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A George III mahogany banded oak cased striking 8 day longcase clock by William Jackson of Frodsham (Cheshire), the painted square dial incorporating a nicely shaped moon face aperture, the hood with pierced scrolled pediment above twin fluted pillars, the trunk incorporating a shaped topped door flanked on either side by a fluted quarter pilaster above inlaid panels, and corresponding base section, the whole raised on ogee bracket feet, complete with winding key, pendulum and twin weights, height 212cm (illustrated)

A George III mahogany cased 8 day striking longcase clock by Samuel Harper of Newtun on Ayr, the arched brass dial with engraved decoration, the hood with carved broken arch pediment above the trunk with shaped topped door flanked on either side by fluted quarter pilasters, the whole raised on shaped bracket feet, complete with winder, pendulum and twin weights, height 233cm (illustrated)

An early 19th century rosewood and oak cased eight day striking longcase clock circa 1830, having a painted arched dial featuring vignettes of courting couples, the dial indistinctly inscribed with Hartlepool maker, complete with twin weights and pendulum, height 226cm, dial width 32cm (illustrated)

A George III mahogany banded oak cased 8 day striking longcase clock, with painted square dial, the hood with carved broken arch pediment, the trunk with shaped door flanked on either side by quartered pilasters, raised on bracket feet, complete with winding key, pendulum and twin weights, height 216cm

An 18th century figured walnut veneered 8 day striking longcase clock by Park of Liverpool, the arched brass dial incorporating the text "When death the King of terror frown, time with his scythe mows mortals down", the domed hood flanked by open pilasters above the trunk with unusual shaped door with inlaid boxwood and ebony chequered banding above corresponding base and ogee bracket feet, complete with winding key, pendulum and twin weights, height 234cm (illustrated)

An early 19th century oak cased longcase clock, the square painted dial and date aperture with Roman numerals signed R Colman, with a 30 hour movement

An 18th century carved oak 30-hour longcase clock, maker E. Hariman of Crosby, the circular 11 inch dial with silvered chapter and Roman/Arabic numerals, the malt centre with a square dated aperture, in a later carved oak case, 218cm high

A Victorian mahogany 8-day longcase clock, the arched enamel dial with landscape decorated moon phase dial above Roman numerals and subsidiary seconds dial and date aperture, the case with ogee shaped door flanked by fluted quarter columns, on small turned feet, 220cm high

A Victorian mahogany eight-day longcase clock, maker Bryson & Sons. Dalkeith, the arched painted dial with Roman numerals, subsidiary seconds and date dials, painted rural scenes, the hood with swan neck pediment above a trunk with concave door and tapering half columns, on a plinth base with bracket feet, 215cm high x 50cm wide

A George III thirty hour oak longcase clock, the 12 inch square painted dial signed 'Geo Ellis', Oaken Gates', with centred date aperture and ring of Roman numerals, the oak case mahogany crossbanded and with conch shell inlay to the short trunk door and box base (at fault), 199cm high

A Scottish mahogany drum head longcase clock having scrolled hinged hood (no movement or weights), pendulum with painted boat scene, 78" high

A Rob t Mawley of London Regency mahogany longcase clock having a silvered break-arch dial with eight day movement, secondary dial and date aperture, the arch with strike/silent dial, having a fretwork crest to the hood above a break-arch door, on plinth base with double skirt, 92" high

19th century mahogany miniature clock longcase

A GEORGE III OAK LONGCASE CLOCK, signed on the break-arched and painted dial HENY BUNYAN LINCOLN, with twin subsidiary dials, pierced hands, raised gilt spandrels and a rustic scene to the arch, having eight day movement, the case with swan neck pediment and turned pillars, the trunk enclosed by a moulded door, on (reduced) base, 210cm h ++Lacking the seconds hand, the dial with slightly dirty paint and the odd minor paint chip. The movement complete and original, the seat board probably contemporary. The case in basically sound condition, the base remodelled

AN OAK LONGCASE CLOCK, the brass dial signed on the silvered chapter ring F H Pratt Derby Fecit, with engraved centre, cast spandrels and brass movement striking on a bell, in crossbanded case with turned pillars, 187cm h, early/mid 20th c ++A good quality reproduction in good condition

