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A 19TH CENTURY OAK MINIATURE LONGCASE CLOCK WATCH STAND. 9ins high.

A VERY GOOD 17TH CENTURY WALNUT LONGCASE CLOCK BY JOSEPH KNIBB OF LONDON, the finely engraved brass faceplate encased within a walnut hood, incised with foliage and sprouting flowers, with subsidiary dial and date aperture, the case with crossbanded front and sides. 7ft high.

A George III longcase clock, the silvered chapter ring with Roman numerals, pierced brass spandrels with subsidiary second dial and date aperture. Marked John Carmichael Greenock. Broken arch pediment, pilastered hood, shaped door and quartered side pilasters, on a block base. 12ins dial.

An early 19th century longcase clock with broken arch pediment, arched painted dial and eight day strike movement. The oak and mahogany banded case with reeded side pillars.

A longcase clock, the carved oak case fitted with a late 18th century eight day movement, with strike silent dial, subsidiary second hand and date aperture. Marked Jonathan Benning Windsor.

A 19th Century oak and mahogany Longcase clock having painted arched dial, inscribed, 30 hour movement

A 19th Century oak Longcase Clock with arched brass dial, silvered chapter ring, 8-day movement, the door having oval inlay, 7ft 7in high

A Longcase Clock with square brass dial inscribed John Snow, Froom, date aperture, 30 hour movement, in later carved oak case

An antique oak Longcase Clock with painted arched dial converted to electric self winding, the case crossbanded in mahogany

A mahogany eight-day quarter chiming longcase clock, bearing signature for Francis Bennett, Shipston-on-Stour, early 19th century and later, now with triple-train key wound weight-driven movement with anchor escapement and a choice of Whittington, St. Michael and Westminster chimes on eight gongs and striking the hour on a cluster of four further gongs, the 13.25 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and bearing signature FRANCIS BENNETT, SHIPSTON-ON-STOUR to centre, the chapter ring with Arabic five-minute outer track within floral painted spandrels, the arch decorated with a Ho-Ho bird within delicate floral sprays, in a case with blind fret infill to the swan neck pediment and fluted columns to hood above shallow-arch door flanked by fluted quarter columns to trunk, on conforming crossbanded plinth base with moulded skirt incorporating bracket feet, 206cm (7ft 1in) high. condition report:** This clock has 20th century weight driven quarter chiming movement attached to a period dial plate which has been re-finished and signed by the clockmaker who undertook the conversion. Both movement and dial are in fine condition and clock should run and chime once set up correctly. Case is an early 19th century Scottish case and is in sound cosmetically restored condition with the only significant noticeable faults being vertical shrinkage cracks to the plinth base. The clock comes with weights, pendulum, case key and winder IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS Movements, dials and cases Movements and dials are described as relating to the cases in which they are housed in one of the following three ways: the case... we are of the opinion that the movement and dial started life in the current case. in a case... we are of the opinion that the movement and dial are in a case of correct period and type (and may well be original to the movement and dial), however there is evidence to suggest that they may not have started out life together. now in a case... we are of the opinion that the movement and dial are no longer in the original case or one of correct period and/or type. Pendulums, weights, winding and case keys Unless specifically indicated otherwise in the catalogue description it can be assumed that all clocks are sold with the requisite pendulum and correct number of weights (where appropriate), however we cannot guarantee that they are original to the clock. We do not indicate in the catalogue description whether winding or case keys are present with any specific clock. As many are consigned without keys please check with the department to establish whether they are present or not prior to bidding. Condition Due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Measurements Dial measurements are given in inches, other dimensions such as height are given in centimeters (and inches for English clocks). The measurement given for the height of a longcase clock excludes any removable finials in order to provide an approximate minimum ceiling height in which the clock can be accommodated.

A Victorian Scottish mahogany eight-day longcase clock, Farquarson, Dundee, mid 19th century, the four pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Farquarson, Dundee to centre, the angles with four seasons spandrels beneath ploughing scene to arch, the swan neck pedimented case with shaped-top trunk door flanked by split baton applied uprights, on panel-fronted plinth base with bracket feet, 210cm (6ft 11ins) high excluding eagle finial.

A Victorian Scottish mahogany eight-day longcase clock, C. Thomson, Kilmarnock, mid 19th century, the four pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and signed C. THOMSON, KILMARNOCK to chapter ring, the angles with four seasons spandrels beneath figural scene to arch, the swan neck pedimented case with crossbanded rectangular trunk door flanked by canted angles, on plinth base with turned feet, 224cm (7ft 4ins) high.

