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An early 20th century small longcase clock

A George III mahogany, oak and inlaid cased longcase clock, the case with a fret carved pediment flanked by square columns, the white enamel dial signed Thos Hulme, Macclesfield, with moon phase, and date aperture, the twin train movement with an anchor escapement, striking on a bell, 220cm

A George III mahogany cased longcase clock having a swan neck pediment above a 20 inch dial painted with scenes of the four seasons with Roman numerals, subsidiary second and date dial having an eight day movement, signed M. Feguson, Mauchline, the trunk enclosed by a flame mahogany door, on a plinth base

A 19th century carved stained oak longcase clock. By John Sanderson. the twin train movement, the square brass dial with cast spandrels, Roman and Arabic numerals, subsidiary second and date dials,the hood swan neck pediment, Corinthian columns, trunk door flanked by quarter columns, stepped base, serpentine apron, the whole raised on bracket feet. 228cm high

A 19th century mahogany longcase clock. By J Cuthbertson, Whitburn. the twin train movement with painted arched face depicting battle scene, subsidiary second and date dials , the hood with swan-neck pediment, over glazed door flanked by columns, the bow front trunk door mounted by pediment with acorn finial, flanked by columns, paneled base raised on bun feet. 210cm high . Provenance: From the collection of the Late Jack Notman, Architect, Glasgow

A 19th century mahogany longcase clock. By Edwardson. the arched brass plate calendar, silver chapter ring, cast spandrels, with black Roman numerals and two subsidiary dials, the arched hood with swan-neck pediment and brass finials, open fretwork frieze, turned columns with Corinthian capitals, crossbanded trunk door flanked by pilasters, plinth base raised on bracket feet

A REPRODUCTION LONGCASE CLOCK, in yew veneered case, 191 cm high

A DWARF LONGCASE CLOCK, in a walnut case, 145 cm high

WP Coates, North Crawley, an early 19th Century mahogany and boxwood strung longcase clock having scrolled pediment with phoenix and ball surmount the painted arched dial with moon phase and subsidiaries above half length door within ormolu mounted reeded pilasters on box base and splayed bracket feet.

A George II longcase clock in a black lacquered case with chinoiserie decoration, fitted an arch top brass dial, signed Robert Page, Harwich

A set of longcase clock weights and pendulum

A fine C19th marquetry inlaid mahogany mini longcase clock with a brass arched dial, by W. Thornhill & Co., 144 New Bond St., London W, with integral letter box, 23"h, 7"w, 4"d

A C19th tortoiseshell and ornate brass mini longcase clock, 10"h

A mahogany longcase clock, with silvered dial, by Thos. Planner, London, bears supplier`s plate, Martin Hall, Yarmouth, 18" x 82"

A 19th Century Wall Clock with brass dial in oak longcase. 3` 4" (102cms) high.

A 19th Century and later mahogany longcase clock with an eight-day movement, the hood and trunk with decorative pilaster supports enclosing the 12" brass broken-arch dial with strike / silent indicator, subsidiary seconds dial and date aperture, bears signature and date - "Wm. Travers, London, 1803", later repairs and alterations, S/D, 50cm wide and 214cm high. ILLUSTRATED

An early 19th century country oak longcase clock the enamelled Roman Numeral dial signed `Gudgeon Bury`, within painted floral spandrels, with subsidiary seconds and date aperture, the hood with gilt brass eagle finials on reeded pedestals, united by pierced scrolled brackets, to a moulded pediment over a square window with fluted canted corners on gilt brass stiff leaf mounts, the trunk with reeded edges and a rectangular door with gilt brass escutcheon, to a plain panelled base on bracket feet united by a wavy apron, 82.5in. (209.5cm.) high.

A Prattware model of a longcase clock, decorated in the typical palette with splashes of blue, green and ochre, the time set at 3 o`clock, c.1780, restored, 13.7cm.

