We found 41737 price guide item(s) matching your search

An old longcase Clock Face and Movement by J.N. Harvey, Pontypool.

A late 18th century 8 day longcase clock, oak and mahogany case with full length door, quarter reeded columns surmounted by a swan necked pediment and brass paterae, ogee feet, the painted dial signed for George Monks of Prescot and having rolling moon dial to the arch, false plate cast name looks to be Wilson, though has been cut out for the moon work which is consistent with the dial style and colours, 8-day two-train bell striking movement with two cast iron weights and pendulum. Est £600 - £800

A contemporary grandmother longcase clock, Westminster chiming triple weight driven movement, brass arched dial with applied chapter ring and Tempus Fugit to the arch, mahogany stained wooden case with glazed opening doors.Estimate £60 to £80

An Art Deco domed top longcase clock, the oak case with full length opening glazed door, Westminster chiming weight driven movement, signed to the silvered dial Tymo, three brass cased weights and pendulum.Estimate £60 to £80

An George III oak cased longcase clock; with broken pediment; the white painted dial named Hancock & Sons of Yeovil

An early 19th century oak longcase clock; the painted dial for James Cole of Stowey; with subsidiary second hand and date aperture; the square hood with turned column supports

An early 20th Century Arts and Crafts style oak longcase clock with eight day chiming movement, the square dial with Roman numerals, the case with rosette mounts, height approx 183cm, width approx 41cm.

MID 20TH CENTURY LONGCASE CLOCK the unsigned three weight driven movement striking on gongs, the 10 inch silvered dial with Arabic numerals, pierced steel hands, chime/silent lever at three, the case with glazed hinged frontpiece, on plinth base with bracket feet, 184cm high

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK BY WILLIAM PLANT OF WALSALL, the painted face with subsidiary seconds dial and date aperture, moon rolling mechanism, the case with inlaid detail, the hood with tapered pilasters, H 217 cm - Twin weights and pendulum

AN OAK CASED ART NOUVEAU LONGCASE CLOCK, the typical silvered dial with Arabic numerals, the trunk with a glazed door and carved detail below, twin brass weights and matched pendulum, H 193 cm

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK BY WILLIAM ARIS OF UPPINGHAM, the painted face with subsidiary seconds dial and date aperture, the case of plain form, the hood with tapered fluted pilasters, H 215 cm - Twin weights and pendulum

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK BY GEORGE NESBITT OF SUNDERLAND, the painted dial with subsidiary seconds and months dial, bearing makers name, the hood with painted scrolling detail, twin weights and pendulum, H 218 cm

An early 18th Century marquetry eight day longcase clock the 12" square brass dial with silvered Roman chapter ring, Arabic five minutes and stylised sword hilt half hour marks, signed Joshua Talby, London, the matted centre with subsidiary seconds ring, ringed winding holes, foliate engraved date aperture and five pillar movement. The hood with fretwork frieze over turned pillars, concave throat moulding and rectangular door with floral urn and bird inlay and green glass bullseye lenticle upon a single skirt base, 210cm high

An Edwardian mahogany miniature longcase clock the break arch brass dial with Roman chapter ring and matted centre, the timepiece drum movement with platform lever escapement. The hood with side frets and Corinthian columns, conforming trunk, patera inlaid door and base, 62cm high

A scarlet japanned eight day longcase clock the 12" brass break arch dial with silvered Roman chapter ring, Arabic five minutes and stylised fleur-de-lys half hour marks, signed Jno. Shaw, London, matted centre with subsidiary seconds and date aperture, mask spandrels and strike/silent ring to the arch and five pillar movement. The dome top moulded stand up hood with turned pillars over a break arch trunk door with gilt chinoiserie decoration upon a single skirt base, 248cm high

A George III oak eight day longcase clock the 13" square brass and silvered Roman dial with Arabic five minutes, subsidiary seconds and date dials, blued steel hands, foliate scroll engraving and signed Thos. Gaskell, Knutsford, with rococo spandrels, the hood with fluted pillars, the trunk with conforming quarter corner pilasters with shaped top mahogany crossbanded door over a panelled base, 207cm high

