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A flame mahogany and bird's eye maple cased longcase clock, the dial set with Roman numerals, height 207cm.

A reproduction mahogany cased longcase clock, the moon dial set with gilt Arabic numerals, inscribed 'Slight', height 204cm.

A 19th century mahogany thirty hour longcase clock, the floral painted dial with Roman numerals, the case with three gilt painted finials above two columns.

A mahogany and inlaid eight day longcase clock, the dial plate with painted landscape scene and subsidiary dial detailed 'Thomas Fayrer Lancaster', with eagle surmount and broken arch pediment, over an inlaid hood and waisted trunk, 227cm high (two lead weights and a pendulum).

A Scottish eight day longcase clock, 19th century, the circular painted metal dial with two further subsidiary dials, detailed 'John Hislop Peebles', with urn finials over circular glass window and a waisted trunk, 208cm high (two cast iron weights and a pendulum).

An 18th century mahogany north country longcase clock, with eight day movement operating the rolling moon dial with subsidiary second and date chapters 230 cm H

A 1950s Enfield longcase clock, with eight day movement striking and chiming on rods, complete with presentation plaque marked 1953 195 cm H

Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.

John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.

Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base and tapered three-quarter columns to the hood with wood capitals, height 213cm. * Biography Peter Bower is recorded as a fine and prolific maker working in the West-country from circa 1710.

A 19th Century oak and mahogany longcase clock by Robert Joyce & Sons of Ruthin, the 13ins square painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels decorated with flowers to the eight day two train movement striking on a bell, contained, in oak and figured mahogany case with scroll pediment and triple cluster columns to hood, shaped and crossbanded trunk door flanked by moulded columns, the base with raised astragal panel and on bracket feet, 87ins high Note : Robert G. Joyce recorded working Ruthin 1856-1887

An 18th Century mahogany longcase clock by Thomas and John de la Houilliere of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, the hood with deep moulded cornice above fretted frieze and with turned, fluted and brass stopped columns, shaped figured trunk door flanked by quarter fluted and brass stopped columns, the base with raise astragal centre panel with conforming columns, on double plinth base, 93ins high Note : Thomas de la Houilliere recorded working London before 1725

An 18th Century mahogany longcase clock by James Brogden of London, with 12ins arched brass dial, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre dial engraved with birds and leaf scroll ornament, the eight day two train five pillar movement now striking on a gong, contained in mahogany case, with swept cresting, arched and moulded cornice and turned fluted and brass stopped columns to hood, shaped trunk door and plinth with raised centre panel and double plinth base, 94ins high Note: James Brogden recorded working in London, 1770-1799

An early George III mahogany longcase clock by Thomas Cackett of Cranbrook, the 12ins arched brass dial wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, with shaped cresting, above arched and moulded cornice, turned and fluted pillars to hood, shaped trunk doors, and on bracket feet, 88ins high, (included brass finials) Note: Thomas Cackett recorded working in Cranbrook in 1748, retired 1774

A late 18th Century oak and mahogany longcase clock by S. Ellis of Church Stretton, the 12ins square painted dial with Roman and Arabic numerals and subsidiary seconds dial, date aperture and dummy winding holes to the thirty hour movement striking on a bell, contained in oak case banded in mahogany with narrow moulded cornice and plain turned pillars to hood, crossbanded trunk door and conforming plinth, 77ins high

A late 18th Century oak and mahogany longcase clock, the movement inscribed "Robert Cornish of Dartford", the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial with date aperture to the eight day two train movement striking on a bell, contained in associated oak and mahogany case, with scroll pediment and slender turned pillars to hood, shaped trunk door flanked by fluted quarter columns and on bracket feet, 88ins high, (movement and case associated and in need of restoration)

A 19th century mahogany longcase clock, by Cooper & Hedge of Colchester, with a thirty hour movement striking on a bell, the brass dial with a silvered 11in chapter ring, inscribed, with a birdcage movement in later mahogany case, 219cm high

A George III oak eight day longcase clock, by Edward Hunsdon, Chelmsford, the square dial with a silvered chapter ring, seconds dial and calendar aperture supporting a five pillar striking movement, dial 11¼in (29cm), case 202cm high

An early 19th century mahogany longcase clock having swan neck hood comprising, painted arch dial of huntsman scene with 8 day movement possibly James Scott, Kendal on a pillar trunk and square base

A late 20th century Emperor mahogany longcase clock having swan neck hood with moon phase dial and chiming movement on glass trunk and square base

A Victorian eight day mahogany longcase clock by W. Illingworth Holbeck with painted arch top dial and subsidiary seconds.

