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A George III mahogany longcase clock, the eight day movement by John Boreham, Shimpling, Suffolk (circa 1767-1777), the dial with moon phase surmounted by "Tempus fugit" over a silvered chapter ring with inscription, Roman and Arabic numerals enclosing a date aperture and subsidiary seconds dial within pierced spandrels, the case of typical form with bobbin turned column embellishments, 239 cm high. CONDITION REPORTS Case : top pediment has a split running all the way along, left-hand side back of case has a split to the bottom approx. 6 cm long running at a diagonal angle, there is wear to the front of the case where the hood door opens and closes, signs of old woodworm to the top of the main body of the case and a section of moulding missing to the back right-hand corner, a section of moulding has been replaced at the bottom approx. 3 cm long, there is a crack approx. 3 cm long to the top right-hand corner of the front of the case near the door, and a rubbing mark to the left-hand side of the door, left-hand side panel of clock has a split approx. 20 cm long almost centrally to the right-hand side as you look at it, splitting to the right-hand bottom corner, generally all over there are cracks and splits to the veneer plus significant bruises, etc. conducive with age and use (see photos).

An early 19th Century mahogany and satinwood strung cased longcase clock, the case of typical form enclosing an eight day movement with enamelled arch dial with moon phase above a chapter ring with Roman numerals enclosing a subsidiary seconds dial and date aperture, and inscribed "Josh Weare, Wincanton", 214 cm high. CONDITION REPORTS Large split running all the way across the right-hand side top section of hood, several areas of splitting to the veneer to front body of case, and an area of filling in to the left-hand side top right=hand corner of case, brass column tops do not appear to fit, more filling in to top left-hand corner of the front base section of clock plus areas of smaller filling in to the front and left-hand side where it appears the top left-hand corner of base has been off, the front of the base has significant splitting to the veneer, generally all over there are large bruises, areas of scratching, etc. conducive with age and use (see photos).

An oak cased longcase clock of typical form, the eight day movement with brass arched dial, the silvered chapter ring with Roman and Arabic numerals enclosing a subsidiary seconds dial surmounted by a silvered plaque inscribed "George Handisyde, London", 225 cm high. CONDITION REPORTS Case : there are two large splits running horizontally on top pediment, diagonal split running from the left-hand corner of the middle moulding running around the corner to the left-hand side, there is a corner missing from the left-hand side front lower moulding section, moulding on the left-hand side of the case is split all the way along, there are various areas of filling along the joins on the base section of the case, and on the right-hand side lower base section of the case there is a large square which appears to have been replaced, whole case has various knocks, scrapes, bumps, etc. and small splits conducive with age and use.

An early 19th century oak cased longcase clock, the 30 hour movement with square brass dial and silvered chapter ring with Roman and Arabic numerals enclosing a subsidiary date aperture and inscribed "Jno & Henry Pepper, Biggleswade", 213 cm high.

An early 19th century oak cased longcase clock, the 30 hour movement with square brass dial, the brass chapter ring with Roman and Arabic numerals inscribed "Ashton, Tideswell" (Thomas) and enclosing a subsidiary date aperture, 191 cm high. CONDITION REPORTS Case : Finial has areas of flaking, finials to columns on hood face have some knocks and damage especially the top left-hand one, glass to hood has been re-set and the putty is shrinking/disintegrating, moulded edge to central door on the body is chipped with some losses, split to the lower left-hand section approx. 30 cm long, lower section of moulding to body has splits to the left-hand side, lower section has a split running all the way across the middle, front lower section has several splits, and a further split on the right-hand side, all over the case is in a somewhat rough condition conducive with age, use and materials. Movement - having been inspected by our clock specialist who believes movement to be period and likely to be orginial to the case, but cannot be guaranteed.The seat board is probably a replacement ( see images) it is therfore not packed up or altered . All parts appear present but may have some replacements, cannot guarantee in working order - would recommend viewing in person. Circular area of dial 25.5cm diameter, dial total 28cm square.

