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Watkin Owen, Llanrwst an oak longcase clock: having an eight-day duration, five-pillar movement striking the hours on a bell with a wood rod to the pendulum and conical shaped weights as typical of this maker, the thirteen-inch square painted dial having black Arabic hour numerals, a subsidiary seconds dial, date aperture, blued steel hands and signed to the centre Watn. Owen, Llanrwst, decorated with two sailing ships to the centre and flora to the four corners, the false-plate to the rear of the dial embossed with the dialmaker's name Wilson, Bham, the oak case having fan inlaid decoration to the trunk door and raised panel to the base, with fluted quarter columns to the trunk, the hood having turned pillars with cast-brass capitals and a shallow swan-neck pediment with a carved wooden fan finial to the centre, all standing on bracket feet, height 206cms.* Biography Watkin Owen was a fine maker and his history, and that of his family is well-recorded. He took over the family clockmaking business 1776 aged twenty following the death of his father John, a most skilled and excellent clockmaker himself, and continued for another thirty-three years. He always fitted his movements with five pillars as opposed to the normal four and his painted dials were supplied by Wilson of Birmingham, one of the first to manufacture this style and considered one of the finest exponents. Watkin Owen died in April 1809.* Note For an in-depth study detailing the life, clocks and working practices of Watkin Owen see Colin & Mary Brown, The Clockmakers of Llanrwst, Bridge Books 1993.

A London style mahogany longcase clock: having an eight-day duration movement with a half-dead beat escapement and striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre having an inset silvered subsidiary seconds dial and date aperture, with the arch having a silvered 'strike/silent' dial, with oriental style cast-brass corner spandrels to the four corners and dial, the mahogany case having a shaped stepped moulding to the trunk door, fluted quarter columns to the trunk with brass stops and cast-brass capitals, with the hood having matching full pillars and surmounted by a pagoda top with carved wood flame finials, the base having a shaped raised panel, a double plinth and standing on bracket feet, height 246cms.

A Georgian mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted cream break-arch dial having black Roman numerals, a subsidiary seconds dial, a 'strike/silent' dial within the arch and blued steel heart shaped hands, the London-style mahogany case having a break-arch moulding to the top of the trunk door, fluted quartered columns with cast-brass capitals and brass stops being repeated to the hood, the base with a shaped raised panel and double plinth, height 220cms.

Fearnly, Wigan an oak longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, the silvered centre engraved with floral and rococo decoration and having subsidiary seconds and date dials, with cast-brass rococo style spandrels to the four corners and decorative blued steel hands, the oak case cross-banded in mahogany and having fluted quarter columns to the trunk with cast-brass capitals, the hood having fluted pillars with cast-brass capitals, a blind fret to the front frieze and surmounted by a swan-neck pediment with three eagle-and-ball brass finials, with canted corners to the base and all standing on bracket feet, height 230cms, including finial. *Note A clock signed for Fearnly in a similar style to this example and housed in an oak case is illustrated in Clockmakers of Northern England, by Brian Loomes, published by Mayfield Books, 1997. *Biography. Peter Fearnley was a well-known and prolific maker described by Arthur Hawkes, Borough Librarian of Wigan 1919-1950 as 'a clockmaker of importance', with the first reference to him being the birth of his daughter Alice in March 1777, thereafter numerous other of his children are recorded. He came to prominence when given the contract to build a new clock for the parish church, with various vestry records giving an insight into the procedure. His wife Ann Lawson, from the clockmaking Lawson family, died in June 1821, aged 67, followed by Peter himself in 1826 aged 77. * Note. Reference Arthur J. Hawkes, The Clockmakers and Watchmakers of Wigan, published by the author 1950, pages 64 - 69, chapter Peter Fearnley, Contemporaries and Successors.

W. Helliwell, Chorley a moon-phase longcase clock: having an eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals with the maker's name engraved either side of VI o'clock W. Helliwell, Chorley, the silvered centre engraved with rococo style decoration and having a subsidiary seconds dial and date aperture, the arch having a moonphase disc decorated with landscape and seascape scenes, with cast-brass rococo spandrels to the four corners and blued steel hands, the mahogany case having a shaped top to the trunk door and fluted quarter columns, with the hood having fluted pillars with cast-brass capitals, a swan-neck pediment with verre eglomisé panels of gilded decoration on blue glass, with an oriental finial to the centre and two turned wooden side finials, the base having canted corners, a raised shaped panel and standing on bracket feet, height 236cms.

