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A late 18th/early 19th century oak longcase clock with domed hood and side columns, the brass dial with date aperture and subsidiary seconds dial, mask spandrels, dolphins and roundel to arch, inscribed John Banks, Newport - H215cm

A George III oak longcase clock, the moulded hood above a repainted square section dial with eight day movement above a long door to plinth base, height 210cm.

Victorian oak brass mounted longcase mantle clock 18" tall

An 18th Century longcase clock, with 12" arched brass dial, inscribed Meyer, Broadmead Bristol, with subsidiary seconds and calendar aperture, in carved stained oak case, height 233cm.

AN OAK LONGCASE CLOCK by John Hartley, Halifax, 18th century, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with Masonic arch and sunburst, calendar dial, the case with cavetto moulded cornice on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 82 3/4" high

A mahogany inlaid eight day longcase clock with painted arched dial

An oak thirty hour longcase clock, bearing Jno Batty, Ripponden

An oak thirty hour longcase clock

Mahogany longcase clock with painted dial signed Arch`d Gray, Glasgow

A oak and mahogany cross banded thirty hour longcase clock with painted arched dial

A 19th century longcase clock `R Johnson, Darlington`

A mahogany eight day longcase clock with painted dial `C & J Wilson, Guisborough`

A late George III 8-day longcase clock, 12in. square enamelled dial with subsidiary seconds and date aperture, movement with anchor escapement, mahogany case with boxwood line inlay, with pendulum and weights, 7ft. 2in. - swan-neck pediment added

A George III 8-day longcase clock, square, enamelled dial with subsidiary seconds and date aperture, in oak case, 6ft. 7in.

A George III 8-day longcase clock, arched, enamelled dial, signed Robt. Bertrand, London, dial with painted spandrels and subsidiary seconds, in oak case, with pendulum, weights and key, 7ft. 1in.

A mid-18th century 30 hour longcase clock dial and movement, square 9in. brass dial signed John Bodkin, post-framed movement with rope-drive and count wheel

A group of eight longcase clock pendulums

Thirteen various longcase clock winding cranks and two clock keys

A collection of 18th century-style longcase clock spandrels, cast brass and a quantity of longcase/bracket clock convex glasses

An early 19th century inlaid mahogany longcase clock case with arched hood, short trunk door and box base on front bracket feet, 210 cm

Georgian oak and mahogany longcase clock, with inlaid decoration, broken swan-neck pediment, arched painted dial, thirty-hour movement, height 230cms.

Antique Oak 30 Hour Longcase Clock with Brass Arched Dial, Cuthbert Darnton, Durham

Antique Mahogany and Oak 30 Hour Longcase Clock with Painted Arched Dial, Blakeborough, Otley, No 2264

A 19th Century oak longcase clock, with rolling moon dial and brass face signed T. Radford, Leeds

A MINIATURE CARVED OAK LONGCASE CLOCK with applied relief decoration, enclosing simple watch movement with enamel dial, 15 1/2" high.

A 19TH CENTURYCOTTAGE OAK LONGCASE CLOCK having a thirty hour movement, square painted dial with date aperture, makers name rubbed but from Horsham, the plain case having an arch , 80 1/2" high.

A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK with square painted dial and date aperture, the case having a broken scroll pediment and with a thirty hour movement, 76" high.

A late 18th century oak and satinwood banded 30 hour longcase clock, by Deacon Barton, the 12 inch enamel dial with arabic numerals and painted flowers housed in a swan neck pediment case with Roman doric columns, 47cm wide, 211cm high, 24cm deep

A George III 8 day longcase clock by Stanyer of Nantwich, the 10 inch brass dial with Roman and arabic numbers housed in an oak case with Roman quarter column decoration and brass fittings,

A Regency 8 day longcase clock by J Chambley and W Hampton, the 14 inch enamel dial with Arabic numeral and allegorical decoration, with subsidiary silencer dial, housed in a mahogany and marquetry case, the hood of swan neck arched pediment form, signed 'J Chambley' and 'W Hampton'

A C19th Austrian carved oak longcase clock decorated with a knight slaying a dragon, the brass dial signed and inscribed Wien, 27'' wide, 79'' high

A 1930s Smiths Electric longcase clock in the Art Deco manner, 136.5cm high.

A Victorian oak longcase clock with 8 day movement by Mosely of Cumberworth, with brass dial.

A George III oak eight-day longcase clock with unusual chapter ring, Charles and Edward Gillet, Manchester, late 18th century, the four pillar movement with anchor escapement and hour striking on a bell controlled by locking pins fitted to the strike great wheel, the 12 inch square brass dial with subsidiary seconds and calendar dials to the symmetrical scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track and unusual half hour markers which comprise of letters to form the name JOSEPH JEPSON the lower edge signed Cha`s & Edw. Gillet, Manchester, the angles with rococo scroll cast spandrels, the case with ogee shaped caddy surmount above cavetto moulded cornice, foliate fretwork frieze and columns flanking the square hood door, the trunk with shaped-top mahogany crossbanded caddy-moulded door flanked by quarter columns to front angles, on raised-panel fronted plinth base with ogee bracket feet, 217cm (85.5ins) high. The partnership between Charles and Edward Gillet is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1790-1800. The name formed from letters positioned as half hour markers is highly unusual and probably spells out the name of the original owner.