Georgian oak longcase clock by James Cotton, Tamworth, brass dial, 30-hour movement (cut down at base)

Georgian oak longcase clock by James Cotton, Tamworth, brass dial, 30-hour movement (cut down at base)

A 19th century longcase clock with painted dial by Benjamin Simms, Witney, and 30 hour movement in walnut and oak case, 205cm,

A 19th century oak cased longcase clock, converted into a cabinet

A 19th century oak cased longcase clock, with a brass dial and pierced brass spandrels, 8 1/2 inch dial, 206(h)cm

MAHOGANY CASED LONGCASE CLOCK WITH HANDPAINTED AND ENAMELLED ROLLING DIAL BY MARTLEW ORMSKIRK

OAK AND MAHOGANY CASED LONGCASE CLOCK WITH HANDPAINTED ROLLING DIAL BY GRAHAM COCKERMOUTH

EARLY OAK CASED LONGCASE CLOCK WITH BRASS DIAL BY THOMAS VERNON, LUDLOW

MAHOGANY CASED LONGCASE CLOCK WITH HANDPAINTED ROLLING MOON DIAL, BY THOMAS HIGNETT, LIVERPOOL

A reproduction mahogany longcase clock

A large early Victorian mahogany longcase clock, the broken swan neck pediment above painted arched dial set with rolling moon inscribed "Royle & Rawson Wigan" with subsidiary seconds hand and date, dial with eight day movement flanked by ring turned pilasters above a short door and large plinth base, height approx 260cm.

A reproduction oak longcase clock of small proportions with arched dial set with silver chaptering with Roman numerals inscribed "Walker & Hall Ltd" with glazed door to plinth base, height 195.5cm.

A mahogany and walnut longcase clock, Robert Darling, Edinburgh, with Roman numerals and subsidiary second hand, Height 200cm.

An inlaid mahogany longcase clock with arched painted dial and eight day movement

A feathered mahogany longcase clock with arched silvered dial and eight day movement. Titled Knight and Bucknell London. H126cm W47cm

A feathered mahogany longcase clock with reeded pillars and arched painted dial with rolling moon and eight day movement. Lloyd Wigan. H250cm W62cm

An oak thirty hour longcase clock with enamel dial. John Long? Tiverton. H199cm

A George III mahogany longcase clock, the arch top twelve inch dial signed Lock Lawington, 224cm high, two weights and pendulum

A George III mahogany eight day longcase clock, the arch top 12" dial signed "WRA Edward Cooper London", two weights and pendulum, 132cm high.

A principally 19thC oak and mahogany longcase clock, the painted 29.5cm dial with Roman numerals signed S Clarke, Oundle, with floral spandrels, a swan neck pedimented case raised above a carved trumpet door terminating in a block base with 30 hour movement, 203cm high.

A 19thC oak and mahogany longcase clock, the arched circular dial signed John Spittle Wimeswold (sic), with painted floral spandrels surmounted by a hunting scene flanked by cylindrical turned columns above a shaped arched door, on a plain base terminating in stylized spade feet, 30 hour movement, 224cm high.

A 19thC mahogany north country longcase clock, of eight day striking movement, the painted dial with floral spandrels decorated with a figure by a well to the arch, signed John Blaylock, Carlisle, the hood with a swan neck pediment flanked by turned pilasters, above a plain crossbanded trunk door, 224cm high.

A 19thC oak mahogany and inlaid longcase clock, to 29cm arched dial signed Hall, Alford, with the upper motto Hear my master bids me, mark for time with a watchful hand, hear my master learn me to serve thy God as I serve thee, with a Roman numeric dial and subsidiary Arabic second hand, revealing an eight day movement, in a swan neck pedimented case, 212cm high.

A German made dolls house Bed, dressing table, bedside cupboard, armchair, mirror, print, Mauchline ware cradle, piano, longcase clock, table

An 18th Century Longcase Clock with 10 inch square brass dial, cherub, crown and orb spandrels, inscribed G Payne, Ludlow, 30-hour movement with single hand, in oak case, the hood with turned columns and shape frieze, 6ft 4in high

An 18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with silvered chapter ring framing a matt centre, applied with a silvered plaque inscribed `Ben. Lamprey, Brackley`, cornered with cast and pierced gilt foliate scroll spandrels, the hood with moulded pediment above a glazed door, the trunk with rectangular door, on a plinth base, height approx 200.5cm, together with pendulum, weight and case key (minor alterations and restoration).

