We found 44425 price guide item(s) matching your search

AN OAK LONGCASE CLOCK by William Lister, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with chased foliate centre, Roman and Arabic numerals, half penny moonphase and calendar dial, the case with inverted breakfront moulded cornice on turned columns, verre eglomise frieze, arched door flanked by quarter columns, panelled base and bracket feet, 81" high

AN OAK LONGCASE CLOCK by William Billsborrow (sic), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" square brass dial with Roman and Arabic numerals, silvered centre chased with Masonic emblems and with calendar aperture, the case with moulded cornice and plain frieze on quarter columns, plain trunk and door, panel base on plinth, 82 1/4" high

AN OAK LONGCASE CLOCK by William Elliot of Whitby, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with foliate chased centre and with Roman and Arabic numerals, calendar dial, signature roundel to arch, the associated case with dentil inlaid and moulded cornice below a raised surmount with turned finials, deep frieze with applied fretwork on fluted columns, chamfered trunk with arched door, panel base and bracket feet, 86" high

A MAHOGANY LONGCASE CLOCK by William Nicholson, Edinburgh, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, seconds dial, calendar aperture and signature ark, strike/silent dial in the arch, the case with scrolled broken pediment, carved rosettes and turned brass finial on fluted columns, canted panel base and bracket feet, 88" high (Illustrated)

A Georgian brass 30 hour longcase clock dial , signed William Avenell, Farnham.

EARLY VICTORIAN MAHOGANY LONGCASE CLOCK by R Stewart, Ayr, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed painted 13" dial with Roman numerals, subsidiary seconds and calendar dials at twelve and six respectively, pierced brass hands, encased within an arched hood with thistle pediment, contained within a mahogany case with inlaid door, on plinth base with bracket feet, 224cm

EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12" painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained within a waisted oak case, on plinth base with bracket feet, 227cm high

EARLY NINETEENTH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK by A. Cockburn, Haddington, the unsigned eight day two train movement with anchor escapement striking on a bell, the 12'' painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds at six and date at twelve, pierced steel hands, encased within an arched hood, the mahogany case with satinwood cross banding, on plinth base with bracket feet, 198cm high

Thomas Wells, Banbury, an early 19th century oak and mahogany crossbanded longcase clock, the broken swan neck pediment with ball finial above a painted 12in Roman dial, supporting a thirty-hour bell striking movement, the quarter length door over a box base and plinth, 206cm

Penlington and Batty, Liverpool, An Edwardian mahogany musical longcase clock, the pierced acanthus scrolled pediment over cut brass and silvered primary and subsidiary dials with Arabic numerals, supporting a three train rack and pinion movement, striking on nine bells with three chimes, the half length astragal glazed door above a panelled box base and plinth, 254cm

An early 19th century oak and mahogany thirty-hour longcase clock, with scroll pediment, fitted a circular enamel dial, marked in Roman numerals, with calendar rocker and painted with a game bird, 213cm high

Will Snow, Padside, Yorkshire, a late 18th century oak longcase clock, the hoods with scroll pediments and acorn finial enclosing a bell striking thirty hour movement faced by 10 inch dial over 3/4 length door, box base and bracket plinth, 222cm

A late 18th mahogany cased Scottish longcase clock, by James Scott of Leith, the eight-day movement chiming on a single bell, the brass one piece dial with non working moon phase indicator, 211 cm (83 in) high

An early 19th century thirty-hour longcase clock, with painted dial, chiming on a single bell, the oak case with plain moulded hood, 203cm high

An 18th Century oak longcase clock, the square hood having a scrolled pediment with brass finials, narrow turned Corinthian columns with corresponding half reeded columns to the case and with a long crossbanded door and having a similar period 31 cms square brass dial with subsidiary dials and eight day movement marked Joyce, Ruthin

C19th oak and mahogany crossbanded longcase clock with 30 hour movement

A longcase clock in a pine case, the hood with broken arched dial with electronic movement

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the 11½-inch brass beak-arch dial, signed SIDWELL/ Nuneaton, with subsidiary seconds and date crescent, engraved with scrolling acanthus and ornament, the inlaid case with figured door and swan neck pediment, weights, pendulum and winder. 227cm

A 19TH CENTURY INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK, the circular 14½-inch silvered dial, signed Thomas Hood/ Airdrie, with two subsidiary dials and Roman numerals, the hood with paterae inlaid pediment and free standing reeded columns, the base with figured mahogany trunk door and brass capped quarter columns, with weights, pendulum, key and winder. 229cm

A FINE AND COMPLEX FIVE PILLAR LONGCASE CLOCK MOVEMENT, signed Jos Williamson/ London, 12" break arch brass dial with silvered chapter with Roman numerals, subsidiary seconds dial and signs of the zodiac in the arch, striking a bell. 43.5cm by 30.5cm

Holmes of London. A George III mahogany eight day longcase clock, the 12 inch arched silvered dial with Roman chapter ring, strike silent and subsidiary seconds, movement with anchor escapement movement striking on a bell, with later? lead pendulum and two brass cased weights, 7ftProbably John Holmes of London, recorded 1761-1802.