Late Georgian mahogany and oak eight day lunar longcase clock with secondary and date aperture, painted face, maker indistinct of Birmingham, second and date dials, 216cm

Oak cased 30 hour longcase clock, the round brass dial inscribed `Benj-Smith`, Alfreton, 208cm

19thC mahogany and stained pine longcase clock, the painted dial inscribed `Wm-Storer`, Taunton, second dial, date aperture, 200cm

Late Georgian oak 30 hour longcase clock by E. Sagar of Skipton, brass face with second dial and gilded spandrels

Late Georgian 30 hour longcase clock (possibly Cook) of Newport Pagnel, painted face with Roman numerals, oak case, 181cm

Late Georgian eight day longcase clock by William Lelley of Dunster with secondary dial and date aperture, white enamel face and Roman numerals, hood with swan neck pediment, oak case with marquetry decoration, 222cm

Oak cased 8-day longcase clock, the painted dial inscribed `Harley & Son`, Shrewsbury, second hand and date aperture, 224cm

Oak 8-day longcase clock, the arched and painted dial inscribed `Jas.Webb, Frome`, second dial and date aperture, 221cm

CLOCKS - ELIEZER AND JAMES CHATER, LONDON A GEORGE III OAK LONGCASE CLOCK having a probably later case with Victorian inlaid pediment, modern brass spheres, flank plain timber pilasters with brass capitols, waist panel door with pendulum aperture and box pl"inth, the eight day mechanism of Clerkenwell type, four pillar with anchor escapement, faced by an arched brass dial with strike silent, subsidiary seconds and calendar, 2.33m overall "

J Hughes of Caernarfon, 8 day oak and mahogany bodied longcase clock with painted face, rolling moon, calendar and seconds dial. Approximately 214cms

French provincial 19thC longcase clock with pine case and brass and enamelled dial. 229cms

French provincial 19thC longcase clock in pine case and brass dial. Heavy brass and painted pendulum, decorated with grapes, vine leaves and wheat sheaves. 229cms

An oak eight day longcase clock, the 27cm gilt chapter ring with roman numerals, the dial with subsidiary seconds and date aperture, signed Jno Stokes, Bewdley, four pillar movement, the trunk enclosed by an arched panel door, plinth base, the hood with blind fret carved frieze flanked by pilasters, height 203cm (80in.).

An oak and inlaid eight day longcase clock, the 33cm arched painted dial signed G Webster, Nottingham, with moonphase, subsidiary seconds and date aperture, the hood flanked by turned and fluted columns, the case on plinth base, height 218cm (86in.).

An early 18th Century walnut longcase clock, the 30.5cm brass dial signed Jn Bromfield at Chatham, with subsidiary seconds and date aperture, the hood flanked by turned pilasters, the case on plinth base, height 208cm (82in.).

An early 19th century mahogany eight day longcase clock, the twelve inch square dial with subsidiary seconds and silver chapter ring bearing makers name plaque `John Brown of London`, flanked by gilt corner spandrels, the hood with baluster turned columns over plain front, raised on a shaped plinth base, 191 cm high.

A pine and gilt heightened eight day longcase clock, with arched hood and panelled door with glass lenticle, dated 1773, 219 cm high.

James Harrington, Ipswich An early burr yew longcase clock, the eight day duration movement having ringed & knopped pillars and striking the hours on a bell, the 12 inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half hour markings and the maker’s name ‘James Harrington, Ipswich’, with the matted dial centre having ringed winding holes and date aperture with florally engraved surround, blued steel hands, wheatear border engraving and ‘female head’ cast spandrels to the four corners, the burr yew case with a lenticle glass to the trunk door, chevron style crossbanding to the trunk door & base and a fretwork frieze to the flat top hood with brass capitals to the hood pillars, height: 230cm. * James Harrington is recorded as working in Ipswich, Suffolk in the late 17th/early 18th century. He was born in the west of county and after the death of his first wife married Martha Jowers at Lavenham in February 1729, with his will dated the 13th of October 1729 and proved after his death on he 16th of February 1730. As there were no children from either marriage the beneficiaries were his executor (his brother) and his widow.

W. Cockings, Bridgewater A mahogany longcase clock, the eight day duration movement striking the hours on a bell, the 11 inch arched painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture and painted floral decoration to the corners and arch, the falseplate embossed with the dialmaker’s name ‘Finnemore & Sons, Birmingham’, the mahogany case having ebony & boxwood stringing to the base and door, canted corners to the trunk, fluted pillars with cast brass capitals to the hood and a swan neck pediment, height 210cm. * William Cockings is recorded as working in Bridgewater, Somerset from before 1860. * William Finnemore was one of the leading makers of longcase clock painted dials recorded in Birmingham from 1812 and was joined by his sons, William jnr and George in 1828 and were known to be still working together after 1846.

