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A Georgian oak longcase clock with canted corners, the hood with tapering column supports and swan necked pediment enclosing a broken arch painted dial with painted floral spandrels, subsidary calendar dial and rolling lunar phase and eight day striking movement by William Plant of Halsall

A mid 19th century north country longcase clock, the inlaid case supporting a hood with turned columns and swan necked pediment, the painted dial with ruined abbey and castle spandrels with rolling lunar dial, subsidary calendar and secondary dial and eight day striking movement, T E Andrew of Hornsby?

A Georgian oak longcase clock, the hood with column supports and swan neck pediment enclosing a broken arched painted dial with floral spandrels, to the arch sportsman and spaniel, wildfowl shooting, the dial with subsidary calendar and secondary dial and eight day striking movement

An oak longcase clock, with an encased brass dial, with a silvered chapter ring, with a eight day movement, inscribed EDWARD GRATREX BIRMINGHAM (sic), with a moonphase, subsidiary seconds and calendar operation, 12in dial, 221.5cm high

An 18th Century thirty-hour longcase clock, brass dial and movement, signed Rd Stedman Godalming and a later bracket for the same

A mid 18th Century eight-day longcase clock by Robert Grinling, Yarmouth, in a black japanned chinoiserie case, the brass dial with strike/silent to the arch, silvered chapter ring and strap signed Rob Grinling, Yarmouth/see illustration

An oak cased eight-day longcase clock, the arched painted dial signed George Weaver, Droitwich and with subsidiary seconds dial and date aperture, the hood with broken swan neck pediment, the case with crossbanding throughout, 221.5cm high

A brass faced eight-day dwarf longcase clock, the oak case with blind fret freeze to the hood, the trunk enclosed by a twin-arch door, 183cm high

An oak cased eight-day longcase clock, the painted dial signed G Webber, Crediton

A 19th century Georgian painted face longcase clock / grandfather clock with the dial marked for Ledbury. The oak case with cross banded mahogany detail. Painted face with detailed spandrels, faceted hands with brass movement set within. The hook with eagle brass ball finials to the swan neck pediment

George Clapham Brigg: A George III oak and mahogany longcase clock, the hood with broken swan neck pediment and brass orb and eagle finials, having free standing columns, the trunk door with chamfered edges and centred by a shell, the 12" brass dial foliate and swag engraved, with Roman numerals, subsidiary seconds dial and date aperture, engraved 'Geo Clapham Brigg', the 8 day movement striking on a bell, 216cm high. Illustrated

A Nineteenth Century 30hr. Longcase Clock Movement with painted moon phase dial

An oak 1930s longcase clock with visible pendulum and weights,

An oak longcase clock, approx 181cm.

A modern oak cased eight day longcase clock

Victorian mahogany longcase clock with circular enamel 12½in dial and Roman numerals having date and seconds dials, indistinct maker's name, 196cm high.

An oak and mahogany thirty hour longcase clock, with painted arch dial signed Wilson, Burton

A mahogany eight day longcase clock, arched dial signed Johnson, Knaresboro, with two weights and pendulum bob

An eight day mahogany longcase clock, painted arched dial signed W Verity, Rothwell (one weight missing)

An oak eight day longcase clock

An eight day oak and mahogany longcase clock

An oak and mahogany longcase clock case, 19th century, and a 1920's longcase clock case (2)

An oak eight day longcase clock, painted arched dial with later signature George Hood, Glasshiels

An oak and mahogany thirty hour 19th longcase clock, the painted arch dial signed Thos Place, Bedale

An oak eight day longcase clock, with arched brass dial with silvered plaque bearing a later signature John Paterson, Kilty

An oak longcase clock case and a painted arched dial signed Barnard Castle (movement missing)

An oak and mahogany thirty hour longcase clock, painted arched dial marked Barnard Castle (no pendulum, no weights)

A late George III eight day oak longcase clock, the painted Arabic dial signed 'Tho's Dutton, Walsall', with date aperture, subsidiary seconds dial and moon phase, with movement striking on a bell, the hood with broken swans neck pediments, above a serpentine trunk door, on bracket feet, 216cm H

A George III oak and mahogany eight day longcase clock, the 35.5cm Roman numeral dial indistinctly signed 'Flint', with date and seconds dial and arched top painted with a scene of David in the lions den, the hood with broken swans neck pediment, on bracket feet, 225cm H

An early 19th century mahogany eight day longcase clock, the painted Roman numeral dial with date dial and subsidiary seconds, dial painted 'Whaley Hartlepool', the corners painted with rabbits and pheasants, the arched top with a huntsman and dog, the hood with broken swans neck pediment, with panelled trunk, on bracket feet, 228cm high

A George III thirty hour oak longcase clock, the painted Arabic dial signed J. Callcott, Cotton, with subsidiary seconds, 162cm

A late George III oak eight day longcase clock, with painted Roman numeral dial and movement striking on a bell, (alterations), 204cm, with a smaller oak longcase clock (2)

