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Mahogany longcase clock: Jersey Condition report: see terms and conditions

A 20th century 8-day longcase clock, with striking and chiming movement, brass square dial, silvered chapter ring, oak case with glass door, 207cm high

An 18th century oak cased longcase clock, the hood with pagoda arched top above an arched glazed door flanked by half pilasters, the 11½ins dial with pierced scroll and leaf decorated spandrels, silvered strike silent dial, silvered chapter ring with Roman Numerals and subsidiary minutes, central silvered boss with further two dials for seconds and date and makers name James Smith, Woodbridge. The case with arched door above a plinth base. James Smith is registered as working in The Thoroughfare, Woodbridge until 1785. 18½ins wide by 89ins.

An 18th century oak cased longcase clock, the hood with scroll decorated stepped pediment and demi-pilasters forming the hood door. The 10ins dial with pierced brass mask spandrels, single hand and silvered chapter ring with Roman Numerals interspersed by fleur de lys and makers name JNO Calver, Woodbridge. The case with plain door and plinth base. 17½ins wide by 81½ins.

An 18th century oak cased longcase clock with reeded pilasters to the hood, the silvered dial with Roman numerals, subsidiary seconds dial, date aperture and makers name JNO Mercer of Hythe. The oak case with plain door on a plinth base and bracket feet (af). 18ins wide by 80¼ins high.

An 18th century oak cased longcase clock, the hood with stepped pediment above turned pilasters, the 12ins dial with pierced brass spandrels and brass chapter ring with central date aperture and engraved scroll decoration with makers name JNO Ivison (John Ivison of Carlisle). The case with shaped door above a plinth base and tapering feet. 22¾ins wide by 81½ins.

A George III oak longcase clock, 13.5cm circular engraved brass dial, Roman chapter, subsidiary minute and date aperture, signed Harlow/Ashburn (sic), thirty-hour movement with countwheel striking on a bell, the hood with moulded outswept cornice and brass capped Doric columns, shaped rectangular top to trunk door, skirted base, bracket feet, 204cm high, c.1780Tjhe clock was made by Samuel Boulton Harlow (1751-1815), eldest son of Ashbourne clockmaker Joseph, although he was apprenticed to John Litton of Ashbourne 1767-1774, after which time he worked for a while at Birmingham before returning to Ashbourne where he sold clockmaking materials, made clocks to a high standard, as well as watches, and was the inventor in 1794 of a key to save breakages of watch springs (a device often attributed to Breguet). This relatively prolific family continued as clockmakers at Ashbourne for a further two generations. Condition Report: Dial has been restored, movement cleaned.

Whitehurst Interest - a George III longcase clock movement, 33.5cm arched enamel dial inscribed Smith, Alfreton, Roman and subsidiary Arabic numerals, the arch painted with a girl and her dog, batwing paterae to spandrels, 30-hour mechanism countwheel striking on a bell, marked WW to edge, ringed pillars, 46cm high, c.1800 Benjamin Smith II was b. c. 1744 and apprenticed to his father Benjamin Smith I (1721-1774), succeeding him in 12774. He was twice married and retired in 1807 selling his stick-in-trade to John Platts of Alfreton. Many of his long case movements appear to have been supplied from the Derby workshop of John Whitehurst I & II, these invariably being marked on the lower edge of the plates WW as here.

An Edwardian mahogany longcase hall clock, arched dial, Arabic numerals, twin winding holes, glazed rectangular door to waist, c.1910

An oak dome top longcase clock, enamelled dial, Roman numerals, glazed door, pendulum and three weights.

A late 19thC oak longcase clock by Thomas Armstrong & Brother, Manchester, the engraved silvered break arch dial with chapter ring bearing Roman numerals, chime silent subsidiary dial, eight day movement with quarter Westminster chimes, the case with architectural hood bearing doric capitals, trunk door inset bevelled glass raised on a plinth base, 213.5cm high.