Rob Fulford, Plymouth Dock A mahogany longcase clock, the eight day duration movement striking the hours on a bell, having a 12 inch silvered brass dial engraved with black Roman numerals, cherubic four-season decoration to the four corners and maker’s name ‘Rob Fulford, Plymouth Dock’ to the centre, with subsidiary seconds dial and date aperture, the arch engraved with a depiction of a ho-ho bird, the arched top mahogany case having boxwood stringing to the trunk door and base with ‘Prince of Wales’ feathers inlaid to the trunk and base, with fluted canted corners to the trunk and fluted pillars to the hood, height 230cm. * Robert Fulford, Plymouth Dock (now Devonport), married Mary Clark at Stoke Damerel parish church on the 21st of November 1785.

Thomas Nevitt, Bristol A mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell, the 12 inch arched brass dial having a silvered chapter ring engraved with black Roman numerals and outer Arabic minute numerals, the matted centre having engraved floral decoration, a subsidiary seconds dial engraved with the maker’s name ‘Thos. Nevitt, Bristol’, and date aperture, with cast brass ‘floral & rococo’ spandrels to the four corners, the arch having a moon phase disc with the arch showing ‘High Water at Bristol Key’, with blued steel hands, the mahogany case having a plain base with fluted, canted corners to the trunk, typical Bristol shaped moulding to the top of the trunk door, a swan neck pediment with dentil moulding below and fluted columns with brass capitals to the hood, height 132cm. * Thomas Nevitt is recorded as working in Temple Parish, Bristol becoming a burgess, through marriage, in 1754. He was known to be still working in 1784 when he is recorded in the Poll book.

William Young, Dundee A mahogany longcase clock, the eight day duration movement striking the hours on a bell, the 13 inch painted arched dial having black Roman numerals, subsidiary seconds and date dials to the centre, gilt and floral decoration to the four corners, painted decoration within the arch depicting a female and cherub in a field and signed below VI o’clock with the maker’s name ‘Wm. Young, Dundee’, the mahogany case having a panelled base with oval mouldings set within, boxwood & ebonised stringing, quartered columns to the trunk, octagonal pillars, with brass capitals, to the hood and a swan necked pediment with brass patrae and a brass ‘ball & eagle’ finial, height 230cm, inc. finial. * William Young is recorded as working in the High Street, Dundee from 1805 until 1845 when it is known he moved to Murraygate until at least 1848 whilst living in Union Street. He was succeeded on his death by his son.

James Tranter, West Bromwich An oak & mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell, the 14 inch painted arched dial having black Roman numerals, subsidiary seconds and date dials to the dial centre, painted female four-season decoration to the corners and having a moonphase disc within the arch, signed to the dial centre ‘Jos. Tranton, West Bromwich’, with decorative brass hands, the oak and mahogany case having shell inlay to the door, base and panel below the short door, with various styles of inlaid stringing and crossbanding, with the fluted quartered columns to the trunk having brass capitals, the mahogany veneered hood having a swan necked pediment and fluted pillars, height 230cm. * James Tranter of West Bromwich, Staffordshire is recorded as working circa 1810. The name has obviously been mis-spelt during restoration of the dial.

A George III oak longcase clock of thirty-hour movement, striking on a bell, the painted 28cm square dial with Roman chapter, seconds dial and calendar aperture, and floral spandrels, the hood with shaped pediment over a mahogany frieze and with turned pilasters, plain trunk, 202cm high.

A George III figured mahogany longcase clock of eight-day movement striking on a bell, the painted arch dial with Arabic chapter and seconds dial, signed Hargrave, Bawtry, painted with agricultural workers and religious images to the arch, the inlaid hood with swan neck pediment, turned pilasters with gilt metal foliate capitols, the trunk with serpentine arch to door, inlaid with paterae and with canted sides on bracket feet, 235cm high.

A Georgian Longcase Clock with square silver dial inscribed B Cocking, Bridgewater, date aperture, 8-day movement in oak case

THE LONGCASE CLOCK, Eric Bruton, Granada Publishing 1979, illus, textured board with dust cover

A LONGCASE CLOCK HOOD to accommodate a 30.5cms (12in) square dial, a bell, a calendar dial etc

A MAHOGANY LONGCASE CLOCK, ROSSITER, BRIDGEWATER, the 33cms (13in) painted dial with Roman numerals, subsidiary seconds and calendar dials, pierced gilt hands, arch with Phase of the Moon, and foliage and flowerhead spandrels, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with shaped arched pediment on writhen carved pillars, short trunk door flanked by conforming pillars, cross banded plinth and bracket feet, 227cms high (with pendulum, weights and key)