An Edwardian inlaid mahogany quarter chiming eight-day longcase clock, unsigned, early 20th century, the four pillar triple train movement chiming the quarters on a choice of either eight bells or four gongs and striking the hour on a further gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with winged cherub head and scroll cast spandrels and with chime selection switch at three o`clock, the arch with subsidiary CHIME/SILENT selection dial flanked by scroll cast mounts, the swan neck pedimented case with foliate inlay above brass Corinthian pillars and rectangular scroll pierced sound frets to sides, the trunk with shallow-arch door decorated with a drapery swag above elaborate tall foliate scroll marquetry cartouche within satinwood banded surround, on plinth base with conforming marquetry panel and moulded skirt incorporating shaped apron and bracket feet, 234cm (92ins) high.

An unusual mahogany cased gilt brass eight-day longcase domestic regulator, Ernest Mortimer Thomas, dated 1962, the four pillar movement with hour-glass shaped pierced frontplate and conforming large diameter backplate with Harrison`s maintaining power, deadbeat escapement and six-spoke wheel crossings, regulated by steel-alloy rod pendulum with large diameter cylindrical bob supported via `T` bar suspension from scroll pierced brackets fitted to the circular movement supporting plate screwed to the rear of the case, with signature Ernest Mortimer Thomas 1962 to centre and scroll decorated spandrel projections to angles, the 13 inch pierced slender silvered Roman cartouche numeral chapter ring supported via four elongated feet to the edge of the movement backplate and with conforming subsidiary seconds dial beneath twelve o`clock, the simple mahogany case with moulded cornice above bevel glazed front door and side panels, on tall plinth base with ogee moulded skirt, 203cm, (80inches) high.

A George III oak eight-day longcase clock, George Hewett, Martley, late 18th century, the four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and signed signed George Hewett, Martley to the scroll engraved silvered centre within applied Roman numeral chapter ring with concentric calendar to the inner track and Arabic five minutes, the angles with scroll cast spandrels, in a case with cavetto moulded cornice and three-quarter columns to hood above rectangular caddy moulded door to trunk, on plain plinth base with moulded skirt, 198cm (78ins) high.

An oak eight-day longcase clock, the dial bearing signature for Springer, Stockport, 18th century and later, now with 19th century four pillar rack and bell striking movement fitted to an 11 inch square brass dial with ring turned calendar aperture to the foliate scroll engraved matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and bearing signature Springer, STOCKPORT to lower edge, the angles with female mask and scroll cast spandrels, now in a case with ogee moulded caddy above conforming cornice, blind fret fronted frieze and turned columns flanking dial, the trunk with shaped top door over plain plinth base with moulded skirt incorporating bracket feet, 206cm (81inches) high.

A walnut eight-day longcase clock, mid 18th century and later, the 19th century four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and bearing signature Leddgeer, Norwich to centre, with game bird painted spandrels and conforming landscape with hunstman and hound to arch, now in an earlier case with later swan neck crest above moulded cornice and three-quarter columns to hood, the trunk with break-arch crossbanded door, on conforming plinth base with moulded skirt, 226cm (89ins) high.

A French gilt brass mounted walnut miniature longcase clock, Maple and Co. Paris, circa 1900, the eight-day bell striking movement stamped MAPLE & Co. PARIS within rectangular cartouche to backplate, the circular cream enamel dial painted to simulate a thirteen piece Roman numeral dial with Arabic five minutes to outer track and with glazed convex bezel, the case with foliate scroll crest and conforming side mounts terminating with stylised dolphins to hood section above glazed waisted trunk with further mounts to angles, on panel fronted plinth base with scroll cast feet, 49cm (19.25ins) high; with non original a gilt metal mounted oak wall bracket of ogee outline with cast mounts to angles and base, 19cm (7.5ins) high, the clock and wall bracket 58cm (22.75ins) high overall.

Late eighteenth century eight day longcase clock movement with 12 inch square painted dial with painted fruit and floral spandrels, subsidiary moon roller and calendar dials, indistinctly signed, possibly Hewett Marlborough

A George III eight day striking mahogany longcase clock by B & A Levy of Plymouth, with silvered arch dial, Height 86"

An early 19thC eight day striking painted dial mahogany banded oak longcase clock, moonphase to arch, swan neck cresting to hood, shell inlay to door, Height 88"

German early 20th century longcase clock, chiming, with gilt dial in oak case with carved cornucopiae and glazed door.