‡ A VICTORIAN OAK LONGCASE CLOCK, signed on the break-arched and painted dial JOHN HALLIWELL WAKEFIELD, with subsidiary seconds dial and pierced brass hands, ruins and a watermill to the spandrels and arch, having eight day movement in crossbanded and line inlaid case with swan neck pediment, pillars, pilasters and panelled base, 230cm h ++The paint to the dial slightly scratched, the case generally slightly faded, the lower part of the base re-modelled and now with a plinth, the movement complete or largely so but in need of cleaning/overhauling

‡ A GEORGE III MAHOGANY LONGCASE CLOCK, with brass break-arched dial, silvered chapter ring, matted centre signed on a tablet Willm Webster Exchange Alley London, subsidiary seconds dial and date aperture, the Strike/Silent ring to the arch, having pierced steel hands, rococo spandrels and eight day movement in finely figured case with stop fluted pilasters and moulded door, on panelled base, 227cm h excluding finial ++In good condition and of finely figured timber, the movement/dial original to the case, the seatboard possibly original some well executed repairs to the backboard.

An early 19th century oak and mahogany eight day longcase clock, the arched white enamel dial painted with a hunting scene, with subsidiary seconds and date aperture, flanked by turned columns above an arched door, height 222cm (losses). (Illustrated).

A 19th century mahogany eight day longcase clock, the arched painted enamel dial with moon phase, subsidiary seconds and date aperture signed Wm Godwin, Manchester, above an arched door, height 204.5cm (reduced). Brian Loomes records William Godwin of Manchester as c.1834. (Illustrated).

An early 19th century eight day longcase clock, the painted arched enamel dial with subsidiary seconds and date aperture, indistinctly signed, housed in an oak and inlaid mahogany case with broken arch pediment, fluted columns and arched door, height 223cm (some losses to case). (Illustrated).

A fine George III inlaid mahogany eight day longcase clock, by John Carmichael, Greenock, the arched brass dial with silvered chapter ring, Masonic subsidiary seconds and calendar, above a slightly bowed door, height 208cm. John Carmichael of Greenock is listed by GH Baillie as 1750 - 1800, maker of the first clock in Greenock Parish Church, 1786. (Illustrated).

A mahogany eight-day longcase clock, the 30.5cm arched brass dial bearing the legend 'tempus fugit', with subsidiary seconds and date, the case on plinth base, height 210cm (82 3/4in.).

An oak eight-day longcase clock, the 30.5cm arched brass dial signed Wm Tonnly, Temple, with moonphase, and subsidiary seconds, the hood flanked by turned columns, the case on bracket feet, height 211cm (83in.).

An oak-eight day longcase clock, the 35cm arched brass dial signed Wm Champ, London, with moonphase, subsidiary seconds and date aperture, the hood with swan-neck pediment and supported by fluted columns, the trunk flanked by turned and fluted pilasters, on plinth base height 226cm (89in.).

A mahogany eight-day longcase clock, the 29cm silvered dial with roman numerals, subsidiary seconds and calendar aperture, signed Ralph Harrison, London, strike/silent to the arch, four pillar movement, the case enclosed by an arched panel door between fluted pilasters with gilt metal capitals, gadrooned base with bracket feet, the break arch hood with pagoda top and flanked by fluted columns, height 248cm (98in.).

A mahogany eight-day longcase clock, the 35cm painted arched dial signed A. Wilson, Kilmarnock, with subsidiary seconds and date, the case on ogee bracket feet, height 218cm (86in.).

A late 18th Century oak longcase thirty-hour clock, the hood with swan neck having a mahogany surround, diaper banding and turned columns to the sides, the trunk with rounded pillars to the sides enclosed by a panel door on bracket feet, fitted a square brass dial with pierced spandrels and matted centre, the silvered chapter ring with Roman numerals and inscribed Rich. Phillips Ashburne, 202cm (79.25") high (see illustration)

A late 18th Century oak longcase eight-day clock, the hood with moulded swan neck and square fluted pillars to the sides, the trunk with canted columns enclosed by a rectangular door, fitted a circular brass dial with Roman and Arabic numerals and inscribed Bennitt Uttoxeter, 221cm (87") high (see illustration)

A late 18th Century oak longcase eight-day clock, the hood banded in mahogany with moulded cornice and turned fluted pillars to the sides, the trunk with fluted canted columns, enclosed by a rectangular door, fitted a circular engraved brass dial with subsidiary seconds dial with Roman and Arabic numerals, inscribed J Turner Leek, 210.5cm (83.25") high