A mahogany eight-day longcase clock, circa 1800, the 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and with rubbed signature ...Bourton to centre, the spandrels with gilt foliate decoration beneath arch painted with winged Victory, now in a London style mahogany break-arch case with brass stop-fluted pilasters to hood above break-arch trunk door flanked by conforming quarter columns, on raised shaped-panel fronted plinth base, 229cm (7ft 6ins) high excluding finials.

A Regency brass mounted ebonised chamfer top bracket clock, unsigned, circa 1825, the five pillar twin fusee bell striking movement with anchor escapement and 8 inch circular convex silvered brass Roman numeral dial within cast brass bezel, the case with raised chamfer top upstand and fluted frieze to the cavetto moulded cornice above shaped brass fillet inset quadrant panels to front door flanked by brass inlaid canted angles and lions mask ring handles above rectangular fishcale frets to sides, on moulded base with brass ball feet, 41cm (16ins) high.. Provenance: The property of Viscount Portman, Spencer House thence by descent to The Late Henry Clive and Mrs. Clive, formerly of Perrystone Court, Herefordshire. condition report:** Movement appears to be complete and original, it will run and strike but is due for a clean and overhaul. The pendulum is fairly long which has necessitatied a hole to be cut in the bottom of the case and a box applied to the underside to enclose where the bottom of the pendulum bob passes through. This detail appears to have been done a long time ago possibly at the time of manufacture. The movemernt securing brackets are original and there are no signs of this case ever containing a different movement and dial. The convex section of the dial is backed onto a flat circular brass plate which appears to be a piece of salvaged brass as it has a couple of old sporious filled holes and other surface blemishes, the dial itself is discoloured/tarnished but undamaged. There is a possibility that at some point early in the clocks life that the dial was changed from a white painted version to the current engraved silvered brass arrangement (hence the salvaged brass plate). The case is generally in presentable condition, the only noteworthy faults being a fairly crude repair to the strip of veneer lining the top flat section along the back of the case, this could very easily be improved by a good case restorer. as well as some light scuffing next to the bezel where attempts have been made to open the front . Otherwise damage limited to minor bumps scuffs, scatches cracks and small veneer chips commenserate with age and use. Brass fittings appear original and retain original lacquered finish albeit discoloured in places (particularily the feet). Clock comes with case lock key but no winder. IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS Movements, dials and cases Movements and dials are described as relating to the cases in which they are housed in one of the following three ways: the case... we are of the opinion that the movement and dial started life in the current case. in a case... we are of the opinion that the movement and dial are in a case of correct period and type (and may well be original to the movement and dial), however there is evidence to suggest that they may not have started out life together. now in a case... we are of the opinion that the movement and dial are no longer in the original case or one of correct period and/or type. Pendulums, weights, winding and case keys Unless specifically indicated otherwise in the catalogue description it can be assumed that all clocks are sold with the requisite pendulum and correct number of weights (where appropriate), however we cannot guarantee that they are original to the clock. We do not indicate in the catalogue description whether winding or case keys are present with any specific clock. As many are consigned without keys please check with the department to establish whether they are present or not prior to bidding. Condition Due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Measurements Dial measurements are given in inches, other dimensions such as height are given in centimeters (and inches for English clocks). The measurement given for the height of a longcase clock excludes any removable finials in order to provide an approximate minimum ceiling height in which the clock can be accommodated.

An antique oak Welsh longcase clock for refurbishment having a brass dial with eight day movement by Hampson, Wrexham

A mid 19th Century oak and mahogany longcase clock having an arched hood with painted dial, Kettering maker, name indistinct

A late 18th/early 19th Century mahogany longcase clock for refurbishment having a square brass dial with eight day movement by J Minshul, Denbigh

An early 19th Century polished longcase clock having an arched hood with painted dial eight day rolling moon movement named William Roberts

A late 19th Century mahogany longcase clock with arched hood having a painted dial eight day movement by D Jones, Bethesda

A late 18th century longcase clock having swan neck hood containing brass face inscribed Jos Wood, Scarborough with 8 day movement , with oak trunk and case with square base

A brass arched longcase clock face, the dial signed J. Williams, silvered chapter ring with Roman numerals, also engraved with a verse "As the notes of music passeth so with time leaving but a memory".

An oak and mahogany longcase clock, signed - Jones, Newtown, the case with a broken swan-neck pediment, branded and crossbanded, rose frieze with marquetry design of scrolling foliage, and a running stallion, shaped door, bracket feet, arched painted dial, river landscape scenes to the lunette and spandrels, a subsidiary seconds dial and date aperture, eight-day movement, striking on a bell.

