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LATE 18TH/EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK,with broken swan neck pediment, the floral painted dial set with Roman numerals and two subsidiary dials beneath landscape vignette, the trunk with quarter turned fluted pilasters, on plinth base, 198cm high, with pendulum and weights

OAK LONGCASE CLOCK OF GEORGIAN DESIGN BY R.A. HARTSHORNE OF WALSALL,with turned finial and broken swan neck pediment, the dial painted with bucolic vignettes, signed and set with Roman numerals, on glazed trunk to panelled plinth base and bracket supports, 202cm high

A longcase clock, in as found condition, the domed enamel dial with Arabic numerals, signed Ward, Dudley (AF)

A Georgian mahogany longcase clock, by Thomas Rhind of Paisley, the break arch dial painted with a classical urn, floral swags and paterae, the circular dial bearing Roman and Arabic numerals, subsidiary seconds and date dials, eight day movement with bell strike, the case of plain form with boxwood line inlay, raised on a plinth base, with pendulum, weights lacking, 206cm high.

JAMES COWAN, EDINBURGH; a 19th century oak cased eight-day longcase clock, the silvered chapter ring set with Roman numerals, smaller seconds subsidiary dial and date to the bottom, the roundel with maker's name to the top, within pierced dolphin and scroll spandrels, the swan neck top with brass globes and eagle finial.Height 219cm

M. JONES, CARNARVAN; a George III oak eight-day longcase clock, the broken swan neck pediment terminating in brass roundels, above an arched painted dial depicting cottages, the chapter ring set with Roman numerals, further subsidiary seconds hand set with Arabic numerals and a rolling date aperture, inlaid shaped door flanked by blind fret carved panels, stepped base to plinth.Height 229cm

A longcase clock by Morrey Manchester.

A George III inlaid mahogany longcase clock, with broken swan neck pediment with floral marquetry inlay above twin reeded columns, the boxwood inlaid trunk with twin columns flanking the shaped trunk door with marquetry inlaid urn panel, on plinth base, the brass dial with silvered chapter ring having Roman and Arabic numerals, moon phase dial, subsidiary seconds dial at 12, date aperture at 6, the twin train movement striking a bell, reverse of moon phase plate is stamped Walker & Hughes, with pendulum, weights and winder, 229cm high Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Case: With numerous areas of damage to include: breaks to swan neck pediment, with pieces missing and losses to veneer, chips to back edges of side of hood with signs of previous repair. Cracks to trunk door and missing pieces of marquetry panel. Escutcheon is also missing. Missing pieces of veneer to plinth base and losses veneer on feet. Cracks to plinth. Wear and cracks to reverse.Dial: With scratches throughout. Loss to top left spandrel and other spandrels loose. Dirt throughout. The moon phase is slightly loose, is bent and is heavily scratched. Movement: Scratches to backplate.

A George III oak longcase clock, by Nathaniel Adams, Stowmarket, last quarter 18th century, with shaped cornice above brass capped columns, with plain trunk with shaped door over plinth base, the arched painted dial signed N. Adams, Stowmarket, with Roman and Arabic numerals and subsidiary seconds dial at 12, twin train eight day movement striking a bell, with pendulum, weights, and winder, 204cm highPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Case: With some damage, to include: breaks to fretwork to right side of hood, cracks to left and right side of hood, columns slightly loose. The handle to dial door is missing. Hinged to dial door is loose so door sags when opened. The glass is scratched and has possibly be replaced. The trunk with cracks to left side and trunk and plinth with minor knocks and scratches. Missing lock mechanism to trunk door. Dial: Heavily scratched and crazed and rubbing to numerals and signature.Movement: The backplate with scratches.

An oak eight day longcase clock, by Goldsmiths & Silversmiths Company, London, late 19th / early 20th century, the case with scrolling pediment above ebony line inlaid hood with foliate fretworks panels to sides, on plinth base, the silvered Roman dial signed by Goldsmiths & Silversmiths Company 112 Regent St. London, with subsidiary seconds dial at 12, the twin train movement striking a gong, with pendulum, brass cased weights and keys, 183.5cm high Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. Please refer to department for condition report

A French Comtoise clock, 19th century, the dial with Roman numerals, signed Frederic Ferard, a Ceauce, with sheet brass dial surround with courting couple surmount, the twin train movement a verge escapement, striking a bell, with a later oak longcase lacking hoodPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. Please refer to department for condition report

A large mahogany double wide longcase clock, white circular dial, signed Elias E Jones, Bathesda, with Automaton Arch and painted Spandrels, 238cm H

A longcase clock, brass arched vase, Roman numeral markers, signed RAINSFORD LEICESTER SQUARE, with weights and pendulum, in mahogany case with brass finialed hood, 25cmH

An early 19th century longcase clock, the 14” painted dial with moon-phase, inscribed “Portsea” (name illegible), with subsidiary seconds & date aperture, 8-day striking movement, in mahogany case with rope-twist pilasters & brass finials to the rounded hood, 7’3” high.

