We found 41749 price guide item(s) matching your search

RARE GORDON RUSSELL ROSEWOOD AND BOGOAK LONGCASE CLOCK, 1928, the 10" silvered brass dial with Roman numerals inscribed "Russell Workshops, Broadway, Worcestershire", with subsidiary seconds dial, the spandrels cast with fretwork and exotic birds, 8 day movement, the hood surmounted by a pair of urn finials, supported on slender fluted baluster columns, the trunk with plain cock-beaded door flanked by ring-turned columns, on a plain plinth with faceted corner columns over conforming feet, with paper label, "Design Number 774, Designer Gordon Russell, Foreman Edgar Turner, Cabinet Maker indistinctly inscribed, Date 19/11/28". 216cm

An oak thirty hour striking longcase clock the 10" square brass dial having a single handle and signed HENRY LINTOTT FARNHAM having barleytwist columns over a long narrow crossbanded trunk door 6'10" tall"

A quantity of longcase clock movements and two painted dials

An early Victorian oak and mahogany longcase clock, the 12inch painted dial signed Windle Stockton with two subsidiary dials and painted with a girl at a tree to the arch having eight day movement, the hood with swan neck pediment and turned pillars, a short panelled door to the trunk and on conforming base, 226cm h Some losses of the paint to the dial and the veneers chipped in places. Much accretion of dust and grime

A Victorian oak longcase clock, the 12inch painted dial signed Saml Thorp Abberley, with pierced date sector and lunar work, painted spandrels and arabic chapters, the arch unusually painted with an auction sale, having eight day movement in crossbanded and inlaid case with brass mounted swan neck pediment and fluted pillars, shaped door and panelled base, 212cm h Minor losses and a little scuffed around the base, but in otherwise excellent and original condition, the dial/movement original to the case

An oak longcase clock, the 10.5 inch brass dial signed on the chapter ring John Boot Sutton Ashfield, with engraved centre, date sector and ringed winding holes, having masked spandrels and thirty hour movement in crossbanded case with swan neck pediment, fluted pillars and short door to the trunk, on panelled base and bracket feet, 220cm h The works and dial associated to the case, the case being early Victorian in date. In good condition externally, the movement in need of attention

A George III oak longcase clock, the 11inch brass dial signed on the chapter ring John Arnold CHILD OCKFORD, having matted centre with date aperture, mask spandrels and 30 hour movement, the case with stepped cornice, turned pilasters and plain full length door, 204cm h Dial and movement original but in need of restoration affected by verdigris/corrosion, minor scratch to the door to the trunk, the plinth repaired

A George II longcase clock movement, the 12inch brass dial signed on the silvered chapter ring Wm Camden London, having matted centre with subsidiary seconds dial, pierced square date aperture and ringed winding holes with crown and cherub supporters all in an engraved wheatear engraved border Dusty but in good original condition with what could be the original seat board

An oak longcase clock, with painted dial, signed Brindley Mansfield, having eight day movement, the trunk with fluted pillasters and an bracket feet, 215cm h

Thomas Martin, London, alate 17th century walnut and marquetry longcase clock, the hood with rebuilt stepped cornice and replacement fretwork frieze above turned pilasters, the rectangular trunk door with three panels of foliate marquetry (the top panel cracked across), the rectangular plinth similarly inlaid, the 11.25 inch square dial signed to the silvered chapter ring below, with silvered seconds dial and date aperture, matted centre, gilt winged mask spandrels, with five pillar eight day bell-striking movement, (case probably associated), 211cm high

Mark Jacob, London, an 18th century walnut longcase clock, the caddy top hood with fret frieze and turned pilasters above cross banded trunk and plinth with stepped skirting, the 12 inch dial signed on a silvered boss to the arch, with silvered chapter ring, seconds dial and date aperture, mask spandrels, and five pillar eight day movement, (possibly associated to case), restorations, 242cm high

A late George III oak longcase clock, the break-arch hood with shaped cresting, three gilt ball finials and fluted columns, the trunk with arched door, upon a rectangular plinth, the 12 inch painted dial with seconds dial and calendar aperture, and four pillar eight day movement having the original seatboard, 222cm high

