We found 41737 price guide item(s) matching your search

John Simcock, an antique brass longcase clock dial with date aperture, cast spandrels, 10 inch square, also various clock and watch accessories and parts.

Andrew Dickie, Stirling, a Georgian oak longcase clock having a moulded swan neck cornice with boxwood pierced fret ornament, the arched brass dial having a name boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary date and second dials and the cast gilded spandrels with bust cartouches enclosed by an arched glazed door flanked by columns, moulded edge trunk with panel door, the base with canted corners and shaped bracket feet, 207cm. (See lot 386 for illustration).

A George III oak cased longcase clock, the 8 day striking movement (no bell) to an arched brass dial, the engraved centre with subsidiary seconds dial and date aperture, the boss inscribed Jno Swinburn, Hexham, to dolphin and scroll spandrels, the glazed hook (cracked) with a swan neck pediment above turned columns, to an arched waist door with fluted quarter pilasters, the base with a moulded plinth, 7ft 2in (218.4cm) high.

An 18th century japanned longcase clock, with chinosiere decoration, the eight day movement striking on a bell, to an arched brass dial with subsidiary seconds dial and date aperture, the boss inscribed Josh Herring, London, the glazed pagoda hood above and arched trunk door, the base with a plinth moulding, 7ft 7in (231cm) high.

A 19th century mahogany longcase clock, the 8 day movement striking on a bell to a arched dial painted a shepherd above spandrels inscribed ?ercer, Debenham with a subsidiary seconds dial, the hood with a shaped outline door with swan neck pediment with central brass ball and spire fluted pilasters, the trunk door with an ebonzied edge to fluted corners, the base on bracket feet (old restoration) 7ft 4in (223.5cm) high.

A mahogany longcase clock, the marquetry case with shaped and pillared hood and eagle and ball finials, the trunk with neo-classical designs of winged females over an arched trunk door with central vignette of a water carrying maiden and eagle, the moulded base with folite scrolling shell and urn panel,on bracket feet, the 12" brass dial having cast spandrels, 'tempest fugit' and eagle rondel to arch, silvered chapter ring and subsidiary seconds ring, having Roman hour numerals and Arabic minute and seconds numerals, matted center with date aperture, 8-day movement striking on a bell, 90" high.

A Georgian mahogany longcase clock by J Watson of Blackburn, the mahogany string inlaid case having swan-neck hood with Corinthian reeded columns, cluster column trunk with shaped full-length door, crossbanded and canted base with ogee feet, the painted 14" dial having moon roller, conche shell spandrels, Roman hour numerals, Arabic minute and the same to the subsidiary seconds and date rings, 8-day movement striking a bell, 92" high.

A George III oak and mahogany crossbanded longcase clock by John Wood Junior of Grantham, having fox painted to the swan-neck pillared hood, full-length trunk door enclosed by inset reeded columns, panel base with bracket feet, circular painted 12" dial 12" having Roman numerals and Arabic minute numerals, 88" high.

A Georgian oak cottage longcase clock with dentil moulded cornice, arch door with applied carving, 10" painted dial with floral spandrels, repainted numerals and reduced base, 30-hour movement striking a bell, 76" high.

An Edwardian miniature longcase clock with carved oak case, square brass dial with silvered chapter ring, 8-day movement striking a gong, 20" high.

Joseph Blackhurst, Weaverham A 19th century oak longcase clock, the repainted dial with a moonphase mechanism and calendar aperture, supporting an 8 day striking movement. The case with mahogany crossbanding and reeded corner pillasters, dial 34cm diameter, case 222cm high

An 18th century oak longcase clock, the 12 inch brass dial with subsidiary seconds and calendar rings, and inscribed Edward Hunsdon, Chelmsford, with a 5 pillar movement

A 19th Century mahogany longcase clock by J. Topham of Nantwich, the 14ins arched painted dial decorated with a duck hunting scene to the arch and shells to spandrels, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned pillars to hood, shaped trunk door with plain cant corners, the base with raised centre panel, 89ins high (enamelled dial marked and lacking bracket feet).