A Swarovski and gilt metal miniature champagne bottle together with a Classic Timepieces gilt metal longcase clock (2)

A painted longcase clock dial

A 19th century mahogany inlaid eight day longcase clock, the hood with broken swan pediment terminating in gilt scrolls, above glazed door enclosing painted dial with floral panels, Roman numerals and two subsidiary dials, name rubbed, with pendulum and two lead weights, dial 47.5cm high x 33cm wide, clock 235cm high

A 19th century mahogany cased eight day longcase clock by Robt Currer Falkirk, the hood with broken swan pediment above glazed door enclosing painted dial depicting spandrels of commerce and albion, the dial with Roman numerals and two subsidiary dials with pendulum and two lead weights, dial 51cm high x 36cm wide, clock 224cm high

A quantity of crested wares, to include miniature longcase clock, cups, animal figures, teapot, jugs (a lot)

A 19th century mahogany cased eight day longcase clock by Alex Collison Stonehaven, the hood with broken swan pediment terminating in gilt scrolls, above glazed door enclosing painted dial depicting spandrels of famous figures to include Robert the Bruce, the dial with Roman numerals and two subsidiary dials, name rubbed, with pendulum and two lead weights, dial 47cm high x 33cm wide, clock 213cm high

A 19th century mahogany inlaid longcase clock by John Pringle, the painted dial with floral panels and panel of church, the dial with Roman numerals and two subsidiary dials (lacking hood and weights), pendulum a/f, dial 49cm high x 34.5cm wide, clock 207cm high

A 19th century mahogany inlaid eight day longcase clock, the hood with broken swan pediment, terminating in gilt scrolls with glazed door enclosing brass celestial moon phase dial with gilt mask spandrels, Roman numerals and subsidiary seconds dial, with pendulum and two lead weights, dial 49cm high x 35cm wide, clock 230cm high

A Georgian Oak country Longcase Clock, moulded cornice to the hood with single pane (a/f) door, flanked by turned columns, having painted face, with bird and floral designs, marked Watkins, Abergavenny, 30 hour movement, long door case with plinth base, 74 1/2'' high x 17 3/4'' wide x 8 1/2'' deep

A mid 19th Century oak and mahogany crossbanded longcase clock, the painted arch dial with eight day movement currently detached, A/F.

An 18th Century and later oak longcase clock with 30-hour movement, the hood with twin swan neck pediment enclosing a 10 inch square brass dial with single hour hand and corner spandrels, the chapter ring signed 'W. Morgan, Hereford', later alterations and repairs, height 207cm.

Victorian carved oak longcase clock case, swan neck pediment with brass plate mounts, H218 Condition Report Click here for further images, condition, auction times & delivery costs

John Rowlands of Berwick early 19th century oak longcase clock, having swan neck pediment and two 3/4 turned pilasters flanking silvered arched dial, w.12", signed to the arch, the main dial with Roman and Arabic numerals, inner date dial and subsidiary seconds dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case with arched panelled door to boxbase, h.227cm

Robert Johnson of Ballymoney early 19th century mahogany longcase clock, the painted arch dial (w.12.5") signed to the centre and having rolling moondial, subsidiary seconds dial over rolling date dial, twin winding holes for a brass eight day four pillar weight driven movement, the case with panelled door within quarter turned diagonal reeded pilasters to a boxbase with canted corners, h.237cm

James Blair of Kilwinning early 19th century mahogany longcase clock, the signed and painted arched dial with Roman and Arabic numerals, subsidiary seconds and date dial, twin winding holes for a brass eight day weight driven four pillar movement striking on a bell, the case with specimen marquetry feather banding and boxwood stringing to a boxbase, h.222cm

