We found 41737 price guide item(s) matching your search

A fine George III inlaid mahogany eight day longcase clock, by John Carmichael, Greenock, the arched brass dial with silvered chapter ring, Masonic subsidiary seconds and calendar, above a slightly bowed door, height 208cm. John Carmichael of Greenock is listed by GH Baillie as 1750 - 1800, maker of the first clock in Greenock Parish Church, 1786. (Illustrated).

A mahogany eight-day longcase clock, the 30.5cm arched brass dial bearing the legend 'tempus fugit', with subsidiary seconds and date, the case on plinth base, height 210cm (82 3/4in.).

An oak eight-day longcase clock, the 30.5cm arched brass dial signed Wm Tonnly, Temple, with moonphase, and subsidiary seconds, the hood flanked by turned columns, the case on bracket feet, height 211cm (83in.).

An oak-eight day longcase clock, the 35cm arched brass dial signed Wm Champ, London, with moonphase, subsidiary seconds and date aperture, the hood with swan-neck pediment and supported by fluted columns, the trunk flanked by turned and fluted pilasters, on plinth base height 226cm (89in.).

A mahogany eight-day longcase clock, the 29cm silvered dial with roman numerals, subsidiary seconds and calendar aperture, signed Ralph Harrison, London, strike/silent to the arch, four pillar movement, the case enclosed by an arched panel door between fluted pilasters with gilt metal capitals, gadrooned base with bracket feet, the break arch hood with pagoda top and flanked by fluted columns, height 248cm (98in.).

A mahogany eight-day longcase clock, the 35cm painted arched dial signed A. Wilson, Kilmarnock, with subsidiary seconds and date, the case on ogee bracket feet, height 218cm (86in.).

A late 18th Century oak longcase thirty-hour clock, the hood with swan neck having a mahogany surround, diaper banding and turned columns to the sides, the trunk with rounded pillars to the sides enclosed by a panel door on bracket feet, fitted a square brass dial with pierced spandrels and matted centre, the silvered chapter ring with Roman numerals and inscribed Rich. Phillips Ashburne, 202cm (79.25") high (see illustration)

A late 18th Century oak longcase eight-day clock, the hood with moulded swan neck and square fluted pillars to the sides, the trunk with canted columns enclosed by a rectangular door, fitted a circular brass dial with Roman and Arabic numerals and inscribed Bennitt Uttoxeter, 221cm (87") high (see illustration)

A late 18th Century oak longcase eight-day clock, the hood banded in mahogany with moulded cornice and turned fluted pillars to the sides, the trunk with fluted canted columns, enclosed by a rectangular door, fitted a circular engraved brass dial with subsidiary seconds dial with Roman and Arabic numerals, inscribed J Turner Leek, 210.5cm (83.25") high

A late 18th century oak and mahogany longcase clock, the hood with swan neck pediment, inlaid frieze and turned side columns, the trunk with full length crossbanded door, the base with canted corners, having square brass dial and 8-day movement, by "Rich Schofeild Rachdale", height 82"

An 18th century oak longcase clock, the hood with swan neck pediment and turned side columns, the trunk with crossbanded door, on plinth base, having square brass dial and 30 hour movement by Rich. Evans, Oswestry, height 83"

AN 18TH CENTURY LONGCASE CLOCK having an eight day movement, striking on a bell, the dial signed Benjamin Willoughby, Bristol fecit, contained within a wooden case (fire damaged and for complete restoration) 10 1/2" square dial, approx. 87" high overall (see illustration).

A continental model of a decorative miniature longcase clock, with a (later quartz movement) and English Import marks for Sheffield 1896, 9.75in (25cm) high.

An early 20th Century silver mounted ebony dressing table set, including a pair of candlesticks, miniature longcase clock, tray, manicures, etc.

Good quality late nineteenth century longcase clock in the George III style with chiming movement striking on five gongs, the arched gilded dial with silvered chapter ring, marked Maple & Co Ltd, London, in mahogany case with swan neck pediment, with reeded pilasters

Early nineteenth century 30 hour longcase clock, the square painted dial depicting a farmer with horse, by Simms of Chipping Norton, in inlaid oak case with mahogany crossbanding

Eighteenth century 30 hour longcase clock with square brass dial with cast spandrels with silvered chapter ring and subsidiary date, by Richard Street, Bridgnorth, in oak case with later carved decoration

A carved oak cased longcase clock with flat-top hood and profusely carved trunk and plinth, dated 1687, the 30 -hour movement having an 11 1/2" square brass dial with rococo spandrels, and calendar aperture, engraved Hugh Lough, Penrith, 224 cm high

A mahogany cased longcase clock, the hood with swan-neck pediment and arched glazed door flanked by tapering turned columns, the trunk with arched door flanked by plain quadrant columns, and panelled plinth flanked by stop chamfers, raised on turned feet, the 8-day movement having an arched dial painted with figures representing the Continents, with subsidiary seconds and calendar dials, inscribed Thos. Russel, Lancaster, circa 1797-1832, 237cm high.