An 18th Century oak longcase clock by William Womersley, the 12ins square brass dial with silvered chapter ring and dial showing phases of the moon to the eight day two train movement striking on a bell, contained in case with deep moulded and overhanging cornice, and reeded columns to hood, shaped trunk door, 78ins high.

An early 19th century oak longcase clock, the 8 day striking movement with an arched brass dial, having a rocking 'Father Time', Tempus Fugit, above a subsidiary seconds dial and calendar, to the foliage engraved centre, inscribed Richard Hacket, Harringworth. Cast corner spandrels, the case mahogany banded and inlaid stringing, the hood with swan neck pediment and brass finials, brass gilt Corinthian capped turned pillars, a serpentine top door to the trunk, front reeded angled corners, the base on bracket feet, 7 ft. 1.5 ins.

A Dutch Marquetry Inlaid Oak Longcase Clock, the arched brass dial with silvered chapter ring, subsidiary seconds dial, the arch with disk inscribed "Alex Giroust, Coventry Street, London", the movement with anchor escapement, striking on a bell, in a case richly inlaid with flowers and birds, the door with central glazed lenticle, 220cm high.

A 30 Hour Oak Longcase Clock, Jas Bonn, Matlock, circa 1780, the 13-inch circular brass dial with Roman and Arabic numerals, date aperture, rectangular case, the plinth with moulded angles and on bracket feet, four pillar movement, anchor escapement with count wheel strike on a bell, 209cm high.

A 30 Hour Longcase Clock by John Shepley (Stockport), the brass 107.8-inch dial with matted centre and date aperture, the chapter ring with bold 1.2 hour markers, in an oak case with shaped headed door and turned quarter columns, the hood with blind fret panel and dentil moulding, circa 1750, 207cm.

A 30 Hour Longcase Clock, by Bradley, Ilkiston (sic), the 12 1/4" square silvered and brass dial with engraved boldly signed centre with date aperture, in an oak case with shaped moulded headed door and hood with turned columns and burr oak band below key pattern band and broken pediment, circa 1775, now 221cm

An Eight Day Longcase Clock by Archd. Strachan, Newcastle, the 13-inch dial with seconds, date and engraved scrolls, with lunar and tidal dial in the arch, in a mahogany case with rosewood crossbanding and boxwood lines, the shallow arched door with turned and fluted flanking columns, the hood with mounted fluted columns and scroll pediment, the base with beaded mouldings, angled corners and inlaid panel, upon bracket feet, 240cm.

A Thirty Hour Longcase Clock by Webster, Whitby, the arched 11-inch silvered and brass dial with matted centre, in pine case, circa 1760, 203cm high

A George III Mahogany Inlaid Eight Day Longcase Clock, signed John Craig, Carrigill, associated break-arch brass dial with silvered chapter ring, pierced cherub spandrels, steel hands, case with reeded columns, associated rectangular case, the "onion" arched trunk door flanked by inlaid sides, the four pillar movement with anchor escapement and rack strike on bell, 213cm high.

A Fine Mahogany Regulator Longcase Clock, by William Dutton, London, the circular silvered dial signed "William Dutton London", two subsidiary dials indicating seconds and hours, outer minutes track with central corresponding minute hand, eccentric winding hole, blued steel handles, with triangulated plates linked by four turned pillars, maintaining power, jewelled deadbeat escapement, in a brass mounted and richly figured mahogany case, with stop-fluted chamfered stiles, reeded raised mouldings to the plinth, 224cm high over eagle and sphere finial, with winding key.