Robert Williamson of London. A William & Mary walnut and marquetry eight day longcase clock, the 11 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, four pillar two train movement striking on a bell, 6ft 9in.Robert Williamson of London, recorded 1658-1740.

John Hocker of Reading. A George II oak eight day longcase clock, the 12 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, 6ft 10in.John Hocker of Reading, recorded 1715-40.

An early 19th Century longcase clock, J F Skipton, Cirencester, the dial painted with floral sprays and Roman numerals to chapter ring, secondary dial and date aperture,in a mahogany case

Edward Woodward of London. An early 18th century red chinoiserie lacquered eight day longcase clock, the 12 inch arched brass dial with subsidiary seconds and date aperture, 7ft 3in.

William Parkinson of Lancaster. A George III mahogany banded oak eight day longcase clock, the 12 inch square brass dial with date aperture, 6ft 5in.William Parkinson of Lancaster, recorded c.1770-d.1799.

Henry Williams of Lancarvan. A George III oak eight day longcase clock, the 12 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, 6ft 7in.

Fisher, Ston, a 19th century eight day oak and mahogany longcase clock having a painted arched dial with subsidiary seconds and date aperture, 230 cm high overall

John Weston, Wolsingham: an oak thirty hour longcase clock, the brass roman dial with outer arabic numerals, engraved bird and swag design to centre and with date aperture, inscribed 'made nos 60' under maker's name, foliate spandrels, anchor escapement striking on a bell, the case with arched glazed door flanked by columns, shaped waist door, panelled base on bracket feet, 82in. high.

George Cleminson, Ulverston: a George III mahogany and banded longcase clock, with brass roman dial, with matted centre, ringed winding holes, date aperture, with scallop shell motif above, gilt spandrels with sunburst disc to arch, two train movement with anchor escapement, flanked by dolphin pattern surround, the case with arched broken pediment centred by brass finial, later brass gilt rosettes to sides, ornate verre eglomise above arched door, flanked by turned columns with brass capitals, arched and banded waist door, panel base cut down, 85 1/2in. high.

Jno. Bloor, Newcastle: a late Georgian oak and mahogany banded longcase clock, with painted arabic dial, subsidiary seconds dial and date aperture, moon phase to the arch, two train movement with anchor escapement, shaped pediment, shaped waist door with inlaid detail to canted corners, panel base with bracket feet, 90in. high.

Gibson, Newcastle: a thirty hour mahogany longcase clock, the square brass roman dial with subsidiary date dial, anchor escapement, the case with ogee cornice above glazed door with pilasters, arched waist door, panel base on bracket feet, 77in. high, with pendulum.

Harrison, Liverpool: a handsome George III mahogany longcase clock, the brass dial with silvered roman chapter ring with inner date track, the centre of the dial with subsidiary seconds dial and decorative nameplate, with moon phase to the arch and inscription over "The man is yet unborn who duly weighs an hour", foliate spandrels, two train movement with anchor escapement, pull repeat lever, the case with floral swan neck pediment centred by pierced fret cornice, arched door flanked by fluted columns, the central section with blind fret panel above a shaped flame mahogany door, flanked by fluted quadrants, panel base, on ogee bracket feet, 95in. high, with weights and pendulum. See illustration

Thomas Thomson, Stewarton: an inlaid mahogany longcase clock, the painted roman dial with subsidiary seconds and date dials, the spandrels and arch decorated with scenes of hat making, two train movement with anchor escapement, the case with swan neck pediment, the glazed door flanked by columns, shaped rectangular waist door inlaid with bird and flowers, inlaid panel base, on bun feet, 90in. high, with weights and pendulum.

An early 20th Century walnut longcase clock of small size, with brass roman dial and engraved 'tempus fugit' to arch, with three train quarter striking movement, the case with broken pediment, arched door above shaped rectangular waist door, panelled base and bracket feet, 72in. high.

Hugh Lough, Penrith: a carved oak longcase clock, with brass roman dial and moon phase, dummy winding holes, vacant date aperture, thirty hour movement with anchor escapement, arched pediment and door, carved waist door and carved panel base on bracket feet, 84 12in. high.

Donisthorpe, Birmingham: an oak longcase clock, with brass roman dial and outer arabic numerals, subsidiary seconds dial and date aperture, moon phase to the arch, two train movement with anchor escapement, the arched frieze above glazed door flanked by fluted pilasters, arched waist door, fluted quadrants, panel base, ogee bracket feet, 86in. high.

A late Georgian oak longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dials, foliate spandrels with painted naval scene to arch with French man-o-war, two train movement with anchor escapement, the case with dentil cornice, arched glazed door flanked by columns, shaped waist door, panel base on block feet, 85in. high, with weights, pendulum and winding key.

