An 18th century fruitwood thirty hour longcase clock the 10 inch square brass dial with silvered centre signed 'Tho Dicker, Reading' with single hand and silvered chapter ring of Roman numerals within scrolling Rococo leaf pierced spandrels, the bird cage movement striking on a single bell, the hood with three quarter turned tapering front corner hood pilasters over a plain long trunk door and boarded base and cut-out plinth, 200.5cm high
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An early 19th century mahogany longcase clock, the 13 1/2 inch square brass dial signed 'Jn Alker, Wigan' with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf corner spandrels, the hood with swan neck pediment, over half reeded square front corner hood pilasters over a Gothic arch flame veneered short trunk door and a crossbanded box base on ogee shaped bracket feet, 221cm high
A Victorian mahogany eight day longcase clock the 13 inch arch painted dial identically signed 'G ****' Wigan' the centred subsidiary seconds dial at fault, over a subsidiary centred date dial within a ring of Roman numerals and floral spandrels under a rolling moon to the arch, the hood with swan neck pediment over baluster turned front corner hood pilasters over a short flame veneered trunk door between front corner trunk pilasters on a crossbanded box base with canted front corners, lacking feet, 231cm high
An early 19th century oak and mahogany thirty hour longcase clock the 11 ½ inch arched brass dial with centred subsidiary seconds dial (at fault) and date aperture with false winding holes within a ring of Roman numerals and tulip painted spandrels with a figure of a sleeping child painted to the arch the hood with swan neck pediment over turned front corner hood pilasters and a crossbanded short trunk door on a boarded crossbanded base and short bracket feet, 221cm high
A George III oak eight day longcase clock, the 12 inch arched brass dial with centred subsidiary seconds dial and date aperture, within a ring of Roman and Arabic numerals, signed Bridge, Fecit to the arch, the hood with turned and tapering front corner hood pilasters, over a crossbanded arched star inlaid long trunk door, on a box base lacking feet, 193cm high
A William III scarlet japanned longcase clock the movement circa 1700 the case associated and later decorated, the 11 inch square brass dial signed T H O Bridge, London, with centred subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals with cherub moulded pieced spandrels, the eight day five pillar movement striking on a single bell, the case later scarlet japanned depicting figures and pagodas highlighted in gilt, the hood with three quarter tapering turned front corner hood pilasters, over a long trunk door on a box base and short bracket feet, 190.5cm high
An early 19th century oak thirty hour longcase clock, the 11 ½ square painted dial signed 'Mathews, Bishops Castle', with centred date aperture within a ring of Roman numerals and architectural painted spandrels the hood with swan neck pediment over turned front corner hood pilasters over a crossbanded short trunk door on a boarded box base lacking feet, 201 cm high
EIGHTEENTH CENTURY OAK LONGCASE CLOCK WITH SQUARE BRASS DIAL SIGNED JOHN TAYLOR, the 10 ¼"" roman dial with date apeture to the matted centre and pierced cherub and crown spandrels, powered by a twin weight movement striking on a bell, housed in a case with moulded top, and pair of split turned fore columns, above a long trunk door with bull`s eye glass (cracked) and raised on a short base with shaped plinth, 85 ½"" (217.2cm) high
A French walnut cased miniature longcase clock with a 7.5cm white enamel dial with Roman and Arabic numerals, the singe train movement with lever escapement with outer gilt metal hinged dust cover, contained within a shaped rococo case with a gilt metal leaf and cabochon cresting, gilt metal leafy dolphin angles, the waisted case with leaf and shell mounts, raised upon a plinth base with gilt metal scroll feet, 49.5cm (illustrated)
An early Victorian mahogany longcase clock with a 33cm white arched dial signed R. Noone, Nottingham with subsidiary seconds and date aperture, Roman numerals, spandrels painted with a pheasant and other rural subjects, the arch painted with a maiden reading to a child, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above turned hood columns, shaped door flanked by turned quarter columns, raised upon a panel plinth base and splay feet, 227cm (illustrated)
A Victorian oak and mahogany crossbanded longcase clock with a 13in white enamel arched dial, signed 'Yates, Penrith', the spandrels painted with windmills, the arch a maiden crossing a bridge, the single train movement with outside countwheel striking on a bell, the case with swan neck cresting with brass finials, the trunk with a crossbanded door, canted angles, raised upon a plinth base and bracket feet, 223cm (illustrated)
An early 19th century oak and mahogany crossbanded longcase clock with a14in white enamel arched dial with subsidiary seconds and date dials, Roman numerals, painted with a gentleman resting in a woody landscape, the spandrels painted with ladies emblematic of the four seasons, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting and eagle finial, brass capped fluted columns, crossbanded trunk flanked by reeded columns, raised upon a panel plinth base, with two weights and a pendulum, height 212cm (illustrated)