A 1940`s oak longcase clock, with a moulded cornice, carved frieze, turned pilasters, plinth base, glazed doors, one enclosing a circular silvered dial with Arabic numerals, the movement striking on gongs.

"Late Georgian mahogany eight day longcase clock by Inskip of Sheffield, with secondary dial, painted white face with black Roman Numerals, 210cm h"

"Regency longcase clock with a painted dial inscribed "Giles Boates, NorthLeach", enclosing a thirty hour striking movement, in an oak case, 198.5cm h, with a book "Gloucestershire Clock and Watch Makers"

"T. Marriot, Lymington, early 19thC mahogany eight day longcase clock with secondary dial and date aperture, painted face, 30.5cm dia"

"Late 19thC eight day oak carved longcase clock, brass face, with spandrels, secondary dial and date aperture, marked and inscribed on face "Step & Mill, Kidderminster", 34cm dia"

"Longcase clock movement with a square brass dial inscribed Dan Quare, London, 153, (1675/1700) silvered chapter rings, seconds dial and calendar aperture and gilt mask spandrels enclosing an eight day two train movement striking on a bell above, 27.7cm w"

An English folk type dolls house longcase clock, a matching piano, side table, sideboard, table and four chairs, with a group of brass cooking pots etc. All early circa 1925 (14)

A late 18th Century square brass longcase clock dial with foliate engraved decoration, subsidiary seconds dial and silvered chapter ring with Roman numerals and inscribed `Jon Crampton, Dublin 32` cornered by pierced mask and scroll spandrels.

An early 18th Century and later oak longcase clock with thirty hour movement striking on a bell, the square brass dial with single hand and matt centre framed by a chapter ring with Roman numerals and inscribed `J. Andrews, Leadenhall Street, London`, the hood with moulded pediment above Corinthian columns and glazed door, the case with rectangular trunk door, on a plain base and plinth, height approx 212cm, together with pendulum and weight (alterations and restoration).

A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with rolling moon and signed `Henry Harrison London` to arch above a chapter ring with Roman numerals framing a matt centre with subsidiary seconds and date aperture, cornered with pierced eagle and urn spandrels, the hood with caddy top above a pair of brass finials and glazed door, the arched trunk and base painted with chinoiserie scenes on a blue ground, height approx 229cm, together with pendulum and two weights (faults).

A George V oak longcase clock, with eight day movement striking on a gong, the gilt break arch dial with silvered chapter ring and Roman numerals, cornered with foliate spandrels, the hood with swan neck pediment above a glazed door flanked by columns, the trunk with moulded decoration and circular glazed lenticle on a panelled base and bracket feet, height approx 191cm, together with pendulum.

A George III oak longcase clock with eight day movement striking on a bell, the square painted dial with Roman numerals, moon phase indicator, date aperture and inscribed `Gaskell, Knutsford`, the hood with moulded pediment above a glazed door flanked by fluted columns, the crossbanded trunk door flanked by fluted pilasters above a panelled base, on ogee bracket feet, height approx 204cm, with pendulum, two weights and a key.

An 18th Century and later oak longcase clock with thirty hour movement striking on a bell, the brass dial with single hand and matt centre framed by a silvered chapter ring with Roman numerals cornered by pierced floral and foliate scroll spandrels, the moulded pediment above a glazed door flanked by turned columns above a plain trunk door and plain base, height approx 192cm, with pendulum and weight.

A George III oak longcase clock with thirty hour movement striking on a bell, the painted dial with Roman numerals and inscribed `Nicholas, Daventry`, the hood with swan neck pediment above turned columns and glazed door, the crossbanded case with rectangular trunk door, on bracket feet, height approx 199cm, together with weight and pendulum (some faults).

A pine and mahogany 30 hour longcase clock by Tho`s Williams Axbridge with 30.5 cm brass dial with seconds dial and calendar aperture, the spandrels engraved with foliate swags, the movement striking on a bell (with pendulum and bell)

A watchmaker`s anvil, a longcase clock winding key and pulley, other clock keys etc

A large quantity of postal scale weights, apothecary`s weights etc, longcase clock winding keys, a tin of pen nibs etc

An OAK LONGCASE CLOCK (probably 18th century), doubled with broken swan neck pediment above circular aperture, the waist with cross banded shaped door flanked by quarter reeded pilasters on a cross banded panel base. Circular painted face with Roman numerals and foliate decoration. 30 hour movement striking on one bell. North West England possibly by Marshall of Derbyshire. The face 13" Diameter. 85" High.

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK having an arched brass dial with silvered chapter ring and Westminster, Whittington and Saint Michaels chimes, case with a glazed panel door, 88" high.