A 19th century oak longcase clock, the break arch hood with swanneck pediment and turned columns, the trunk with quarter pilasters upon a rectangular plinth and bracket feet, the 12 inch dial painted with a shooting scene to the arch, seconds and calendar dials, eight day four pillar movement, with decorative cast slab weights marked 'R R 12' and transfer decorated pendulum bob, 225cm high

A late George III oak longcase clock, the break arch hood with shaped cresting and turned columns, above an arched trunk door upon a rectangular plinth, the 12 inch painted arched dial with seconds dial and calendar aperture, the eight day four pillar movement with replaced seatboard, 225cm high

A walnut chiming longcase clock, the break arch hood with barley-twist columns and pierced side panels above a rectangular quarter-veneered trunk door and plinth, upon a stepped base, the associated 12 inch arched dial signed Thomas Gregory to a silvered plaque, with silvered strike/silent to the arch, seconds dial, calendar aperture and chapter ring, having an adapted six pillar movement with extended plates to accommodate the added chiming train on eight bells, the case 20th century, movement and dial associated, 214cm high

A Longcase Clock with square brass dial having silvered chapter ring, date aperture, corner Spandrels, inscribed Stephen Miles, Kidderminster, eight-day movement in oak case with later floral and mask carving , the hood with swan neck surmount

Set of three brass longcase clock finials, each 13.5cm high

19th Century mahogany longcase clock, hood with scrolled pediment and twist turned columns flanking the glazed door enclosing 35cm arched painted enamelled dial with subsiduary seconds dial and date arch, trunk with short crossbanded triple arched door flanked by twist turned columns, 214cm high

Mid 19th Century oak and mahogany longcase clock, hood with swan neck pediment and turned columns flanking the 35cm arched painted enamelled dial with subsiduary seconds dial and date arch, marked Isaac Williams, Coedpoeth, trunk with short door flanked by half turned columns, 236cm high

Mid 19th Century mahogany longcase clock, the hood with swan neck pediment and twist turned columns, flanking the glazed door enclosing 35cm arched painted enamelled dial, with rolling moon, subsiduary seconds dial and date arch, Marked J Jones, Pwllheli, trunk with twist turned columns flanking the short door with arched fletched panel, 234cm high

An early 19th Century mahogany cased eight day longcase clock, by Zac Mountfort, St Albans, the architectural hood flanked by turned columns, the brass dial with Roman hours and pierced brass spandrels and a subsidiary seconds dial to the matt centre, with calendar niche below, the twin train, five pillar movement with an anchor escapement, striking on a bell, 208cm

An early 19th Century cased eight day longcase clock, by Burlinson, Ripon, the case surmounted by a swan neck pediment, the 14 inch painted dial with secondary minutes and calendar niche, the twin train movement with an anchor escapement striking on a bell, later base and associated movement, 234cm

An early 19th century mahogany longcase clock, the column mounted hood with broken swan neck pediment, the case string inlaid, the oval dial with moon phase, secondary and date dial with gilded flowers,, named 'James Shipley, Derby', the movement with anchor escapement, chiming on one bell, 217cm (85 1/2in) high

William Cuff 18th Century Oak 8-Day Striking Longcase Clock having 11" square brass dial with calendar, mounted with pierced vase, bird and scroll spandrels in oak case having banded decoration, 1m 93cm high

A late 18th Century black and gold lacquered longcase clock the hood with shallow break arch top and pillars to the door, the trunk decorated with figures, pagodas and gilded spandrils, having an arch top brass dial with silvered chapter ring, the arch with convex roundel, inscribed Stephen Bullerley, Dartford, fitted an eight-day striking movement

A late 18th Century longcase clock in an oak case, the rectangular hood and door cross-banded in mahogany, having an oval painted dial with Classical female in a roundel and two smaller bust portrait ovals within gilt wreaths, fitted an eight-day movement by Stripling, Lichfield

A late Regency mahogany longcase clock with arch hood and rope type columns to the door and the hood, the door crossbanded and inlaid black stringing, having a silvered arch dial engraved swags and patera and with subsidiary dials, fitted an eight-day chiming and striking movement by T & R Noble, Bath

A 19TH CENTURY MAHOGANY FINISH LONGCASE CLOCK, having arch hood flanked by turned pillasters, crossbanded and inlaid waist with rectangular door and panelled base, arch painted face with Tintern Abbey and other buildings, eight day movement striking on one bell. Unmarked but probably Gwent/ Newport origins. Face 13'' x 18''. Overall 84'' High. (restoration required).