An 18th century mahogany and rosewood crossbanded longcase clock, the enamelled face with Roman numerals second dial and eight day movement signed by H Palmer, Monmouth, h. 223 cm, w. 51 cm, d. 24 cm CONDITION REPORT: Some rosewood banding missing. Back feet missing, Crazing to enamel. Finial loose. Column loose with chips General wear and tear

An 18th century oak, mahogany, rosewood and parquetry line inlaid eight day longcase clock, the swan neck pediment above a painted face with Roman numerals, second dial and pierced hands by Lawnt of Chesterfield, h. 231 cm, w. 57 cm, d. 29 cm CONDITION REPORT: Second dial hand missing. Pendulum missing. General wear and tear

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK by J. Watson of Kirriemuir, with two train movement, the 11 inch dial with Roman numeral chapter ring, the dial painted with biblical scenes including 'Esther Accuseth Haman' and 'Hope', 'Charity', 'Justice' and 'Faith' respectively, approximately 210cm high, with weights and pendulum

ALEX MITCHELL LONGCASE CLOCK

Oak and crossbanded 8-day longcase clock (Gaskell, Knutsford). Condition report: see terms and conditions

A mahogany longcase clock, second quarter 19th century, the hood with broken scroll pediment above an arched glazed door, flanked by double half rope twist pilasters enclosing a 14 inch arched white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch, floral painted corners, marked Thos Bott and Co., Liverpool, eight day movement striking on a bell above a triple fronted arch top three quarter length crossbanded trunk door, flanked by rope twist pilasters above a crossbanded panel and base board on shaped apron and bracket feet, 222cm high.

A George III oak longcase clock, later carved, the ogive moulded cornice, lunette carved above an arched glazed door flanked by barley twist pilasters enclosing an 11.5 inch engraved brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and date aperture in the centre, the dial inscribed William Barnish, pierced cherub mask spandrels, and cherub and fruit basket crown in the arch, eight day movement striking on a bell above a foliate carved shaped top trunk door lunette carved moulding and lozenge carved base board and raised on shaped bracket feet, 211cm high.

A George III oak and mahogany crossbanded cottage longcase clock, 18th century and later, the square hood with broken scroll swan neck pediment and ball and spire finial above a glazed door enclosing a 12 inch square white enamel dial marked E. King, Warwick, Arabic numerals, date aperture painted with roses in the corners, striking on a bell between reeded brass capped pilasters above a crossbanded three quarter length trunk door flanked by brass capped fluted quarter pilasters over a further tablet and crossbanded base board and later plinth, 206cm high.

A George III oak thirty hour longcase clock the 12 inch square painted dial signed R.Boscall, Godalming, the dial with false winding holes, the hood with swan neck pediment over a crossbanded trunk door. 210 cm high

A George III mahogany longcase clock, late 18th century, the arched hood with broken scroll swan neck pediment centred by a reeded flame and urn finial above blind foliate carve frieze and arched glazed door enclosing a 13 inch brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, foliate engraved centre, cherub spandrels with disc in the arch marked Tempus Fugit, eight day movement striking on a gong the hood with fluted pilasters above a foliate moulding and full length trunk door with shaped door flanked by fluted quarter pilasters over a base board and canted fluted corners on shaped bracket feet, 205cm high.

An oak and rosewood crossbanded cottage longcase clock, early 19th century, the square hood with broken scrolls, swan neck pediment above a glazed door flanked by turned pilasters enclosing a 12 inch white enamel dial with Roman numerals marked Parlow Montgomery above a curved date aperture painted with figures and classical ruins to the corners, 30 hour movement striking on a bell above a three quarter length crossbanded trunk door with foliate lozenge inlaid central motif showing a bird and mother of peral flowers, the door with shaped top above a plain panel and conforming crossbanded base board with lozenge motif and on bracket feet, 202cm high.

A George III oak longcase clock, the ogive moulding above a blind fret carved cornice and glazed square door flanked by turned gilt capped three quarter pilasters enclosing and 11.5'' square brass dial with silver chapter ring and Roman numerals, cherub spandrels and date aperture, the dial inscribed Richd Evans, Oswestry, eight day movement striking on a bell above an ogive moulding and rectangular bevelled trunk door further moulding and plain base board and plinth base, 200cm high.

