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A George III oak longcase clock, 12in. painted dial with floral spandrels and Roman numerals, with fret-cut surmount 6ft.

An early 19th Century inlaid mahogany longcase clock, white painted broken arch dial, with moon phases, in swan-neck hood 7ft. 3in.

Joseph Catherwood, London A gilt bronze mantel clock, now with an associated three train musical movement, striking the hours on eight bells, the musical movement playing cotillan/ minuet/gavotte and song tunes, 43cm. Joseph Catherwood (circa 1775-1825) is little recorded but is known to have been a close associate of Aynsworth Thwaites, the leading London supplier of spring clocks at the end of the 18th century. Catherwood is recorded as working in Bunhill Row most of his life. Items bearing his name vary from watches, clocks for the Spanish and Eastern markets, as well as one of the finest longcase regulators of the late 18th century, on view in the British Museum.

Richardson, Northwich An early 19th Century mahogany longcase clock, the case with inlaid stringing and shell and fluted quarter columns with brass mounts, the 14 inch square painted dial inscribed 'Richardson, Northwich', the spandrels painted with sheep, also a rolling moon phase dial, 215cm high

McNaughtan, Edinburgh A George III mahogany cased longcase clock, the circular painted dial with subsidiary seconds and date dials, with an eight day movement, 210cm

RICHARD GRIFFITHS, DENBIGH (1791-1840), AN EARLY 19th CENTURY WELSH LONGCASE CLOCK, the honey oak and mahogany crossbanded case with long trunk door, the hood with blind fretwork frieze, 33cm square white dial, signed, with subsidiary seconds and date crescent, 4 pillar 8-day falseplate movement with rack strike and anchor escapement. 2.05m

JOHN BROWNLESS JUNIOR, STAINDROP, (1787-1827), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and hood with turned pilasters, the associated 30 hour movement with 4 scribed pillars and outside countwheel strike, 26.5cm square brass dial with matted centre and date aperture, signed. 2.01m

THOMAS HOUGHTON, CHORLEY, (1780-1840), AN EARLY 19th CENTURY LANCASHIRE MAHOGANY LONGCASE CLOCK, the superior case with rectangular trunk door fanked by 1/4 round reeded pilasters, the hood with swan neck pediment and free standing corinthian columns, 35.5cm square white dial with subsidiary seconds and date pinter, (date wheel absent), 4 pillar, 8-day rack striking movement with Wilson falseplate and anchor escapement. 2.22m

HUGH LOUGH, PENRITH (1740-1791), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and star burst flanked by 1/4 round pilasters, the hood with blind fretwork frieze, now with 31cm square brass dial with Halifax moon and date crescent, 30-hour 4 pillar mechanism with outside countwheel strike. 2.07m

OGDEN, DARLINGTON, A CARVED STAINED OAK LONGCASE CLOCK, with broken pediment, 28cm arched brass dial now with an 8-day 4 pillar rack striking movement with falseplate attachment. 2.18m

An early 19th Century Longcase Clock, the painted arched dial inscribed "T L Taylor, Pontefract" with oral painted arch and spandles, 2nd ring and 8 day striking movement, in oak and mahogany case with swans neck pediment and bracket feet. 7' 3" (221cms) high.

A 19th Century Longcase Clock, the arch dial inscribed "J Dale, Kilmalcolm, fecit for F M J Forsythe" and painted with figures representing the home countries, the arch with a ploughing scene with seconds and date ring, 8 day striking movement in mahogany case, inlaid with chevrons, shell etc. and on bracket feet. 6' 7 1/2" (202cms) high.

A 1920's Longcase Clock with embossed copper dial.

