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A George III mahogany longcase clock, 30cm arched brass dial, Roman and Arabic numerals, subsidiary second dial, twin winding holes, eight day movement striking on a bell, the hood with pagoda top, arched rectangular door to waist, plinth base, 231cm high

An 18th century elm longcase clock, 28cm square brass dial inscribed Andrew Knowles, Roman numerals, date aperture, single hand, 30 hour movement striking on a bell, the case with outswept cornice, shaped rectangular door to waist inlaid with an elongated star flanked by quarter columns, canted base, shaped plinth foot, 211cm high

30 Hour Oak Longcase Clock by Thomas Pollard of Leeds

AN OAK ARCH TOP LONGCASE CLOCK WITH CHIMING MOVEMENT, THE SILVERED DIAL INSCRIBED ENFIELD, C1930, 119CM H X 45CM W

A VICTORIAN OAK AND FRUITWOOD 30 HOUR LONGCASE CLOCK, THE BRASS DIAL WITH LUNAR WORK, INSCRIBED THOS LISTER, 192CM H X 56CM W

AN 18TH C ENGLISH JAPANNED LONGCASE CLOCK CASE, 194CM H X 42CM, LACKS HOOD AND MOVEMENT

A fine early 19th century 8 day, mahogany cased Scottish longcase clock, signed Robert Bryson, Edinburgh. The circular painted dial with off-set dials for seconds and dates, Breguet hands and Roman numerals. The four pillar movement striking on a bell housed in a fine mahogany case, the door flanked by fluted columns, 85"h

A George III mahogany 8 day longcase clock by Thomas Vernon, London, having a brass arched top dial, gilt metal spandrels, silvered chapter ring with Roman numerals, subsidiary seconds dial and a floral centre. The case having a swan neck pediment and two turned columns flanking the dial. The four pillar movement striking on a bell, 89" h

Thomas Quested Wye, circa 1780 - a George III break arch, oak, longcase clock, the brass dial having a silvered chapter ring, subsidiary seconds ring and calendar aperture, pierced spandrels, five pillar 8 day movement striking on a bell, with pendulum and two weights, 7'6"h

An 18th century mahogany inlaid eight-day longcase clock by Ts Pringle Dalkeith, the circular white enamel dial set with Roman numerals and two subsidiary dials, marked to the face 'Ts Pringle, Dalkeith', height 215cm.

A late 18th century mahogany longcase clock by John Tate of Down, broken swan neck pediment over painting of ship in full sail, white dial with Arabic numerals and subsidiary seconds dial and date aperture, height approx 230cm. CONDITION REPORT Cat gut needs reattaching on one of the trains, warp to the door. Small losses to the painting and enamel to the dial. Small knocks, marks and losses to the case commensurate with age.

An Edwardian mahogany longcase clock, the dial inscribed Maple and Co Limited London, the swans neck pediment and arched silvered brass dial with three train movement striking on a large gong and four gongs. The long trunk door flanked by fluted quarter column corners with brass capitals and all raised on bracket feet. Height 234 cm.

An early 19th century mahogany longcase clock, boxwood strung and with swans neck pediment above the arched painted dial and scene emblematic of farming to the arch, with two-train striking movement. CONDITION REPORT: This is an 8 day clock. The hood is in generally good condition, it is however very dirty. The glass to the door is cracked in two places. The long trunk door has a very slight warp at the bottom left hand corner. The base front edge bottom moulding is detached. The left hand return base moulding is missing. The movement winds on both trains and appears to be ticking. It strikes when advanced. We have the pendulum and 2 weights. The bell is missing. The dial is very dirty and has some paint loss. The numerals have been re-painted.

An oak longcase clock, 19th century, the painted arched dial with subsidiary seconds and date dials, with eight day movement chiming on a bell, the hood with swans neck pediment and turned finial with Gothic arches to the sides and turned columns flanking the door with quarter columns to the trunk. 224 cm high. CONDITION REPORT: The movement winds on both trains. It is currently ticking away and striking when advanced. We have both weights and pendulum. The case is in generally very good condition with no evidence of any woodworm past or present. The trunk door is not warped. The glazed door is not warped. The painted dial has some rubbing to the numerals but is generally in good order.

