seconds dial and date aperture 'Will Bishop, Trowbridge', fitted with an 8-day movement striking on a bell, in a mahogany case, 206cms (81ins) high.

J Taylor of Liverpool - an early 19th century mahogany longcase clock, the hood having vere eglise painted glass frieze and double fluted pilasters, flanking a 14" painted arch dial, signed to the centre, with Roman and Arabic numerals and Arabic outer date dial, the arch with rolling moonphase, the eight day weight driven four pillar movement striking on a bell, the case having raised panelled door flanked by quarter turned fluted pilasters to a boxbase, on ogee bracket feet, h.237cmCondition report: With weights, brass faced pendulum and door key.Case, dial, movement and seatboard all appear original.Movement has been cleaned at some point.Movement currently screwed down.Time works but strike is intermittent.Case with shrinkage split to box base, otherwise generally good with minor age/handling wear only.

Philip Avenell of Farnham - a George III oak longcase clock, having a 10.5" square brass dial ,with brass chapter ring with Roman numerals,, signed to a tablet set to the engraved centre, with further date aperture at 6 o'clock, single blue steel hand, 30-hour weight driven movement striking on a bell, the case with plain panelled door to a boxbase, h.200cm

A 19th century miniature longcase clock, the rosewood case inlaid with ebony and satinwood, having a plain enamelled dial with Roman numerals and cylinder movement, h.35cm

An early 19th century pine longcase clock, the painted dial named for "Thos. Bevan/ Stratton" decorated with a vignette of a cottage and flower cartouches, with glazed and reeded hood above a plain case with arched panelled door and reeded corners, with 30hr movement, pendulum and one weight, 187cm high, 46cm wide

A 19th century oak longcase clock, the painted dial named for "W. Burch/ Glastonbury" with pierced brass hands, with calendar and second hand, the glazed hood enclosing a 30 hr movement with swan neck pediment, with brass ball and spire finial, the plain panelled case on ogee feet, with pendulum and one weight, 209cm high, 47cm wide

A longcase clock movement, inscribed 'Geo' Lewton Kingswood, the dial painted with swans in a lake side vignette, with second hand and calendar. 44cm high

A mahogany triple weight dwarf longcase clock

DOLLS HOUSE FURNITURE & VARIOUS TOYS a mixed lot including some dolls house furniture (longcase clock, bench, chairs etc), also with various coloured marbles, lead farm animals and human figures, and various accessories.

A modern longcase clock 'English Elegance', 185cm tall.

A GEORGE III LONGCASE CLOCK with 8-day movement, the dial with slivered chapter ring and centre inscribed 'geo. Ewbank Ealand' [possibly a mis-spelling of Elland] in a oak case, 50cm wide 226cm high

A 19TH CENTURY 8-DAY LONGCASE CLOCK the enamel dial with subsidiary seconds dial and date aperture inscribed 'Rob. Fletcher Chester', in an oak and mahogany case, 60cm wide 222cm high

A late 18th / early 19th century mahogany longcase clock, swan neck pediment with stylised flowers and fluted finials, arch glazed hood with a pair of Doric columns either side enclosing the brass dial, engraved with an eagle, Roman numerals and embossed spandrels, the trunk with shaped door and Doric columns to square stepped base, weights and pendulum present, the movement marked 'Burgess', approx. 230cm tall

An early 18th century and later longcase clock in a carved oak case. The brass dial having date chapter ring. Roman numerals and gilt metal spandrels. The 30 hour movement having anchor escapement and striking on a bell, 75 1/2"h x 20"w

Early 19thC 'cottage' longcase clock, the 30cm Roman dial painted with rustic scene and floral corners, with filigree brass hands and date aperture, swan neck pediments to hood and reeded decoration to oak case, the 30 hour movement striking on a gong, H195cm