A SCOTTISH LONGCASE CLOCK, Wm WALDIE, DUNSE, the 33cms (13in) broken arch painted dial signed as above in the centre, with Roman numerals, Arabic fifteen minute intervals, seconds dial, calendar dial, spandrels depicting Scottish celebrities, the arch with Mary Queen of Scots escaping in a small boat, the four pillar movement with anchor escapement, rack striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters, plain plinth and bracket feet, 211cms high (with weights, case key and pendulum)

AN OAK THIRTY HOUR LONGCASE CLOCK, SAMUEL HILL, SHEFFIELD, the 33cm (13in) dia silvered dial signed "S.Hill, Sheffield" with Roman numerals and Arabic five minute intervals, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, fielded panelled plinth and bracket feet, 216cms high (with pendulum, weight and case key)

A MAHOGANY LONGCASE CLOCK the 35.5cm (14in) painted broken arch dial with Roman numerals, Arabic five minute intervals, seconds dial, arch with Phase of the Moon, and spandrels in the form of crossed cornucopia , the four pillar movement with anchor escapement, rack striking on a bell, the case with swans neck pediment on part gadrooned pillars, short trunk door flanked by conforming pillars, cross banded plinth with canted corners, shaped apron and bracket feet, 230cms high (with pendulum, weights and key)

A MAHOGANY LONGCASE CLOCK, WILLIAM BAWDEN, WESTON ZOYLAND, the 33cm (13in) broken arch painted dial signed in the centre "Wm Bawden, Weston Zoyland" with Roman numerals, foliage and flowerhead spandrels, seconds dial, the arch painted with fruit, the four pillar movement with anchor escapement, rack striking on a bell, the case with broken arch pediment, fluted pillars, short trunk door, panelled plinth and bracket feet, 218cms high (with weights, bell and 3 eagle and ball finials) (defects)

Antique Oak Eight Day Longcase Clock having Painted Arched Dial, Swan Neck Pediment and Spiral Columns

A George III oak 8-day longcase clock, the arched painted dial decorated with Adam and Eve scene above a Roman/Arabic numeral chapter and subsidiary seconds dial and crescent date aperture, the hood with swan neck pediment above the trunk with arched door and pedestal base on bracket feet, 201cm high.

Bartley and Eggert of Bristol, A George III oak longcase clock, the dial with silvered chapter ring, secondary dial and date aperture within cast brass spandrels supporting a twin train striking movement under a square hood with swans neck pediment, the trunk with arched door and plain base, on a plinth foot

GEORGE III MAHOGANY LONGCASE CLOCK CIRCA 1800 the arched brass dial inscribed James Howden, Edinburgh, with a subsidiary second dial and pierced scroll spandrels, the eight-day twin train movement striking on a bell, the hood with a dentil cornice and blind fret carved frieze above the chequer banded case with spiral turned quarter columns 61cm wide, 206cm high, 28cm deep

GEORGE III MAHOGANY LONGCASE CLOCK BY JAMES MCGREGOR, EDINBURGH, CIRCA 1810 the swan neck pediment with brass Ho Ho bird finial, over an arched enamelled dial, painted with shells, Roman numerals, subsiduary second and date dials, the twin train eight-day movement striking on a bell, the boxwood strung trunk door flanked by fluted quarter columns, on a plinth base with bracket feet 205cm high

An oak and mahogany eight day longcase clock, early 19th century, the 13 inch square painted dial signed `Robert Fletcher, Chester`, restored face with subsidiary seconds dial and centred date aperture, within a ring of Roman numerals and floral corner spandrels, the restored eight day movement striking on a single bell with replaced seat board, the hood with swan-neck pediment over a shaped short trunk door over a cross banded box base on short bracket feet, 226cm high

A Victorian mahogany rosewood crossbanded eight day longcase clock, the 14 inch arched painted dial signed `Bradley, Shelton`, with centred subsidiary seconds dial, ring of Arabic numerals, the painted spandrels depicting rural life under a rolling moon, the hood with swan-neck pediment over an arched hood door, flanked by octagonal front corner hood pilasters, over a short Gothic arched trunk door, on a box base and splay bracket feet, 238cm high

An oak crossbanded mahogany eight day longcase clock, the 14 inch square painted dial signed `Samuel Maddox, Winsford`, with centred phases of the moon and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over a square glazed hood door, flanked by half reeded square front corner hood pilasters, over a short ogee arched trunk door, on a crossbanded box base and ogee moulded short bracket feet, 218cm high

A 30 hour longcase clock, with a birdcage frame and anchor escapement striking on a bell with a 10 inch square brass dial, the scroll engraved centre signed Thos. Dicker, READING, with a single hand, part missing, in a plain oak case, 73.75in (187.5cm) h.