A Victorian mahogany Pembroke table, a part longcase clock case, a table top display cabinet and a fire grate

John Cutlove, Bungay, an 18th century oak 30 hour chiming longcase clock, the dial with Arabic and Roman numerals

An early 19th century oak eight day longcase clock, the 13 inch arched brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture signed Gabriel Smith, Chester, 7ft

An early 19th century mahogany eight day longcase clock, the 12 inch circular painted dial with subsidiary seconds and date aperture signed T.Barclay, Montrose, 6ft 8ins

An early 19th century inlaid mahogany eight day longcase clock, the 13 inch arched painted dial with subsidiary seconds and date dials, signed Fothergill, Knaresbro, 7ft 4ins

A George III eight day longcase clock, with green chinoiserie lacquered case, the 12 inch arched brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture signed Thos. Hill, London, 7ft 4ins

A George III oak eight day longcase clock, the 12 inch arched brass dial with subsidiary seconds and date aperture signed Holmes, Cheadle, 6ft 10ins

A George III oak eight day longcase clock, the 13 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture signed James Buttler, Bolton, 7ft 2ins

A REPRODUCTION PINE LONGCASE CLOCK

AN OAK CHIMING LONGCASE CLOCK IN ARCHED CASE

A REPRODUCTION LONGCASE CLOCK WITH SWAN NECK PEDIMENT

A Mid 19th Century mahogany longcase clock,the eight day movement striking on a bell,painted arch enamel dial with Scotsman and highland castle scenes,seconds subsidiary dial signed Purdie & Safley Carluke,enclosed by a hood with broken swan neck pediment and brass eagle ball finial, over a trunk with bowfront door and doric pilasters, canted bracket plinth base 222cm high (lacking weights and chain) ILLUSTRATED

A late 18th to early 19th Century oak longcase clock the eight day movement striking on a bell, the 12” square brass dial with seconds and date dials inscribed H Thomas Caernarvon, pierced spandrels, enclosed by a pillared fluted hood over a short trunk door, canted plinth base, 200cm high. ILLUSTRATED

A Japanned Eight Day Longcase Clock, the case with oriental decoration throughout, side viewing windows, moulded skirting, 12-inch brass dial with silvered Roman and Arabic chapter ring, bottom of the dial plate highly engraved with figural and scroll work, signed Tempus Rerum Imperator David Lestourgeon, London within an ormolu frame depicting father of time, five pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1720, associated to the 18th century case, 216cm high

A Japanned Thirty Hour Longcase Clock, signed William Stumbels, Totnes, circa 1750, the case with a caddied pediment, glazed side windows, case with oriental decoration throughout, reduced plinth with moulded skirting, 11-inch brass dial with silvered Roman and Arabic chapter ring signed William Stumbels, Totnes, matt finished dial centre with date aperture, four pillar movement with anchor escapement and rack striking on a bell, 194cm high

A Mahogany Eight Day Longcase Clock, signed W Bellman, Broughton, circa 1815, the good coloured case with swan neck pediment, fluted columns, wavy shaped door flanked by fluted columns, rectangular plinth with canted corners (feet missing), 15-inch arched painted dial with Arabic numerals, inner date ring with corresponding central date hand, dial centre signed and with seconds dial, floral painted spandrels, the arch painted with a view over the Lune towards Lancaster Castle, four pillar movement with attached falseplate stamped Finnemore, anchor escapement, rack striking on a bell, 222cm high

An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high

An Oak Chiming Eight Day Longcase Clock with Centre Seconds, signed Jonas Barber, Winster, No.78, circa 1750, the case with swan neck pediment, turned columns with gilded capitals, arched trunk door flanked by fluted pilasters, rectangular base with canted corners and upon later feet, 13-inch arched brass dial with silvered Roman and Arabic chapter ring, finely matted dial centre and scroll work and engraved figural mask, date aperture, centre seconds, engraved borders, arch with rolling moonphase for lunar scale and tidal indicators, triple weight driven movement with deadbeat escapement, striking the quarters with three hammers striking three bells and a further hammer striking a larger bell for the hours, movement front plate engraved No 78, 214cm high Jonas Barber Jnr (b.c.1718-1802) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. This clock is illustrated fig 7/10 in Loomes (Brian) Clockmakers of Northern England, pg 83-84. It is sold together with a Clock Magazine dated 1982 in Brian Loomes has written an article about this clock, and a service receipt dated 1981.

A Regency mahogany drum head longcase clock By Bryson, Edinburgh eight day movement, the enamelled dial with Roman numerals, subsidiary second dial, the scroll pediment over a moulded arched cornice, moulded trunk door flanked by quarter columns, raised on plinth base 210cm high