8 DAY LONGCASE CLOCK, TWIN TRAIN MOVEMENT STRIKING ON A BELL, STEVENS, BOSTON, BRASS FACE, CHAPTER RING AND SPANDRELS, DATE APERTURE, SUBSIDIARY SECONDS, ENGRAVED DECORATION TO MATTED CENTRE, LACQUERED CHINOISERIE CASE, CADDY TOP, BALL AND SPIKE FINIALS. aPPROX. 93 ins. HIGH, DIAL APPROX. 12 ins. WIDE.

An early 19th Century oak longcase clock, the roman dial inscribed "Jn. Bell, Hexham, 309", painted with flower sprigs and pheasant, fitted date chapter and thirty hour movement.

An early 19th Century oak longcase clock, by J. Harrison, Warkworth, the roman dial with subsidiary apertures surrounded by figures and 'Hampton Court Palace', the case with eagle pommels, fretwork arch and mahogany banded case.

AN IRISH GEORGE III LONGCASE CLOCK BY ELIAZER WARREN, the mahogany case with hood and carved swan neck pediment, the frieze centred by a lion mask above a waisted case, working. 231cm tallRecorded in Watsons Almanac for merchants and traders, in Dublin 1783, at 48 South Great George's Street watch maker.

A GEORGE II OAK LONGCASE CLOCK, the tall hood with broken pediment above a brass face with dolphin spandrels, date aperture and second hand against an engraved and inked landscape, flanked by columns, above a waisted case. 239cm tall

AN EARLY VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, the painted dial inscribed 'W. Northwood, Ranton' with thirty hour movement

OAK LONGCASE CLOCK WITH BRASS FACE MONKHOUSE CARLISLE

George III mahogany eight day longcase clock, the 13 inch square painted dial signed Jas. Lomax, Blackburn, the handsome case with quartered reeded columns and fielded panel base, approximately 225cm high

Late Georgian oak 30 hour longcase clock, 12 inch square painted dial signed R. Apps, Battle, 196cm high

19th Century mahogany miniature longcase clock

A Edwardian miniature pocket watch holder in the form of a longcase clock.

An early 20th Century longcase clock.

A 19th Century oak cased longcase clock with light painted dial with subsidiary second hand, complete with pendulum.

Georgian brass & silvered dial longcase clock with 8 day movement, Val Downs, Louth in an oak case

A GEORGE III GREEN JAPANNED EIGHT DAY LONGCASE CLOCK, the 12" brass break arch dial with silvered Roman chapter ring, fleur de lys half hour marks, Arabic five minutes, matted centre with subsidiary seconds, engraved date aperture and ring winding holes, with mask and scroll spandrels, the arch with convex disc signed Thomas Milner, London, flanked by dolphin mounts, the hood with plain pillars over a break arch trunk door with gilt chinoiserie decoration, 205cm high

A 1920'S WHITE PAINTED LONGCASE CLOCK with silvered dial. 6ft 2ins high.

A George III oak cased longcase clock by Benjamin Lockwood, SwaffhamWith a shaped fret work pediment over a break arch twelve inch brass dial with Roman numeral hours and Arabic minutes, a subsidiary second dial, date aperture and strike / silent dial, the dial signed Benj Lockwood, Swaffham with an eight day movement striking on a saucer bell, the dial flanked by two tapering ring turned columns above an arched door and plain front panel, plinth base complete with twin weights and pendulum, 217cm height CONDITION REPORT: lot 704 - Clock movement not well maintained. Good possibly movement will require some restoration.Boards which hold clock movement have been replaced, strong possibility clock and case are a marriage, clock case also looks like it has been reduced.

An 18th Century pollard oak longcase clock, Broadhurst, MacclesfieldThe stepped caddy top above a blind fret work frieze and two tapering columns flanking a twelve inch brass dial with Roman hour numerals and Arabic minute numerals, centred with a subsidiary second dial and date aperture with gilt metal openwork spandrels and an eight day movement striking on a saucer bell, the nicely figured and slender pollard oak case with a twin beaded door over a plain front board and plinth base, clock case requires some restoration, complete with pendulum and weights, height of clock 219cm.