A late 18th century oak and mahogany longcase clock, the hood with swan neck pediment, inlaid frieze and turned side columns, the trunk with full length crossbanded door, the base with canted corners, having square brass dial and 8-day movement, by "Rich Schofeild Rachdale", height 82"

An 18th century oak longcase clock, the hood with swan neck pediment and turned side columns, the trunk with crossbanded door, on plinth base, having square brass dial and 30 hour movement by Rich. Evans, Oswestry, height 83"

AN 18TH CENTURY LONGCASE CLOCK having an eight day movement, striking on a bell, the dial signed Benjamin Willoughby, Bristol fecit, contained within a wooden case (fire damaged and for complete restoration) 10 1/2" square dial, approx. 87" high overall (see illustration).

A continental model of a decorative miniature longcase clock, with a (later quartz movement) and English Import marks for Sheffield 1896, 9.75in (25cm) high.

An early 20th Century silver mounted ebony dressing table set, including a pair of candlesticks, miniature longcase clock, tray, manicures, etc.

Good quality late nineteenth century longcase clock in the George III style with chiming movement striking on five gongs, the arched gilded dial with silvered chapter ring, marked Maple & Co Ltd, London, in mahogany case with swan neck pediment, with reeded pilasters

Early nineteenth century 30 hour longcase clock, the square painted dial depicting a farmer with horse, by Simms of Chipping Norton, in inlaid oak case with mahogany crossbanding

Eighteenth century 30 hour longcase clock with square brass dial with cast spandrels with silvered chapter ring and subsidiary date, by Richard Street, Bridgnorth, in oak case with later carved decoration

A carved oak cased longcase clock with flat-top hood and profusely carved trunk and plinth, dated 1687, the 30 -hour movement having an 11 1/2" square brass dial with rococo spandrels, and calendar aperture, engraved Hugh Lough, Penrith, 224 cm high

A mahogany cased longcase clock, the hood with swan-neck pediment and arched glazed door flanked by tapering turned columns, the trunk with arched door flanked by plain quadrant columns, and panelled plinth flanked by stop chamfers, raised on turned feet, the 8-day movement having an arched dial painted with figures representing the Continents, with subsidiary seconds and calendar dials, inscribed Thos. Russel, Lancaster, circa 1797-1832, 237cm high.

A Victorian oak and mahogany cased longcase clock, the hood with reverse swan-neck pediment and arched glazed door flanked by lotus carved and rope-twist columns, the trunk with shaped top to the door flanked by conforming split pillars, and crossbanded plinth, the 8-day movement having a painted dial with views of Netby Abbey, subsidiary seconds dial and calendar aperture, signed J. Jarvis (?), Whitchurch, circa 1840, 226cm high.

A Fine Quality 18th Century Mahogany Moonphase Eight Day Longcase Clock. The brass dial having decorative pierced & gilt brass spandrels to the corners, a silvered chapter ring signed Rob Wright, Kennoway and encircling an engraved centre with calendar aperture and subsidiary seconds dial. The arched top housing a painted moon roller. The flame mahogany hood having a swan-neck pediment above scrolling blind fret-work panels and a glazed door flanked by Corinthian stop fluted columns. The sides having a mirrored arches decorated with astrigal beading. The long trunk door with egg finial above the base raised on ogee bracket feet. 86 ins (219 cms) in height.

A Fine Quality Eight Day Walnut Longcase Clock. The brass dial bordered by gilt brass spandrels, with a silvered chapter ring engraved Rich Penny, London, encircling a matted centre housing a subsidiary seconds dial & calendar aperture . The arched top richly engraved with scrolling foliage and centred by a decorative mount of two winged cherubs holding a crown. The hood having an arched top cavetto moulded cornice above two columns with gilt capitals flanking the glazed door. The well figured burr veneered case having a long trunk door with a moulded edge. Standing 86½ ins (220 cms) high, 21¼ ins (51.5 cms) wide, 9¾ ins (25 cms) deep.