Smallpage, Leeds Victorian longcase clock, the 34.5cm Roman dial spandrel corners painted with ladies depicting the four seasons and a scene of lady with cornucopia of fruits to the arch. The broad case with turned columns and acanthus leaf brass capitols, the door with scalloped and flame mahogany panel with banded inlay, the eight day movement striking on a gong, H233cm

J Howison, Perth Georgian longcase clock, the 33cm painted arched Roman dial with two subsidiary Arabic date and seconds dials and floral and foliate gilt decoration, swan neck pediments to hood, flame mahogany door, quartered turned pillars and inlaid banded decoration to mahogany case, raised on bracket feet, the two train eight day movement striking on a gong, H216cm

Charles Hopwood of Rochdale Georgian longcase clock with 32.5cm square painted Roman dial, date aperture, painted spandrel decoration of flowers and strawberries, oak case with full length scalloped door, quarter reeded columns, hood with swan-neck pediments and reeded columns with brass capitols, the eight day duration movement striking on a gong, H231cm

I H Barker, Sodbury early 19thC longcase clock, with 31cm painted Roman dial, the spandrel corners decorated with shells, nesting bird and roses to the arch and date aperture, oak case with full length arched door, swan neck pediments and brass capitols to pillared hood, the 30 hour movement striking on a gong, the whole raised on bracket feet, H214cm

Queen Anne/Early George I walnut cased longcase clock by Jos. Davis, London (Ratcliffe Highway clock maker 1690-1711), the brass 29.5cm dial with finely cut blued steel hands, cherub and crown spandrels Roman and Arabic silvered chapter ring with matching seconds dial and finely engraved framed date aperture, finely matted centre, border engraving to arch and Jos Davis London to engraved silvered circular name plate in arch with dolphin spandrels around. The hood with moulded arch above finely carved frieze, tapering, turned corner pillars front and rear, gilded capitols and glazed apertures to view movement. Gilt eagle finials to top, long trunk door with moulded frame and original iron hinges, glazed lenticle porthole to view the gilt brass pendulum bob and decorated brass escutcheon. The eight day movement set between two heavy brass plates with five ringed and knopped pillars, the countwheel strike on bell, the whole raised on bracket feet. 

William Flint, Ashford, an 19th century 8-day oak longcase clock, the enamelled arched dial with subsidiary seconds and date aperture, approx. 210 cm h o/all

R Hackett, Harringworth, a George III eight-day mahogany cased oak longcase clock, the brass dial with silvered chapter ring with subsidiary seconds over an arched date aperture, restored, 211 cm high overallAppears to run, movement clean, case restored

George Neilson (Scottish) - A Victorian oak 8-day longcase clock, the enamelled arched dial with subsidiary seconds and date, 217 cm h o/all

A George II oak longcase clock, 30cm square brass dial inscribed Henry Deykin, Worcester, No 1169, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8 day movement striking on a bell, the case with pagoda pediment flanked by turned finials, rectangular door to waist, plinth base, 209cm high, c.1750Henry Deykin was the son and successor to Worcester clockmaker Thomas Deykin and his wife, who was also a clockmaker. He was apprenticed to his mother 1744-1751 and he worked until 1788. The numbering system as displayed (very unusually) on the dial - here 1169 - is believed to have been carried over from his parents' oeuvre.

A George III longcase clock movement, 31cm square brass dial inscribed Bagnall, Dudley, the slightly raised chapter with Roman and subsidiary Arabic numerals, date aperture, 30-hour mechanism striking on a bell, c. 1770

A George III oak and mahogany longcase clock, 32cm arched painted dial inscribed T&J Hallam, Nottingham, painted to the arch with Abraham and Isaac, the spandrels with the Four Evangelists, date aperture, swan neck pediment, shaped rectangular door to waist flanked by canted angles, bracket feet, 218cm high, c.1820

A George III oak longcase clock, 30cm arched brass dial inscribed Blackett Wallace, Brampton, Roman and subsidiary Arabic numerals, date aperture, 30 hour movement striking on a bell, the case with swan neck pediment and dentil apron, shaped rectangular door to waist flanked by reeded quarter-columns, bracket feet, 234cm high, c.1780Blacket Wallace was working in Brampton, Cumberland, 1752- 1780. He was born there in 1731 and was apprenticed 1745-1751 before marrying Isabella Atkinson in 1753.