Mahogany longcase clock, with a dome top over a brass and silvered dial above a glazed trunk and square base on block feet, 194cm high

Various longcase and mantel clock bells and various clock parts

A collection of longcase and other clock weights

A 30 hour longcase clock movement with 11 inch square painted dial and Roman and Arabic numerals and striking on a bell with pendulum and single weight

An early 19th Century mahogany longcase clock, the hood with moulded arch top with turned columns to the sides, the trunk enclosed by an arch top door, with fielded panel to the base, fitted an arch top engraved brass dial with second hand and date aperture, inscribed Henry Baker, Malling, fitted an eight-day striking movement

An early 19th Century mahogany longcase clock with turned finials to the hood, the moulded arch with pillars to the sides, the case enclosed by an arch top door, with apron to the base, fitted an arch top painted dial with automated swan to the top and with Roman numerals and date recorder, having an eight-day striking movement by Swaine, Woodbridge

Crested china, including S.Hancock longcase clock, Exmouth Coat of Arms

A Longcase Clock, the 39 cm arched square painted dial signed W Hoberwood Rotherham, with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with phase of the moon, the spandrels painted the four continents, and fitted an eight day movement striking on a bell, in a mahogany case, 244 cm high

A Longcase Clock, the 36 cm arched brass painted dial signed Bancroft Sowerby Bridge, with Roman numerals ,the arch with subsidiary seconds and strike/silent dials, and the spandrels with the four seasons, fitted a three train musical eight day movement striking on nine bells, in a mahogany case crossbanded in rosewood, 233 cm high See illustration

A Longcase Clock, the 36 cm arched square painted dial signed Thomson & Sons, with Roman numerals, subsidiary seconds and calendar dials, the arch painted Rob Roy, Rob's Men and Donald, and the spandrels painted with the four seasons, fitted an eight day movement striking on a bell, in a mahogany case, 215 cm high

A Longcase Clock, the 29.5 cm square brass dial signed Thorne Tiverton, the silvered chapter ring with Roman numerals, subsidiary seconds dial and calendar aperture, fitted an eight day movement striking on a bell, in an oak case, 211 cm high

An 18th century oak longcase clock, having arched hood with ball finials containing an 8 day silvered brass face by W Warren London, in a painted and lacquered trunk with pictorial decoration depicting tribal scenes

A late 18th century oak and mahogany longcase clock, having architectural pediment and fluted pillars containing brass and silver dial with 30hr movement by W Yeardon Stourbridge, over crossbanded inlay and pillared trunk

A late 18th century oak longcase clock having square pillared hood containing a painted floral dial by E Burton Kendal, with an 8 day movement with crossbanded arched trunk and base

A late 18th century George III mahogany longcase clock having swan neck pillared hood with brass finials containing a painted floral arched dial by G Wilson, Appleby, with a 30 hour movement, having cross band and chequered inlay decoration to trunk with square base and shaped feet

A late 18th century oak longcase clock having swan neck with brass horse motif applique, with brass 8 day movement by Hampson, Wrexham, dated 1795 to brass face, flanked by pillars over half pillared cross banded trunk with square base and shaped feet

A 1930S OAK CHIMING LONGCASE CLOCK, 75" high

AN 18TH CENTURY OAK LONGCASE CLOCK, later carved, the eight day movement by Davie Steward of Newport Pagnell, with silvered dial, date aperture and seconds dial, 88 1/2" high

Late 18th Century Scottish Longcase Clock, with painted arched dial, inscribed, "Jno Watson, Kirriemuir", the spandrels painted with the four seasons, the arch, "Sir James the Ross", eight-day movement striking on a bell, contained within a mahogany case, with swan neck pediment, ring turned columns, panelled door, front by quarter column pilasters carved with stiff leaves, plain base and bracket feet, 209cms, (6'10").

18th Century Longcase Clock, the painted arched dial inscribed, "Lawrence, Northwich", with secondary seconds dial and date aperture, the spandrels painted with Summer flowers and rolling moon phase in the arch, eight-day movement, striking on a bell, contained within a mahogany case, the hod with swan neck pediment above glass panels, with gilt metal inverted tapered column, arched door, flanked by gilt metal fluted quarter columns, the base with canted corners and on bracket feet, 223cms, (7'4").

Early 19th Century Longcase Clock with painted arched dial, indistinctly inscribed, secondary seconds dial and date dial, the spandrels painted with the Four Seasons, the arch painted with a scene, "Auld Robin Gray", eight-day movement, contained within an oak case with swan neck pediment, fluted tapered pilasters, arched door flanked by fluted quarter columns and on plain base, 200cms, (6'7").