An oak eight day longcase clock the 12 1/2" square brass dial with Roman chapter ring, Arabic five minutes, signed Philip Antrobus, the foliate scroll engraved matted centre with subsidiary seconds dial, ringed winding holes and date aperture, mask and scroll spandrels, the hood with moulded upstand and turned pillars over a shaped top trunk door and plain base, 215cm high

A George III green japanned eight day longcase clock the 12" brass break arch dial with silvered Roman chapter ring, fleur-de-lys half hour marks, Arabic five minutes, matted centre with subsidiary seconds, engraved date aperture and ringed winding holes, with mask and scroll spandrels, the arch with convex disc signed Thomas Milner, London, flanked by dolphin mounts, the hood with plain pillars over a break arch trunk door with gilt chinoiserie decoration, 205cm high

An Irish mahogany eight day longcase clock the brass break arch dial with Roman chapter ring, Arabic five minutes, signed Robt. Welsh, Ballymena, the foliate engraved centre with subsidiary seconds and date arch, rococo spandrels and later applied arch with simple engraved moon and stars, the hood with dentil moulded swan neck pediment with applied rosettes flanking a classical urn over fluted columns, conforming trunk, quarter columns and shaped top trunk door, the base with canted fluted corners raised upon bracket feet, 237cm high

An oak eight day longcase clock the 12" square brass dial with Roman chapter ring, subsidiary seconds and date arch, signed Barrow, Ross, with cherub and coronet spandrels, the hood with scroll pediment over plain brass capped pillars, mahogany crossbanded short door and plain base with bracket feet, 210cm high

An early 19th century mahogany longcase clock with musical movement by Hinderwell, Norton, playing Easter Hymn, British Strike Home, George's Minuet and Tweed Side on twelve bells. Dial width 33.5 cm, case height 221 cm (see illustration). CONDITION REPORT: This clock is in extremely good condition. The hood is in good order with no significant issues. The brasswork is original as is the glass. The case sides are in very good order as is the door which is not warped. The canted angels are in good condition. The clock base is in generally very good condition with no significant issues. The plinth moulding is clearly a later edition but in keeping with the remainder of the clock case. The backboards are original. The clock movement looks to have been fairly recently overhauled. All three trains wind as they should and the clock appears to be working as it should. The clock appears to play a tune at one, four, seven & ten. The movement appears to fit the mask around the hood and we can see no evidence of any alterations suggesting that the clock is a marriage. The seatboard may be a later replacement but the cheeks have not been built up and the seatboard appears to be a standard depth. The tune pointer works as it should.

An early 19th century oak and mahogany banded longcase clock by James Smith of Carlisle, with painted dial and eight day striking movement, the case raised on bracket feet. Height 219 cm (see illustration).

A George III oak and mahogany crossbanded longcase clock, with arched painted dial and two-train striking movement, with long trunk door and fluted quarter column corners. Height 226 cm.

A George III oak longcase clock, by Hugh Pannell, Northallerton, with two-train striking movement. Height excluding brass finial 204 cm. CONDITION REPORT: The clock hood has some pieces of the dentil cornice missing which should be visible on our image. There is also some evidence of old woodworm beneath the left and right sections of dentil moulding. The glazed door is in generally good order but there are three stress fractures to the arch. The door itself requires properly fixing. The hinges are not working correctly. We have the key and pendulum and the clock appears to operate when weight is applied to the mechanism. The hammer is missing as is the rack return spring. The rack lever needs repair. There is no bell. The striking mechanism has basically been deactivated. The seatboard has been replaced at some point in the clocks life but as the mask around the dial appears to fit the aperture we do not think that this clock is a marriage. The door is not warped. We do not have a key. The sides of the trunk are in generally good condition. The base is in good order also. There is however a slight gap between one of the planks. The left hand base return moulding is present but detached. We have the weight.

