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A 19th Century oak and mahogany cased eight day longcase clock, by Richard Howard, New Brentford, the chased arched silvered dial with a subsidiary seconds dial and a calendar niche and pierced brass spandrels, the twin train movement with an anchor escapement, striking on a bell, 226cm overall
Thomas Church, Norwich, An 18th Century black lacquered longcase clock, the hood with a pagoda top, the trunk with an arched door with two pictures of George III standing and on horse back, and makers label to the inside of door, the arched brass dial, with cast and pierced spandrels, and a circular name plate in the arch, with subsidiary seconds dial and date aperture, the five pillar eight day movement striking on a bell, dial 12Ó, 216cm
A MAHOGANY REGULATOR LONGCASE CLOCK dial silvered with subsidiary seconds and hour rings, signed R.l Middleton, Swansea, movement with a grid iron pendulum, case the hood with chamfered corners beneath a swan neck pediment, the waist with a glazed door, all inlaid with ebony moulded lines, 80in. (203cm.) high See illustration
VICTORIAN MAHOGANY LONGCASE CLOCK, by Humphreys of West Auckland, the swan-neck pediment above a pair of turned baluster columns flanking an arched painted dial with subsidiary seconds dial, decorated with foliate spandrels under a village scene, thirty hour movement, the trunk with small rectangular door, raised on bracket feet. 2.27m.
GEORGE III MAHOGANY LONGCASE CLOCK, the moulded cornice supported on turned columns flanking an engraved brass dial with Roman and Arabic numerals and subsidiary dial, the spandrels mounted with Classical figures, thirty hour movement, the slender trunk with ogee arched door above a plain moulded base, raised on shaped bracket feet. 2.13m
GEORGE III OAK LONGCASE CLOCK, early 19th century, by Scales of Kendal, the case attributed to Gillows, the projecting cornice supported on a pair of baluster columns flanking a painted dial with Roman numerals, thirty hour movement, the trunk crossbanded throughout, the door with cut-out corners flanked by quarter columns, on a rectangular plinth. 2.06m.
A Longcase Clock, the 30 cm arched square brass dial signed DANIEL TRIBE PORTSMOUTH, on a silvered plaque, having a silvered annular chapter ring with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with phase of the moon, fitted an 8 day movement striking on a bell, in a mahogany case, 204 cm See back cover colour illustration
A George III oak 8-day longcase clock, the 12 inch, silvered dial with two train movement inscribed 'John Price, Chichester', with silvered chapter ring, subsidiary seconds dial and date aperture, and strike/silent to the arch, the domed hood with three urn finials and fluted pillars, above an arched door on bracket feet, 218cm high.
A 19th Century oak 8-day longcase clock with two-train movement and 12 inch painted dial inscribed Robert Skewis, Worcester, and with an oval reserve containing a resting lady painted to the arch, the movement with a false plate stamped T.Keeling, the hood with swan-neck pediment and brass finials and fluted pillars, 233cm high.
"A lacquer longcase clock, the 8-day movement striking on a bell to an arch brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, the boss inscribed ‘Samuel Marshall, London’, the gilt highlighted case with an arched door applied and painted prints, ‘Gripe the Userer, ‘The Sailor’s Pleasure’ and ‘The Sovereign’, 88.5in (224.6cm) h."
"An oak longcase clock, the 30 hour movement striking on a bell within a posted frame, to a square brass dial with silvered chapter ring and date apertures with moon phase, the applied plaque inscribed 'Isaac Dominy, Cerne,' the case with stringing to the waist door and base, 80in (203.2cm) h."
"An oak longcase clock, the 8-day striking movement to a 10in square brass dial with a silvered chapter ring and shaped applied plaque inscribed ‘Thos. Fordham, BRAINTREE’, to shell and foliage case spandrels, the hood with ball and spire finials to a dentil cornice, the glazed door with three quarter pilasters, the trunk door with an applied edge, the base on a raised arch, 82in (208.4cm) h."
"A George III mahogany longcase clock, the later 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial, the hood with a broken swan neck pediment and ball and eagle brass finials above Corinthian capital reeded pilasters, to a dentil moulding and a shaped top waist doors, flanked by fluted pilasters to a conforming panel base on ogee bracket feet, 95in (241.4cm) h."
"A George III mahogany longcase clock, the 8-day striking-movement to a painted arch dial, with subsidiary seconds dial and date aperture, inscribed ‘TORKINGTON NEWCASTLE’, the arched wood with later turned finials, above stop fluted columns, the shaped waist door flanked by stop fluted quarter pilasters, the base with a shaped panel to bracket feet, 97.5in (247.5cm) h."
"A George III mahogany longcase clock, the 8-day movement striking on a bell to an arch painted dial, with subsidiary seconds dial and date aperture, decorated a couple in a landscape, the spandrels representing the four seasons, the arch inscribed ‘JOHN BANKS, OLDHAM’, the case with marquetry and parquetry inlay and a double lancet topped door, flanked by cluster columns, the base on ogee bracket feet, 93in (236cm) h."
