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Mahogany longcase clock, with a swan neck pediment, the hood with turned supports, shaped door flanked by turned columns, shaped apron on bracket feet, arched painted dial with figures, Roman numerals, subsidiary seconds and date dials, signed John Rule, Kelso, eight day movement striking on a bell.

A late 18th century Channel Islands longcase clock the 12in arched brass dial inscribed Elie Guerine, Guernsey, with date aperture and movement striking on a bell, in a later oak case with glazed trunk door, 82in (208cm) high. Rare maker - Not listed in Tribe and Whatmore.

A good 8 day striking yew wood longcase clock with a 12" arched brass dial having calendar and second dial the silvered chapter ring signed SIM THORNE IVN TIVERTON standing 88" tall in restored condition

RICHARD SWAIN, STRATFORD A VICTORIAN OAK AND MAHOGANY CROSSBANDED EIGHT DAY LONGCASE CLOCK, the hood having a swan neck pediment with flank fluted pilasters and brass capitals, the trunk with waist panel door, quarter pilasters upon a chamfered box" base with bracket feet, the eight day mechanism of four pillar Clerkenwell type, faced by an arched painted dial with Roman chapter, subsidiary seconds and provision for calendar, 2.32m high

A. ORTELLI, BUCKINGHAM AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood having a fretted pediment with brass capped pilasters, the trunk with arched waist door, on box plinth with later bracket feet, 8-day four pillar mechanism with rack bell" strike, faced by an arched white painted dial with subsidiary seconds, 2.12m high

18thc Gilt brass dial longcase clock

An early 19th century mahogany and inlaid longcase clock, signed Robert Aitken - Galashiels, the dial surmounted by a country house, landscape and floral painted spandrels, with subsidiary seconds and calendar dial, the swan necked pediment with a bronze finial of Robert Burns, on panelled base with bracket feet, the eight day movement striking the hours on a bell, height 217cm

An 18th century oak longcase clock, the brass dial with Roman numerals and calendar aperture, centred by an engraved flower filled urn, within rococo spandrels and architectural case, with pierced frieze on plinth base, with restorations, height 197cm

A 19TH CENTURY EIGHT DAY LONGCASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date dials, the arch depicting Britannia, the oak and mahogany case with swan-neck pediment and short trunk door with conch shell inlay, 85" high

A VICTORIAN MAHOGANY AND INLAID LONGCASE CLOCK by Nathaniel Greening of Cinderford, having a painted dial with eight day movement, seconds dial, in a carved case

An early 19th Century oak longcase clock, fitted a thirty-hour painted dial with floral decoration by Thos Mear, Dursley.

A mid 17th Century thirty-hour clock movement by John Knibb, Oxford, the 7¼" square brass dial with pierced spandrels, the chapter ring with Roman numerals and plain matted centre, having original pierced steel hand and alarm dial, the movement with four square pillars, half-second bob pendulum and exterior count wheel and rope weight supports, in a later walnut veneered longcase with square hood and rectangular door to the trunk.

A thirty-hour longcase clock, the square dial painted fruit to the corner spandrels and a bird on a branch above the centre, signed Kent, Monmouth, the hood flanked by free standing columns, the case with long arch door over a planked base.

A late 18th Century eight-day longcase clock movement, the brass dial with decorated spandrels and silvered chapter ring signed William Bramble, London with brass pendulum for the same.

A George III mahogany cased longcase clock with eight day movement, the brass arched Roman dial signed `John Tolson, London`, with gilt mask spandrels, the matted centre with subsidiary seconds dial and date aperture, the arch with strike/silent indicator and gilt dolphin spandrels, the case with moulded arched hood with turned tapering columns and gilt brass ball and eagle finials, over an arched trunk door and plain plinth base, 84.5in. (214.5cm.) high.

An Edwardian inlaid mahogany longcase clock with eight day chiming movement, the silvered and matted brass dial with silvered Arabic chapter ring and gilt brass spandrels, chime/silent indicator to arch, the hood with broken arch pediment and arched glass door flanked by fluted columns on gilt mounts, arched door to trunk flanked by fluted gilt capped pilasters, on a panelled base with bracket feet, 78.5in. (199.5cm.) high.

A Guernsey oak longcase clock circa 1800, with enamelled Roman dial with outer Arabic minutes, subsidiary seconds and date dials, pierced steel hands and gilt painted star and foliate spandrels, the eight day movement striking on a bell, the case with flared moulded pediment on turned pilasters, over a plain trunk and base, 84in. (213.5cm.) high.