James Whitnell, Newcastle a Georgian mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having subsidiary seconds and date dials to the centre, black Roman hour numerals with painted floral decoration to the four corners and painted peacocks within the arch, signed to the centre J. Whitnell, Newcastle, with gilt-brass decorative hands, the mahogany case having an arched door and turned quarter-columns to the trunk, with an inset panel above, the break-arch hood having turned columns and surmounted by cresting, the base with mahogany crossbanding and standing on bun feet, height 224cms. * Biography James Whitnell is recorded as working in Newcastle from before 1834 until at least 1848.

A mahogany longcase clock: the unsigned early 18th century eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute markings and meeting-arrow-head half-hour markings, the matted centre with ringed winding holes and a date aperture with engraved surround, with cast-brass female-head spandrels to the four corners and blued steel hands, the associated mahogany case having tapered pillars to the hood, surmounted by a shallow swan-neck pediment and standing on bracket feet, height 200cms.

1930's oak triple weight longcase clock with inset barometer

Antique oak 30 hour longcase clock having fruit painted arched dial, signed W. Terry, Richmond

19th Century mahogany eight day longcase clock having arched marine phase dial, signed Will Hall, North Shields

A Huntley & Palmers tin in the form of a longcase clock

An Edwardian oak longcase clock refitted as a bookcase with quartz clock movement.

A stained oak longcase clock, 18th century and later, with 30 day bell striking movement and 10 inch dial marked Wm Lee Leicester, with single hour hand, in a stained oak case, 192cm high overall   Please Note: The movement is a 30 hour movement not 30 day as originally catalogued.

19th century mahogany crossbanded oak longcase clock, arched painted dial with subsidiary seconds dial, 8-day movement striking the hours on a bell, H225cm

Early 20th century oak longcase clock, silvered Arabic dial, triple weight driven movement, chiming the hours and quarters on rods, H184cm

A George III Oak Cases Eight Day Longcase Clock by James Warren of Canterbury (1778-1832), With a painted 12 inch dial with subsidiary seconds dial, with pendulum a/f, two lead weights and key, 203cm high

A 19th century mahogany longcase clock, having painted arched dial and bearing the name Chaplin's, Bury.

A 19th century oak eight day longcase clock.

A reproduction mahogany longcase clock.

A 19th Century 30 hour longcase clock with a square painted dial, set within an oak case.

A collection of books on furniture and clocks, including The Longcase Clock book etc.

A Victorian mahogany 30 hour longcase clock with painted arch top dial

Three various old longcase clock movements

GEORGE III OAK LONGCASE CLOCK, the 30cm brass dial with date and seconds wheels, inscribed " John Hubbard Louth", the arched dial with two cut-out figures sided by painted animals (def), the eight day five pillar movement striking on a bell, in an oak case with star inlay to the door and hood, 217cms high

A GEORGE III MAHOGANY LONGCASE CLOCK, the silvered dial with Roman numerals and outer Arabic seconds numerals, inscribed " George Burgess - from the King's watchmaker, near Cornhill London", the five pillar movement striking on a bell, in a mahogany case, the shaped hood with fluted canted corners and a panelled plinth base. 193cm high

GEO III OAK LONGCASE CLOCK, the 25.5cm brass dial with Roman numerals, date aperture, inscribed to the chapter ring " Rich Stephens Bridge North", single hand and cherub spandrels, the 30 hour movement striking on a bell. 193cm high

GEORGE III MAHOGANY LONGCASE CLOCK, the arch dial with rolling moon phase, subsidiary seconds dial and date aperture, the eight day movement striking on a bell, in a mahogany case with broken swan neck pediment, 218cm high

A 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK, with eight-day movement, the painted and gilded circular dial with subsidiary seconds and month dial, signed DILGER & BARCLAY, GLASGOW. 6ft 8ins high.

A SUPERB LATE 17TH CENTURY ENGLISH MARQUETRY LONGCASE CLOCK, with 10-inch dial, eight-day movement, striking on a single bell, contained in a marquetry case. 6ft 8ins high.

A GOOD GEORGE III MAHOGANY CASED LONGCASE CLOCK, with eight-day movement by DODDS, LONDON, with silent and strike action, silvered chapter ring, contained in a domed hood. 7ft 10ins high.

