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A 19th Century oak longcase clock with an eight day movement striking on a bell, the hood with twin swan-neck pediment and pillar supports enclosing the painted broken arch dial detailed with a lakeside folly and with subsidiary seconds dial and date aperture, indistinctly signed Joseph Taylor Wolverhampton, S/D, 229cm high.
Oak and mahogany thirty hour longcase clock, the 12" gilded square dial signed William Wilkinson, Wigton, with subsidiary calendar aperture, the long mahogany crossbanded wavy door flanked by quarter fluted pilasters and surmounted by a moulded stepped cornice over a faux verre eglomise fret, 79" high
Oak thirty hour longcase clock, the 12" painted square dial signed Jonas Barber, Winster, with floral painted spandrels and calendar dial, the movement with partly latched pillars, the case with long moulded edged door and surmounted by an architectural moulded broken arch pediment and brass ball and eagle finial, 85" high
Oak eight day longcase clock, the 11" square brass dial signed John Massingham. Fakenham, with recessed silvered subsidiary seconds dial and calendar aperture, with five pillar movement, the plain case with long moulded door and surmounted by a pagoda top with two ball and spike finials, 83" high
Good mahogany eight day longcase clock, the 12" brass arched dial signed Joseph Smith to the centre, with moon phase to the floral engraved arch over a recessed silvered subsidiary seconds dial and calendar aperture, the five pillar movement with rack striking system, strike/silent lever at three o`clock, the well figured case with long moulded arched door flanked by fluted pilasters and surmounted by a wavy arched moulded cornice and three ball finials, 92" high
Oak eight day longcase clock, the 12" painted and finely gilded arched dial signed Joseph Wilson, Stamford, painted with a rural jewelled bordered vignette to the arch over a subsidiary seconds dial and calendar aperture, the case with long moulded arched door and surmounted by a wavy arched moulded cornice with three ball and spike brass finials, 88" high
Good ebonised eight day longcase clock, the 12" square brass dial signed Samuel Greenhill, Canterbury on the silvered chapter ring, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with long cock beaded door fitted with a gilded lenticle and surmounted by a moulded stepped cornice over a pierced foliate fretwork panel, 86" high
Scottish oak eight day longcase clock, the 12" arched brass dial signed William Robertson, Edinburgh on a silvered shaped plate to the arch over a matted centre with recessed silvered star shaped subsidiary seconds dial and calendar aperture, the case with long door surmounted by a floral pierced fretted swan neck cornice and flambeau finial, 88" high
Mahogany eight day longcase clock, the 13" painted arched dial signed E. Burton, Lindale, painted with a circular portrait of a lady reposing with her hound over a subsidiary seconds dial and calendar aperture, the crossbanded case with long wavy door flanked by quarter fluted columns and surmounted by a swan neck pediment with floral brass rosettes and an eagle ball finial, 87" high
Good oak eight day longcase clock, the 12" square brass dial signed Thomas Stansbury, Bromyard on the silvered chapter ring, the dial edge with wheat-ear engraving and the matted centre with subsidiary seconds dial, calendar aperture and engraved with a basket of fruit and foliage, the rack striking movement with ringed pillars and bun collets, the case with long door with gilded lenticle and surmounted by a moulded stepped cornice over a pierced foliate fret panel, 88" high
Oak and mahogany eight day longcase clock, the 12" painted arched dial signed Thomas Jenkins, with subsidiary seconds dial and calendar aperture, the case with short crossbanded door flanked by turned ebonised and brass mounted columns, surmounted by a swan neck pediment and brass ball and spike finial, 88" high
Oak eight day longcase clock, the 13" arched brass dial signed H. Knight, Stone with moon phase over a matted centre with subsidiary seconds dial and calendar aperture, the case with wavy arched, crossbanded long door inlaid with paterae and surmounted by a swan neck pediment with brass ball eagle finial, 87" high
Oak eight day longcase clock, the 12" brass arched dial signed Peter Nichols, Newport on a silvered boss to the arch over the matted centre with subsidiary seconds dial and calendar aperture, the case with long arched doors surmounted by a moulded arched cornice with three brass ball and spike finials, 86" high
Oak eight day longcase clock, the 12" brass arched dial signed Abbott, Lowestoft on an arched plate to the matted centre, with strike/silent dial to the arch over a subsidiary seconds dial and calendar aperture, the case with long door and surmounted by an arched moulded caddy top cornice, 87" high
Scottish mahogany eight day longcase clock, the 12" brass arched dial signed Johnathon Barr, Port, Glasgow on a silvered boss to the arch over the silvered dial and engraved with a village scene to the centre with subsidiary seconds dial and calendar aperture, the case with long door flanked by fluted pillars and surmounted by a swan neck pediment with floral carved bosses, 82" high

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44425 item(s)/page