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A longcase clock, the 31 cm arch square brass dial signed Ellicott, London, with Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, and with Strike/Silent subsidiary dial to the arch, fitted an eight day five pillar movement striking on a bell, in a mahogany case, 250 cm high See illustrationThe client has just moved to the West country, the clock has not travelled well, it is basically complete but the trunk door has come away from the plinth base, with some bits now detached, the trunk door has a slight warp to it, the panel to the plinth base has quite a large warp, with a pendulum, winding key and two weights, the hood has all four mess grills to the sides, general wear and tear, slight and occasional loss, now needing some repair and restoration, but a tall and imposing clock nonethelessReport by GHWith weights and pendulum. Clock is basically in bits. Trunk will require re-assembly. Most pieces appear to be there but the clock is in a state of disrepair. Some general marks, cracks, losses to veneer, signs of damp to bottom on trunk, but no visible woodworm. Restoration project.The pendulum is reasonably large and the weights are brass cased. Total length of the pendulum is 106 cm, including the ribbon. The diameter of the disk is 12 cm

A longcase clock, the 30 cm arched square brass dial signed Sam Barnes, Oundle to a tablet, with Roman numerals, subsidiary seconds dial and calendar aperture, fitted an eight day movement, in an oak case, 228 cm high (over finial) See illustrationReport by RBWith pendulum, feather lacking and two weights. The arched part of the hood is cracked, and various other bits of the hood have damages, losses and old repairs. The trunk door swings open. The face is not a particularly good fit in hood and has gaps around it. No visible woodworm. General wear and tear.

A longcase clock, the 27 cm square brass dial with a silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, fitted an eight day movement, in a case veneered in walnut and with floral marquetry and bird inlaid decoration, 198 cm high See front cover colour illustrationReport BY RBFrom a client who recently inherited the clock from his father, which it is understood he bought in the 1960s, with a pendulum, two lead weights and a winding key, and a trunk door key, having a five pillar movement, striking on a bell, seat board replaced, probably restored before the owner's father purchased it, occasional and slight loss, as is usual and you would expect, slight warp to the trunk door, no feet, just a plinth baseReport by GHFace restored and with a very fresh appearance. No visible maker's marks to movement. Trunk door warped. Various cracks, old repairs etc to veneer all over. Some of the moulding sections below the hood are loose but present. There is a small piece of moulding missing around the lower top section. Some of the moulding round the trunk door are possibly not original

A longcase clock, the 30.5 cm arched square brass dial signed Wm Kipling, London, the silvered chapter ring with Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, fitted an eight day movement, in an oak case, the trunk door inlaid with a star, 223 cm high See illustrationReport by RBWith a pendulum, two brass cased weights, and a modern winding key

A longcase clock, the 26.5 cm square brass dial signed Thomas Page, Norwich, with Roman numerals, fitted an eight day movement, in an oak case, 207 cm high (over finial) See illustrationReport by RBWith pendulum and two weights

EXTRA LOT: A longcase clock, the 31 cm square arched dial signed Peter Hogg Felton, with a silvered chapter ring with Roman and Arabic numerals, and subsidiary seconds and calendar dial, fitted an wight day movement, striking on a bell, in a stained pine case, 217 cm highHas a pendulum and two weights

A George III oak 30hr longcase clock, dial signed Evan Williams, Merthyr

J WILDE OF MACCLESFIELD; an early 19th century mahogany eight day longcase clock, the arched pediment centred with an inlaid oval above arched painted dial with rolling moon phase above shaped chevron strung door flanked by part fluted quarter columns to a plinth base, height 235cm. CONDITION REPORT: The glass has an approx 3 or 4" crack/fracture.

MONTGOMERY OF LONDON; an early 19th century longcase clock, the hood with broken swan neck pediment above brass dial with painted rolling phase, subsidiary seconds dial and date aperture on oak carcass to rectangular plinth base, height approx 230cm. CONDITION REPORT: Condition issues throughout, heavy wear and tear especially to the hood with losses, damage, replacements, chips etc, the dial also with surface scratches, chips and losses to the paintwork of the rolling phase, spandrels probably replaced, hands probably replaced, further wear and tear to the carcass and base, some splits, heavy wear and tear to the feet and lower section of the base.