FRANCIS PARKER KNARESBOROUGH A MID 18TH CENTURY OAK LONGCASE CLOCK the break arch moulded pediment above an arched door flanked by turned columns on a slender trunk, the 11" arched brass dial with engraved Roman chapter ring surrounding an engraved polished centre with calendar aperture fronting a 30 hour weight driven movement striking the hours on a bell 211cm high

A PAIR OF 18TH CENTURY BRASS CASED LONGCASE CLOCK WEIGHTS

AYL. STOPES LONDON AN EARLY GEORGE III RED LACQUER AND CHINOISERIE DECORATED EIGHT DAY LONGCASE CLOCK the 12"arched brass dial with gilt mask head spandrels engraved roman chapter ring with Arabic minute markings enclosing a matted centre with subsidiary seconds dial and date aperture beneath a strike/silent dial to the arch; eight day five pillar movement with anchor escapement and hour strike - bell lacking. The case with pagoda top and fretted sides to the hood fronted by moulded door pillars; arched top trunk door and stepped plinth base 236cm high

ROBERT JONES CHESTER AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK the 10" brass dial with silvered chapter ring and matted centre with date aperture fronting a chain driven 30 hour movement with count wheel strike and anchor escapement. The case with moulded hood door pillars and rectangular full length trunk door 186cm high

RIVERS & SON, CORNHILL LONDON A GEORGE III MAHOGANY QUARTER CHIMING LONGCASE CLOCK the arched moulded hood with blind fret above a glazed arched door flanked by reeded brass capped corinthian columns, the trunk with matching quarter columns enclosing a moulded framed bridge top door above a box base with applied moulded panel. The 12" arched brass dial with painted circular Roman centre and subsidiary seconds, the arch having subsidiary dials for regulation and Strike/Silent with centre cartouche reading 'Rivers & Son, Cornhill, London. Successer's to Daniel De Sir Leu, WATCHMAKER To her MAJESTY'. The three train weight driven eight day movement striking the hours on a bell and the quarters on a nest of eight bells 223cm high - comes with brass cased weights, pendulum, winding key and original pagoda top, now removed

CHARLES GOODE LONDON A FINE EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK the elegant case with caddy top and double pierced sound fret frieze above a square glazed door flanked by brass capped columns on a slender trunk with D-moulded door and panelled sides on a cross banded base. The 12" square brass dial with gilt mask head spandrels and engraved Roman chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture, Strike/Not strike lever at 3 o'clock, fronting an eight day five pillar weight driven movement striking the hours on a bell 260cm to top of finial

R. B. THOMAS PORT MADOC A MID 19TH CENTURY FIGURED MAHOGANY REGULATOR LONGCASE CLOCK the flat top moulded case above a glazed door with pierced carved decoration on box base with recessed panel enclosing a 14" silvered engraved observatory dial with outer minutes and subsidiary seconds and hour dials fronting a substantial eight day weight driven movement with mercury pendulum, jewelled pallets, Harrison's maintaining power and six-spoke wheel work between thick brass plates 218cm high

JOHN BELLING BODMYN AN 18TH CENTURY OAK BRASS DIAL 30 HOUR LONGCASE CLOCK SIGNED AND DATED 1757 the 10" dial with engraved chapter ring and plain matted centre fronting a 30 hour posted movement with anchor escapement - bell lacking. The case with moulded hood pillars and caddy top above a shaped top slender trunk door 188cm high

ROBERT HIGGS LONDON A GEORGE II EBONISED LONGCASE CLOCK the break-arch hood with blind fretwork frieze above a glazed door flanked by brass capped columns on a slender trunk with moulded door and box base The 12" arched brass dial with mask head spandrels and silvered engraved Roman chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture with name boss in the arch fronting a five pillar eight day weight driven movement striking the hours on a bell 226cm high

ATT. JAMES CONDLIFF A SUPERB FIDDLE BACK AND FIGURED MAHOGANY GOTHIC REGULATOR LONGCASE CLOCK IN THE MANNER OF THOMAS HOPE the unusual case with turreted pediment and finely engraved silvered brass plaque depicting "Old Father Time" above a glazed lancet-shaped door on box base supported on winged lion's paw feet. The 12" silvered engraved dial signed Henry Foster, Liverpool having an observatory layout with outer minutes, subsidiary seconds and 24 hour dials fronting a superb heavy plated high quality eight-day shuttered movement with six-spoke wheel work, jewelled pallets, dead-beat escapement and Harrison's maintaining power, adjustable end stops and mercury pendulum, the rectangular weight with fitted pulley running down an enclosed partition with hinged door to the interior the case 229.5cm high