Early 19th century mahogany banded oak and inlaid longcase clock, arched 18.5in enamel dial with subsidiary second and date aperture, painted with Britannia signed Ed. King, Warwick enclosed by brass capped fluted columns, the shaped door enclosed by similar quarter columns on ogee bracket feet, eight day movement half hour striking on a bell, H227cm, Condition Report Very good condition throughout, clean movement, ready to use Click here for further images, condition, auction times & delivery costs

THO. LISTER OAK LONGCASE CLOCK OF SMALL PROPORTIONS, APPROX. 180 cm, GRECIAN URN INLAID DECORATION TO TRUNK DOOR, BRASS DIAL AND SPANDRELS WITH SILVERED CHAPTER RING, 8 DAY MOVEMENT, MOON PHASE AND DATE APERTURE

OAK LONGCASE CLOCK, PAINTED DIAL J.CARTER, TOTNES, 8 DAY MOVEMENT, DATE APERTURE, SUBSIDIARY SECONDS, MOON PHASE TO ARCH

A mahogany 8 day longcase clock the 12 inch silvered break arch Roman dial with Arabic five minutes, subsidiary seconds and date aperture, the centre engraved with a church and further building, the angles representing the four seasons, the arch decorated with horses and carriage, signed at 6 o'clock Geo. Miles, Sodbury, the hood with raised swan neck pediment flanking a ball and eagle brass finial over a dentil and fluted cornice and fluted pillars, shaped top trunk door, fluted canted corners upon bracket feet, 239 cm high

A brass 11 inch square longcase clock dial only, the Roman chapter ring with Arabic 5 minutes, the centre engraved with a ship and buildings, signed John Phillip, Lantrisaint, with pierced steel hands and rococo spandrels within an oak case, 210cm high

An oak 30 hour longcase clock the eleven inch square brass dial with Roman chapter ring, fleur de lys half hour markers, acanthus scroll engraved centre with date aperture, signed Phip. Avenell, Farnham and rococo spandrels and plain case, 191cm high

A mahogany 8 day longcase clock the 13 inch painted break arch Roman dial with Arabic 5 minutes, date aperture, signed Barwife, Cockermouth, with rolling moon to the arch and floral spandrels, the hood with swan neck pediment and turned columns over an ogee moulded and blind fret work throat, flame veneered shaped top door flanked by fluted quarter columns, panelled base upon bracket feet, 222cm high

A GEORGE II MAHOGANY EIGHT DAY LONGCASE CLOCK by "Samuel Green, Tenbury", the arched dial with silvered chapter ring engraved with Roman and Arabic numerals, silvered subsidiary dial, the cartouche engraved "Samuel Green, Tenbury", the eight day movement striking on a bell, in a fitted mahogany case, 85" high

A MID 19TH CENTURY LARGE MAHOGANY LONGCASE CLOCK WITH EIGHT DAY MOVEMENT, the painted circular dial with Roman numerals, with makers name but indistinct, the hood with swan neck pediment and fluted pillasters, Gothic style case, twin weights and winding key, H 228 cm S/DCondition Report:Loss of veneers to the case. No glass in the hood.

A 19TH CENTURY OAK LONGCASE CLOCK BY ROGERS OF BRIDGNORTH, arched painted dial with subsidiary dial and date aperture, the case with carved decoration mainly to front, the hood with pilaster columns and swan neck pediment, the eight dial movement striking on a bell, overall H 225 cm, twin weights and pendulum S/DCondition Report:Broken swan neck pediment. Crack to glass in face.

A 19TH CENTURY CARVED OAK LONGCASE CLOCK WITH EIGHT DAY MOVEMENT, the painted arched dial with subsidiary dials for seconds and date, makers name 'J Nicholas - Birmingham', the case heavily carved with rampant lions and scrolling foliate detail, twin weights and keys, H 231 cm

AN EARLY 19TH CENTURY OAK CASED LONGCASE CLOCK BY THOS. HADEN, the 11" square brass dial with date, 30 hour movement aperture and bearing makers name, H 197 cm, weight and pendulum

AN EARLY 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK BY JAMES LEICESTER - DRURY LANE - LONDON, the 12" arched silvered dial with Roman and Arabic numerals, 'strike and silent' subsidiary dial to the arch, eight day movement, striking on a bell, the hood with half turned pillasters and blind fret carved detail, twin weights and winding key, H 213 cm

A LATE 18TH CENTURY MAHOGANY LONGCASE CLOCK BY SPARKE OF PLYMOUTH, the brass faced dial inscribed Tempus Fugit, Sparke Plymouth, with subsidiary seconds dial and date aperture, the arched hood with pilaster columns and brass ball and eagle finial above moulded cornice, the eight dial movement striking on a bell, overall H 217 cm, twin weights and pendulum

A 1930's continental oak longcase clock with weight driven striking movement (top panel a.f.)