An 18th century longcase clock, the 12” square brass & silvered dial signed “John Holmes”, with subsidiary seconds dial & date aperture to the engraved centre, having eight-day striking movement, in plain oak case, 6’8” high.

An 18th century longcase clock, in plain mahogany case, (in need of restoration).

A George III inlaid oak longcase clock with brass and silvered dial signed Joseph Atkinson, pendulum and weights. (AF)

A Tempus Fugit longcase clock with pendulum and weights.

Approximately fifteen longcase clock pendulums, and a quantity of clock weights (qty.)Condition ReportPlease see additional images.

Early to mid 20th Century oak longcase clock, the circular silvered dial with Roman numerals and three train weight driven movement

John Hewkley, 18th Century chinoiserie longcase clock, the pagoda top hood enclosing a brass dial with silvered chapter ring and secondary dial with date aperture, the two train weight driven movement striking on a bell with single arched top flush panel door decorated with buildings and figures, on a conforming plinth base (for restoration), 250cms high x 53cms wide x 30cms deep, with pendulum and key for caseCondition as shown in photos

19th Century mahogany longcase clock, the arched hood with swan neck pediment above a rectangular panelled door, the dial painted with shipping and coastal scenes, inscribed F.J Wild, Dundee, with Roman numerals, subsidiary calendar and seconds and a two train movement striking on a bell

George III oak and pollard oak longcase clock with mahogany crossbanding and quarter pilasters, the broken arch hood above an arched panelled door and confirming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial, calendar hand and moon phase arch, signed Simcock, Prescot, the two train four pillar movement with anchor escapement, striking on a bell, with weights and pendulumMovement has not been cleaned recently and has not been set up to test if running (please see general condition from photos)217cm high x 57cm wide x 25cm deep

George III mahogany longcase clock, with an arched hood above an arched door, the enamel dial with Roman and Arabic numerals, subsidiary seconds and date, the two train movement striking on a bellPlease see photos for condition.Clock is currently not set up or running

George III oak longcase clock, the square hood with swan neck pediment above a shaped door, the brass dial inscribed John Smith Chester, with a two train movement striking on a bell (with alterations)

George III fruitwood longcase clock, the square hood with swan neck pediment above a rectangular panelled door, the silvered dial inscribed Church Browne New Town, with 30 hour movement striking on a bell

George III oak longcase clock, the square hood enclosing a brass dial inscribed John Uffington London, with a 30 hour movement striking on bell (with alterations)28cm square x 187cm high

George III oak longcase clock case, the square hood for an 11in dial

Quantity of various longcase clock, movement parts

Late 19th / early 20th Century walnut writing box (at fault), small glove press, longcase clock pendulum, piano music sheet holder etc.

A George III oak and mahogany 8-day longcase clock by William Rubottam (Robottom) of Tarporly, Cheshire, circa 1770, twin swan neck scrolling pediment, frieze lacquered in blue and gilt, 18.5inch x 13.5inch arch shaped brass and silver chaptered dial, moonphase, date aperture, Roman hourly numerals, Arabic outer 5-minute numerals, subsidiary seconds dial, engraved makers name, twin windup keyholes, 8-day movement striking to a bell, flanked by gilt top reeded pilasters, on fretwork above a serpentine top panel door enclosing two weights and pendulum, flanked by gilt mounted quarter reeded pilasters, moulded base, raised on short ogee feet. 225cm H x 51cm W x 26cm DNote: William Rubottam (Robottom) worked in Tarporly, Cheshire, in the late 1760’s and 1770’s. He recorded working in Liverpool based at 20 Redcross Street, between 1790-96.

John Bell, Hexham, an oak longcase clock, the 4 arched hood with broken swan neck pediment and eagle and ball finial, the trunk with crossbanded waist panel door, on a box base, the painted arched dial having Roman and Arabic numerals and date aperture, signed Jn Bell, Hexham, the thirty hour movement with anchor escapement striking to a bell, 204cm high.

A Miles Carter designed modernist light oak longcase clock, of plain rectangular form having a 30cm dial with black squares for numerals, the twin train movement with anchor escapement striking to a bell, 201cm high. Peter Miles and Ron Carter joined to form Miles Carter and have designed seating for the British Library, Heathrow Airport executive lounge, the V & A cafe and furnished numerous embassies around the world.

Taylor Oxford, a 19th century oak longcase clock, having a square hood, the trunk with plain panel door on a box base, the 29cm square brass dial with silvered chapter signed Taylor, Oxford, subsidiary seconds dial, enclosed by eagle and urn spandrels, the eight day twin train movement with anchor escapement striking to a bell, 193cm high.