A walnut cased longcase clock, circa 1950, twin weight striking on gongs, with glazed doors and raised on short bracket feet. Height 190 cm.

A George III mahogany longcase clock by Barwise of Cockermouth, circa 1765, the hood with swans neck pediment and applied carved roundels above the arched glazed door flanked on either side by reeded pillars, and with blind fret carving above the long shaped crossbanded trunk door flanked by reeded quarter column corners, the base with canted corners and raised on bracket feet, with eight day striking movement and 13" arched brass dial with Indian mask spandrels, silvered chapter ring and Roman numerals. With centre date hand and inscribed Barwise Cockermouth. The arch with moon phase. Height including finial 238 cm. NOTE: Lott Barwise was born at Oulton Wigton in 1726 and died in 1779. He worked in Cockermouth from 1750. See Brian Loomes Clockmakers of Northern England pages 86/88 (see illustration). CONDITION REPORT: In our opinion this clock and case are not a marriage. The cheeks have not been cut nor do there appear to have been any strange alterations. The movement does have both weights and pendulum and is currently ticking away, striking and operating the moon phase. The case is in generally very good condition. There are some minor repairs to the fretwork collar beneath the hood but other than this the case is in first class condition. The door closes as it should and is not warped. There is no evidence of any woodworm. We have the winding and door keys.

A fine and rare astronomical oak and mahogany longcase clock by Edward Harriman Workington circa 1760-1770, with broken arch pediment and tapered pillars to the hood, with oak door crossbanded in elm and with Corinthian columns, the base with canted corners crossbanded in mahogany and raised on a plinth. Dial width 13", height 18½". The arch accommodates the astronomical work. Within and below the arch is a large ring approximately 8½" in diameter. This intersects the chapter ring. The periphery is marked in degrees to show the suns position in the heavens and engraved Amplitude Occa with effigies of the sun preceding these captions. Between the outer and inner ring a rotating disc carries the sun. The disc has a blue ground and is decorated with clouds. Between the two rings are shutters which are decorated with scenes of people, buildings and horses. These rise and fall throughout the year so that the sun always rises and sets at the correct time and pointers attached to the shutters give the actual time when this occurs. The left side of the inner ring is marked in degrees to show the suns declination north or south of the equator and right side indicates the sign of the zodiac. Within the inner ring the moon rotates with a silvered scale at its periphery and below the moon two globes are depicted with fine floral engraving. Height 88" (225 cm). NOTE: Edward Harriman was born circa 1700 in the Crosby area and was married in 1729. He moved to Workington in the early 1730's and made a few special clocks with astronomical dials and globe moons. He died in Workington in 1776 (see illustration). CONDITION REPORT: The clock is currently ticking away, striking and seems to be operating as it should. All pieces of the movement appear to be present. We have both weights, the pendulum, the winding key and door key. The clock is currently keeping good time. In our opinion the movement is original to the case and the cheeks do not appear to have been modified. The pediment is finished on the return with Greek keywork also. It has never had roundels. The case is in first class condition with no issues. The doors are not warped. The colour is very good. There is no evidence of any woodworm.

A Regency mahogany longcase clock with movement by James Doig Edinburgh, with circular hood enclosing the eight day striking movement and with crossbanded trunk door flanked by quarter column corners. Height 206 cm. CONDITION REPORT: We have two weights and the pendulum. The movement winds on both trains and is currently ticking away. It is however very dirty and dry and not striking when advanced. The face has been dropped at some point and the dial has a slight crease to the left hand side. There is also some minor overpainting to the scroll pattern in places. The case is generally in fairly good condition with no significant issues. There are some very minor veneer nibbles but nothing serious. The trunk door is not warped. The backboards are original. There is a stress crack running vertically on the plinth. There is no evidence of any woodworm.