A Victorian mahogany longcase clock, a/f

An inlaid mahogany longcase clock with painted dial and 30 hour movement, signed Pollard Crediton, a/f

A thirty hour longcase clock, the 18th Century movement with 11" brass dial signed Mark Hawkins, St. Edms Bury in a later oak and mahogany case

A mahogany longcase clock with painted dial

E. STEVENS, BOSTON AN 18TH CENTURY OAK LONGCASE CLOCK, the hood with moulded pediment over an arched glazed door, flanked by twin pilasters with brass capitals, 8-day four pillar mechanism with bell strike, faced by an arched brass dial with moon ph" ase, silvered chapter, subsidiary seconds and calendar, 2m high

W** S** AN EARLY VICTORIAN NORTHERN ENGLISH/SCOTTISH MAHOGANY LONGCASE CLOCK having 8-day four pillar mechanism with false plate faced by an arched painted dial with subsidiary seconds and calendar, hood with swan neck broad trunk with shaped waist" door inlaid on box base with bracket feet, 2.3m

SUMMERHAYES, ILMINSTER A PRINCIPALLY 19TH CENTURY OAK 8-DAY COTTAGE LONGCASE CLOCK, having hood with moulded pediment, later caddy flank pilasters with carved gilt wood capitals, waist door and box base on later plinth, four-pillar mechanism with an" chor escapement, no false plate, faced by a re-painted 12" dial, 2.05m high

A GEORGE II WALNUT LONGCASE CLOCK the brass breakarched dial with silvered chapter ring, matted centre, subsidiary seconds dial and engraved on a disc to the arch Edward East London, with dolphin and mask spandrels, the three train movement striking on a bell and chiming on a carillon, in richly figured case with chain stringing, swept pediment and cavetto cornice, fluted pillars and moulded door, 236cm h excluding finials Dial/movement associated, the signature spurious, the movement apparently complete, of good quality and quite clean, the case of pleasing colour with embellishment including later pediment, inlay and some reveneering, lacking small piece of moulding from the door

A VICTORIAN OAK LONGCASE CLOCK the brass break arched dial with matted centre, CHIME/SILENT ring to the arch and cherub spandrels, the substantial triple fusee movement striking on a coiled wire gong and chiming on a carillon, in dark stained case with swan neck pediment, fluted pillars and carved trunk with grotesques and scrolling foliage, fan fluting and a flower filled urn, 244cm h Minor shrinkage crack in trunk, just above the arch of the door but really in excellent original condition, a little dusty, long in the present local private ownership

A good John Distin of Guernsey eight day longcase clock early 19th century, the four pillar twin train movement striking on a bell, the gilt brass front plate with strike / silent dial to arch flanked by dolphin spandrels, silvered dial with Roman chapter ring, subsidiary seconds and date arch to the floral and foliate engraved centre, signed `John Distin, Guernsey`, within gilt floral, foliate and shell spandrels, the mahogany case with moulded arched cornice with three brass ball finials supported on stop fluted columns with gilt brass capitals, the trunk with fan inlaid and cross banded arched door, on a fielded panelled base with turned corner roundels, on bracket feet united by a wavy apron, 89¼in. (26.5cm.) high. .

A late-18th century Nicolas Blondel Channel Islands longcase clock the brass arched dial with matted centre with silvered Roman chapter ring with outer arabic seconds, subsidiary seconds dial and date aperture, pierced blued steel hands and gilt brass acanthus spandrels, the arch with brass roundel signed `Nicolas Blondel a Guernesey`, the eight day, four pillar twin train movement striking on a bell, the plain oak case probably original, with flared moulded cornice, arched glass hood with arched side glasses and turned pilasters, arched door to the trunk and plain plinth base,78½in. (199.5cm.) high, plinth reduced in height. .

An early 19th Century Longcase Clock, the arch dial inscribed "Barker, Easingwold" and painted with Britannia, with thirty hour movement in oak case with swans neck pediment. 6` 9" (209cms) high.

A 19th Century Longcase Clock, the painted arched dial inscribed "J Snowden, North Shields" with seconds and date rings, eight day striking movement in mahogany case, on short turned supports. 7` 6" (229cms) high.

A 19th Century Longcase Clock, the painted arched dial inscribed "W C Watters, Milnerthorpe" with seconds and date rings and eight day striking movement in mahogany case with swans neck pediment, canted corners and bracket feet. 7` 4" (224cms) high.

A George III oak and mahogany crossbanded longcase clock, oversailing stepped cornice above a square painted dial, Arabic numerals, subsidiary date aperture, inscribed W Price Llanrihanget, painted spandrels, flanked by two columns, rectangular door, skir

A George III oak longcase clock, oversailing stepped cornice above an arched brass dial, silvered chapter ring, with Roman and Arabic numerals twin winding holes, inscribed Richard Evans, Oswestry, arched rectangular door, skirted base, carved throughout