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A George III mahogany longcase clock by Robert Williams of Wrexham, with swans neck pediment with brass flaming torch finial between above the arched glazed door enclosing the 15 inch painted dial with spandrels emblematic of the continents, with moon phase to the arch, Arabic numerals, subsidiary seconds dial and date aperture and with eight day striking movement, flanked by cluster columns, the long triple arched Gothic trunk door with vase and cover medallion and with conforming base raised on bracket feet. Height 101 ins.

A George III mahogany longcase clock by William Taylor of Whitehaven, the swans neck pediment with brass terminals with ball and steeple finial between with shell carving beneath, the glazed door enclosing the 12 inch square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture, with thirty hour movement by William Taylor of Whitehaven, flanked by simple columns, the arched trunk door with moulded edge above a conforming base raised on bracket feet. Height 83 ins (see illustration).

A George III oak longcase clock by Thomas Pearson of Berwick, the swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and subsidiary date and seconds dials and eight day movement, flanked by simple columns, with long arched trunk door beneath and conforming base. Height 83 ins.

An early 19th century oak and mahogany crossbanded longcase clock, inscribed to the dial "John Fearon, Cockermouth", with swans neck pediment above the arched glazed door enclosing the 13.5 inch painted dial with Roman numerals, date aperture and 30 hour movement, flanked by turned columns and with short crossbanded trunk door beneath and with conforming base. Height 92 ins.

An early 19th century grained pine longcase clock, the arched hood and glazed door enclosing the 12 inch arched painted dial with Roman numerals, subsidiary seconds dial and date aperture and two-train movement marked "Falmouth", makers name rubbed, with Walker & Hughes false plate, flanked by simple columns with long arched trunk door and conforming base. Height 80 ins.

PETER WYLIE DAVIDSON (1870-1963) `SWALLOWS` LONGCASE CLOCK, CIRCA 1902 with circular brass dial, the repoussé decoration composed of stylised Roman numerals enclosed by a frieze of stylised swallows, the hands decorated with concave discs, above a pendulum, worked in brass wire and repoussé panel and depicting a swallow flying through clouds, the whole supported on an ebonised stand pierced with circular apertures enclosing turquoise bead spacers 119.5cm high, dial, 38.5cm diameter, 43cm square at base Provenance: Peter Wylie Davidson and by descent Note: This clock is one of Peter Wylie Davidson`s masterworks and possibly a collaboration with Charles Rennie Mackintosh; by family repute the frame was designed by Mackintosh and the clock`s dial by Davidson. The use of the swallow`s flight motif around the clock face is a distinctive Davidson element seen on his best pieces, as well as a classic `Glasgow Style` motif. The pendulum depicting a swallow`s flight through wirework clouds is of the same design as a well known set of brooches created by Davidson for the women in his family, of which five are thought to have been made. One example is dated 1902 and this may help us attribute this clock to a similar date. The motif can also be seen in the only jewellery design attributed to Mackintosh, but it is difficult to say with certainty who influenced who in this case. It perhaps hints at a synthesis of ideas and further strengthens the possibility of this being a collaborative project.

A 1930`s oak cased arch top longcase clock with silvered dial and triple weight driven chiming movement

An 18th century oak longcase clock with 30 hour movement, the brass dial engraved with a rural scene signed Cha. Parker, Reading

A mid 18th century walnut longcase clock by Thomas Moore Ipswich, the hood with later pediment, brass capped column, the brass arched dial with silvered chapter ring with date aperture, with eight day rack strike movement, the burr walnut arched door, above a plinth raised on bracket feet, 244 cm high.

A George III style mahogany longcase clock, early 20th century with Westminster chimes, the carved hood, with fluted column, the chassed brass arch dial with a silvered chapter ring and three subsidiary dials, and strike silent leaver, the three train muscial movement striking on tubular steel gongs, with a astragal glazed door, above a panelled base, raised on ogee bracket feet, 208 cm high.

A late 19th/ early 20th century oak longcase clock by Archibold Haswell, the fish scale blind fret hood with a moulded cornice over an egg and dart boarder and corbal corner, with a gilt brass and enamal dial with roman numerials, the eight day rack striking movement with additional musical train (lacking bells), above a geometric panelled case, centred by a carved mask, raised on a plinth base, 244 cm high.