An early 19th Century 11” painted 30 hour Longcase Clock Dial, T H Hayward of Winchester, the square dial with painted rose spandrels to an Arabic chapter ring, with outside minute track and date sector

An oak longcase clock with chiming 8 day movement

A 19th century mahogany and rosewood crossbanded longcase clock, the 8 day movement striking on a bell to a 14in re-painted arch fial, with subsidiary seconds and calendar dial, inscribed 'Frazer, Wrexham' to a moon phase, 91.5in (232.4cm) h.

A 19th century oak and mahogany banded longcase clock, with stringing marquetry and parquetry inlay, the 8 day movement striking on a bell to a 13in arched brass dial, with subsidiary seconds dial and chapter ring, the arch boss engraved 'father time', 92in (234cm) h.

An oak and mahogany banded longcase clock, the 8 day movement striking on a bell to an 12.25in square brass dial, with subsidiary seconds dial and date aperture, having an oval applied boss, inscribed 'Tho Deykin, Worcester, No.321', 73.25in (186cm) h.

A late Georgian oak and mahogany crossbanded 30 hour longcase clock with rose decorated painted square Roman dial, 81" high.

An Enfield walnut longcase clock with silvered Arabic dial and chiming mechanism, 74" high.

19th Century oak and mahogany Longcase Clock, the circular brass dial signed, "Benbow, Newport", arched hood with moulded outlines and circular aperture with pilasters, the case crossbanded in mahogany, later bracket feet, thirty-hour movement.

19th Century oak cased Longcase Clock, the painted arched dial signed, "Rea, Walton", eight-day movement, arched panelled hood with plain columns, the long centre door crossbanded in mahogany, box plinth.

A LATE GEORGE III MAHOGANY LONGCASE CLOCK by William Withers of Bristol, with an eight-day bell striking movement and a subsidiary seconds dial and date indicator to the painted dial, with a landscape lunette above, in a mahogany case with fluted quarter pilasters to the trunk, 87". on page 118

A GEORGE II WALNUT LONGCASE CLOCK, the 11" dial with silvered chapter ring and subsidiary seconds dial and date aperture, with pierced and cast spandrels, with an eight-day movement striking on a bell, the flat topped hood with turned columns, with a quarter-veneered door and a conforming base, 74" high.

AN OAK LONGCASE CLOCK, the long arch trunk door surmounted by an arch pediment with reeded columns, the painted arch dial within a classical motif, Arabic numerals, subsidiary seconds and date aperture with two-train eight-day movement striking on a bell, 80" high.

A part eight day Longcase Clock Movement and Dial, (associated), the dial signed ‘William Draper, Maldon, with silvered and engraved decoration, to a painted ship automaton, titled ‘The Royal George’, over an engraved Roman and Arabic chapter ring, with subsidiary seconds and date sector, to an associated movement with four knopped pillars and anchor escapement, with pendulum bob and single weight

A rare and unusually small George III period miniature longcase regulator clock. By Sam Brown, Edinburgh. the single train movement with dead beat escapement, the broken triangular key fret cornice with anthemion finial above a circular silvered dial with roman chapter ring and subsidiary seconds dials, engraved with maker's signature, between fluted columns the ogee bracket trunk door between moulded angles, flanked by rosette carved volute scrolls, on panelled base with shaped bracket feet 38cm wide x 185cm high x 23.5cm deep

A mid 18th century mahogany and giltwood astrological longcase clock. By Thomas Ogden, Halifax. the triple train movement with anchor escapement striking on bells, the arched brass face with urn and eagle cast spandrels, silvered Roman chapter ring with subsidiary seconds dial and date aperture, the arch with silvered and painted solar phase dial, centred by an engraved map of the northern hemisphere and with dials to either side marked "for sunrise, sunset" and with the signs of the zodiac, the hood with caddy top surmounted by a flaming urn finial, above a verre eglomise swan neck pediment with further finials, the arched glazed door flanked by fluted Corinthian columns, the case with crossbanded shaped trunk door flanked by fluted Corinthian quarter column angles, the base with moulded crossbanded panel on moulded plinth 67.5cm wide, 270cm high, 31cm deep

An early 19th century mahogany and line inlaid longcase clock. the twin train movement with anchor escapement, the swan neck pediment with ball finials, above an arched Roman enamel dial with subsidiary seconds and calendar dials flanked by 'thistle and rose' spandrels and a coastal scene with ship and lighthouse to the arch, the chequered and crossbanded front with plain quadrant corners on shaped apron and tapering bracket feet 213cm high