ATT. JAMES CONDLIFF A FINE REGULATOR LONGCASE CLOCK MOVEMENT the 14" silvered engraved dial with observatory layout having an outer Arabic minute dial with subsidiary seconds and hour dials to the centre fronting a massive five pillar shuttered movement with Harrison's maintaining power, six-spoke wheel work, jewelled pallets with deadbeat escapement and adjustable end stops, the crutch with micro adjustment running a mercury jar compensated pendulum - the movement comes with its original adjustable suspension block and silvered engraved beat scale

F. BAYLEY UTTOXETER AN EARLY 18TH CENTURY OAK LONGCASE CLOCK the hood with large ogee moulded pediment above a floral pierced sound fret and glazed door flanked by turned pillars on a slim trunk with break arch topped door on box base. The 11" square brass dial with gilt crowned mask head spandrels and engraved chapter ring with Roman numerals surrounding a matted centre with calendar aperture fronting a weight driven 30 hour movement striking the hours on a bell 204cm high

J. TURNER LONDON A REGENCY FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK having a break arch hood with canted corners and brass fish scale frets on a matching slender trunk and box base with applied panel, the 12" painted brass dial with Roman numerals, subsidiary seconds and calendar dials fronting a 5 pillar eight day weight driven movement with deadbeat escapement and Harrison's maintaining power striking the hours on a bell 211cm high without finials

C. TAYLOR & SON BRISTOL A MID 19TH CENTURY FIGURED MAHOGANY REGULATOR LONGCASE CLOCK having an arched hood with canted corners above a matching glazed trunk on box base with inset panel, the 13" silvered engraved circular dial with Roman numerals and subsidiary seconds dial fronting an eight day weight driven movement with tapered pillars, Harrison's maintaining power and dead-beat escapement driving a mercury pendulum with rolling pin suspension and micro adjustment 207cm high

AN EDWARDIAN MAHOGANY CASED TUBE CHIMING LONGCASE CLOCK the swan neck pediment above a glazed door and canted corners on matching trunk with boxwood inlay and box base with inset oval panel. The 12" arched brass dial with gilt spandrels and silvered chapter ring with applied gilt Arabic numerals fronting a triple weighted eight day movement chiming the quarters on five tubular gongs 237cm high

THOMAS BROWN CHESTER AN 18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK with turned hood pillars and shaped cresting, arched trunk door and base panel. The 12" brass and silvered dial with engraved chapter ring and centre, subsidiary seconds and date aperture fronting an eight day movement with anchor escapement and bell strike 206cm high

JOHN BERRY LONDON A GEORGE I BURR WALNUT EIGHT-DAY LONGCASE CLOCK having a 12" arch top brass dial with mask head spandrels, silvered chapter ring, matted centre with date and seconds dial Fronting an eight-day movement with five shaped pillars and hourly rack strike on a bell. The case with a flat top, long short grained moulded trunk door standing on a double plinth base 228cm high.

ROBERTS OTLEY A GEORGE II OAK AND YEW WOOD CROSS BANDED LONGCASE CLOCK the flat top hood with greek key moulded cornice above a cross banded arched glazed door, reeded columns and matching slender trunk door with inlaid star burst to the centre, on an oval inlaid box base. The 12" arched brass dial with gilt mask head spandrels and silvered engraved Roman chapter ring, signed ' ROBERTS, OTLEY' on the half hour markers, with engraved centre and calendar aperture and rolling moon to the arch fronting an eight day weight driven movement striking the hours on a bell 214cm high

GEORGE CLARKE LONDON A GEORGE II WALNUT MUSICAL LONGCASE CLOCK the arched hood having a blind fret above an arched glazed door flanked by two turned brass capped columns above a long trunk door with D-moulded edge on a box base. The 12" arched brass dial with silvered Roman chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture, the arch with penny moon dial, Strike/Silent and tune selector for 'A March in Scipio, Thor's Trumpet, The Lads of Dunce, and The White Joak' - the triple weighted six pillar movement striking the hours on a bell and playing a selection of four tunes on thirteen bells and twenty six hammers every three hours 240cm high - comes with brass bob pendulum, three brass cased weights and winding key

KAISER & KLEYSER BROAD STREET BLOOMSBURY A REGENCY FIGURED MAHOGANY LONGCASE CLOCK the hood having a break arch pediment and canted corners on matching trunk and box base with moulded panel enclosing a 12" painted round dial with Roman numerals and subsidiary seconds dial fronting an eight day weight driven movement striking the hours on a bell 204cm high