An oak and mahogany crossbanded cottage longcase clock, part George III, the square hood with broken scrolls, swan neck pediment and brass ball and spire finial above a glazed door enclosing an associated 11 inch square dial inscribed Hill, Stafford with single hand silvered chapter ring with Roman numerals and pierced foliate spandrels, 30 hour movement striking on a bell between later reeded pilasters above a crossbanded trunk door flanked by fluted quarter pilasters over an ogive moulding and opine base board and plinth, 210cm high.

A George III oak cottage longcase clock, late 18th century, the square hood with ogive cornice and blind fret carved frieze above a glazed door flanked by turned pilasters and enclosing an 12 inch engraved brass dial inscribed Hinksman Broseley with silvered chapter ring Roman numerals and Arabic seconds ring, subsidiary seconds dial and date dial and foliate engraved to the centre, foliate cast spandrels, 30 hour movement striking on a bell above an ogive moulding and long trunk door with shaped top over a further plain panel and on bracket feet, 205cm high.

Beeching, Ashburnham: an oak thirty hour longcase clock, the 11in. square painted roman dial with anchor escapement and count strike mechanism, the case with blind fret frieze above glazed door, thin waist door centred by inlaid star motif, 113cms (84in.) high, with pendulum and weight.

An oak longcase clock, arched brass dial, signed Hugh Inglis, Witley, 1912, with three revolving chapters indicating day, date and month, moonphase lunette and with spandrel dials, Chime-Silent, Whitt-West-Nicel, Strike-Silent and Repeat, three chain weight-driven movement striking on nine bells, mercury compensated pendulum, case with swan-neck pediment and glaze door, height 237cm.

19th century longcase clock with eight day movement striking on a bell, 13 inch breakarch dial with floral spandrels, the breakarch with moon roller, country house and shipping decoration, in a mahogany case with arched door, the hood with swan-neck pediment and ball finials, 250cm high (weights, key and pendulum present)

Early 18th century longcase clock with eight day movement, brass 12 inch breakarch dial with face mask spandrels, wheat-ear borders, matted centre with subsidiary seconds dial and calendar aperture and silvered chapter ring, signed in the arch - John Smorthwait Colchester, in a black chinoiserie lacquer case with full-length arched door, caddy hood with similar lacquer decoration, 228cm overall height (pendulum, winding key and two weights present)

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, WILLIAM SMITH, LONDON, the 11½ inch brass and silvered break arch dial with strike/silent in the arch, subsidiary seconds and date calendar, passing strike, the hood with pagoda top and three brass orb finials, the case with flame mahogany moulded trunk door with break arch top, the fielded panel base raised on a plinth with shallow block feet, complete with weights and pendulum. Overall 251cm

A 19th century stained as mahogany longcase clock, the 30-hour movement with date aperture and painted birds and floral spandrels (believed to be by Thomas Mear of Dursley)

A modern mahogany finish longcase clock having eight-day Westminster chiming movement, glazed panelled long door, 212cm high

MODERN LONGCASE CLOCK. Modern mahogany Longcase clock, West German made

An 18th Century Lacquered Longcase Clock with chinoiserie decoration. The eight day movement having a 11¾ in (30 cm) brass dial with ornate scrolling spandrels to the corners and a pair of dolphin mounts flanking a silvered convex roundel in the arch signed Step Clarke London. The silvered chapter ring engraved with Roman numerals counting the hours and an outer ring of Arabics counting the minutes. The matted centre with subsidiary seconds ring and a calendar aperture. The case with pagoda pediment above a fretted panel and integral columns flanking the dial. The trunk with gilded chinoiserie ornamentation on a dark green lacquered ground, 94 ins (239 cms) in height.

A Fabulous George III Flame Mahogany Eight Day Longcase Clock by Burtt Wade of London. The 11¾ ins (30 cm) brass dial having a silvered roundel in the arch engraved with the maker's name above a silvered chapter ring encircling a matted centre with subsidiary seconds dial and calendar aperture. The corners and arch adorned with Rococo scrolling spandrels and mounts. The case having a pagoda hood with fretted roundel to the top and gilt brass pineapple finials either side above fluted columns inset with brass reeds. The trunk with a shaped door edged in moulding, flanked by recessed quarter columns, on moulded base and bracket feet, 92½ ins (235 cms) in height.