A MAHOGANY LONGCASE CLOCK by Elliott, Leeds, the eight day movement with anchor escapement striking on a bell, 14" arched dial with Roman numerals and painted with cottages and a milk maid, secondary dials, the rosewood banded case with scrolled pediment on baluster turned columns, canted trunk with arched panelled door, the base with inset circular panel, on turned feet, 97" high

Nineteenth century eight day longcase clock with circular white painted dial, brass winding holes in a mahogany case with shaped door and domed hood with canted reeded corners and circular glass panel to door. Hood locking latch, approximately 203cm overall height Further images and condition reports are available at www.reemandansie.com

Late eighteenth century Scottish eight day longcase clock with thirteen inch arched dial, fruit and floral decorated spandrels, moon roller, subsidiary second and calendar dials, signed Jas Allan, Kilmarnock. In a mahogany case with shaped door and barleytwist columns. Hood with arched glass door, barleytwist columns and swan neck pediment. Approximately 221cm overall height Further images and condition reports are available at www.reemandansie.com

XVIIIth Century Oak 8-day Longcase Clock having square brass dial with silvered chapter ring, signed Z Hanwell, London

XIXth Century Oak and Mahogany 8-day Longcase Clock having floral painted square dial, signed Jno Jones, Pen-y-groes, Pwllheli

An early 20th century oak longcase clock with brass dial and three train striking movement

GEORGE III CARVED OAK LONGCASE CLOCK, maker Garland of Sunderland, with arched brass dial, Roman/Arabic numeral dial and subsidiary seconds, 224cm high x 59cm wide

A George III mahogany longcase clock by John Dobbie of Calton Glasgow, with dentil cornice above an arched glazed door enclosing the brass dial and two-train movement, with Roman numerals, subsidiary date and seconds dials and flanked by twist columns, with long trunk door also flanked by quarter round columns with capitals and with conforming base raised on bracket feet. Height 83 ins.

An early 19th century oak and mahogany crossbanded longcase clock, by G. Cox of Whitehaven, the swans neck pediment above the arched glazed door enclosing the 13 inch arched painted dial with Roman numerals, with date aperture and 30 hour movement by G. Cox, Whitehaven, flanked by turned columns, with three quarter length trunk door with cluster columns and with conforming base. Height 82.5 ins.

A George III oak and mahogany crossbanded longcase clock, with swans neck pediment above the arched glazed door enclosing the 11 inch square dial with spandrels emblematic of the four seasons, with silvered chapter ring with Roman numerals and with date aperture and thirty hour movement by Barwise, Cockermouth, flanked by turned columns, with full length crossbanded trunk door flanked by fluted column corners and with conforming base. Height 89 ins.

A longcase clock dial only, by Hugh Lough of Penrith, with silvered chapter ring with Roman numerals and scroll spandrels. 11 ins square.

A George III longcase clock movement only, eight day, complete with weights and pendulum but no face.

A George III mahogany longcase clock by Robert Williams of Wrexham, with swans neck pediment with brass flaming torch finial between above the arched glazed door enclosing the 15 inch painted dial with spandrels emblematic of the continents, with moon phase to the arch, Arabic numerals, subsidiary seconds dial and date aperture and with eight day striking movement, flanked by cluster columns, the long triple arched Gothic trunk door with vase and cover medallion and with conforming base raised on bracket feet. Height 101 ins.

A George III mahogany longcase clock by William Taylor of Whitehaven, the swans neck pediment with brass terminals with ball and steeple finial between with shell carving beneath, the glazed door enclosing the 12 inch square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture, with thirty hour movement by William Taylor of Whitehaven, flanked by simple columns, the arched trunk door with moulded edge above a conforming base raised on bracket feet. Height 83 ins (see illustration).

A George III oak longcase clock by Thomas Pearson of Berwick, the swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and subsidiary date and seconds dials and eight day movement, flanked by simple columns, with long arched trunk door beneath and conforming base. Height 83 ins.

An early 19th century oak and mahogany crossbanded longcase clock, inscribed to the dial "John Fearon, Cockermouth", with swans neck pediment above the arched glazed door enclosing the 13.5 inch painted dial with Roman numerals, date aperture and 30 hour movement, flanked by turned columns and with short crossbanded trunk door beneath and with conforming base. Height 92 ins.