ROGER DUNSTER AMSTERDAM A MID 18TH CENTURY MONTH DURATION DUTCH WALNUT LONGCASE CLOCK surmounted by a caddy top pediment with pierced sound frets above A glazed arch door and slender trunk having a moulded edged door and brass flamed lenticle flanked by canted corners on matching base standing on large claw and ball feet. The 12" arched brass dial having gilt spandrels and Roman chapter ring surrounding a matted centre with subsidiary seconds dial, calendar aperture and alarm disc, with moon phase to the arch; all fronting a month duration movement with anchor escapement and alarm mechanism striking on two bells 242cm high

GEORGE CLARKE LONDON AN EARLY 18th CENTURY 11" LONGCASE CLOCK MOVEMENT the square brass dial with gilded winged cherub head spandrels and silvered engraved chapter ring with Roman and Arabic numerals surrounding a matted and engraved centre with subsidiary seconds dial and calendar aperture fronting a weight driven movement with finned pillars and count wheel strike on a bell

JAMES MUSGROVE, BURTON UPON TRENT. A RARE AND UNUSUAL YEAR GOING YEAR CALENDAR LONGCASE CLOCK the figured mahogany case with swan neck pediment above a glazed hood with turned columns on matching column sided trunk with shaped door above a moulded panel on box base with canted corners, the painted 16" circular dial with outer year calendar surrounding a smaller conventional dial with Roman numerals and subsidiary seconds, and unusual moon dial above fronting a substantial weight driven year going movement run on two massive lead weights, the plates united by four large knopped pillars, deadbeat escapement and 10" calendar wheel mounted on the backplate 231.5cm high

TOMPION LONDON AN EARLY 18TH CENTURY 11" LONGCASE CLOCK MOVEMENT the 28.7cm brass square dial with gilt winged cherub head spandrels and silvered engraved chapter ring with Roman and Arabic numerals surrounding a matted and engraved centre dial with ringed winding holes, subsidiary seconds dial and calendar aperture fronting a latched eight day weight driven movement with finned pillars and count wheel strike on a bell

W. H. BAILEY & CO. SALFORD AN OAK CASED REGULATOR LONGCASE CLOCK the drum head style case with glazed door and carved floral decoration enclosing a 13" painted dial with Roman numerals and centre seconds signed 'W H BAILEY & Co. SALFORD. TURRET CLOCK MAKER TO THE BRITISH & FOREIGN GOVERNMENTS' fronting a large eight-day weight driven movement with tapered pillars, deadbeat escapement and Harrison's maintaining power run on a brass cased weight and wood rod pendulum with lead bob 213cm high

A MID 18TH CENTURY 30 HOUR LONGCASE CLOCK the pine case with panelled door and turned columns enclosing a 12" square brass dial with silvered Roman and Arabic numerals surrounding a matted centre with calendar aperture fronting a weight driven plated movement striking the hours on a bell 195cm high

EDW. PATRICK LONDON AN EARLY 18TH CENTURY 12" BRASS EIGHT DAY LONGCASE CLOCK MOVEMENT with twin cherub and crown spandrels, engraved silvered chapter ring and matted centre dial with subsidiary seconds, bird engraved date aperture and ringed winding holes fronting a substantial ringed four pillar movement with anchor escapement and inside count wheel strike on a bell

WILLIAM YOUNG DUNDEE A WILLIAM IV FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK the scrolled leaf-work carved hood on cross banded trunk with a moulded glazed door on a box base with inset panel. The 12.5" silvered engraved dial with Roman numerals and subsidiary seconds and calendar dials fronting an eight day striking movement with deadbeat escapement and Harrison's maintaining power 205cm high

JASON SCHOLFIELD BARNSLEY A MID 18TH CENTURY OAK LONGCASE CLOCK having a flat top pediment above glazed hinged door flanked by turned columns enclosing a 12" square brass dial with Roman chapter ring and engraved centre fronting a 30 hour weight driven movement striking the hours on a bell

FOY AN EARLY 18TH CENTURY REGULATOR LONGCASE CLOCK the mahogany case with moulded pediment above square glazed door flanked by turned columns on a slender trunk with figured door and matching box base. The 12" silvered engraved dial having centre seconds, outer minutes and hour aperture fronting an eight day weight driven movement with dead-beat escapement and Harrison's maintaining power, the wood rod pendulum has beat adjustment with brass bob and brass cased weight 206.5cm high