A George III oak longcase clock, 32cm arched painted dial inscribed Jos Johnson, Dudley, Roman and Arabic numerals, subsidiary seconds chapter, date aperture, twin winding holes, 8 day movement striking on a bell, the case with fretwork cresting, flanked by onion shaped finials, shaped rectangular door to waist inlaid with a batwing patera, flanked by brass capped Corinthian quarter-columns, 219cm high, c.1780

A George III oak longcase clock, 33cm arched brass dial Bennitt (sic) Uttoxeter, Roman and Arabic numerals, subsidiary seconds dial, cast spandrels, calendar dial, twin winding holes, 8 day movement striking on a bell, arched hood with dentil cornice and brass capped reeded Doric columns, shaped rectangular door to waist flanked by conforming quarter-columns, plinth base, 218cm high, c.1780James Bennet was born 1739, son of clockmaker John Bennet of Cheadle, later of Uttoxeter, who had been apprenticed to John Whitehurst of Congleton, the famous clockmaker's father. His father having died in 1752, he was apprenticed instead to Thomas Sillito 1753-1760 when he was able to take over the family's business. His output was fairly prolific and he was succeeded by his son John in 1784, and died in 1798.James Bennett is recorded as working at Uttoxeter from before 1776 until after 1797, when he took on the last of three known apprentices.

A George III oak longcase clock, 33cm circular brass dial inscribed James Wright, Derby, Roman and subsidiary Arabic numerals, date aperture, 30 hour movement striking on a bell, the case with break-arch pediment and parcel-gilt Doric columns, serpentine lancet-arched rectangular door to waist, flanked by quarter-columns, bracket feet, 211cm high, c.1780James Wright (1741-1806) was a figure of some significance in the story of John Whitehurst FRS. A nephew of Mrs. Whitehurst (née Gretton) he was apprenticed to Whitehurst 1755-1762, thereafter working with him until 1775, when Whitehurst was spending increasingly more time in London, whereupon he appears to have been given charge of the works, advertising himself as 'Jas. Wright/successor to Mr. John Whitehurst' and signing clocks in his own name, as here, the clocks themselves being entirely of Whitehurst type and quality. He appears to have lost the firm money through rash management and was replaced in 1777 by Whitehurst's nephew, after which he continued to sign clocks until the 1790s. His debts were cleared in Whitehurst's will (1788). This clock dates from c. 1775-1777 and is a Whitehurst 30hr in all but name [see Craven M., John Whitehurst, Innovator, Scientist, Geologist and Clockmaker (Fonthill, Stroud (2015) 164-168, 172-174]

A George III Scottish mahogany longcase clock, 30.5cm arched brass dial inscribed Mcartney, Dumfries, Roman and Arabic numerals, sun-in-splendour to arch, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the hood with swan neck pediment above a dentil cornice, shaped rectangular door to waist flanked by reeded quarter columns, plinth base, 217.5cm high, c.1775

A George III Scottish mahogany longcase clock, 33cm arched brass dial inscribed James Park, Kilmalcolm, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8 day movement striking on a bell, the case with break-arch dentil cornice, brass capped reeded Doric columns, satinwood crossbanded serpentine arched rectangular door to waist flanked by reeded quarter columns, bracket feet, 233cm high, later quarter 18th century

A George III/IV mahogany longcase clock, 34cm square painted dial inscribed Thomas Barry, Bolton, Roman numerals, subsidiary seconds and calendar dials, twin winding holes, 8 day movement stringing on a bell, the case with swan neck pediment, shaped rectangular door to waist, flanked by square columns, outlined throughout with boxwood stringing, bracket feet, 228cm high, c.1820Thomas Barry was working 1822-1829

