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Lot 1

Mahogany watch stand modelled as a longcase clock with carved door, 10” high

Lot 1

Ansonia miniature longcase clock in gilt tooled red Morocco case, 10.5” high

Lot 1

1930’s wall clock, miniature longcase, two mantel clocks and an alabaster clock case (5)

Lot 1

Two wall clock cases, miniature longcase case and various others

Lot 1

Edwardes - The Story of the Pendulum Clock, 1977, dust wrap; The Grandfather Clock, 1952, dust wrap; Barder - English Country Grandfather Clocks, 1983, dust wrap; McDonald - Longcase Clocks, 1982, dust wrap (4)

Lot 1

Loomes - Antique British Clocks; Tennant - Longcase Painted Dials; Bruton - The Longcase Clock; all signed by authors and with dust wraps (3)

Lot 1

Darken & Hooper - English Thirty Hour Clocks, 1997; Robinson - The Longcase Clock, 1985; both signed by authors and with dust wraps (2)

Lot 1

Mahogany three train longcase clock chiming the quarters on tubular bells, the 12” brass dial with moon phase to the arch, the case with bevelled glazed door flanked by quarter pillars, the hood surmounted by a broken arched pediment, 91” high

Lot 1

Oak eight day longcase clock, the 12” square brass dial with subsidiary seconds dial and calendar aperture, the case cross banded with mahogany and surmounted by a swan neck pediment, 80” high

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Oak thirty hour longcase clock, the 12” square dial signed T. Joyce, Whitchurch, the cross banded case surmounted by a swan neck pediment, 85” high

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Lacquer eight day longcase clock, the 11” square brass dial signed Thomas Utting, Yarmouth, the case decorated with chinoiseries and with long door and square hood, 82.5” high

Lot 1

Oak eight day longcase clock, the 12” arched brass dial signed Ratcliff, Wrexham, the case carved overall with scrolling foliage and surmounted by a broken arched pediment, 83” high

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Fruitwood thirty hour longcase clock, the plated movement with 10” brass dial signed John Cutlove, Bungay, the matted centre with calendar aperture, the case with long door

Lot 1

Oak thirty hour longcase clock, the 11” square painted dial signed James Beard, Tunbridge, the case with long door and square hood, 79.5” high

Lot 1

Mahogany eight day longcase clock, the 13” arched painted dial signed Kern & Co, Swansea and with subsidiary seconds dial and calendar aperture, the case inlaid with boxwood and ebony lines, the short door flanked by cabled pillars, the hood with waved door surmounted by an arched pediment, 86” high

Lot 1

Mahogany eight day longcase clock, the 14” arched painted dial signed Edwards, Corwen, and with subsidiary seconds dial and calendar aperture, the inlaid case with short door and surmounted by a swan neck pediment, 96.5” high

Lot 1

Oak and mahogany thirty hour longcase clock, the 12” square painted dial signed J.G Walford, Banbury, calendar aperture, the cross banded case with short door flanked by ring turned quarter pilasters and surmounted by a swan neck pediment, 82.5” high

Lot 1

MAHOGANY THREE TRAIN LONGCASE CLOCK with later quarter chime on tubular bells and nest of bells, the 12” brass dial with strike-silent and seconds dials, the arch with added chime indicator - Westminster-Eight on bells or tubes, the case with ogee door and surmounted by a fret work swan neck pediment, 93” high (illustrated inside back cover)

Lot 1

Elm thirty hour longcase clock, the brass plated movement with 11” square brass dial signed D. Rowland, Aberystwith, calendar aperture and seasons spandrels, the case with ogee door and surmounted by a square hood, 77.5” high

Lot 1

Oak thirty hour longcase clock, the posted movement with 10” square dial signed Edward Stead, Ludlow, single hand, the case with shaped door and surmounted by a square hood, 83” high

Lot 1

Mahogany and oak eight day longcase clock, the 14” painted dial signed Thomas Heywood, Bangor, with moon phase to the arch over subsidiary seconds dial and calendar aperture, the case with crossbanded door flanked by fluted columns and surmounted by a swan neck pediment, 89.5” high

Lot 1

Oak thirty hour longcase clock, the 11” square painted dial signed Hubbard, Junior Dorking, the case with long door and square hood, 75.5” high

Lot 1

DUTCH MARQUETRY LONGCASE CLOCK, the eight day movement with pull alarm, the 12” square brass dial signed A. Vermeulen, Amsterdam, the matted centre with subsidiary seconds dial and apertures for moon phase, month, day and date, the case with bombe base, long door and pedimented hood, inlaid overall with trailing flowers, birds and classical vases in coloured woods, 94.5” high