Robt. Hodgkin, London. A George III oak and mahogany longcase clock, the arched hood with swan neck pediment and reeded pillars with Corinthian capitals, the trunk with shaped top door flanked by quarter reeded pilasters, raised on a panelled plinth, the arched 13 inch dial with moon phase disc painted with figures in landscapes, above a silvered chapter ring and foliate engraved centre with seconds dial and date aperture, urn spandrels, the eight day four pillar movement with shaped ogee shoulders to the plates, 238cm (probably associated)

John Wright, Linton. An automaton oak longcase clock, the break arch hood above conforming trunk door raised on a rectangular plinth, the 12 inch arched silvered dial landscape-painted to the arch with two rocking figures on a sea-saw, above silvered chapter ring and well-engraved centre, seconds and calendar dials, gilt rococo spandrels, with four pillar bell-striking movement, (case probably associated) 200cm high

An early 19th century Scottish mahogany longcase clock, the arched moulded top with 'C' scroll cresting, the silvered dial with black Roman numerals, Arabic five minute divisions, subsidiary seconds and date dials, inscribed 'Tempus Fugit' within scrolled spandrels, the curl veneer door enclosed by half round column pilasters with spire finials, on moulded panel base with flattened bun feet, 8 day movement striking on a bell, dial 52cm, 221cm overall.

A George III mahogany longcase clock, the fretwork pierced silk lined pagoda top with three ball finials, on ormolu capped stop fluted tapering columns, the arched brass dial with black Roman numerals and Arabic five minute divisions, with subsidiary seconds dial, inscribed 'Richard Reader Hull', feacit within cast spandrels, the arched door inlaid with a flower filled urn with shell cresting, enclosed by ormolu capped reeded quarter columns, the base inlaid with an urn in a satinwood banded panel, the whole outlined with satinwood stringing and with conch shell scroll and fan paterae detail, on shaped bracket feet, 8 day movement striking on a bell, dial 46cm, 248cm overall.

A George III fruitwood longcase clock, with full length door, the hood with shaped and moulded cornice and pillar supports, containing a 30 hour movement with 10in square brass dial engraved with flowers, single hand, the chapter ring with Roman numerals, shell pattern spandrels, inscribed Edw How, Holford, 74.5in high.

George Hill, Bo-ness; an early Victorian mahogany longcase clock, the two train movement with anchor escapement and rack-strike on a bell, the painted dial with domestic scenes and Roman numerals with subsidiary seconds and date dials; the case with convex lancet door between pilasters, the hood with broken pediment and three ball and eagle finials, 215cm high

John Sellars, Berwick; a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials, the arch painted and gilt with a basket of flowers, inscribed Jno Sellars Berwick, the panelled case with plain pilasters, the hood with swan-neck pediment and ball and eagle finial, 220cm high (restored)

An Edwardian mahogany chiming longcase clock, the eight-day three-train movement with anchor escapement and striking the hours and quarters on five tubular gongs, the brass and silvered dial with Roman numerals and Arabic five minute divisions, and subsidiary seconds dial, the arch with chime/silent dial, the case with glazed door, the hood with swan-neck pediment, 228cm high

Eardley Norton, London no. 1929; a George III mahogany longcase clock, the eight-day two-train five pillar movement with anchor escapement and rack strike on a bell, the arched brass and silvered 12 inch dial with Roman numerals and Arabic five minute divisions, with subsidiary seconds dial and date aperture, the arch with 'strike/silent' dial and inscribed Eardley Norton London 1929, chinoiserie spandrels, the plain case with shaped door, the hood with a pair of brass-capped pillars, three brass-fret silk-lined sound panels, the shaped pediment surmounted with three brass ball and spike finials, 257cm high

An 18th century longcase clock, the brass and silvered arched dial with seconds dial and date indicator, with 'C' scroll spandrels, signed James Hylne, Montrose, eight day striking movement, the associated case with swan neck pediment and walnut trunk, with floral and marquetry panels and a bullseye