A Victorian oak and mahogany cased longcase clock, the hood with reverse swan-neck pediment and arched glazed door flanked by lotus carved and rope-twist columns, the trunk with shaped top to the door flanked by conforming split pillars, and crossbanded plinth, the 8-day movement having a painted dial with views of Netby Abbey, subsidiary seconds dial and calendar aperture, signed J. Jarvis (?), Whitchurch, circa 1840, 226cm high.

A Fine Quality 18th Century Mahogany Moonphase Eight Day Longcase Clock. The brass dial having decorative pierced & gilt brass spandrels to the corners, a silvered chapter ring signed Rob Wright, Kennoway and encircling an engraved centre with calendar aperture and subsidiary seconds dial. The arched top housing a painted moon roller. The flame mahogany hood having a swan-neck pediment above scrolling blind fret-work panels and a glazed door flanked by Corinthian stop fluted columns. The sides having a mirrored arches decorated with astrigal beading. The long trunk door with egg finial above the base raised on ogee bracket feet. 86 ins (219 cms) in height.

A Fine Quality Eight Day Walnut Longcase Clock. The brass dial bordered by gilt brass spandrels, with a silvered chapter ring engraved Rich Penny, London, encircling a matted centre housing a subsidiary seconds dial & calendar aperture . The arched top richly engraved with scrolling foliage and centred by a decorative mount of two winged cherubs holding a crown. The hood having an arched top cavetto moulded cornice above two columns with gilt capitals flanking the glazed door. The well figured burr veneered case having a long trunk door with a moulded edge. Standing 86½ ins (220 cms) high, 21¼ ins (51.5 cms) wide, 9¾ ins (25 cms) deep.

William Porthouse, Penrith, 18th Century Longcase Clock having 29cm square brass dial set with moon face and 2 calendars, with Roman and Arabic numerals, pierced spandrels, in oak case with banded decoration, having Corinthian column supports, shaped single door, 2m 5cm high (no pendulum)

An eight day longcase clock with a painted arched dial with rocking ship seconds hand and calendar signed M JBEIT? St Ives, contained in a mahogany case with a pagoda top and long arched door 91" tall to the finial

A George III Pine Longcase Clock, the painted dial inscribed Isaac Page, with Roman and Arabic numerals and with 30-hour movement, the case with square hood above a shaped panel door and conforming plinth base

A 1930s longcase clock, with triple chrome weights, the eight day movement with anodised dial and striking to gongs, with repeat, the arched oak case with geometrically glazed door on platform base and ogee feet, 75 1/2" high

A 19th Century longcase clock, by Craven Lyon, Bridlington, the eight day movement with arched painted dial having Roman numerals, seconds dial and date aperture, shell painted spandrels and a rustic figure scene with children offering a baby to two ladies to the arch, in mahogany case, the hood with eagle and ball brass finials on swan neck pediment having gadrooned edge on baluster turned columns, the arched trunk door flanked by gadrooned pilaster on moulded panelled base and splayed feet, 96" high

William Flint, Ashford. A mahogany longcase clock, the eight-day duration movement striking the hours on a bell, the 11in. painted arched dial having black Roman numerals, subsidiary seconds and date dials, blued steel decorative hands and signed within the arch with the maker's name 'Wm. Flint, Ashford', the falseplate to the dial embossed with the dial maker's name 'Walker & Hughes, B/ham', the mahogany case having an arched trunk door, plain base with a shaped plinth, Kentish hood cresting, plain hood pillars with brass capitals and surmounted by three ball and spire finials, height 212cm. * William Flint was born in 1787, the son of William Snr, also a clockmaker to whom he was apprenticed and is recorded as working in Ashford, Kent until his death in 1871. * Walker & Hughes were working in Birmingham from 1811 until 1835.

J. Dumvile, Alderley. An oak and mahogany longcase clock, the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the 12in. square brass dial engraved with Roman hour numerals, Arabic minute numerals and diamond markings with rococo style cast brass spandrels to the four corners, the dial centre having dummy winding holes, date aperture, engraved floral decoration and signed with the maker's name 'Jno Dumvile, Alderley', with blued steel hands, the flat topped oak case having mahogany crossbanding, the base having canted corners and a raised, shaped panel, with quartered fluted columns to the trunk and further fluted pillars, with cast brass capitals to the hood, having a decorative gilt and blue painted frieze to the top, height 206cm. * John Dumville is recorded as working at Nether Alderley, Cheshire. He died in 1797.