A group of mantel clocks including miniature longcase clock and two modern clocks on circular bases under glass domes (some items af). CONDITION REPORT: Condition issues throughout, miniature longcase clock with heavy damage to the dial, the metal example broken off from the stand, etc.

A late 18th/early 19th century eight day longcase clock movement and domed painted dial with moonphase, a George III brass chapter ring bearing the name William Icke, a pair of weights, pendulum and fittings.

A George III oak, mahogany and inlaid longcase clock, the broken swan neck pediment above a painted circular dial set with Roman numerals and subsidiary seconds dial, the central door flanked by quarter columns above plinth base raised on bracket feet, height 225cm.

JOHN WOOD OF GRANTHAM; an oak cased eight day longcase clock, with brass arched dial, the chapter ring set with Roman and Arabic numerals, subsidiary seconds dial and date aperture with cherubic spandrels on rectangular plinth to ogee bracket feet, height approx 217cm.

3 WEIGHTS & LONGCASE CLOCK WEIGHT

AN 18TH C OAK EIGHT DAY LONGCASE CLOCK, THE BRASS DIAL INSCRIBED JN TRIBE PETWORTH, 193 X 49CM

A VICTORIAN OAK, MAHOGANY AND INLAID EIGHT DAY LONGCASE CLOCK, THE PAINTED DIAL WITH LUNAR WORK, 225 X 58CM

AN OAK, MAHOGANY AND INLAID EIGHT DAY LONGCASE CLOCK, CHARLES WETHERELL, DUDLEY, the painted dial with twin subsidiary dials and a seated girl to the arch flanked by shells, floral paterae, the case with swan neck pediment and fluted pillars and pilasters, 217cm h++An attractive example in good condition

AN EDWARDIAN MAHOGANY LONGCASE CLOCK, WITH ENGRAVED BRASS AND SILVERED DIAL, CHIME, SILENT, ST MICHAEL, WESTMINSTER AND WHITTINGTON, 195CM H

Early to mid 20th century mantle clocks A/F and clock cases together with a small longcase clock oak case and mixed exterior clock parts

A George III flame mahogany longcase clock, the hood with three brass eagle finials, the white dial with Roman numerals denoting hours, subsidiary seconds dial, calendar aperture and painted arch decorated with a small house on a hill, raised on shaped bracket feet. 46cm wide

An eight-day longcase clock movement with painted dial, wooden platform and two weights,

An early 19th century eight-day longcase clock, by 'J Cameron & Sons of Kilmarnock', with eight-day movement striking a bell, subsidiary seconds dial and calendar aperture, painted arched dial with figures emblematic of the arts, mahogany case with swan-neck pediment, arched door and pedestal base, approx. 230cm high

A 19thC longcase clock by James Chapman of Lincoln, the arched dial painted with a figure fishing beside a river, and with floral spandrels, eight day four pillar movement, in an oak and mahogany cross banded case, 214cm H.

A 19thC longcase clock by S Allkins of Horncastle, the arched dial painted with shells, flowers etc., with eight day four pillar movement, in oak and mahogany cross banded case with checker borders, 224cm H.

A late 18th/early 19thC Dutch oak and floral marquetry longcase clock, the white enamel dial decorated with Roman numerals, the case with carved door and panel base, (AF), incomplete, 251cm H.

An early 19thC longcase clock, the arched painted dial signed Lowseby Leicester, decorated to the arch with a hunting scene above floral spandrels, with an eight day four pillar movement, in oak and mahogany case, 215cm H.