AN 18TH CENTURY MAHOGANY LONGCASE CLOCK, by Thomas French of Wenvoe, having broken swan neck pediment above arched aperture flanked by reeded metal mounted Corinthian columns, ogee arched door to the waist, panelled base with bracket feet. 8 Day movement striking on one bell with arched brass face having armorial swan device within arch flanked by Dolphin spandrels, brass chapter ring with date and seconds dial and pierced vase spandrels. 85'' High. Dial 12'' x 16''.

AN 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, having broken swan neck pediment above arched aperture flanked by reeded columns, the waist with arched door with shell inlays and mahogany cross beading, flanked by quarter reeded pilasters above a cross banded panel base, on turned feet. Eight day movement striking on one bell with painted arched face decorated with ship's and castles and having seconds and minute dials. Un-named, English North-West. Midlands. 82'' High. Dial 19'' x 14''.

A EARLY 19TH CENTURY OAK COTTAGE LONGCASE CLOCK, by Thomas Prew of Tewkesbury, having plain oak case with square painted face under a moulded cornice flanked by turned pillars. The waist with plain door on panelled base. 30Hour movement striking on one bell. 12'' Face. 74'' High overall.

A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, by Bartle of Caistor, broken swan neck pediment above arched Aperture flanked by baluster turned columns, the waist with arch panelled door flanked by canted angles above arch panelled base on bracket feet with shaped freize. Eight day movement striking on one bell, arch painted face decorated with shooting scenes and having seconds dial. 82'' High. Dial 19'' x 12.5''

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK MOVEMENT, having 11'' brass dial with single finger, by Humfry Morgan, with hood and later wall bracket. (no case).

A late Victorian inlaid rosewood miniature longcase clock, height 17in.

Art Deco oak longcase clock, the arched top over a circular silvered dial with numerals in black over an arched glazed trunk door and raised on squat bun feet, 73in (185.5cm) high

Oak longcase clock, the swan neck pediment over an arched painted dial with seconds dial and a thirty one day ring over a plain trunk with corner pilasters, 79in (200.7cm) high

Mahogany longcase clock with swan neck pediment over arched painted dial marked for C. Stonhouse of Newcastle, flanked by later turned columns over trunk with side corner pilasters and on bracket feet

Mahogany longcase clock, the swan neck pediment over an arched painted dial portraying The Act Of Union and with figures representing the four elements to the spandrels, in a plain trunk raised on turned supports, 88 1/2in (225cm)

An antique Chinese black lacquer longcase clock having arched brass 31cms dial with seconds, the calendar inset in arch, inscribed "Boast not thyself of tomorrow..." 8 day, 253cms.

A miniature longcase clock, having American skeleton movement, 29cm high.

A 19th century oak and mahogany longcase clock having broken swan-neck pediment over painted Roman dial, half length crossbanded door within quarter turned reeded pilasters and box base, 199 cm

Thomas Powell, Ravensthorpe, circa 1750, a thirty hour birdcage movement oak and mahogany crossbanded longcase clock, having plain moulded hood, brass Roman dial with single hand and pierced spandrels, half length door and box plinth, 197 cm

A VICTORIAN OAK LONGCASE CLOCK, the painted dial with moon phase above, signed G. Whiston, Stafford, with subsidiary seconds and date dials, the spandrels painted with scenes representing sorrow, tenderness, discipline and pleasure, the eight day movement striking on a bell, the hood with scrolling pediment and leaf-carved centre, with chequered stringing, the dial flanked by turned columns, the arch top door similarly decorated and flanked by conforming columns, 83" high.

A GEORGE III OAK LONGCASE CLOCK, the silvered chapter ring signed Thomas Wood, Painswick, with matted centre and pierced gilt metal spandrels, the case with flat top hood and gilt capped columns, 73" high.