William Porthouse, Penrith, 18th Century Longcase Clock having 29cm square brass dial set with moon face and 2 calendars, with Roman and Arabic numerals, pierced spandrels, in oak case with banded decoration, having Corinthian column supports, shaped single door, 2m 5cm high (no pendulum)

An eight day longcase clock with a painted arched dial with rocking ship seconds hand and calendar signed M JBEIT? St Ives, contained in a mahogany case with a pagoda top and long arched door 91" tall to the finial

A George III Pine Longcase Clock, the painted dial inscribed Isaac Page, with Roman and Arabic numerals and with 30-hour movement, the case with square hood above a shaped panel door and conforming plinth base

A 1930s longcase clock, with triple chrome weights, the eight day movement with anodised dial and striking to gongs, with repeat, the arched oak case with geometrically glazed door on platform base and ogee feet, 75 1/2" high

A 19th Century longcase clock, by Craven Lyon, Bridlington, the eight day movement with arched painted dial having Roman numerals, seconds dial and date aperture, shell painted spandrels and a rustic figure scene with children offering a baby to two ladies to the arch, in mahogany case, the hood with eagle and ball brass finials on swan neck pediment having gadrooned edge on baluster turned columns, the arched trunk door flanked by gadrooned pilaster on moulded panelled base and splayed feet, 96" high

William Flint, Ashford. A mahogany longcase clock, the eight-day duration movement striking the hours on a bell, the 11in. painted arched dial having black Roman numerals, subsidiary seconds and date dials, blued steel decorative hands and signed within the arch with the maker's name 'Wm. Flint, Ashford', the falseplate to the dial embossed with the dial maker's name 'Walker & Hughes, B/ham', the mahogany case having an arched trunk door, plain base with a shaped plinth, Kentish hood cresting, plain hood pillars with brass capitals and surmounted by three ball and spire finials, height 212cm. * William Flint was born in 1787, the son of William Snr, also a clockmaker to whom he was apprenticed and is recorded as working in Ashford, Kent until his death in 1871. * Walker & Hughes were working in Birmingham from 1811 until 1835.

J. Dumvile, Alderley. An oak and mahogany longcase clock, the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the 12in. square brass dial engraved with Roman hour numerals, Arabic minute numerals and diamond markings with rococo style cast brass spandrels to the four corners, the dial centre having dummy winding holes, date aperture, engraved floral decoration and signed with the maker's name 'Jno Dumvile, Alderley', with blued steel hands, the flat topped oak case having mahogany crossbanding, the base having canted corners and a raised, shaped panel, with quartered fluted columns to the trunk and further fluted pillars, with cast brass capitals to the hood, having a decorative gilt and blue painted frieze to the top, height 206cm. * John Dumville is recorded as working at Nether Alderley, Cheshire. He died in 1797.

A 19th Century Longcase Clock, the arch dial painted with a song bird and with floral spandrels, with seconds ring and date aperture and with 8 day movement in oak and mahogany case, with swans neck pediment.

An eight-day longcase clock, the mahogany case having a broken swan neck hood enclosing a brass and silvered arched dial 32 cm dia., 243 cm tall, signed Parkinson, Lancaster

An early Victorian mahogany longcase eight-day clock, the painted circular dial having subsidiary seconds and date, signed C. Stephenson, Warminster

A late 18th century eight-day mahogany longcase clock, the broken swan neck hood enclosing an arched dial having a moon-phase over subsidiary seconds and date, signed Howden, Edinburgh

An 18th century oak thirty-hour longcase clock, by John Wyld, Nottingham, square brass dial with matted dial centre, date aperture, outside countwheel, the hood with swan-neck cresting, 6ft. 6in.- square dial enhanced by carved giltwood arch

19th Century oak and mahogany Longcase Clock, the hood with a swan-neck pediment, turned and fluted supports, long door with three-quarter fluted pilasters and on plinth base, circular enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "E. Butlery, Tutbury", eight-day movement, striking on a bell.

VICTORIAN EIGHT DAY DRUMHEAD LONGCASE CLOCK by J B Newlands of Paisley the dial with Roman numerals and subsidiary seconds dial in ornate mahogany case with bun feet, 211 cm high

Early Georgian brass face longcase eight day clock by Sharratt of Burslem, date and secondary dials

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, with circular painted dial, by Thomas Jackson, the case with arched cornice and canted sides, having an eight day movement

A late 18th century mahogany longcase clock having swan neck hood with brass finials and eagle over turned columns containing painted dial and 8 day movement, on arched trunk and square base having line inlay decoration and chip carved plinth

An early 19th century mahogany and oak longcase clock having swan neck hood with turned columns, containing painted dial hunting scene and 8 day mount by John Hepton, Northallerton, with inlay decoration to trunk on square base and bracket feet