A George III oak and mahogany longcase clock, with two-train striking movement by Crawford, Newcastle, the case raised on bracket feet. Height 218 cm (see illustration).

A Georgian oak longcase clock, with two-train striking movement by William Kipling, London, with ship automaton to arch. Height 204 c (see illustration). CONDITION REPORT: The clock case is generally a little tired. The hood is all present and the glass undamaged. The gilt capitals have been repainted and the general feel to the finish is a little tired. The trunk door is currently locked and we do not have a key. The door is not warped. There is a small repair to the top left hand corner. There is a further small repair to the left hand side of the lock. The lock has probably been forced at some point. The sides of the case are not warped but there are some old stress fractures, scuffs and marks. The moulding below the door is all intact. The base panels have some stress fractures particularly to the front. The plinth moulding may not be original but has certainly been on the clock for a very long time and is in keeping. We have two weights and the pendulum and when weight is applied to the movement it does appear to tick and strike. We have however not had the clock running for any significant length of time. The movement is a little dirty but looks to have been cleaned in fairly recent times. The dial itself is in good order as is the silvering. The ship automaton seems to operate as it should. The seat board is old and appears to be original. The mask around the dial fits at the bottom and sides but there is a gap around the arch at the top. This could simply be settlement but may indicate a marriage. The ship automaton could possibly be a later addition to what was originally a square dial clock as there are two visible pins where the arch is attached to the square dial.We have just noticed that the left hand rear quarter round pillar at the back of the case is missing. The right hand rear quarter round corner pillar has evidence of old woodworm in the soft wood at the bottom.

A George III walnut longcase clock, by Wilkinson of Wigton, with moon phase and date aperture, the dial also inscribed "Jane Bird". Case height 225 cm (see illustration). CONDITION REPORT: The clock is generally in extremely good condition. There has been a break to the right hand swans neck pediment which should be clear on our image. There has been a further break to the left hand pediment which is much less visible. The remainder of the hood is in generally very good order with only minor stress fractures to the bottom left and right of the arch. The silvered brass dial has clearly recently been cleaned and re silvered and is in very good condition as is the moon phase. We have the weight and pendulum. The pendulum is unfortunately missing the suspension strip. The clock does however tick and strike without the pendulum if that makes any sense. The seatboard would appear to be original and in our opinion the clock is not a marriage. The trunk door is in good condition and not warped. The sides of the case have old stress cracks but no significant issues. The clock base is also in generally good condition with only minor stress cracks and marks as one might expect. The backboards are in good condition and original. The only real issue is the small matter of the clock suspension at the top of the pendulum which is a very minor issue. We can see no evidence of any woodworm and there is no brasswork so to speak of other than the face of the clock.

A George III mahogany longcase clock, by J. Neilson, Glasgow, with two-train striking movement, long trunk door and raised on bracket feet. Height 223 cm.

A George III inlaid mahogany and simulated rosewood longcase clock by Nicholas Himes of Helston, with eight day striking movement and rhyme to the arch, the case with fluted quarter column corners and raised on ogee bracket feet. Height 232 cm (see illustration). CONDITION REPORT: We would have thought this clock is circa 1790. The clock hood is in generally good condition with no significant damage issues. It could do with a clean and polish. The trunk door is not warped. The brass lock escutcheon is probably original as are the hinges and door knob. The satinwood urn to the centre of the door has a section of veneer in the centre which is slightly lifting but there are no losses. The corner spandrels are in good condition. The clock base is also in good condition with no warping to the front panel. The feet would appear to be original and in generally good condition. The case, as stated, would benefit from a clean. We have the weights and pendulum and the clock is currently ticking away and striking as it should. The silvered brass dial is in generally good order although a little tarnished and dirty in places. In our opinion the clock is not a marriage. There is no sign of any woodworm.

A George III walnut longcase clock, by George Chambers, Newcastle, with two-train striking movement and moon phase to the arch, with long trunk door, the case raised on bracket feet. Height 236 cm.