An 18th century oak thirty hour longcase clock with an 11in brass dial, signed Hampson, Wrexham with date aperture, mask spandrels, the single train movement with outside countwheel striking on a bell, the case with a cavetto cornice above a carved frieze, panelled door raised upon a plinth base and bracket feet, with one weight and a pendulum, 209cm (illustrated)
A George III oak and mahogany crossbanded longcase clock with a 13in brass and silvered dial with subsidiary seconds and date aperture, the centre engraved with an eagle, leaves and flowers, cast mask spandrels with a lunar calendar in the arch, signed 'John Smith, Chester', the two train eight day movement with anchor escapement, rack striking on a bell, the case with swan neck cresting above reeded hood columns, shaped crossbanded door, reeded quarter columns, raised upon a panel plinth base and bracket feet, with two weights to pendulum, height 230cm (illustrated)
A George III and later longcase clock with a 12in brass and silvered dial, Thomas Pace, London, subsidiary seconds lacking pointer, cast mask rococo leafy spandrels with a strike silent in the arch flanked by dolphin spandrels, the two train eight day movement with anchor escapement rack striking on a bell, the case with a pagoda top inset with a metal rococo panel, stop fluted hood columns, the case crossbanded with satinwood inlaid with boxwood and ebony stringing, raised upon a panel plinth base and shaped bracket feet, with two weights and a pendulum, 242cm (the case possibly associated) (illustrated)
A 19th century painted faced longcase clock by Robert Hancocks of Glastonbury. The face with painted borders having subsiduary seconds dial. The 8 day movement striking on a bell being complete with weights and pendulum. The mahogany case with inlaid detail having broken swan neck pediment atop. 208cms high x 47cms wide x 24cms depth
A George III oak longcase by Harris of Wellington, with swans neck pediment above the arched glazed door enclosing the 13 inch arched silvered brass dial with Roman numerals, subsidiary seconds and date dials and with moon phase to the arch, with long trunk door, quarter column corners and conforming base raised on bracket feet. Height 90 ins (see illustration). CONDITION REPORT: In our opinion the dial the movement, pendulum and weights are original to the case. The seatboard is original and does not appear to have been altered. The cheeks have not been altered either. The case does not appear to have any woodworm and is in generally good condition. The clock has come to us from a local property and is currently ticking away. The movement is missing its bell.
A George III oak longcase clock, with swans neck pediment above the arched glazed door enclosing the brass dial with Roman numerals, strike and silent to arch, subsidiary date and seconds dials and inscribed "Francis Mee Higham Ferrers", flanked by fluted columns, with shaped trunk door and conforming base. Height excluding brass finial 88 ins.
A George III longcase clock, mahogany, with eight day striking movement by Lott Barwise, Cockermouth, with swans neck pediment, arched glazed door, 13 inch dial, long trunk door, quarter column corners and raised on bracket feet. Height 90 ins. CONDITION REPORT: The case is in generally very good condition with no significant problems. The hood has only very minor old veneer cracks as one would expect. The trunk door is not warped and again there is a veneer crack at the bottom centre of this which is insignificant. The feet are original and in good order. The dial is in generally good untouched original unrestored condition although it looks as if the name and town have been over written at some point. We have the pendulum and weights but have not had the clock operating as there is no catgut on the drive train. The seatboard is clearly original however the cheeks of the clock have old inner supports. We do not think that these have been added but it is possible. The mask around the dial does fit very well.
A 19th century walnut cased regulator longcase clock, by James Forrest of Glasgow, with circular dial with Arabic numerals, subsidiary seconds dial, two-train regulator movement and in well figured walnut case. Height 87 ins (see illustration). CONDITION REPORT: The general appearance of this clock is very good indeed. There do not appear to be any losses to the carving around the hood, the veneers to the case are well figured and there is practically no damage to the main body or hood of the clock. There are some minor scuffs around the base. There is however no significant damage to the case. We have had the clock ticking away. The movement seems to be in good order and we have the correct weights and pendulum. The dial is clean with only minor scuffs around the winding apertures. The backboard is nicely veneered and original. There is a board beneath the weights which does not look original but it is not veneered.
An Edwardian mahogany longcase clock, with steeple and ball finial between the swans neck and above the arched glazed door enclosing the 10.5 inch arched silvered brass dial with Roman numerals and subsidiary seconds dial, with strike and silent to the arch, with long trunk door flanked by fluted quarter column corners and raised on ogee bracket feet. Height to top of swans neck 78 ins (see illustration). CONDITION REPORT: This clock is in generally extremely good order. It is ticking away and appears to keep good time. We cannot see any problems with the case other than very minor scuffs around the feet. The movement is in good condition. The door is not warped we have the original weights and heavy pendulum.