"A George III mahogany bracket clock, with repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the arched 'Battersea' enamel dial inscribed 'Marmke Storr, LONDON,' with subsidiary Strike/Silent dial, to painted decoration, the bell top case with a brass carrying handle, pierced fret sides, the base base moulding on pads, 20in (50.8cm) h, 11.5in (29.2cm) w,7.5in (19cm) d. Baillie states; Marmaduke Storr, Lombard Street, London, was active from 1724 - 1775. See Barder, Richard C.R. The Georgian Bracket Clock 1714 - 1830, for a similar example by James Upjohn. This rare enamel dial is thought to be the work of a former Battersea enamel worker, Anthony Tregent. Who on leaving the enamel factory set up his own business in Denmark Street. There are a handful of both longcase and bracket clocks with these type of dials. Anthony's brother, James was a well known London clockmaker."
An Edwardian Sheraton Revival mahogany longcase clock the eight-day Westminster chiming movement striking on five tubular brass bells and having 12.25ins broken-arch brass dial with silvered Roman chapter ring and subsidiary seconds dial decorated with dolphin and shell pierced spandrels the satinwood-banded case having broken swan-neck pediment and urn finial over fluted quarter pilasters and glazed trunk door on plinth base and bracket feet H 245cm W 55cm
A George III Scottish mahogany longcase clock John Coles Alloa the eight-day movement having 14ins broken-arch painted dial with subsidiary seconds and date dials decorated with a painted scene of 'The Lady of the Lake' and figured painted spandrels; the case with a broken swan-neck pediment over cross-banded trunk flanked by quarter pilasters on plinth base and bracket feet (modified) H 223cm W 51cm
A Victorian mahogany longcase clock the eight-day movement having 14ins broken-arch painted Roman dial indistinctly signed with subsidiary moonphase seconds and date dials and with painted spandrels decorated with shell motifs; the cross-banded case having a broken swan-neck pediment over turned columns the shaped trunk door flanked by turned quarter columns on plinth base and ogee bracket feet H 233cm W 65.5cm
A George III mahogany longcase clock B. Wall Richmond the eight-day anchor movement having 12ins circular enamelled Roman dial the case having broken-arch hood and surmounted with urn finials over an arch-top trunk door flanked by brass stop-fluted pilasters on plinth base with shaped apron H 228cm W 44cm
An oak longcase clock John Wills Lifton the eight-day movement having 12ins broken-arch brass dial with Roman and Arabic silvered chapter ring subsidiary seconds dial and date aperture the arch inscribed 'Tempus Fugit' with stylised dolphins and scroll-pierced spandrels in later oak case H 225cm W 46cm
A George III oak and mahogany cross-banded longcase clock the eight-day movement having 12ins broken-arch painted Roman dial with subsidiary seconds dial decorated with gilt-painted game bird spandrels the case having ropetwist columns and pilasters flanking a cross-banded trunk door with oval shell paterae on plinth base and bracket feet H 207cm W 49cm
A 19TH CENTURY ENGLISH REGULATOR LONGCASE CLOCK by J.F. Wood of 24. Drake Street Rochdale having mahogany arch top case with 3/4. length glazed door circular silvered face having sweep minutes finger and separate seconds and hour dials. Foliate moulded decoration mercury compensated pendulum and panelled base. 75" High. Dial 14" Diameter. Circa 1875.
A 19TH CENTURY ENGLISH REGULATOR LONGCASE CLOCK by Richard D. Pugh of Liverpool having mahogany case and circular hood with scrolled foliate moulded mounts brass circular face with sweep minutes finger and separate seconds and hour dials. Glazed waist door flaked by canted angles and revealing brass pendulum above a panelled base. 80" High. Dial 13" Diameter. Circa 1840.
A mahogany miniature Longcase Clock. Junghans. German. The 45mm diam dial with Arabic numerals and brass bezel, and with single train movement, the case with turned finials and arched pediment on brass pilasters, incorporating a green and white Jasperware panel below the dial and with stepped plinth on turned feet. 8.75in high
A stained beechwood miniature Longcase Clock. Hamburg American Clock Co., German. The 48mm diam dial with Arabic numerals and brass bezel and with single train movement, the case with brass finial architectural pediment, applied decorative panel below the dial and plinth with bracket feet. 11.5in high
A Longcase Clock Dial and Movement. Thomas Hill, Fleet Street, London. Circa 1765. Signed on the chapter ring 'Thos Hill, Fleet Hill, London' with Roman numerals, Arabic five minute intervals, finely matted centre with calendar aperture and seconds dial and with pierced foliage and flower head spandrels, the four pillar movement with anchor escapement, rack striking on a bell. ***Thomas Hill is recorded as working in Fleet Street in 1762. He died in 1782***
An oak and mahogany thirty hour Longcase Clock. The 12in square painted dial with Roman numerals, calendar aperture, pierced gilt metal hands, foliage and flower head spandrels, the centre painted with a young woman seated by a tree, a lake, parkland and a country house beyond, the four pillar chain driven two train movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters and panelled plinth. 76.5in high (with pendulum, keys and weight)
A mahogany Longcase Clock. Saml Granville, Devonport. The 12in broken arch brass dial signed in the centre as above, with Roman numerals, seconds dial and calendar aperture, the arch inscribed 'Tempus Fugit', and with engraved foliage and flower head spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on turned pillars, long trunk door flanked by writhen carved pilasters, crossbanded plinth and splayed feet. 85in high (with pendulum, weights and keys). (Hood lacks glass)
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41737 item(s)/page