A 19th Century Longcase Clock, the arch dial painted with a song bird and with floral spandrels, with seconds ring and date aperture and with 8 day movement in oak and mahogany case, with swans neck pediment.

An eight-day longcase clock, the mahogany case having a broken swan neck hood enclosing a brass and silvered arched dial 32 cm dia., 243 cm tall, signed Parkinson, Lancaster

An early Victorian mahogany longcase eight-day clock, the painted circular dial having subsidiary seconds and date, signed C. Stephenson, Warminster

A late 18th century eight-day mahogany longcase clock, the broken swan neck hood enclosing an arched dial having a moon-phase over subsidiary seconds and date, signed Howden, Edinburgh

An 18th century oak thirty-hour longcase clock, by John Wyld, Nottingham, square brass dial with matted dial centre, date aperture, outside countwheel, the hood with swan-neck cresting, 6ft. 6in.- square dial enhanced by carved giltwood arch

19th Century oak and mahogany Longcase Clock, the hood with a swan-neck pediment, turned and fluted supports, long door with three-quarter fluted pilasters and on plinth base, circular enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "E. Butlery, Tutbury", eight-day movement, striking on a bell.

VICTORIAN EIGHT DAY DRUMHEAD LONGCASE CLOCK by J B Newlands of Paisley the dial with Roman numerals and subsidiary seconds dial in ornate mahogany case with bun feet, 211 cm high

Early Georgian brass face longcase eight day clock by Sharratt of Burslem, date and secondary dials

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, with circular painted dial, by Thomas Jackson, the case with arched cornice and canted sides, having an eight day movement

A late 18th century mahogany longcase clock having swan neck hood with brass finials and eagle over turned columns containing painted dial and 8 day movement, on arched trunk and square base having line inlay decoration and chip carved plinth

An early 19th century mahogany and oak longcase clock having swan neck hood with turned columns, containing painted dial hunting scene and 8 day mount by John Hepton, Northallerton, with inlay decoration to trunk on square base and bracket feet

A 19th century oak longcase clock, the arched brass dial with subsidiary seconds dial and date wheel, with an eight day movement, 219cm high, (replaced plinth). Visit www.sworder.co.uk for larger image and condition reports.

An oak longcase clock, the striking eight day movement incorporated within a painted dial, inscribed J Broderick Spalding, in associated case. Visit www.sworder.co.uk for larger image and condition reports.

A late 17th century walnut and floral marquetry month going longcase clock, the twin train movement with recoil escapement striking the hours on a bell, , the 11" brass dial signed to the lower margin 'Joseph Knibb Londini Fecit', with chevron engraved perimeter and cherub mask spandrels around a silvered Roman chapter ring enclosing a matted centre with date aperture, the hood with caddy top, blind fretwork friezes and spire finials above a long trunk door with central armorial of a crown supported by griffins, on a stepped apron with bracket feet, the whole inlaid flower-filled jardinieres and perched birds within line inlaid and trailing vine borders (movement significantly adapted). 236cm high

A George I month going walnut longcase clock. By John Crucefix, London, the square dial with a silvered chapter, signed Jn. Crucefix, London, with Roman numeral and sword hilt half hour markers, the matted centre with subsidiary second dial and date aperture, within crowned coronet cherub spandrels, the bell striking five pillar movement with anchor escapement, the square hood with blind fret carved frieze and twin capped turned pilasters, above a feather door centred by a brass ringed lenticle, raised on a plinth base. 228cm high, 41cm wide

AN OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK the 28cm (11in) square painted dial with Roman numerals and calendar aperture, the chain driven 4 pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment, turned pillars, long trunk door, plain plinth and bracket feet, 212cms high (with pendulum and weight)

A LACQUERED LONGCASE CLOCK, WILLIAM STAPLETON, London, the 30cm (11.75in) broken arch brass dial with silvered chapter ring, Roman numerals, Arabic five minute intervals, finely matted centre, seconds dial, calendar aperture, pierced gilt brass urn and foliage spandrels, silvered medallion in the arch signed as above, flanked by inverted dolphin spandrels, the 5 pillar movement with anchor escapement, rack striking on a bell, the case with pagoda shaped pediment on turned pilasters, broken arch long trunk door, panelled plinth and bracket feet, the door Chinoiserie decorated with figures and pagodas, 226cms high (plinth reduced, brass cased weights, pendulum, crank key and case key)

A MAHOGANY LONGCASE CLOCK, HENRY JOHN FOY, TAUNTON the 30cm (11.75in) square brass dial signed in the centre as above with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and engraved scrolling spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with moulded pediment, long trunk door and plain plinth, 198cms high (with pendulum, weights and crank winding key)

A north country longcase clock, first half of the 19th century, the painted dial inscribed 'Shakeshaft of Preston', 218cm high, 94cm wide, the dial 36cm square. Visit www.dnfa.com for condition reports.