An early 19th century mahogany longcase clock with boxwood and ebony line inlay, the hood with moulded cornice and turned reeded side pillars, arched three quarter length door, canted base and bracket feet, square painted dial with inset moonphase by Jas M?, Macclesfield, with 8 day striking movement, height 90"
A 19th century oak longcase clock, the shaped hood with ionic columns above a long trunk door, box base and plinth, the 31cm dial painted with an oriental figure and pagoda to the arch, with floral spandrels, painted with Roman numerals and seconds subsidiary dial inscribed Davy, Lynn, the eight day movement striking on a bell, 218cm high
A 19th century mahogany longcase clock, the shaped domed hood with rope twist columns above a short trunk door, box base and bracket feet, the 33cm dial painted with a shepherdess and sheep to the arch, with cottages to the spandrels, painted with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 217cm high
A 19th century grained pine longcase clock, the arched hood with ionic columns above a long trunk door, box base and plinth, the 33cm dial painted with a ruin to the arch, with floral spandrels, Roman numerals, seconds subsidiary dial and calendar aperture inscribed David Mortimer, Hereford, 208cm high
A 19th century oak longcase clock, the hood with turned finials and blind fretwork frieze and ionic columns, the 31cm dial inscribed Stephen Miles, Kidderminster, with a seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, above a long trunk door and box base, 210cm high ***Sold on the instructions of the executors of the late Mrs G.J. Stepney-Gulston***
Georgian style mahogany longcase clock, the hood with shaped pediment, tapered cylindrical pillars, the trunk with long arch shaped door and standing on bracket feet, arch shaped brass dial signed William Moon, London, silvered chapter ring with Roman and Arabic numerals, subsidiary strike/silent, seconds dial and calendar aperture, eight day striking movement, 251cm high Whilst some parts of the case are old it is clearly largely rebuilt, there is a crack to one of the glazed side panels on the hood, some warping and cracking to veneers above the trunk door and to the sides adjacent to this. You will notice we have called
George III mahogany longcase clock by John Harrison of Newcastle, the hood with swan neck pediment, pierced panels, arch shaped door flanked by tapered split pillars with Corinthian capitals, trunk with long arch shaped door flanked by reeded split pillars and standing on ogee bracket feet, arch shaped brass dial with silvered chapter ring, calendar indicator to centre, the arch with painted moon phase and tide indicators, eight day striking movement, 236cm high Some damage to the fretwork on the hood, some chipping to the crossbanding at base of case, dial needs a good clean - We do not guarantee the workings of clocks - ** General condition consistent with age
George III walnut longcase clock by George Wood of Nailesworth, the hood with graduated tiered cornice, glazed door flanked by split pillars, trunk with long door and standing on a plinth base, brass and silvered dial with central engraved decoration, chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 220cm high Dial needs a minor clean - We do not guarantee the workings of clocks - ** General condition consistent with age
19th Century mahogany and oak longcase clock by Sedgwick of Tutley, the hood with swan neck pediment, arch shaped door flanked by turned pillars, the trunk with short door flanked by reeded split pillars, standing on a plinth base, the arch shaped painted dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 226cm high Some cracking to upper most part of glazed door frame, some veneer cracking and chips to remainder of glazed door frame, escutcheon missing on trunk door, some repainting to dial - We do not guarantee the workings of clocks - ** General condition consiste
19th Century inlaid mahogany longcase clock by William Burch of Glastonbury, the hood with swan neck pediment, arch shaped door flanked by reeded pillars, trunk with short door and standing on bracket feet, painted dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 218cm high Script to dial has been re-written at some point, some cracking to veneers of glazed door frame - We do not guarantee the workings of clocks - ** General condition consistent with age
Early 19th Century mahogany longcase clock, the arch shaped hood having reeded decoration, trunk with short door flanked by conforming split pillars and standing on bracket feet, the circular off-white painted dial with Roman numerals and subsidiary seconds dial, eight day striking movement, 218cm high 15cm length of beading missing from rectangular panel below trunk door - We do not guarantee the workings of clocks - ** General condition consistent with age
19th Century inlaid mahogany longcase clock by Allison of Sunderland, the hood with moulded dentil cornice, arch shaped door flanked by tapered pillars with Corinthian capitals, trunk with arch shaped door and standing on bracket feet, the painted dial with Roman numerals, second and calendar dials, eight day striking movement, 216cm high Arabic numerals on dial have clearly been repainted as has the name and town, some chipping to veneers mainly on lower part of case, back section of hood cornice on each side has been sawn away approximately 10cm x 15cm, some general scratches, rubbing, c
19th Century inlaid mahogany longcase clock by Edwin Fear of Pill St George, Bristol, arch shaped hood with brass paterae, glazed door flanked by spiral twist pillars with brass capitals, trunk with short door and standing on a plinth base, arch shaped painted dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 224cm high Case has various faults to veneers, chips, splits etc, plinth is somewhat rubbed and bruised - We do not guarantee the workings of clocks - ** General condition consistent with age

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44426 item(s)/page