A mid 18th century oak longcase clock by John Sanderson, Wigton, made for a Mr John Skelton circa 1741. The hood with flat top and opening door with half round dial beading. With long trunk door with original hinges and fastener. The brass plates have the owner details JMS and 1741. The movement has four turned pillars anchor escapement and is rack striking. The dial is 12" and is without spandrels. There is an engraved centre with inset moon dial and half round date dial. The floral engraved centre has a border and owners inscription John Skelton. Height 206 cm. NOTE: John Sanderson was born in 1671. His output was principally 30 hour clocks with only a few eight day. He died in 1748, further information can be found in Penfolds "Clockmakers of Cumberland" pages 81-84 and "Brass Dial Clocks" by Brian Loomes pages 392-409. CONDITION REPORT: The clock is 8 day and is currently ticking and striking as it should. The condition of the case is generally very good with no significant issues. The movement is in good order and appears to be working as it should. The clock could be enjoyed in its current state without the need for any work.

An early 19th century oak and mahogany inlaid longcase clock, the painted arch dial with eight day movement, subsidiary seconds and date dials, inscribed for J.A.S. Will Laurencekirk, the hood with swans neck pediment and plain columns above a pointed arch trunk door, all upon a plinth base. Height 211 cm, width 49 cm. CONDITION REPORT: The case is in generally extremely good order and does not need any work. It is a good colour. Neither door is warped. The plinth base is in good condition. The backboards are original and there is no evidence of any woodworm. We have both weights and a pendulum. The clock is currently ticking away and striking when advanced.

A 19th century mahogany longcase clock, with painted dial and eight day striking movement with moonphase by Thomas Allkins West Bromwich, the case with swans neck pediment and short trunk door flanked by half round columns. Height 228 cm. CONDITION REPORT: Dial width 14 ins, height 19.75 ins.

A mid 18th century oak and walnut crossbanded longcase clock by James Gandy Cockermouth circa 1750, with caddy top and turned side pillars. With long trunk door with double arched top, the base being raised on small bracket feet. The movement is eight day and hour striking. Dial 11¾" square with silvered chapter ring and with seconds and date dials. Height 214 cm. NOTE: James Gandy was one of the best known makers in the Cockermouth region. He was famous for making several musical and astronomical clocks. He was born circa 1700 and died in Cockermouth in 1779.

A walnut veneered longcase clock, the brass and silvered arch dial inscribed for Samuel Northcote Plymouth, the silvered dial with Roman and Arabic chapter ring, subsidiary seconds and date dials beneath strike and silent and with pierced spandrels, the eight day movement chiming on a bell. +/- 229 cm high, 54 cm wide (see illustration). CONDITION REPORT: The clock case is in reasonably good condition with no significant issues. The hood is in generally good order. The door is not warped. All glass is present and original. The left hand return moulding at the bottom of the hood is a little loose but all present. The right hand return moulding has a very small loss right at the very rear of the case for +/- 2 cm. There is a small section of moulding detached from the collar beneath the case - we have the piece. The trunk door is not warped. The base is in generally good condition also. We have a pendulum with the clock but it is not the correct one. When weight is applied to the going train the clock does however tick. The catgut is snapped on the strike train so we are not able to ascertain whether the strike is actually operating at present. The strike/silent mechanism is present but detached from the pointer. There maybe something missing from the operation of the date wheel. The backboards of the case are original and we cannot see any evidence of any woodworm.

A MAHOGANY LONGCASE CLOCK by John Lambourne, Cambridge, No.101, the eight day movement with anchor escapement striking on a bell, the arched brass dial with Roman and Arabic numerals, matted centre with seconds dial and calendar aperture flanked by chased birds, signature to the arch, the case with parquetry stringing, moulded cornice on fluted columns, arched door, panel base with shaped apron and bracket feet, 86 3/4" high (Est. plus 21% premium inc. VAT)

AN OAK LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with flowers and with signature, curved calendar aperture and moonphase, the case with scrolled pediment and brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, the whole later profusely carved, 89 1/2" high (Est. plus 21% premium inc. VAT)

AN OAK LONGCASE CLOCK by John Lawrence, Lancaster, the eight day movement with anchor escapement striking on a bell, 13" square brass dial with Roman and Arabic numerals, foliate chased centre with seconds dial and calendar dial enclosing signature, the mahogany banded case with dentil moulded cornice on turned columns, arched door flanked by quarter columns, panel base and ogee bracket feet, 81 1/2" high (Est. plus 21% premium inc. VAT)