A FINE EARLY 20TH-CENTURY FLOOR-STANDING WALNUT-CASED WEIGHT DRIVEN VIENNA LONGCASE CLOCK having a well-carved surmount with turned finial, carved shell and two-tier balustrade, the arched glazed trunk door between fluted turned half-columns, on a two-panelled cupboard base with turned and tapering pillars, on a plinth base and bun feet, the white-enamelled dial with Roman numerals framing a subsidiary seconds dial, 237cm, (93.3in) high (sold with two weights plus pendulum)

A pearlware Pratt-type watcholder, probably Yorkshire, modelled as a longcase clock between two figures, painted with floral sprigs, 24cm high, first quarter 19th century (small areas of restoration)

J BRIGHT, SAXMUNDHAM, A GEORGIAN OAK LONGCASE CLOCK, the break arch hood with turned pillars and brass capitals, above an arched top door and stepped base with plinth, the painted break arch dial with oval scenic painted decoration and conforming spandrels, the twin train movement with subsidiary seconds and date window, approximately 84.5ins high.

A Georgian oak longcase clock with white painted dial and roman numerals, subsidiary seconds dial and date aperture, inscribed "Alex. Trotter, Jedburgh", fitted eight-day striking movement, decorated with painted fruit to the corners and the arch, with later swan neck pediment to the hood, flanked by brass-mounted pilasters, with one long door below raised on a plinth base, 17.5in. x 82in. high.

A Georgian mahogany longcase clock with cream painted dial and roman numerals, with subsidiary seconds and date dials, inscribed "George Leithhead, Galashiels", painted with an interior scene and figures to the arch, the four seasons to each corner, fitted eight-day striking movement, the hood with swan neck pediment and brass eagle finial flanked by turned pilasters, a crossbanded panel door to the trunk decorated with a single strand of feather banding above, raised on a panelled base with bracket feet, 19in. x 87in. high.

A brass-faced longcase clock with roman numerals, subsidiary seconds and date dials, decorated with applied spandrels to the corners and the arch, fitted eight-day striking movement, the mahogany hood with scrolling swan neck pediment and applied blind fret carved panels, flanked by fluted corinthian pilasters, a single panel door to the trunk decorated with inlaid stringing, raised on bracket feet, 86in. high. See lot 1340 for illustration.

A late Georgian mahogany longcase clock with white painted dial and roman numerals, second and date subsidiary dials, inscribed "George Kirton, South Shields", the arch decorated with a painted biblical scene, fitted eight-day striking movement, the arched hood flanked by turned pilasters with arch panel door below decorated with inlaid boxwood stringing and crossbanded base under, raised on bracket feet, 20in. x 86in. high. See lot 1340 for illustration.

A late Georgian mahogany longcase clock with white painted dial, roman numerals, subsidiary date and seconds dial, painted in the arch "Lister, Newcastle", fitted eight-day movement, the hood with fret carved pediment and brass ball finials, the arched panel door below flanked by inset panels and roundels, raised on bracket feet, 93in. high.

An oak longcase clock with swan neck pediment centred by a brass sphere, the brass dial with silvered chapter ring, date aperture and subsidiary second dial, engraved "Richard Stonehouse, Whitby", with arched panel door to the trunk, raised on bracket feet, 18in. x 89in. high.

An 18th century oak longcase clock with a 30 hour movement, the square brass dial with date aperture by 'Jn. Pratt, Saffron Walden', above a blind fretwork frieze

A mid 18th century lacquered longcase clock by John Fordham of Dunmow, with an eight day strike/silent movement, an arched silvered dial and subsidiary seconds and calendar inscribed 547 to plate on dial, dial 28.2cm diameter, 211cm high

A 19th century lacquered longcase clock having an arched enamel dial with a moon phase and eight day striking movement (case worn), dial 30cm diameter

A 19th century Scottish mahogany longcase clock, the case with a dentil cornice blind fretwork and quarter spiral corner columns, the arched brass dial inscribed 'Dan Brown Glasgow', with an eight day movement, 2.14m high