A George III mahogany longcase clock, 'Edward Arnold, St Neots', the hood with later fan moulding to the pediment, stop fluted columns, three wooden ball finials, 12inch dial with strike/silent to the arch, seconds dial and date aperture, Rococo spandrels, 5 pillar 8 day movement, the trunk with break arch door upon a panelled plinth and block feet 250cm (98in)

A George III mahogany longcase clock signed 'Ellicott, London', the pagoda hood with fret front panel and side panels, stop fluted columns, 12inch dial with strike/silent to the arch, seconds dial and date aperture, Rococo spandrels, 5 pillar 8 day movement, two loose brass ball finials, the trunk with quarter columns flanking the break arch door, upon a panelled plinth with shaped skirting 235cm (92in) with 2 brass weights; untested

A 19th century oak and mahogany longcase clock, the hood with swanneck pediment above 14inch square painted dial having Arabic chapter ring and calendar dial, moonphase disc, and 8 day movement, 226cm (88in)

A late Georgian mahogany longcase clock, circa 1800, the painted 13inch dial signed 'J.Huggett, Hawkhurst', with moonphase disc to the arch, recessed calendar dial, seconds dial, rose spandrels, 4 pillar movement with 'Edwd Keat' falseplate, the case with break arch flame veneer trunk door, on a rectangular plinth base with shaped skirting Provenance: Property of the late Sir Donald Alfred Sinden, CBE FRSA (1923 - 2014)

A last quarter of the 18th century longcase clock. Dial painted with the name Russell Buxton. Stepped arched canopy supported on brass mounted columns, long door on matching base with ogee arched feet. Chapter ring with Arabic numerals, subsidiary seconds dial and sliding counter for the days of the month. The dial is also painted with the motif of a stag in a country landscape. 8-day two train movement striking on a single bell. Height 228cm (90in). Weights and pendulum are missing. *See clocks and watches proviso. Condition report: see terms and conditions

Second quarter of the 18th century longcase clock by Thomas Gorsuch of Salop (Old English for Shrewsbury)*. Oak case (not associated with the movement) with engaged columns and brass key fitting on the door. The canopy has a carved architrave supported on columns and the arched door of the window frames an arched brass dial with silvered chapter ring with Roman and Arabic numerals and cast brass spandrels. There are two subsidiary dials; one for the seconds and one showing the moon phases alongside the days of the month. 8-day two-train movement striking on single bell. Height 208 cm (82in). *See clocks and watches proviso. *"A fine maker" according to G.H Baillie 'Watchmakers and Clockmakers of the World', Vol. I, 1929, pg 128. Condition report: Some damage to the case. The cornice at the base has come loose and there are other small bits of wood that have come loose. Condition report: see terms and conditions

A last quarter of the 18th century longcase clock. Painted with the name Latham, Macclesfield. Mahogany case with cross-banding with a swan-necked pediment canopy supported on brass mounted columns on matching stepped base. The squared dial is painted with floral spandrels and Roman and Arabic numerals. Subsidiary seconds dial (hands missing) and rolling counter for days of the month. Height 216cm (85in). Weights and pendulum are missing. *See clocks and watches proviso. Condition report: see terms and conditions

A last quarter of the 18th century longcase clock by Joseph Atkinson of Gateshead. A Chinoiserie case depicting Japanese style pagodas with flora and fauna, stepped Doric canopy supported on brass mounted pillars. Brass face with cast spandrels framing chapter rings with Arabic and Roman numerals. Two train 8-day movement striking on a single bell. Height 199cm (79in). *See clocks and watches proviso. Pendulum and weights are missing. Condition report: Two cracks at the base of the case and chips to the feet. Condition report: see terms and conditions

A George III mahogany longcase clock, the hood with associated swanneck pediment, stop fluted columns, break arch trunk door with later replacement moulding to the arch, 12inch brass dial with strike/silent to the arch, silvered chapter ring, seconds dial and date aperture, signed 'Peter Carney London' to a silvered plaque, with 5 pillar movement, all upon a panelled plinth and shaped skirting 239cm (93in)

An early 19thC mahogany cased musical longcase clock by Tritschler & Co, Carlisle, the break arch dial painted with a cavalier family and landscape spandrels, dial bearing Roman numerals, secondary tones dial 'The Bluebells of Scotland', eight day three train movement, the hood with break arch and brass eagle support, turned pillars, inlaid truck, raised on bun feet, with key, 53cm x 24cm x 245cm.

A French Comtoise 19thC pine longcase clock, by Darmais au Coteau, enamel dial bearing Roman numerals in an embossed floral brass surround, eight day two train movement with bell strike, floral embossed brass pendulum, the scumbled case with painted faux inlay, 205cm high.

A George III oak longcase clock by Thomas Clarkson, York, circular rose painted dial bearing Roman numerals, subsidiary seconds dial and date aperture, eight day, two train movement with bell strike, the case with broken arch pedimented hood, trunk with fluted quarter pilasters, the base raised on bracket feet, with key, 208cm high.

Edward Smith Richmond W P late 18th/early 19thC 8 day longcase clock with floral & foliate decoration with mythical masked creatures to hood arch and bearded gentleman to door. The arched 12 inch brass dial with silvered Roman chapter ring, secondary Arabic seconds and date aperture with foliate spandrels, 233cm tall