An early 18th century walnut oyster veneered and floral marquetry longcase clock. the twin train movement with anchor escapement, the moulded ovolo cornice above a square 10" brass face with associated rococo spandrels. silvered roman chapters ring, calendar aperture and subsidiary seconds dial, with matted centre, flanked by twist-turned columns, the full height trunk door above inlaid apron and associated plinth base 202cm

An 19th century carved walnut chiming longcase clock, of impressive proportions . By Maple & Co. Ltd., London. in the 'Renaissance Revival' taste, the three train movement chiming on a nest of eight graduated bells and four graduated gongs with hour repeater, the floral engraved brass dial with silvered roman chapter ring and maker's plaque, the pediment carved with cupids flanking a cartouche above a frieze supported by a pair of bearded atlantes with carved claw feet, the case profusely carved with shells, strapwork and birds around a front panel decorated with central female mask above a grotesque satyr mask flanked by monopaedic caryatid uprights each having festoon-carved claw feet, the projecting leaf carved lower apron on lion mask carved scrolling pilasters and shell carved feet 271cm high, 70cm wide, 40cm deep

A George III period mahogany and line inlaid longcase clock Signed Chas. Campbell, Bo'ness. the twin train movement with anchor escapement, the swan neck pediment above a roman enamelled dial with subsidiary seconds and calendar dials between spandrels allegorizing the four seasons, the arch painted with Masonic emblems beneath swags of drapery, the shaped trunk door between foliate incised quadrant corners, on bracket feet 219cm high

A George III period mahogany longcase clock. the twin train movement with anchor escapement, striking the hours on a bell, the key fret cornice above an arched roman enamel dial painted with floral spandrels, the strike/silent dial with a female figure bidding farewell to a Man O' War to the arch, flanked by ho-ho birds, between reeded Corinthian columns, the ogee arched trunk door decorated with shell paterae between reeded quadrant corners, on inlaid plinth base, raised on bun feet 207cm high

A late George III thirty hour longcase clock, the painted 12 arched dial signed Joseph Lawley, Wellington (indistinct), with ring of Arabic numerals, date aperture, florally painted corner spandrels under a painted arch, the hood with swan-neck pediment over turned front corner hood pilasters, flanking an arched glazed hood door, over a shaped crossbanded short trunk door, flanked by reeded front corner trunk pilasters on a tall crossbanded box base and cut-out plinth, 220 cm high

A William and Mary walnut and marquetry longcase clock, the 11 (28 cm) square brass dial signed Nicholas Masey, London, with silvered chapter of Roman numerals, subsidiary seconds dial, date aperture, twin winding holes and cherub-moulded pierced corner spandrels, the five pillar movement striking on a single bell, the hood with ebonised and walnut crossbanded cornice over a marquetry and stained ivory leaf frieze, over a square glazed door with matching surround and three quarter front corner spiral-turned hood pilasters with glazed hood sides and back corner quarter spiral mouldings, over a long trunk door with gilt-metal key escutcheon, lenticle within moulded ebonised frame, the door inlaid with two panels of marquetry and stained ivory depicting birds and bowl overflowing under a pointed arch with top corner floral inlays, all within an ebonised rectangular moulded surround, on a box base with marquetry and stained ivory panel matching the panel to the door on later ebonised ball feet (restored), 198 cm high

A 20th Century mahogany and walnut inlaid miniature longcase clock, set with Smiths 'Astral' brass movement.

A 19th Century English oak cased miniature grandfather clock, the brass dial with scroll spandrels, coving a standard weight driven longcase movement, approximately 142 cm high, key available.

A late 18th Century oak eight day longcase clock, the 12Ó dial with gilt corner spandrels inscribed 'Ralph Sayers Lindfield', flanked by turned columns over a rectangular door and stepped base, 194 cm high.

A 19th Century Scottish mahogany longcase clock, the circular white painted dial with seconds and date dials, fitted eight-day striking movement, the trunk flanked by reeded pilasters and fitted an arched panelled door, raised on a plinth base, 18 1/2in. x 78in. high.