AN GEORGE II WALNUT LONGCASE CLOCK by Jasper Taylor, Hoburn, the case with a long crossbanded arched door and square hood with reeded side columns and the brass arched dial with strike/silent to the arch, Roman and Arabic numerals to the chapter ring, matt centre with subsidiary seconds dial and date aperture, enclosing an eight day two train movement striking on a bell, 84".

A late 18th Century longcase clock movement, with arched brass dial, subsidiary seconds and date aperture, inscribed John Green de Skipton, dial 12 ins

A late 18th century mahogany 8 day longcase clock, the painted square dial with floral spandrels and Roman numerals, 6ft 3ins

A George III oak 8 day longcase clock, with swan neck pediment the brass arch dial with subsidiary seconds dial and date aperture, marked Leach Romsey, 6ft 6ins

An unusual George III mahogany 8 day longcase clock with door set barometer, the arched fret work panelled hood enclosing a 12 inch brass dial with silvered chapter ring, strike silent, subsidiary seconds and date aperture, maker Richard Peckover London, with crossbanded door enclosing a mercury barometer with visible circular silvered dial, 8ft 3.5ins

A George III oak 30 hour longcase clock, the painted square dial with floral spandrels and Roman numeral inscribed Weston, Lewis, (adapted), 6ft 6ins

A George III mahogany 8 day longcase clock, the dial inscribed Will Dobbie, Falkirk, with roman numeral chapter ring and gilt metal foliate spandrels, the hood with blind fret carved broken swan neck pediment and fluted columns over trunk with quarter columns on plinth base and ogee bracket feet, 7 ft 1 ins

A George III oak longcase clock, the brass face with secondary dial and date aperture supporting a twin train striking movement under a square hood, the trunk with rectangular door on a panelled base.

George Webber of Evedon, A George III oak and crossbanded longcase clock, the painted face with secondary dial and date aperture supporting a twin train striking movement under an arched hood, the trunk with arched door and plain base on bracket feet.

A MAHOGANY LONGCASE CLOCK dial: 11inch silvered chapter ring with subsidiary calendar aperture and seconds ring signed on a boss to the arch Samuel Hollyer, London, 1604, case: the hood flanked by turned pillars beneath a swan necked cresting, the waist door inlaid with a shell medallion, 83in. (211cm.) high

A MAHOGANY LONGCASE CLOCK dial: 12 1/2inch silvered chapter ring, signed on a crescent J.J. Elliott, Percibal St., Clerkenwell, subsidiary seconds ring, chime/silent and eight bells Westminster, phases of the moon to the arch, movement: three train striking on a gong and a rack of eight bells, case: the hood flanked by ebonised spiral twist pillars, beneath a swan neck pediment, the waist door also flanked by ebonised spiral twist pillars, 94in. (239cm.) high

A PINE THIRTY HOUR LONGCASE CLOCK dial: brass chapter ring signed Spinney, Blandford, case: square hood flanked by turned pillasters, 81in. (206cm.) high

A MAHOGANY LONGCASE CLOCK dial: 11 1/2inch silvered chapter ring, silvered face with subsidiary seconds and calendar rings, signed Joseph Roe, London, strike/silent ring to the arch, movement: dead beat and power maintaining, case: the arched hood flanked by brass stop-fluted pillars, the shaped waist door with a moulded edge flanked by brass stop-fluted quadrant pillasters, 102in. (259cm.) high

AN OAK LONGCASE CLOCK dial: cream painted, signed Jon. Lehman, Poole, subsidiary seconds ring and calendar crescent, the arch with a moving group of Adam and Eve, case: the hood flanked by spiral twist pillars beneath a swan neck pediment, the waist door also flanked by sprial twist pillasters, 103in. (262cm.) high

AN OAK LONGCASE CLOCK dial: cream painted, subsidiary seconds and calendar rings, case: the hood with swan neck pediment flanked by turned pillars, the waist door with mahogany crossbanding, flanked by reeded mahogany pillasters, 88 1/2in. (225cm.)

A LONGCASE CLOCK MOVEMENT the 11inch brass chapter ring signed Richard Rayment, Bury St. Edmunds, subsidiary seconds ring and calendar aperture, the arch with tempus fugit eagle