John Evans, Lampeter: an oak longcase clock, the square brass roman dial with outer arabic numerals, the decoratively engraved centre dial with subsidiary seconds dial and date aperture, the spandrels decorated with scenes of putto, two train movement with anchor escapement, swan neck pediment, glazed door below with pilasters, square waist door, fluted quadrants, panel base, bracket feet, 91in. high.

MODERN GEORGIAN STYLE LONGCASE CLOCK WITH WEIGHT DRIVEN CHIMING MOVEMENT, ORNATE BRASS AND GILT SQUARE DIAL CASE WITH SWAN NECK PEDIMENT AND GLASS PANEL DOOR TO TRUNK

Benjamin and David Thomas, Carmathan, an 8-day pine longcase cottage clock, c.1840. (Complete with pendulum and weights)

A Georgian walnut cased thirty hour longcase clock with painted arch top dial signed Stevenson, Nottingham.

A C19th carved oak thirty hour longcase clock with silvered and brass dial, Roman numerals by Samual Abdel Richmond.

A George III North Country oak and mahogany crossbanded longcase clock, the 14" square arched painted enamel dial with Roman numerals, minute track, subsidiary seconds dial and calendar aperture, the arch with rolling moon phase dial above two hemispheres, the spandrels painted with roses in bud, signed William Wain, Burslem, the eight day striking two train four pillar movement with anchor escapement. The hood with broken swan neck pediment, brass finial and glazed door flanked by fluted columns above a shaped trunk door inlaid with marquetry shell, flanked by quarter engaged fluted pilasters, panelled box base with canted corners raised on bracket feet (pendulum, key and two weights). 231cm h.

Yorkshire Oak - Craftsman made light oak longcase clock, lead glazed trunk door, double weight striking movement, H192cm

Mahogany longcase clock, fitted with triple weight driven chiming movement, dial signed 'Tempus Fugit', H194cm

Art Deco period oak longcase clock, walnut banding to door with chequered veneer to base, triple weight chiming movement by Gomersall's Blackpool, H196cm

A longcase clock Joseph Clegg London Clock. Rocking?Ticking angel with sand timer indicator. 'Tempus Fugit - Momento Mori' around window.

A George III mahogany and rosewood cross banded eight day longcase clock, with painted Roman numeral dial signed L Frederick of Wolverhampton, below a moon phase and movement striking on a bell, with broken swans neck pediment, on bracket feet, 238cm high

A George III oak and mahogany longcase clock, the 33cm painted Roman numeral dial signed 'Thomas Underhill Albrighton', with subsidiary seconds and date dial, below a moon phase, the case with broken swans neck pediment, the trunk with fluted corner pilasters, on bracket feet, 226cm

A late George III Shropshire oak eight day longcase clock, the 36cm painted dial signed Bowdler Minsterley, with Roman numerals, subsidiary seconds and date aperture, the hood with broken swans neck, the case with corner pillasters on bracket feet, 216cm

A George III oak and mahogany thirty hour longcase clock, the 31cm dial with Roman numerals, date aperture and signed William Jones Ludlow, with broken swans neck pediment, on plinth base, 217cm high

A George III oak eight day longcase clock, painted dial with Arabic numerals, subsidiary seconds and date aperture and movement striking on a gong, hood with broken swans neck case with fluted corner pilasters, 215cm

A 1920's oak longcase clock, with domed top and circular dial with Arabic numerals and movement striking on four gongs, with three brass weights, on turned feet, 195cm

An 18th century oak and mahogany longcase clock with eight day movement and painted square dial. 6ft 8ins high.

An 18th century oak thirty hour longcase clock, with engraved square brass dial, the silvered chapter ring signed Tho. Dadswell, Burwash. 6ft 3ins high.

William Miles, London (Circa. 1775), a mahogany cased eight day longcase clock, with a silvered arch face, subsidiary strike/silent dial, in a case with flame figured door, supported on bracket feet. 8ft 0ins high.

A rare early 18th century walnut cased pillar longcase clock by L. TUTON, BRISTOL KEYS, with eight day movement, silvered chapter ring, engraved face with two cottages and trees in a landscape setting, moon face, High Water at BRISTOL KEY, contained in a walnut case with ormolu mounts and sunburst inlaid door. 7ft 5ins high, 12-inch dial. Bears white oval label. Provenance: PERCY WEBSTER, Vendor, 37 Great Portland St., No. 9789.

A Georgian Oak longcase eight day Clock having swan pediment to the hood, also having fluted column supports flanking the single arch top pane glazed door, opening to reveal ormolu mounted brass face marked E. Greenhill, London. The case having long door with ornate carving, symmetrical dog rose climbing from the devils mouth being flanked by cross banded canted corners, the lower panel carved with demon head issuing a flower and foliage, and standing on bracket feet. 85'' high x 20 1/4'' wide x 11'' deep

An oak cased eight day longcase clock, the painted dial having hunting scene and signed Wright, Birmingham, the broken pediment over twin turned column, the case having inlaid shell decoration to front (214cm).