An early 19th century grained pine longcase clock, the arched hood and glazed door enclosing the 12 inch arched painted dial with Roman numerals, subsidiary seconds dial and date aperture and two-train movement marked "Falmouth", makers name rubbed, with Walker & Hughes false plate, flanked by simple columns with long arched trunk door and conforming base. Height 80 ins.

PETER WYLIE DAVIDSON (1870-1963) `SWALLOWS` LONGCASE CLOCK, CIRCA 1902 with circular brass dial, the repoussé decoration composed of stylised Roman numerals enclosed by a frieze of stylised swallows, the hands decorated with concave discs, above a pendulum, worked in brass wire and repoussé panel and depicting a swallow flying through clouds, the whole supported on an ebonised stand pierced with circular apertures enclosing turquoise bead spacers 119.5cm high, dial, 38.5cm diameter, 43cm square at base Provenance: Peter Wylie Davidson and by descent Note: This clock is one of Peter Wylie Davidson`s masterworks and possibly a collaboration with Charles Rennie Mackintosh; by family repute the frame was designed by Mackintosh and the clock`s dial by Davidson. The use of the swallow`s flight motif around the clock face is a distinctive Davidson element seen on his best pieces, as well as a classic `Glasgow Style` motif. The pendulum depicting a swallow`s flight through wirework clouds is of the same design as a well known set of brooches created by Davidson for the women in his family, of which five are thought to have been made. One example is dated 1902 and this may help us attribute this clock to a similar date. The motif can also be seen in the only jewellery design attributed to Mackintosh, but it is difficult to say with certainty who influenced who in this case. It perhaps hints at a synthesis of ideas and further strengthens the possibility of this being a collaborative project.

A 1930`s oak cased arch top longcase clock with silvered dial and triple weight driven chiming movement

An 18th century oak longcase clock with 30 hour movement, the brass dial engraved with a rural scene signed Cha. Parker, Reading

A mid 18th century walnut longcase clock by Thomas Moore Ipswich, the hood with later pediment, brass capped column, the brass arched dial with silvered chapter ring with date aperture, with eight day rack strike movement, the burr walnut arched door, above a plinth raised on bracket feet, 244 cm high.

A George III style mahogany longcase clock, early 20th century with Westminster chimes, the carved hood, with fluted column, the chassed brass arch dial with a silvered chapter ring and three subsidiary dials, and strike silent leaver, the three train muscial movement striking on tubular steel gongs, with a astragal glazed door, above a panelled base, raised on ogee bracket feet, 208 cm high.

A late 19th/ early 20th century oak longcase clock by Archibold Haswell, the fish scale blind fret hood with a moulded cornice over an egg and dart boarder and corbal corner, with a gilt brass and enamal dial with roman numerials, the eight day rack striking movement with additional musical train (lacking bells), above a geometric panelled case, centred by a carved mask, raised on a plinth base, 244 cm high.

An Edwardian satinwood longcase clock, the domed hood and moulded cornice above a brass arched dail, inscribed Obadiah Smith Ratcliff High Way on the subsidery strike/silent dial in the arch, above a panelled case with pendulum aperture and a shaped apron, (18th century dial with movement, later case.) 218 cm high.

Modern mahogany longcase clock, broken swan neck pediment, the hood with turned supports, glazed door, inlaid base, bracket feet, the arched brass dial with rolling moon phase, Roman numerals, inscribed James Stewart, Armagh, the movement stamped Franz Hermle, and striking on eight gongs.

Novelty table clock, designed as a longcase close, with cylinder movement.

An early 19th century 30-hour longcase clock, square enamelled dial signed Wilson, Chichester, anchor escapement striking on a bell, oak case with carved pediment and fluted pilasters to hood, with pendulum and weight, 6ft. 8in.

A late 18th century oak longcase clock, enamelled arched dial with gilded detail, 8-day movement, oak case with carved cresting, fluted pillars and twin-gilt finials, 6ft. 10in. - with winding crank, pendulum and weights

19th Century oak longcase clock having broken arch pediment over a brass dial with spandrels, silvered chapter with Roman numerals and moon phase subsidiary seconds and date aperture, having two train weight driven movement striking on a bell, the case having single flush panelled door flanked by quarter reeded pilasters and conforming plinth base with bracket feet (with pendulum and winder).