A Georgian longcase clock movement by William Marston Bp. Castle, with two-train striking movement housed in a 19th century mahogany case of small proportions. Height 149 cm (see illustration).

An Edwardian inlaid walnut longcase clock, by S.W. Skipper, Darlington, with two-train striking movement. Height excluding brass finial 250 cm.

A George III oak longcase clock, by Joseph Monkhouse of Carlisle, with thirty hour movement, with date aperture. Height 214 cm (see illustration). CONDITION REPORT: The case is in generally good order. The return moulding on the top left hand side of the cornice has a small front edge loss. The front edge moulding on the right hand side also is slightly damaged. The sides of the hood, pillars and door are in good order. The mask around the dial appears to fit correctly. We have the weight and pendulum however the suspension spring is broken. The movement appears to operate without the pendulum in place and appears to strike as it should. The trunk door is in good order as are the sides. The base is in generally good condition. The bottom moulding maybe a later addition but has been with the clock for a long time and does not look at all out of place. We cannot see any evidence of woodworm. The door handle is probably original as are the hinges.

A William IV/early Victorian Scottish mahogany longcase clock, with circular dial, two-train striking movement, pendulum and two weights.

A 19th Century mahogany eight day longcase clock G. Stephenson, Warminster, with moon phase and painted dial 235cm high

A GEORGE III MUSICAL LONGCASE CLOCK by Thomas Millington, London, with mahogany case, arched hood enclosing a brass face, the white enamel circular dial with Roman and Arabic numerals, subsidiary chime/not chime and Minuet Dance, Aire, Song dial, the three train movement striking on eleven bells, above a slender trunk with arched moulded door, flanked by reeded quadrants, pendulum and three brass cased weights, 49cm wide at the hood, 230cm high. See illustration

A LATE 18TH CENTURY OAK LONGCASE CLOCK, the dial signed Joshua Farrer, the square hood enclosing a square brass dial with broad silvered chapter ring inscribed with Roman numerals, subsidiary seconds dial, date aperture and two winding apertures, above a slender trunk and base, eight day two train movement striking on a single bell, 52cm wide at the hood, 201cm high. See illustration

A 19th century oak crossbanded longcase grandfather clock having a painted dial signed for Wm Beavington of Stourbridge. THe plain painted dial with roman numeral chapter ring. The movement with pendulum and lead weight. Brass caubels and columns to the hood being glazed. Measures(cm) Height 190 x Width 48.

William Jourdain, London , a George III mahogany longcase clock, the hood with swanneck moulding, fretwork panels to the sides, canted columns, the one piece silvered 12inch dial with strike/silent to arch, seconds dial and date aperture, Arabic numerals, engraved spandrels, 5 pillar movement with wooden pulley wheels, the trunk with arched door, flanked by stop fluted quarter columns, on a rectangular plinth base, some damage to case, 243cm (95in) lacks mask around dial. some old damage and losses to case

A George III mahogany eight day longcase clock, the break arch hood with small swanneck pediment, 12inch brass dial with strike/silent to the arch, signed Jn Barber Stratford, seconds dial and date aperture, Rococo spandrels, five pillar movement with replacement seatboard, the trunk with break arch door, upon a panelled plinth base 219cm (85in)

John Shepley, Glossop, a George III eight day longcase clock having silvered and brass dial and painted aperture, in a simple oak long case on a plinth base

A Georgian mixed wood cased longcase clock, the 11 1/2 painted Roman dial with twin winding holes and calendar aperture, the arch with a depiction of fishing boats at sea above spandrels of ruined churches and country cottages, the case standing on bracket feet, 85 high (with weights and winding key)

RUNCORN HANDLEY LONGCASE. Oak and mahogany longcase clock by John Handley of Runcorn with date and rolling moon

A MAHOGANY LONGCASE CLOCK by Cheetham, Wetherby, the eight day movement with anchor escapement striking on a bell, 14" arched dial with Roman numerals, painted with a rustic and his dog, the spandrels featuring ruins, two secondary dials, the banded and inlaid case with stringing and ebony trim, scrolled pediment on turned columns, arched door, panel base with waved apron, on splayed bracket feet, 92" high

A mid 18th century oak eight day longcase clock, the gilt dial set with Roman numerals below an oval plaque inscribed 'Thomas Stansbury, Hereford', height 216cm.