Lot 1

Oak eight day longcase clock, the five pillar movement with 12” square brass dial signed William Seller, London, the matted centre with subsidiary seconds dial and calendar aperture, the associated case with shaped long door inlaid with a star and surmounted by a caddy top, 83” high

Lot 1

Mahogany eight day longcase clock, the 12” painted dial signed Carter, Totness, with moon phase to the arch over subsidiary seconds dial and calendar aperture, the later case with arched door and swan neck pediment, 88.5” high

Lot 1

Mahogany and oak eight day longcase clock, the 13” arched painted dial with subsidiary seconds dial, the case with shaped door flanked by canted fluted corners and surmounted by a swan neck pediment, 93” high

Lot 1

Scottish eight day mahogany longcase clock, the 13” gilt circular dial signed George Stromier, Glasgow, subsidiary seconds and calendar dials within a drum head case with tapering trunk and figured door, 79.5” high

Lot 1

OAK THIRTY HOUR LONGCASE CLOCK the brass plate movement with 11” square brass dial signed Evans & Son, Salop, calendar aperture, the case with cross banded shaped door and surmounted by a square hood, 79.5” high (illustrated inside back cover)

Lot 1

Oak eight day longcase clock, the 13” arched dark blue painted dial signed Joseph Atkinson, Gateshead, with subsidiary seconds dial and calendar aperture, the case with long arched door and surmounted by a broken arched pediment, 92” high

Lot 1

Mahogany eight day longcase clock, the 13.5” circular white dial with subsidiary seconds and calendar dials, the drumhead case with arched door flanked by quarter pilasters, 85” high

Lot 1

MARQUETRY ALARM LONGCASE CLOCK, five pillar movement, the 12.75” brass dial signed Thomas Chilton, London, with moon phase to the arch over subsidiary seconds dial, calendar aperture and central alarm disk, the Dutch walnut case inlaid overall with flowers and foliate motifs and surmounted by a broken arch pediment, 96” high (illustrated inside back cover)

Lot 1

Mahogany eight day longcase clock, the five pillar movement with latched front plates, the 12” square brass dial signed Richard Gilks, London, with subsidiary seconds dial and calendar aperture to the matted centre, the associated case with long shaped door flanked by fluted quarter pilasters and surmounted by a swan neck pediment, 94” high

Lot 1

MARQUETRY EIGHT DAY LONGCASE CLOCK the five pillar movement with 11” square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre, the walnut case with marquetry door inset with a lenticle, the square hood with barley twist pillars, 83” high (repairs and alterations) (illustrated inside back cover)

Lot 1

LACQUER THREE TRAIN LONGCASE CLOCK, striking on six bells, the 11.25” square brass dial signed Henry Richardson, the matted centre with ringed winding holes and calendar aperture, the black lacquer case decorated with chinoiseries, the long door inset with a lenticle and the hood surmounted by a caddy top, 89” high (repairs and alterations) (illustrated inside back cover)

Lot 1

FINE MAHOGANY THREE TRAIN QUARTER CHIMING LONGCASE CLOCK, the five pillar movement striking on eight bells, the 12” brass dial signed Eardley Norton, London no.1162 to the arch with strike-silent, seconds dials and calendar aperture and chinoiserie spandrels, the mahogany case with stepped long door flanked by corinthian quarter columns and surmounted by a square hood, 88.5” high. It is thought that the chime may be St. Petersburg

Lot 1

A late 18th Century oak longcase clock fitted a square brass dial, signed John Wyld of Nottingham, set two false key winds to the face and having a thirty-hour movement

Lot 1

An early 19th Century oak and mahogany banded longcase clock, the 12" arched dial inscribed 'ROBE. MATTHEWS', with subsidiary seconds dial and date aperture, the hood with swan neck pediment, the dial flanked by reeded pillars over an arched door with inlaid shell, 204cm high.

Lot 1

An early 19th Century oak and mahogany banded 30 hour longcase clock, the arched dial painted with the scene of a country house and a Shepherd minding his sheep, inscribed 'Hallam, Nottingham', the case with swan neck pediment, turned pillars and a shaped door, 211cm high.

Lot 1

An early 19th Century mahogany eight day longcase clock having an arched painted dial, signed Flint, Ishford?, 76" high.

Lot 1

A mahogany thirty hour longcase clock, the square painted dial inscribed Howe, Swindon, 82 1/2" high.

Lot 1

A modern three weight moonroller dial longcase clock.