A LATE 18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, the moulded pediment on plain columns, the glazed doors enclosing a silvered 28.5cm (11 1/4'') dial on a brass plate with pierced brass cherub spandrels, Roman and Arabic numerals, subsidiary seconds dial and date aperture, signed Follit, Lichfield, shaped trunk door to plinth base and bracket feet, with pendulum and weights, height approximately 204cm

A VICTORIAN MAHOGANY EIGHT DAY LONGCASE WALL CLOCK, circular top and door enclosing a painted 30cm dial with Roman numerals and subsidiary seconds dial, named J & E Mason, Worcester, the case with shaped trunk door and glazed pendulum window, above a bowed base, pendulum and two weights, lacks key, height approximately 145cm (condition: case has evidence of restoration and repair, some areas of veneer loss)

AN EARLY 19TH CENTURY PALE OAK, WALNUT, ROSEWOOD AND SATINWOOD STRUNG WHITEHURST OF DERBY EIGHT DAY LONGCASE CLOCK, the broken swan neck pediment with brass rosettes on ring turned columns, arched door enclosing a painted 31cm dial with makers name to the arch, Roman numerals, subsidiary seconds and date dials, gilt floral spandrels, the trunk door with shaped top flanked by reeded quarter columns, plinth base on bracket feet, with pendulum and two weights, height approximately 217cm (condition: some patches of paint loss to the dial and cracking, side section of a foot loose)info/condition: No.6208, we think it is likely that the movement and case began life together, the painted dial has a number of patches of losses around 10 o'clock, 11 o'clock, at 1,2,4 and 5 o'clock, also near seconds dial and in just above the dial some patches of staining to case, some veneer missing to hood door and inlay missing 

A GEORGE III OAK AND MAHOGANY BANDED EIGHT DAY LONGCASE CLOCK, the hood with moulded pediment above blind fret work cornice, plain columns, the glazed door enclosing an engraved brass 28cm dial, gilt metal spandrels, Roman and Arabic numerals, subsidiary seconds dial and date aperture, signed 'William Vale Coleshill', the trunk door with papered back with no back boards, plinth base with later kick board surround, with pendulum and two weights, height approximately 198.5cm (condition: movement not sitting flush to frame, some losses)

AN EARLY 19TH CENTURY MAHOGANY AND INLAID EIGHT DAY LONGCASE CLOCK, the hood with broken swan neck pediment with brass roundels on brass capped fluted columns, arched door enclosing a painted 33cm dial with lunar phase mechanism, subsidiary date and seconds dials, Arabic numerals, the spandrels painted with female figures emblematic of the four continents, named for Underhill & Son, Wolverhampton, triple arched trunk door flanked by fluted columns, traditional plinth base, height approximately 225cm, with pendulum, two weights and winder (condition: veneer missing from between two swan necks, the plinth with section of veneer missing and front panel detached from case)

A George III oak cottage longcase clock, the open scroll work pediment with three brass finials above a square glazed door enclosing 11” brass dial with Roman numerals and inscribed Sam L Roberts, Llanfair, with figural spandrels emblematic of the seasons, 30-hour movement striking on a bell with brass capped pilasters above a long shaped top trunk door and ogive moulding and baseboard on simple plinth, 203cm high

A George III oak cased cottage longcase clock, the broken scroll swan neck pediment above a square glazed door enclosing an 11” white painted dial with Roman numerals marked G Honeybone, painted with ruins in the corners, 30-hour movement striking on a bell between turned pilasters over a three quarter length plain trunk door and ogive moulding planked base and plinth, 203cm high

A George III oak and mahogany crossbanded and boxwood strung longcase clock with broken scroll pediment above a square glazed front door enclosing a 14” white painted dial with Arabic numerals and moon phase, and painted with artisans and signed J A Heywood, Northwich, 8-day movement striking on a bell between fluted brass capped pilasters over a shaped top full length trunk door between reeded quarter pilasters over a shaped based canted angles and on ogee bracket feet, 220cm high

A George III oak and mahogany cross banded and inlaid longcase clock, the broken scroll swan neck pediment above an arched glazed door enclosing 12” arched white painted dial with Roman numerals and date aperture and marked F & R Matthews, Oswestry, painted with sporting scene of pheasant shooting, the corners painted with flowers, 30-hour movement striking on a bell between fluted brass capped pilasters over a three quarter length trunk door inlaid with a conch shell motif between fluted brass capped quarter pilasters ogive moulding and cross banded base and on later plinth, 216cm high

A George III country oak cottage longcase clock, the dentil mounded cornice above a square glazed door enclosing a 10” white painted dial with Roman numerals painted with rose sprays and signed J N Mace, Taston, between simple turned pilasters, 30-hour movement striking on a bell above a long plain trunk door and ogive moulding, planked base and plinth, 203cm high