An Edwardian satinwood longcase clock, the domed hood and moulded cornice above a brass arched dail, inscribed Obadiah Smith Ratcliff High Way on the subsidery strike/silent dial in the arch, above a panelled case with pendulum aperture and a shaped apron, (18th century dial with movement, later case.) 218 cm high.

Modern mahogany longcase clock, broken swan neck pediment, the hood with turned supports, glazed door, inlaid base, bracket feet, the arched brass dial with rolling moon phase, Roman numerals, inscribed James Stewart, Armagh, the movement stamped Franz Hermle, and striking on eight gongs.

Novelty table clock, designed as a longcase close, with cylinder movement.

An early 19th century 30-hour longcase clock, square enamelled dial signed Wilson, Chichester, anchor escapement striking on a bell, oak case with carved pediment and fluted pilasters to hood, with pendulum and weight, 6ft. 8in.

A late 18th century oak longcase clock, enamelled arched dial with gilded detail, 8-day movement, oak case with carved cresting, fluted pillars and twin-gilt finials, 6ft. 10in. - with winding crank, pendulum and weights

19th Century oak longcase clock having broken arch pediment over a brass dial with spandrels, silvered chapter with Roman numerals and moon phase subsidiary seconds and date aperture, having two train weight driven movement striking on a bell, the case having single flush panelled door flanked by quarter reeded pilasters and conforming plinth base with bracket feet (with pendulum and winder).

Mahogany line inlaid longcase clock having rectangular hood with broken arch dial, gilt and foliate painted decoration, Roman numerals, subsidiary seconds and date dial with two train weight driven movement striking on a bell, over a flush panelled door with conforming plinth base raised on bracket feet

George III oak longcase clock, the square hood with a caddy top above a shaped panel door and a plinth base, the gilded brass dial and two train movement with subsidiary seconds and a calendar aperture inscribed Richard Boyfield, Great Dalby

Reproduction mahogany longcase clock

19th Century oak and mahogany longcase clock, the arched hood with a swan neck pediment above a shell inlaid door and plinth base, the painted dial with Roman numerals and subsidiary seconds painted with a study of a church inscribed ‘Blakeway Rushbury’ with thirty hour movement

Early 19th Century oak and mahogany longcase clock, the broken arch hood above a panelled door and conforming plinth base, the painted dial with thirty hour movement striking on a bell (for restoration)

A GEORGE III MAHOGANY AND STRING INLAID LONGCASE CLOCK, the hood with swan neck pediment above fluted frieze and fluted and turned columns, the silvered dial decoratively engraved with figure scenes emblematic of the seasons within the spandrels, church and buildings within the chapter ring and a horse drawn carriage to the arch, subsidiary seconds dial, date aperture and inscribed `Geo Miles, Sodbury`, the crossbanded eight day movement striking on a bell, 93" high

A MAHOGANY EIGHT DAY LONGCASE CLOCK, the 13 ½" arched brass dial with silvered Roman chapter ring, the foliate engraved centre with subsidiary seconds and with Tempus Fugit disc to the arch, and foliate spandrels, the hood with swan neck pediment, brass ball and spike finials and fluted pillars, the trunk with conforming corners and shaped top door over a panelled base raised on bracket feet, 94" high

AN OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12" square brass dial with silvered Roman chapter ring and Arabic five minutes, subsidiary seconds and date aperture signed Winstanley, Holywell, and mask spandrels with later applied faux moon phase arch, the hood with swan neck pediment, eagle and ball finials and fluted pillars, 90" high

Oak 30 hour longcase clock (A. Lawrie). Defects damages and restorations have not been mentioned within the catalogue, for condition reports please email auctions@peterwilson.co.uk

A George III mahogany longcase clock signed Thomas Trigge, London, the caddy top above brass and silvered dial with subsidiaries seconds dial and calendar dial to the arch, flanked by rococo spandrels, the arched trunk door between stock fluted quadrant corners on plinth base, the eight day movement striking the hours on bell, 240cm height