AN OAK LONGCASE CLOCK, signed John Whitehurst, Derby, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with painted moonphase in the arch, silvered chapter ring with Roman and Arabic numerals, matted centre with seconds dial, calendar aperture and signature plaque, the mahogany banded and inlaid case with scrolled pediment with brass finials on fluted columns, canted trunk with arched door with marquetry floral patera, panel base with inlaid roundel, on bracket feet, 90" high (Illustrated) (Est. plus 21% premium inc. VAT)

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, BY ALEXANDER MITCHELL, GORBALS LATE 19TH CENTURY the moulded swan neck pediment above an arched brass dial with signed boss Alex. Mitchel/ Gorbals, above a silvered chapter with Roman and Arabic chapters, a subsidiary seconds dials and date aperture, above an arched moulded trunk door flanked by reeded quarter columns, on a plinth base; the eight day movement striking a bell(211cm high, 52cm wide, 26cm deep)

DUTCH MARQUETRY LONGCASE CLOCK SECOND QUARTER 18TH CENTURY the moulded cornice above the 10in. brass dial with a silvered Roman numeral chapter, date aperture, subsidiary seconds dial and month dial, flanked by corner columns above a long trunk door and bombé base raised on carved paw feet, inlaid throughout with bird and flowering urn marquetry, the movement striking on two bells(215cm high, 56cm wide, 29cm deep)

Early 20th century mahogany longcase clock with oval bevelled glass door, the circular silvered dial with Arabic numerals, the 3 train weight driven movement striking on gongs

1920's Oak longcase clock, the circular silvered dial with Arabic numerals, 3 train weight driven movement striking on gongs

A partial longcase clock movement, with 28cm Dia. brass and Roman numeric chapter ring and date aperture, on a plain back, 8 day, 31cm x 31cm.

Richard Ganthony, London. An early 19thC mahogany longcase clock, with eagle finials, arched hood, long trunk door flanked by quarter columns, on compressed bracket feet, with arched silvered 28cm W Roman numeric dial with subsidiary second hand date aperture and strike silent feature, signed R Ganthony London, 8-day movement, 126cm H.Richard Ganthony resided in Lombard Street, London. It is believed his apprenticeship finished c1810.

A late 18thC oak longcase clock, with a broken swan neck pedimented hood surmounted by eagle and orb finials, above a long trunk door and panelled base, on bracket feet with 28cm W brass dial with raised spandrels, Arabic and Roman numeric chapter ring, date aperture and subsidiary Arabic secondhand, with 8-day ship rolling movement, 107cm H.

A George III mahogany eight day longcase clock with painted dial signed William Rust, Hull, height 228 cm.

A contemporary Tempus Fugit longcase clock with pendulum and weights

Baddely, Tong George II oak longcase clock, square brass dial with subsidiary date dial, signed Baddely (sic.) Tong in the chapter ring, cast brass spandrels emblematic of The Seasons, 30 hour movement striking on a gong, the case with scrolls over a moulded cornice, blind fretwork frieze, long door with inlaid star motif, plinth base, height 204cm.Footnote: Probably John Baddeley, Tong, Staffordshire, circa 1720-80.

Thomas Touse, London George III mahogany longcase clock, arched brass dial with subsidiary second dial and date aperture, cast Rococo spandrels, the lunette signed THOMAS TOUSE LONDON over a Strike/silent dial, eight-day two-chain movement striking on a bell, the case with an arched hood, fretwork frieze, long door with applied mouldings, fluted quarter column quadrants, ogee bracket feet, height 221cm.

Thomas Jarvis, LondonGeorge III mahogany longcase clock, arched brass dial, silvered chapter ring with subsidiary seconds dial and date aperture, cast spandrels, eight-day two-chain movement striking on a bell, case with broken triangular pediment, arched long door flanked by fluted and filled quarter column quadrants, plinth base, 221cm.