A 19th Century Oak thirty hour longcase clock with painted dial

A thirty hour longcase clock movement

A mahogany 18th century longcase clock with floral painted face by Wm Mint, Ashford, 30 hour movement

A reproduction mahogany longcase clock with striking movement

A George III oak eight day longcase clock, inscribed 'P Brown, Birmingham', the glazed hood door opening to reveal a brass dial with black Roman numerals, subsidiary dial, the door set between turned columns, the case door opening to reveal a the movement

A George IV oak and mahogany eight day longcase clock, the hood with a swan neck pediment, the glazed door set between turned columns opening to reveal a white enamelled painted dial with black Roman numerals, set between turned columns, the case door set between turned columns, raised on a projecting base, height 230cm

A George III mahogany eight day longcase clock, the white enamelled dial with painted decoration and black Roman numerals, the face door set between turned columns, the case with a Gothic shaped door, raised on a projecting base, height 220cm

A George III mahogany eight day longcase clock, the hood with a swan neck pediment and turned finials, brass dial with Roman numerals, swan neck pediment, Gothic shaped case door, projecting base, 222cm high

A 19th Century stained pine eight day longcase clock with arched painted dial and subsidiary dial (lacking weights and pendulum) 208cm high

A 19th Century French pine comtoise longcase clock with a brass and enamel dial (a/f) 230cm high

A GEORGE III MAHOGANY CASED LONGCASE CLOCK with 8-day movement, the brass dial with subsidiary seconds dial and calendar aperture, signed to the break arch 'Baker Hull, in figured mahogany case with broken swan neck pediment, 52cm wide 25cm deep 223cm high

A GEORGE III/WILLIAM IV 8-DAY LONGCASE CLOCK the enamel dial with Roman numerals and subsidiary seconds and date dials, inscribed 'Tight Reading', with convex glass cover, in figured mahogany case 47cm wide 23cm deep 216cm high

A 19th Century inlaid mahogany longcase clock by Edwin Fear of Pill St George, Bristol. The arch shaped hood with glazed door having painted face with roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weights and pendulum. Measures 200cm high x 48cm wide x 23cm deep.

A 19th century country oak painted face longcase clock. The oak hood and trunk with painted face and movement having illegible makers name. 196cm high x 40cm wide x 23cm deep

A 19th Century inlaid mahogany longcase clock. The arch shaped hood with glazed door having painted face with classical scene over roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weights and pendulum. Measures 219cm high x 46cm wide x 27cm deep.

A Georgian 19th century country oak longcase clock. The painted face with inset movement complete with weight and pendulum. Painted face with faceted hands set within rustic trunk and hood. Measures 202cm high x 48cm wide x 27cm deep.

A 19th Century inlaid country oak welsh longcase clock by J Foster of Aberystwyth. The arch shaped hood with glazed door having painted face with equestrian and cattle scene having roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weight and pendulum. Measures 214cm high x 43cm wide x 22cm deep.

A George III mahogany longcase clock by William Robb Montrose, with 12 inch arch brass dial with painted moon phases, hood with brass capped column uprights, 217cm high

A George III longcase clock, swan neck finials terminating in turned circular detail above turned pilasters enclosing hand painted spandrels of grapes on a vine and insects, the dome decorated with a young lady seated under a tree, inscribed Swinburn, Durham. Roman numerals; eight day movement, shaped central door inlaid with ebony, stepped plinth base (1)

A 19TH CENTURY MAHOGANY CASED LONGCASE CLOCK, 30hr movement, square painted face, marked 'Counsell & Son Ross', approximate height 212cm, sd, alterations, losses, etc (pendulum and one weight)

A GEORGIAN OAK AND MAHOGANY CASED LONGCASE CLOCK, 30 hour movement, square painted face, approximate height 208cm, (pendulum and one weight) (sd)