A WELSH GEORGE III OAK LONGCASE CLOCK the brass dial signed on a silvered tablet to the matted centre Jno Owen Llanrwst, with date aperture, subsidiary seconds dial, ringed winding holes, silvered chapter ring and mask spandrels, the brass eight day movement with old seatboard, the underside inscribed in graphite R R Jones Dyffryn, June 19 1907 [and] Oct 19 1916, the case with pagoda-topped hood and unusual notched cornice, fluted rectangular pilasters and full- length cockbeaded door inlaid with a central device, on boarded base, 215cm h ++In good condition restored in the relatively recent past, the movement with the later addition of a pull repeat, the case of fine colour and patina with old skirting repair around the plinth, sold with two old brass weights and contemporary pendulum with brass faced lead bob

A GEORGE III MAHOGANY LONGCASE CLOCK the wheatear engraved brass dial signed on the silvered chapter ring Thurstan Lasel [Toxteth] Pk: with matted centre, subsidiary seconds dial, date aperture and ringed winding holes, having mask spandrels, dolphins to the arch flanking a silvered disc, with eight day movement in brass and ebony inlaid case with swan neck pediment, spiral pilasters and circular panel to the base, on bracket feet, 236 h ++Dial/movement associated to the case, small drill hole in one side of the hood, minor losses to mouldings, lacking both back feet

A GEORGE III OAK LONGCASE CLOCK the brass dial signed on the chapter ring Bell Uttoxeter, having matted centre, subsidiary seconds dial, date sector and eight-day movement, in crossbanded case with cavetto pediment, carved frieze and fluted pillars to the hood, the trunk enclosed by a breakarched door, 205cm h ++The movement and dial associated to the case, the seatboard resting between the cheeks, the movement and dial in good condition, cleaned and overhauled some years ago, the case lightly repolished and slightly faded

AN 18TH CENTURY OAK LONGCASE CLOCK BY THOMAS LISTER, of thirty hour movement, the square brass dial with moon phase and calendar aperture and foliate spandrels, the hood with a filled swan neck pediment, turned pilasters flanking the dial, the trunk door with ogee arch and quarter round columns to the sides, the plinth with fielded panel, on bracket foot, 215.5cms high. See illustration

A GEORGE III OAK AND MAHOGANY CASE LONGCASE CLOCK in an oak and mahogany case, of eight day movement, the square white dial with calendar aperture and seconds subsidiary dial,painted with parrots, signed Walt Watson, Altringham, the hood with scroll pediment and reeded pilasters, the trunk with a panel door and reeded quarter round columns, over a base with banded panel, 208cms high. See illustration

William Kipling, London, a blue Chinoiserie lacquer longcase clock, 18th century and later, the hood with later caddy top and flambeau finials, the 12 inch brass dial signed to a boss in the arch, feather banded border, mask spandrels, silvered seconds dial, date aperture and chapter ring, 8 day 5 pillar movement, the trunk with breakarch door and raised on a stepped plinth base, 267cm high

Samuel Lister, Midgley, a Regency mahogany longcase clock, the 13 inch square enamel dial with rolling moon, floral spandrels and calendar aperture, 8 day movement, the trunk with arched top door, upon a rectangular plinth with canted corners, and ogee feet, (case repolished), 110cm high

A Longcase Clock with white dial and seconds ring, gong strike in mahogany drum top case, with glass lenticle door on bracket feet. 6` 11" (208cms) high.

A George III Longcase Clock, the brass and steel dial inscribed "Agar, York" with seconds ring, date aperture, engraved centre and ormolu spandrels, with strike silent arch, in oak and mahogany case, with swans neck pediment, fluted pilasters and quarter round mouldings, on a plinth base. 7` 6" (224cms) high.

A George III Longcase Clock, the steel and brass dial inscribed "George Goodall, Aberford", no. 355, with date aperture, engraved centre and ormolu spandrels with 30 hour movement in broken arch oak case, with canted corners and half round mouldings on bracket feet. 7` 4" (224cms) high.

An 18th Century Longcase Clock, the steel and brass dial inscribed "Richard Stedman, Godalmin (sic)" with 30 hour striking movement in oak case with stepped cornice, plain pilasters and long door. 6`6" (198cms) high.

18th century burr walnut longcase clock by William Jackson, Southwork. The silvered face surrounded by applied brass putt in relief, the case surmounted by a carved pierced frieze. The name of the maker in a central roundel with crown over.