An 18th Century longcase clock, the thirty hour movement with brass dial engraved with foliate scrolls and husks, by Dickinson, Egremont, rococo scroll spandrels, contained in oak case, approximately 218cm high. Visit www.sworder.co.uk for larger image and condition reports.

A George III longcase clock, the eight day movement striking on a bell, white enamel dial with seconds dial and date aperture, the arch with painted lunar dial below motto 'sic est vita hominis', floral sprig and foliate scroll spandrels, by Pridgin, Hull, contained in green and gilt lacquered case decorated with chinoiserie, approx 210cm high. Visit www.sworder.co.uk for larger image and condition reports.

A George III mahogany and satinwood inlaid longcase clock, the hood having a swan neck pediment and blind fret carved decoration between turned pilasters, housing an arched brass dial with a silvered chapter ring and subsidiary second dial between brass spandrels, signed Norman Macpherson, Edinburgh, the trunk enclosed by an arched door inlaid with an urn on a stepped plinth base

An early 19th century mahogany 8-day longcase clock, maker Alexander Crawford of Scarborough, the arched painted dial with Roman and Arabic numerals, subsidiary seconds and date dials, floral spandrels, the hood with swan neck pediment, the trunk with arched door and pedestal base on bracket feet, 218cm high

A XIX century longcase clock, the square brass dial signed Saml. Liddell Oldswinford, contained in an oak relief carved case

A 19th century mahogany longcase clock, the 12 inch painted enamel dial with rolling movement, subsidiary dials and Roman numerals, the trunk with arched door, 75in (190cm) high.

A 19th century stained pine longcase clock, the hood with bevelled cornice, enclosing a 12 inch painted enamel dial with Roman numerals and decorated with a songbird, the trunk with oblong door, 76in (193cm) high.

A mahogany longcase clock, early 19th century, the hood with swan neck pediments, brass finials and Corinthian columns, enclosing a 12 inch painted enamel and arched dial with subsidiary dial and calendar aperture, the trunk with arched door, set on four short bracket supports, 94in (239cm high).

An Oak Eight Day Longcase Clock, signed Natl Sanders, Manchester, circa 1775, the case with a caddied pediment, turned columns with brass capitals, wavy shaped trunk door with mahogany crossbanding, crossbanded plinth with canted corners (feet missing), 12-1/2-inch square brass dial with Arabic and Roman silvered chapter ring, dial centre with two subsidiary dials for seconds and date, finely engraved with floral, bird and a sailing boat, signed NatL Sanders, Manchester, four pillar movement with anchor escapement and rack striking on a bell, 209cm high See illustration. Nathaniel Sanders is recorded working in Manchester 1772-1800. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 281.

An Oak Eight Day Longcase Clock, signed Samuel Whalley, Manchester, circa 1775, case with swan neck pediment, turned columns, wavy shaped trunk door with mahogany crossbanding, rectangular plinth upon later skirting (feet missing), 13-inch arched brass dial with Arabic and Roman numeral chapter ring, textured dial centre with subsidiary seconds and date aperture, the arch with rolling moonphase and signed on an arched silvered plaque, four pillar movement with anchor escapement and rack striking on a bell, 223cm high See illustration

A Walnut Eight Day Longcase Clock, the case with caddy top pediment, brass stop-fluted columns, side glazed viewing windows, later inlay to the hood, moulded trunk door with later inlaid D shape floral and bird inlay, re-built plinth with inlay and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture below 12, oval shaped silvered plaque bearing inscription Edw Newton, Grantham, centre seconds hand, the arch with silvered disc depicting Father Time, five pillar movement with anchor escapement and rack striking on a bell, 248cm high (dial possibly associated to the movement) See illustration

A Mahogany Eight Day Longcase Clock, signed Tho Clare, Warrington, circa 1780, the case with broken arch pediment, gilt painted glazed front panels, fluted columns, nicely figured wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised central panel and canted corners, upon bracket shaped feet, 13-inch arched brass dial with silvered Arabic and Roman chapter ring signed, matted dial centre with two figures riding eagles, date aperture surrounded by scroll work, subsidiary seconds, the arch with rolling moon disc, four pillar movement with anchor escapement and rack striking on a bell, 240cm high See illustration. Thomas Clare is recorded working in Warrington circa 1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 58.