Lot 1

A modern mahogany three train longcase clock.

Lot 1

An oak eight day longcase clock with a painted square dial with seconds hand and calendar signed W BURCH GLASTONBURY contained in an oak case with a swan neck pediment 81in high (weights and pendulum missing).

Lot 1

A good quality walnut eight day striking longcase clock with a stepped brass inlaid pagoda shaped hood having brass grills to each side, above a rectangular door and stepped base. The 12" brass dial signed Underwood Lee Fecit with a second dial and a calendar with brass bound weights 97" tall.

Lot 1

An oak eight day striking longcase clock with broken arch pediment and 12" arched painted dial over a shaped trunk door with reeded canted sides and a stepped base 83" tall to final.

Lot 1

An eight day longcase clock with a 12" brass square dial signed WILLIAM HARRIS contained in an oak case with a long arched door in working order 82" tall.

Lot 1

An eight day longcase clock with a 14" painted dial signed JNO HARDY PRESTON contained in a mahogany and inlaid case 87" high.

Lot 1

An oak thirty hour longcase clock with an engraved brass dial signed GEO RONNING Newmarket having a calendar dial 83" tall to finial.

Lot 1

A longcase clock, having eight day movement with brass dial inscribed Thomas Armstrong and Brother, Manchester, silvered chapter ring and pierced foliate spandrels in dark oak case with moulded pediment and blind fret carved frieze on wrythern turned columns, panelled door, on plinth base, 78 1/2" high.

Lot 1

A late 18th Century longcase clock, by Booth, Hull, the painted arched dial depicting a castle and allegorical figures to the spandrels, with eight day movement having seconds and date dials, in oak and mahogany cross banded case with swan neck pediment, on fluted columns, shaped door flanked by quarter pilasters, panelled base and bracket feet, 89" high.

Lot 1

A 19th Century longcase clock, the arched dial painted with female allegorical figures to the spandrels and a female playing a harp to the arch, having eight day movement, date and seconds dial, in mahogany case, with swan neck pediment on turned columns, panelled door flanked by further columns on similar panelled base with scroll feet, 97" high.

Lot 1

A LONGCASE CLOCK, the eight day movement with arched brass dial, moonphase painted with coastal scenes, the spandrels with allegorical figures, secondary dials and calendar aperture, in mahogany case crossbanded with stringing, scrolled cornice on fluted columns, panelled door flanked by similar columns, canted panel base and bracket feet, 92 high

Lot 1

A LONGCASE CLOCK by G W Radford, Leeds, the eight day movement with arched dial painted with a basket of flowers and fan spandrels, secondary dial and calendar aperture, in oak case, the scrolled pediment with turned finial on turned columns, arched door flanked by quarter columns, on panel base, 65 1/2 high

Lot 1

A LONGCASE CLOCK, the eight day movement with anchor escapement, white enamel dial with secondary dials, unsigned, in mahogany case, the circular top with scrolled leaf and fruit carved surmount, canted tapering trunk with carved brackets and arched panelled door, panel base and bracket feet, 19th century, 79 3/4 high

Lot 1

A LONGCASE CLOCK by William Coulton, York, the eight day movement with arched brass dial with secondary dial, calendar aperture, in oak case, the arched and moulded cornice on turned pilasters, arched door, panel base and bracket feet, 87 high

Lot 1

A LONGCASE CLOCK by J Pratt, Askrigg, the thirty hour movement with enamel dial painted with birds and flowers, secondary dial, in oak and mahogany crossbanded case, the moulded cornice on turned columns, arched door on canted trunk, panel base and bracket feet, 84 high

Lot 1

A LONGCASE CLOCK by W B Dewhurst, Clitheroe, the eight day movement painted with a fisher girl and fishing boats, secondary dials, in oak and mahogany crossbanded case, scrolled pediment on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 88 high

Lot 1

A LONGCASE CLOCK by Joseph Stancliffe, Barkisland, the thirty hour movement with anchor escapement, square brass dial chased with cornucopia, secondary dial and painted half penny moonphase, in oak case, the scrolled pediment on turned columns, arched door flanked by quarter column, panel base on plinth, 88 high

Lot 1

A LONGCASE CLOCK by Peter Grimalde, London, the eight day movement with anchor escapement having circular white dial with secondary dials, in mahogany case with brass reeding, the arched hood with moulded cornice having waisted surmount and turned finials, arched door, panel base, shaped apron and bracket feet, 85 high

Lot 1

A 1950's Longcase Clock with arched top, silvered dial in oak case

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