A 19th century 30 hour oak, mahogany and rosewood cased longcase clock, the painted dial with Roman numerals, by E. Dodd, 200cm high

A 19th century inlaid mahogany longcase clock, by William Smith, Huddersfield, the eight day movement with an arched and painted dial, with subsidiary calendar and seconds dial, 236cm high, dial 32cm diameter

A 19th century mahogany longcase clock, the enamel dial inscribed 'Wilson, Gateshead' supporting an eight day striking movement, dial repainted, 29cm diameter

A George III longcase clock by John Pratt, Saffron Walden, the circular brass dial with Roman and Arabic numerals and an eight day movement, with a subsidiary seconds and calendar aperture, inscribed to bat shaped plaque 'John Pratt, Saffron Walden', in a carved oak case, 214cm

An 18th century oak and later carved longcase clock, the square hood with reeded pillars enclosing a brass dial and signed Hollinell of Derby, with pierced spandrels, silvered dial, subsidiary seconds and calendar aperture, the later foliate carved case with 'Tempus Fugit' 1663.

18th C longcase clock, by Andrew Padbury of Bishops Waltham

A 19th Century carved oak eight-day longcase clock, the arched painted dial with subsidiary second and date dials, cockle and other shells painted to the spandrels with a sailing scene to the arch, the hood with a swan-neck pediment, turned columns and all elaborately carved with scrolling foliate motifs, 92in. (234cm) high.

A mid 19th Century oak and mahogany crossbanded eight-day longcase clock, the arched painted dial inscribed 'John ?, Annan' with subsidiary second and date dials, the arch painted to depict a hunting scene with hounds to the spandrels, the hood with a swan-neck pediment, turned columns and with box stringing to the base, on turned feet, 91in. (231cm) high. See lot 680 for illustration.

A George III mahogany and crossbanded eight day longcase clock, the arched painted dial indistinctly described with subsidiary second and date dial, the arch depicting chinoiserie scene with figures fishing and fruit to the spandrels, the hood with a swan-neck pediment and box stringing to the trunk, 84in. (213cm) high.

A George III mahogany eight-day longcase clock, the arched brass dial inscribed 'S. Gandy, Cockermouth', the arch inscribed 'tempus fugit' flanked by dolphin motifs and with masks to the spandrels, the hood with a swan-neck pediment, fluted columns, the trunk with a boxwood strung door and quarter fluted columns, 86in. (219cm) high. See lot 700 for illustration.

A Victorian oak and mahogany crossbanded eight-day longcase clock, the arched painted dial inscribed 'Thomas Alexander, Castle Douglas', with subsidiary second and date dials, the spandrels painted to depict buildings, the arch figures, the hood with a swan-neck pediment, turned columns, the trunk with a shaped door flanked by reeding with further inlays, 85in. (216cm) high.

An early Victorian and inlaid and Tunbridge ware banded eight day longcase clock, the arched painted dial inscribed 'James Law, Castle Douglas', with subsidiary second and date dials, the arch painted to depict Burns and Muse, the spandrels depicting figures emblematic of the Union, the hood with a swan neck pediment, spiral twist and turned columns, the trunk with a central diamond shaped marquetry paterae surrounded by different bands of Tunbridge ware, with turned and spiral twist columns, beaded below and on bracket feet, 91in. (231cm) high. See lot 702 for illustration.

A Victorian mahogany veneered longcase clock, the associated 30 hour movement striking on a bell to a painted arch dial with date aperture, the hood with a swan neck pediment and turned columns, the fret top trunk door flanked by columns, the base on bracket feet, 7ft 7in (231cm) high.

A modern mahogany chiming longcase clock, with a brass arched dial to a pierced fret swan neck pediment, gilt brass corinthian capital columns, an arcaded waist door flanked by corner pilasters, the base (cracked) on ogee bracket feet, 6ft 6in (198cm) high.