A GEORGIAN OAK CASED LONGCASE CLOCK, 30hr movement, square painted face unmarked, approximate height 196cm, (sd, losses, etc) (pendulum and one weight)

A fine George III mahogany musical automaton longcase clock by Samuel Smith of London, the eight day, six pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9.5cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre signed 'Samuel Smith LONDON', with subsidiary seconds dial and date aperture, with foliate cast spandrels and strike / silent and chime dials, the arch painted with a Georgian interior with figures playing instruments with a lady at a harpsichord, inscribed 'FAL LA LA, HOME SWEET HOME, MARCH IN ROB ROY, BLUE BELLS OF SCOTLAND, MARINERS HYMN, 104th PSALM', the hood with fluted pilasters and glass side panels, the case with outline mouldings on bracket feet, 230.2cm high. Case and movement possibly associated.

A George III mahogany longcase clock by Thomas Hall of Romsey, the eight day four pillar movement with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with cast brass spandrels, strike / silent dial and date aperture, the arch inscribed 'THOMAS HALL RUMSEY', above a moon phase, the hood with blind fret carving and giltwood finials, 237cm high.

An oak longcase clock by William Wilkins of Devizes, the thirty hour turned and posted frame movement with an anchor escapement and striking on a bell, with a brass dial, the chapter ring with Roman numerals and signed 'W Wilkins Devizes', with cast spandrels and matted centre with single hand and alarm dial, the bell top hood with a fabric backed pierced fret frieze and brass finials, the base later, 227cm high. William Wilkins (c.1693-1776) of St. Johns, Devizes, Clock and Watchmaker.

An oak longcase clock, the eight day five pillar movement with an inside countwheel striking on a bell, with a silvered chapter ring with Roman and Arabic numerals, signed 'Wm Speakman in Old Street', with an engraved matted centre with subsidiary seconds dial and date aperture, with cast cherub and crown spandrels and herringbone edging to the dial, the hood with a raised top and fluted columns, the later case has been long associated with the dial and is applied with an unusual bone dial indicating the days of the week, the inside of the trunk door with an interesting old label relating to a previous owner Harry Spencer Andrew Foy, 219.4cm high.  William Speakman was apprenticed to Peter Closon and was made Master of the Clockmaker's Company in 1701.

A George III mahogany longcase clock by Thomas Read of Manchester, the eight day four pillar movement with an anchor escapement and striking on a bell, the painted enamel arched dial decorated with figures and four season spandrels, the centre with a shepherd and a young lady, with subsidiary seconds and date dials, signed 'Thos Read MANCHESTER', the arch with a moon phase, the hood with a broken swan neck pediment, the case inlaid with stringing and marquetry with urns of flowers, scrolling leaves and oval paterae with a lancet arch door on bracket feet, 242cm high.

A George III mahogany musical automaton longcase clock by Joseph Miles of Shaftesbury, the eight day five pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the engraved centre with a castle and a boat, signed 'Joseph Miles, SHASTON', with subsidiary seconds dial, with rococo cast spandrels and with subsidiary date and tune dials, the arched top with a painted automaton rondel with chickens and a flying bird, the hood with a pagoda top and brass finials, with blind fret panels, the case with stop fluted quarter pilasters, with a panelled base and bracket feet, 265cm high. Case and movement possibly associated.  

A George III mahogany longcase clock by Guy of Shaftesbury, the eight day four pillar movement with an anchor escapement and striking on a bell, the silvered arched dial with engraved scrolls and swags, Roman numerals and signed 'GUY Shaftesbury', with subsidiary seconds dial and date aperture, with a moon phase and inscribed 'THE MOONS AGE', the case inlaid with stringing and with brass mounted fluted columns, 212.3cm long.

An early 20th Century gimbal mounted compass within a mahogany case, a set of late George III steel balance scales by J. Draper, a pair of opera glasses, a lacquered cabinet and a diminutive longcase clock.

A flame mahogany and bird's eye maple cased longcase clock, the dial set with Roman numerals, height 207cm.