A George III mahogany longcase clock, the broken scroll swan neck pediment with acorn stamped brass roundels above a blue florally painted and open work frieze above an arched glazed door enclosing a 12” arched white painted dial with Roman numerals, subsidiary seconds dial and date aperture and painted with a peacock in the arch and inscribed Chas Blakeway, Albrighton, 8-day movement striking on a bell between gilt metal Corinthian capped fluted pilasters over a full length shaped top trunk door flanked by Corinthian capped fluted quarter pilasters, ogive moulding and ribbed baseboard raised on a later plinth base, 232cm high

George III oak and mahogany eight day longcase clock, swan neck pediment with brass roundels, the arched square door flanked by reeded doric columns, circular white dial inscribed Stripling Lichfield, with black Arabic numerals, twin winding holes and subsidiary seconds and date aperatures, floral painted and brass spandrels, door with inlaid oval patera, brass key hole, the case decorated with parquetry inlay and with fluted quarter pilasters, stepped base

George III oak and mahogany ,30 hour longcase clock with painted dial.

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK WITH BARLEYTWIST DETAIL

A 19TH CENTURY EIGHT DAY LONGCASE CLOCK **PLEASE NOTE IN OFFICE**

AN ANTIQUE LONGCASE CLOCK A/F TOGETHER WITH AN OAK GRANDMOTHER CLOCK CASE (2)

A 19th century mahogany-cased 8-day longcase clock with ornate painted dial, depicting a romantic scene

A 19th century French pine-cased comptoise longcase clock, ornate gilt-brass and enamel dial, with matching pendulum

A George III mahogany longcase clock, the moulded cornice and pilasters enclosing a brass dial engraved with pagoda and acanthus leaves, scrolling gilt spandrels and silvered dial inscribed Wm Wise, Wantage, the 30 hour movement striking on a bell, 10 inch dial, 195cm high

A late Victorian carved ebonised longcase clock, the arched engraved dial with silvered chapter, subsidiary seconds, strike/silent and chimes dials, the three train movement striking on bells and a gong, 234cm high

A reproduction longcase clock.

An Edwardian inlaid mahogany mantel clock, an oak mantel clock and a miniature longcase clock

A Victorian mahogany longcase clock with painted dial

A 1920'S OAK CASED LONGCASE CLOCK, with silver dial and three train movement

A 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, with painted dial, signed P. Bales (?) Huddersfield, 240cm high x 58cm wide

Antique oak 30 hour longcase clock, with square painted dial signed Ollive & Reader

John Hooper, Winton, and early 19th century oak longcase clock, the arched hood with gilt wood ball finials enclosing an eight-day bell striking movement faced by twelve inch dial with subsidiary seconds and calendar aperture with silvered Roman dial over a half length door, box base and ogee bracket feet, 210cm

An early 19th century oak longcase clock, the arched hood with fret carved pediment and gilt ball finials enclosing blue painted 12in dial with seconds and calendar subsidiaries, supporting an eight day bell striking movement, the case with three-quarter length door, box base and bracket plinth, 220cm

Two brass and silvered longcase clock dials one by Henderson of Scarborough, Avery kitchen scales and vintage guides

Longcase clock by R B Salter of Oswestry, with painted dial, date & sun/moon feature 38Wx20Dx234H cm

A George III stained oak 8 day longcase clock, arched silvered brass dial with Roman and Arabic numerals, mat centre with seconds subsidiary dial at 12 and date sub dial at 6, C-scroll and dolphin spandrels, signed T Travis Thorne to plaque in arch, the stained oak case with caddy top having floral carving above two pilasters, the trunk carved with Green man, mask, lion and foliage, on floral carved pedestal base and shaped bracket feet, with weights and key, H.210cm

A painted longcase clock dial, an 18th century pot, a set of brass scales and three cooking hangers

A late 18th century inlaid oak 8-day longcase clock H.209cm

Alexander Wiley of Lisburn. A George III 8-day longcase clock with moonphase H.216cm