A Italian polychrome painted longcase clock, 17cm chapter ring inscribed with Roman and subsidiary Arabic numerals, single winding hole, single train movement, the case with lofty canopy crested by a sphere finial, long rectangular door to waist, painted in the Venetian manner with classical figures, strapwork and leafy scrolls, 247cm high, 18th/19th century

A mid-18th century oak longcase clock, 24cm square brass dial inscribed John Pettit, Chipping Ongar, silvered chapter ring with Roman and subsidiary Arabic numerals, twin-winding holes, eight-day movement striking on a bell, the case with pagoda cresting above a frieze of blind fretwork, arched rectangular door to waist, shaped apron, bracket feet, 212cm highJohn Pettit was the younger brother and successor to his brother Richard Pettit, to whom he was apprenticed 1774-1781, after which he was active into the early 19th century. His brother, in his turn, had been apprenticed to Thomas Knight of Thaxted 1767-1774.

An Edwardian mahogany musical longcase clock, 32.5cm arched brass dial inscribed Curtis & Hawspool, Leicester, silvered chapter ring applied with Arabic numerals, Chime/Silent and Whittington/Westminster selectors to arch, the ground pierced and applied with dense scrolling foliage, triple winding holes, eight day movement chiming on nine tubular bells, the case with swan neck pediment and brass capped fluted Doric columns, glazed door to waist, plinth base, bracket feet, 236cm high, c.1905

Lord Nelson Interest - a George III oak longcase clock, 30.5cm arched painted dial inscribed Jno. Bentley, Thirsk, Arabic numerals, subsidiary seconds dial, twin winding holes, the arch painted with the Battle of Copenhagen, titled, 8 day movement striking on a bell, the case with pagoda top centred by an inlaid shell patera, reeded pillars, shaped-lancet door to waist, flanked by canted angles, bracket feet, 217cm high, the movement c.1801-1805

A George II walnut longcase clock, 30cm arched brass dial with silvered chapter ring inscribed Edward Brooks, Derby, the arch with roundel inscribed Tempus Fugit, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the case with moulded outswept cornice, Doric columns, crossbanded rectangular door to waist, outlined with feather banding, plinth foot, 229cm high, c.1755This semi-automaton clock was made by Edward Brookes, who was not only a first cousin of the painter Joseph Wright ARA but was also an apprentice of John Whitehurst FRS from 1749 to 1755, his aunt Hannah having married John ('Equity') Wright, Derby's leading attorney. Brookes' father Edward was also an attorney and had originally recruited the elder Wright into his practice. Brookes was working until the 1770s after which he moved away.

A George III mahogany crossbanded oak longcase clock, 28cm square painted dial inscribed John Bates, Kettering, Roman numerals, 30 hour movement striking on a bell, swan neck pediment, rectangular door to waist, plinth base, 204cm high, c.1800

A 19th century American longcase clock, 31cm square brass dial inscribed H.J. Pepper, Philadelphia, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, twin winding holes, eight day movement striking on a bell, the imposing walnut case with egg-and-dart cornice above a long rectangular door to waist, profusely carved with shells, leafy scrolls, lunettes and strapwork, flanked by bold male and idiot herms, 260cm highThe maker, although working in a style a century out of date in British terms, was born in Wilmington, Delaware in 1789 and served an apprenticeship as a clockmaker 1803-1810 before working with a Washington goldsmith. He later set up as a clockmaker and silversmith at Wilmington in 1826, moving to Philadelphia, Pa., where he died in 1853.

Miniature Furntiure - a George III style longcase clock, the movement marked Pat.April 28D 1878, 51cm high

A George III longcase clock movement, 12in (31cm) square brass dial with cast brass spandrels, Roman chapter with Arabic minutes chapter, subsidiary date dial, signed Robert Frost/Nottingham, 30 hour movement striking on a bell, c.1775