A late 18th century Swedish painted longcase clock, dated 1794 to the case and 1787 to the dial, the plain case with arched hood and waisted trunk, with all over floral decoration, the eight and a half inch dial signed 'SA Gar Tidem T. L Aldor 1787', with single hand and single train movement, 206cm high. (weight and pendulum)

An early 18th century fruitwood cased 30 hour longcase clock with plain dial flanked by pillared supports over a waisted trunk, 192cm high. (Pendulum).

EARLY 19th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK SIGNED GASKELL 1817, the 12 1/2" painted roman dial with subsidiary seconds dial and date aperture, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free-standing fore columns, over a long trunk door and flanked by split turned quarter columns to the fore corners, raised on ogee bracket feet, 82" (208.3cm) high, dial re-painted badly, two finials missing and feet as found

LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the 13" painted Roman dial with subsidiary seconds dial, date aperture, floral spandrels and painting of a cottage to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, and free standing in turned columns to the forecorners, over a trunk door with shaped top and lower panel, flanked by fluted split turned columns and raised on a panelled base with moulded plinth, 87" (221cm) high

EARLY 19th CENTURY MAHOGANY LONGCASE CLOCK SIGNED J. LOWRY, BELFAST, the 13" white enamelled roman circular dial with subsidiary seconds dial, powered by an 8 day movement striking on a bell, housed in an arch top case with pierced foliate cresting and free standing turned fore columns, over a trunk door with flame cut panels above and below, flanked by chamfered, fluted fore corners and raised on a plain base with turned feet, 83 1/2" (212.2cm) high, back feet missing

George III oak and mahogany banded longcase clock, the arched hood with a swan neck pediment above an arched door and a plinth base, the painted enamel dial with Arabic numerals, subsidiary seconds and calendar aperture, the two train eight day movement striking on a bell

19th Century oak longcase clock case having dome top hood, flush panel door and conforming plinth base

George III oak longcase clock, the square hood with a caddy top above rectangular door and plinth base, the silvered dial with subsidiary seconds and calendar inscribed William Roe, Alton, the two train eight day movement striking on a bell

19th Century mahogany longcase clock, the broken arch hood above a rectangular panelled door and conforming plinth, the painted dial with Roman numerals and subsidiary date and seconds dial, signed H. Merger, Stewarton, with a two train key wind movement (a/f)

1930's Oak longcase clock, the white enamel dial with Arabic numerals with a three train weight driven movement

George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass dial with Roman numerals signed T.G. Smith, the two train movement adapted for gong strike

A 19TH CENTURY SCOTTISH EIGHT DAY LONGCASE CLOCK the silvered dial with Roman numerals, subsidiary second hand and date aperture, signed J. Bonners, Aberdeen, in an oak case with gilt eagle finials, twin arch pediment, reeded column supports and turned feet, the dial 30cm wide

A longcase clock movement with brass arch top dial by Robert Mann Norwich, along with brass finials and a winding key.

A George III oak longcase clock by John Spencer, the hood with gilt eagle and ball surmount, flanked by broken scroll pediment above glazed door enclosing moon phase dial above silvered chapter ring, with Arabic and Roman numerals, etched gilt metal centre and date aperture, flanked by gilt metal swag spandrels, with two lead weights and pendulum

An 18th century thirty hour longcase clock by Edward Hemins Bisiter, the hood with glazed door, enclosing brass dial with Roman and Arabic numerals, decorated with gilt metal mask spandrels, with pendulum and two lead weights, 195cm high