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Good mahogany eight day longcase clock, the 12" arched brass dial signed Edgecumbe & Nichols, Bristol, with Adam and Eve automata to the arch over an engraved dial with subsidiary seconds dial and arched calendar aperture, the flamed case with short inlaid ebonised bordered door, surmounted by a wavy rounded arched cornice over a fluted panel bordered with boxwood lines, 87" high
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed James Powell, Worcester, moon phase to the arch, subsidiary seconds and calendar dials, the case with short door crossbanded with mahogany and inlaid with boxwood and ebony lines, flanked by quarter fluted ormolu mounted Corinthian columns, the hood also inlaid with boxwood lines and chequered banding, surmounted by a broken swan neck pediment with pressed rosettes and two ball and eagle finials, 100" high
Oak eight day longcase clock, the 12" square brass dial signed Samuel Holbin, Bitton, the centre engraved with a ship and village scene, with subsidiary seconds dial and calendar aperture, the case with long door inlaid with a star motif and boxwood lines, surmounted by a moulded cornice over a carved frieze, 75" high
Oak eight day longcase clock, the 12" square brass dial signed Baker Appleby on the silvered chapter ring enclosing a gilt matted centre with subsidiary seconds dial and calendar aperture, the case with long arched door flanked by quarter fluted pilasters over a panelled base, surmounted by a wavy shaped pediment, 79" high
Mahogany three train musical longcase clock, the 12" brass arched dial signed A. Ross. Boston, on a silvered plate to the floral engraved centre, the movement playing on eight bells and striking on another, the case with short door inlaid with boxwood banding, surmounted by a swan neck pediment, 81" high
Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Anthony Harrison, London, the matted centre with subsidiary seconds dial, calendar aperture and ring turned winding holes, the case with plain long door surmounted by a moulded stepped cornice, 79" high, (with brass cased weights)
Early 18th century walnut eight day longcase clock, the 12" square brass dial signed Edward Patrick, London, with a silvered chapter ring and engraved matted centre depicting lovebirds and a basket of fruit, with a subsidiary constant seconds dial over a date aperture and applied with pierced cast cherub spandrels, the figured veneered case with a flat hood and blind fret moulding over a long cockbeaded moulded door inset with a glass lenticle, 85.5" high
A 19th Century mahogany and strung eight day Longcase Clock, the 12" painted dial with roman numerals, subsidiary second hands, date aperture, and signed Thos. Huggins (Gloucester), all within ornately gilded and painted spandrels and flanked by wrythern columns, figured mahogany trunk door and on shaped bracket style feet 86" high
An early 19th Century oak and mahogany crossbanded and facaded thirty hour Longcase Clock, broken swan neck pediment above classical style pilasters with Corinthian columns and gilt metal capitals flanking a 12" brass dial with Roman numerals, foliate style engraving, date aperture and signed Will Snow, no. 825, all within pierced foliate style gilt metal spandrels, rectangular crossbanded trunk door flanked by quadrant fluted pilasters, on bracket feet, 82" high
A George III mahogany cased longcase clock having a swan neck pediment above a 20 inch dial painted with scenes of the four seasons with Roman numerals, subsidiary second and date dial having an eight day movement, signed M. Feguson, Mauchline, the trunk enclosed by a flame mahogany door, on a plinth base
A 19th century carved stained oak longcase clock. By John Sanderson. the twin train movement, the square brass dial with cast spandrels, Roman and Arabic numerals, subsidiary second and date dials,the hood swan neck pediment, Corinthian columns, trunk door flanked by quarter columns, stepped base, serpentine apron, the whole raised on bracket feet. 228cm high
A 19th century mahogany longcase clock. By J Cuthbertson, Whitburn. the twin train movement with painted arched face depicting battle scene, subsidiary second and date dials , the hood with swan-neck pediment, over glazed door flanked by columns, the bow front trunk door mounted by pediment with acorn finial, flanked by columns, paneled base raised on bun feet. 210cm high . Provenance: From the collection of the Late Jack Notman, Architect, Glasgow
A 19th century mahogany longcase clock. By Edwardson. the arched brass plate calendar, silver chapter ring, cast spandrels, with black Roman numerals and two subsidiary dials, the arched hood with swan-neck pediment and brass finials, open fretwork frieze, turned columns with Corinthian capitals, crossbanded trunk door flanked by pilasters, plinth base raised on bracket feet
WP Coates, North Crawley, an early 19th Century mahogany and boxwood strung longcase clock having scrolled pediment with phoenix and ball surmount the painted arched dial with moon phase and subsidiaries above half length door within ormolu mounted reeded pilasters on box base and splayed bracket feet.

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44426 item(s)/page