Mahogany line inlaid longcase clock having rectangular hood with broken arch dial, gilt and foliate painted decoration, Roman numerals, subsidiary seconds and date dial with two train weight driven movement striking on a bell, over a flush panelled door with conforming plinth base raised on bracket feet

George III oak longcase clock, the square hood with a caddy top above a shaped panel door and a plinth base, the gilded brass dial and two train movement with subsidiary seconds and a calendar aperture inscribed Richard Boyfield, Great Dalby

Reproduction mahogany longcase clock

19th Century oak and mahogany longcase clock, the arched hood with a swan neck pediment above a shell inlaid door and plinth base, the painted dial with Roman numerals and subsidiary seconds painted with a study of a church inscribed ‘Blakeway Rushbury’ with thirty hour movement

Early 19th Century oak and mahogany longcase clock, the broken arch hood above a panelled door and conforming plinth base, the painted dial with thirty hour movement striking on a bell (for restoration)

A GEORGE III MAHOGANY AND STRING INLAID LONGCASE CLOCK, the hood with swan neck pediment above fluted frieze and fluted and turned columns, the silvered dial decoratively engraved with figure scenes emblematic of the seasons within the spandrels, church and buildings within the chapter ring and a horse drawn carriage to the arch, subsidiary seconds dial, date aperture and inscribed `Geo Miles, Sodbury`, the crossbanded eight day movement striking on a bell, 93" high

A MAHOGANY EIGHT DAY LONGCASE CLOCK, the 13 ½" arched brass dial with silvered Roman chapter ring, the foliate engraved centre with subsidiary seconds and with Tempus Fugit disc to the arch, and foliate spandrels, the hood with swan neck pediment, brass ball and spike finials and fluted pillars, the trunk with conforming corners and shaped top door over a panelled base raised on bracket feet, 94" high

AN OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12" square brass dial with silvered Roman chapter ring and Arabic five minutes, subsidiary seconds and date aperture signed Winstanley, Holywell, and mask spandrels with later applied faux moon phase arch, the hood with swan neck pediment, eagle and ball finials and fluted pillars, 90" high

Oak 30 hour longcase clock (A. Lawrie). Defects damages and restorations have not been mentioned within the catalogue, for condition reports please email auctions@peterwilson.co.uk

A George III mahogany longcase clock signed Thomas Trigge, London, the caddy top above brass and silvered dial with subsidiaries seconds dial and calendar dial to the arch, flanked by rococo spandrels, the arched trunk door between stock fluted quadrant corners on plinth base, the eight day movement striking the hours on bell, 240cm height

A WELSH GEORGE III OAK LONGCASE CLOCK the brass dial signed on a silvered tablet to the matted centre Jno Owen Llanrwst, with date aperture, subsidiary seconds dial, ringed winding holes, silvered chapter ring and mask spandrels, the brass eight day movement with old seatboard, the underside inscribed in graphite R R Jones Dyffryn, June 19 1907 [and] Oct 19 1916, the case with pagoda-topped hood and unusual notched cornice, fluted rectangular pilasters and full- length cockbeaded door inlaid with a central device, on boarded base, 215cm h ++In good condition restored in the relatively recent past, the movement with the later addition of a pull repeat, the case of fine colour and patina with old skirting repair around the plinth, sold with two old brass weights and contemporary pendulum with brass faced lead bob

A GEORGE III MAHOGANY LONGCASE CLOCK the wheatear engraved brass dial signed on the silvered chapter ring Thurstan Lasel [Toxteth] Pk: with matted centre, subsidiary seconds dial, date aperture and ringed winding holes, having mask spandrels, dolphins to the arch flanking a silvered disc, with eight day movement in brass and ebony inlaid case with swan neck pediment, spiral pilasters and circular panel to the base, on bracket feet, 236 h ++Dial/movement associated to the case, small drill hole in one side of the hood, minor losses to mouldings, lacking both back feet

A GEORGE III OAK LONGCASE CLOCK the brass dial signed on the chapter ring Bell Uttoxeter, having matted centre, subsidiary seconds dial, date sector and eight-day movement, in crossbanded case with cavetto pediment, carved frieze and fluted pillars to the hood, the trunk enclosed by a breakarched door, 205cm h ++The movement and dial associated to the case, the seatboard resting between the cheeks, the movement and dial in good condition, cleaned and overhauled some years ago, the case lightly repolished and slightly faded

AN 18TH CENTURY OAK LONGCASE CLOCK BY THOMAS LISTER, of thirty hour movement, the square brass dial with moon phase and calendar aperture and foliate spandrels, the hood with a filled swan neck pediment, turned pilasters flanking the dial, the trunk door with ogee arch and quarter round columns to the sides, the plinth with fielded panel, on bracket foot, 215.5cms high. See illustration