Thomas Pearson, Newcastle George III mahogany longcase clock, arched brass dial, signed THOS PEARSON, N CASTLE, moonphase lunette, dial with date aperture, rococo style scrolled spandrels, eight day two chain movement striking on a bell, the case with shell marquetry panel within the hood, scroll neck pediment, brass appliqués, banding and stringing, height 248cm.Footnote: Thomas Pearson of Newcastle upon Tyne, working 1778-1827.

Eardley Norton, London George III mahogany longcase clock, arched brass dial with subsidiary second dial and date aperture, cast Rococo spandrels, the lunette signed EARDLEY NORTON LONDON over a strike/silent dial, eight-day two-chain movement striking on a bell, the case with swan-neck pediment, trunk door with a shaped topped, oval fan inlay, quarter column quadrants, ogee bracket feet, height 248cm.Footnote: Eardley Norton, Clarkenwell, London 1760-94.

Deacon, Barton George III oak and mahogany longcase clock, arched painted dial signed with Arabic numerals, date aperture and seconds dial, eight-day two-chain movement striking on a bell, the case with swan neck pediment, long door with pointed arch top and corssbanding, bracket feet, height 216cm

Thomas Eayre, Kettering George II oak longcase clock, square brass dial with single hand, signed Thos Eayre Kettering to the silvered chapter ring, cast spandrels, 30 hour movement striking on a bell, the case with pagoda hood, shaped long door, plinth base, height 218 cm.Footnote: Thomas Eayre, Kettering 1717-57.

A tall 19 th century carved oak longcase clock, by George Farrer, Tunbridge Wells, with subsidiary seconds and strike/ silent dials, the three train movement striking on bells, with three iron weights and brass pendulum. 238cm high

A REPRODUCTION GOLDEN OAK LONGCASE CLOCK, tempus fugit movement, brass and silvered dial with Roman numerals, height 194cm (two weights, pendulum)

A 19th century prattware money box, Mexborough, Yorkshire. Formed as a longcase clock flanked by a figure of a lady and gent and with a pair of dalmatian puppies. Probably by James Emery, 22cm. Cf. John and Griselda Lewis, Pratt Ware, 1993, page 80-81.Condition report intended as a guide only.The figures replaced. Some repair around the cock hood.

18th century longcase clock movement

Mahogany Longcase Grandfather clock with date Aperature by 'Owen'

19th Century Welsh mahogany eight day Grandfather/ Longcase clock. David Jones - Merthyr.

A George III mahogany longcase clock by Ingram of Cardiff H.218cm

A 19TH CENTURY CARVED OAK LONGCASE CLOCK by John Smith of Bungay, the brass dial with arabic and roman numerals, 31cm wide, the clock 208cm high overall together with a Georgian mahogany wheel back barometer and a watercolour (3)

AN 18TH CENTURY OAK LONGCASE CLOCK the brass dial signed Taylor Petworth, with arabic and roman numerals, the clock overall 40cm wide x 22cm deep x 196cm high

Two Lladro figures to include a Girl and Longcase Clock and another of a Lady with a Parasol, tallest 36cm high, (2)

A George III oak and mahogany longcase clock, arched white dial, count wheel movement striking on a bell (H218cm D25cm W47cm)

Mid C18th Oak 30 Hour Longcase Clock, Case with silvered chapter ring, signed William Russell Wootton, later 3 train movement striking on bars, Westminster chimes

19th century 8 Day Oak Longcase Clock, the painted face with seconds dial (hands missing) and date aperture, marked D Lloyd Price, 226cms high

An 18th/19th Century East Anglian oak longcase clock with 8 day movement, painted square dial

An 8 day, oak cased longcase clock, square brass dial with applied, silvered chapter ring and cast panels, the dial engraved with scrolls and seconds indication as well as the makers name Henry Chater of Ringwood, Hampshire, listed by Loomes as 1726 to 1767, matching steel, twin train bell striking movement, with pendulum and 2 weights. Estimate £300 to £500

OAK CASED 'HELSTON BY RICHARD BROAD' OF BODMIN CORNWALL LONGCASE CLOCK, Helston model 36, brass moon fazed face with Roman numerals

MID-TWENTIETH CENTURY OAK LONGCASE CLOCK with circular dial, brass centre plate