RICHARD MARSHALL, WOLSINGHAM, A DURHAM 30 HOUR OAK LONGCASE CLOCK, the 11" square brass dial signed Rich Marshall and dated 1754, anchor escapement and date aperture, the case with long moulded door. 2.02m

A pair of carved putti, dark stained oak on a hood from a longcase clock the hood being 33 inches high.

A burr walnut and line inlaid longcase clock, the brass dial bearing `John Ebsworth`, with cherub spandrels, second dial, two train movements, the hood with spiral twist pilasters, the trunk door with aperture, and raised on bun feet, measuring 193 cm high.

An oak and mahogany inlaid longcase clock with painted dial, measuring 202cm high.

A Victorian walnut and inlaid miniature longcase clock with battery operated modern movement, measuring 45.5cm high.

Edwardian inlaid mahogany longcase clock, the hood with swan neck pediment, arch shaped door flanked by ebonised cylindrical columns with brass capitals, trunk with long door having oval bevelled glass panel, arch shaped brass dial with silvered chapter ring, subsidiary chime/silent, Whittington/Westminster and seconds dials, eight day movement striking and chiming on nine tubes, 246cm high

19th Century oak longcase clock signed Robert Davy of Hoveton, the hood with swan neck pediment and reeded pillars, trunk with long door flanked by fluted chamfers, arch shaped brass dial with bobbing ship, Roman numerals and subsidiary seconds dial, bears name plate inscribed `Robert Davy, Hoveton`, eight day striking movement, 223cm high

Late 18th Century oak longcase clock by John Snelling of Alton, hood with swan neck pediment and fluted columns, trunk with long door, arch shaped brass dial with bobbing Old Father Time, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 213cm high

Early 18th Century oak longcase clock by Joshua Alsop of East Smithfield, square hood with tapered cylindrical columns, trunk with long door, square brass dial with Roman numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 197cm high

19th Century oak longcase clock by Thomas Mear of Dursley, arch shaped hood having Greek key moulding, trunk with long door, arch shaped painted dial having Arabic numerals, bobbing Old Father Time, subsidiary seconds dial and calendar aperture, eight day striking movement, 215cm high

A 19th Century oak and mahogany longcase clock having a square hood with scrolled pediment and turned pillars and with a 13.5 ins square painted dial with eight day movement by Alker, Wigan

An early 19th Century oak longcase clock having a square hood with 12 ins brass dial, eight day movement by Hall, Beverley

George III mahogany longcase clock, broken swan-neck pediment, the case with parquetry stringing and crossbanding, shaped door, plinth base with short brackets, arched painted dial, signed Josh. Craig, Maryport, subsidiary second dial and date aperture, Arabic numerals, painted spandrels emblematic of the seasons, moon phase to the lunette, eight-day two-chain movement, striking on a bell.

George III mahogany longcase clock, pagoda cresting, triple urns, arched mirrored door, plinth base with ebonised stringing, circular brass dial, signed - W. West, St Ives, with date aperture, Roman numerals, eight-day two chain movement striking on a bell.

Longcase clock, oak case and shaped pediment, moulded cornice, long narrow door, plinth base, square painted dial with scrolled spandrels, Roman numerals, subsidiary date aperture, indistinctly signed, inscribed Bosworth, thirty hour movement striking on a bell.

19th century oak and mahogany longcase clock, with swan neck pediment, the hood with fluted supports, short arched door, the arched painted dial with Roman numerals, signed Corrall & Son, Lutterworth, eight day movement striking on a bell.

19th century longcase clock movement, with an arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, signed Blackford, Bridgewater, eight day movement, striking on a bell with part weight and pendulum.

An oak miniature longcase clock, oil lamp, glass rolling pin, barometer together with a Lipton`s brass tea caddy and five piece petit point dressing table set, badges, oak small cabinet, corkscrew, hipflask etc

An early 19th century oak and strung longcase clock, circa 1820, the scroll neck hood with glazed square door, enclosing an enamel dial with Arabic numerals, inscribed Deacon Barton, with date aperture, the quarter pilaster supported trunk with arched doo

An antique marquetry miniature longcase clock watch holder

A 19th century eight day longcase clock with a painted arched dial with second hand and calendar with a heavily carved oak case