John Joyce, Ellesmere, an early 19th century oak and inlaid longcase clock, with square hood, the arched panelled door with floral inlay, raised on a box base, the 26cm square brass dial, with silvered chapter ring, Roman numerals signed Jon Joyce, Ellesmere, having date aperture, the thirty hour movement with anchor escapement striking to a bell, 200cm high.

A 1920's oak longcase clock, height 194cm

A contemporary longcase clock. The brass dial with Roman numerals, within a wooden case, raised on a bracket supports, with weights and pendulum, 188cm high

A 19th Century oak 8-day longcase clock, the dial signed C. Broderick, Boston

A vintage coffee table, a dwarf longcase clock and an embroidered oak firescreen

A beech Lincoln 31-day longcase clock

An early 20th Century oak dwarf longcase clock

A yew wood dwarf longcase clock, with rolling moonphase dial

A NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with eight day movement, the painted face with subsidiary dated and seconds dials, two weights and pendulum, H 225 cm

An 18th Century single pointer 30 hour longcase clock by Nicholas Keymar, having a birdcage movement, 10 inch brass dial bearing "Nicho Keymar, Highworth", in a stripped pine case, 196 cm

Richard Sill, Wigton, an early 18th Century oak cased single pointer 30 hour longcase clock, having a plain 10 1/4" square brass dial with a blued steel hand and date aperture, engraved 'Richard Sill, Wigton Fecit', a typically narrow case with a lenticle glass to the trunk door, and a door-less hood decorated with idiosyncratic single-bine twist-turned columns, 200 cm [Richard Sill senior 1680 - 1729 is listed as the first of three generations of Wigton clockmakers]

An Oak Thirty-Hour Longcase Clock, the 10" square brass dial bearing an inscription to the centre Nathl Kirk, Kibworth 99, striking on a bell, later movement, 216cm high (with pendulum and weight)

A Painted Pine Thirty-Hour Longcase Clock, circa 1770, the 11" square brass dial with chapter ring signed Stone House, Whitby, the movement with outside count wheel striking on a bell, 202cm high (pendulum and weight missing)From the Estate of Stephen Hamilton Rawlings, Scarborough.

A Painted Pine Thirty-Hour Longcase Clock, the 11" arch brass dial with later added silvered disc, bearing an inscription Wrangles, Scarbor, later dial and movement (with weight and pendulum)From the Estate of Stephen Hamilton Rawlings, Scarborough.

An Oak Thirty-Hour Longcase Clock, circa 1780, the 11" arched brass dial signed on a circular brass disk in the arch Wrangles, Scarbor, 224cm high (with one weight and pendulum)From the Estate of Stephen Hamilton Rawlings, Scarborough.

A Group of Furniture, comprising: a George III Style mahogany tripod table, a mahogany pot-cupboard, an occasional table, folding screen and an Art Deco small chiming longcase clock (5)

An Oak Thirty-Hour Longcase Clock, circa 1780, the 12" square brass dial with dial centre signed Rob Skelton, the movement with outside count wheel striking on a bell, possibly later case, with pendulum and one weight, 204cm highFrom the Estate of Stephen Hamilton Rawlings, Scarborough.

A Thirty-Hour Painted Dial Longcase Clock, the 11" arch painted dial signed T. Wrangles, Scarbro, movement with outside count wheel striking on a bell, possibly a later case, 224cm high (with pendulum and weight)From the Estate of Stephen Hamilton Rawlings, Scarborough.

A Painted Pine Thirty-Hour Longcase Clock, the 11" arch brass dial signed on a circular plaque in the arch Will Stonehouse, Pickering, movement with outside count wheel striking on a bell, with pendulum and weight, 228cmFrom the Estate of Stephen Hamilton Rawlings, Scarborough.

A Painted Pine Thirty-Hour Single-Handed Longcase Clock, 18th century, the 10" square brass dial signed on the chapter ring Stonehouse, Whitby, the movement with outside count wheel striking on a bell, later case, with pendulum and weight, 196cm highFrom the Estate of Stephen Hamilton Rawlings, Scarborough.

A Small Mahogany Cased Modern Longcase Clock, retailed by Ogden & Sons, London and Harrogate, with eight-day movement and Westminster chime, 152cm

An oak longcase clock with painted dial named to 'W. Gunnell, Newbury'.

A Georgian oak longcase clock with painted dial.

20TH CENTURY MAHOGANY TEMPUS FUGIT LONGCASE CLOCK,149cm high x 33cm long x 19.8cm depth, complete with pendulum

A late George III oak longcase clock, circa 1820, 13inch painted dial, Arabic numerals, 8-day movement, date aperture, on a heavily carved oak panel door enclosing weights and pendulum. (A/F)

AN 18TH CENTURY OAK LONGCASE CLOCK BY JOHN NETHERCOTT, CHIPPING NORTON the 24cm dial with silvered chapter ring and pierced spandrels to the thirty hour movement striking on a bell, contained in case with fluted pillars to hood and mahogany banded trunk, 175cm high