An early 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with subsidiary seconds and date dials and inscribed `JA. Blagburn, Gateshead`, within a frame of Roman numerals, the break arch painted with a scene of a figure on camel back approaching a further figure, cornered with scenes of ruins, the hood with swan neck pediment above a glazed door and turned columns, the trunk with arched door and corner columns, on a circular panelled base and bun feet, height approx 235cm, with pendulum and two weights.

An early 18th Century burr walnut longcase clock with brass five pillar eight day movement striking on a bell, the brass break arch dial with silvered chapter ring and black Roman numerals, framing a matt centre with subsidiary seconds and date aperture, beneath a silvered boss to the arch inscribed `Tho Wightman in George Yard, Lombard Street, London`, all cornered with pierced and cast gilt spandrels, the hood with caddy top and three giltwood ball finials above blind frieze frets and glazed door flanked by turned columns, the trunk with arched door, on a crossbanded base and plinth, height approx 260cm, with pendulum, two brass cased weights and keys (restoration). Note: Thomas Wightman apprenticed to Henry Hester Jr in 1692.

A mid-18th Century Japanned longcase clock with four-pillar brass eight day movement striking on a bell, the brass break arch dial with chime/silent indicator to arch, above a silvered chapter ring with black Roman hour numerals and outer Arabic minutes, framing a matt centre with subsidiary seconds, date aperture and applied silvered plaque inscribed `Marm:d Storr, London`, all cornered with cast and pierced mask, dolphin and scroll spandrels, the gilt detailed hood with moulded pediment and glazed door, the trunk door decorated in gilt with a chinoiserie scene of figures in buildings, on a similarly decorated base, height approx 204cm, with pendulum and two brass cased weights (base cut down and other faults)

A 19th Century painted break arch eight day longcase clock movement striking on a bell, the dial with rolling moon to arch above Roman numerals, subsidiary seconds and date dials, width approx 35.5cm, with pendulum and two weights.

A collection of eight 18th Century square brass longcase clock dials and part dials, three 11 inch, the remainder 12 inch, all signed comprising `John Mitchell, London`, `John Stokes, St. Ives`, `Char Clay Fecit`, `J. Sill, Wigton`, `Richard Sill, Wigton`, `Aaron Cheesbrough`, `P. Beauvais, London`, and `Hodgson, Annan` (faults).

Two George III brass break arch eight day longcase clock dials, signed `Edmond Martin, London` and `William Webb, Wellington`, a brass eight day circular dial inscribed `Thomas Mudge & William Dutton, London`, three thirty hour ten inch brass dials, signed `Boxall, Petworth`, `William Porthouse, Penrith` and `James Douglass, Chertsey`, five brass chapter rings, another part dial and a rolling moon (faults).

A collection of eight painted break arch longcase clock dials, 18th/19th Century, eight day and thirty hour, together with eight painted square longcase clock dials (faults).

An early 19th Century painted circular longcase clock dial inscribed `Jameson Dublin` with eight day movement, together with a thirty hour movement, the painted break arch dial, inscribed `R. Shrivell, Brighton`.

An 18th Century thirty hour longcase clock movement with brass break arch dial, the date indicator to arch above a chapter ring framing a matt centre with subsidiary seconds and applied plaque inscribed `JN Worsfold, Dorking`, together with a thirty hour movement, the brass dial inscribed `Joseph Dell, London`.

A late 20th Century mahogany longcase clock with chiming movement, height approx 191cm, together with pendulum and two weights.

An Edwardian mahogany longcase clock, the eight day movement chiming on gongs, the silvered broken arch dial with Arabic numerals, beneath subsidiary chime/silent and slow/fast indicators to arch, the case with boxwood and satinwood banding, the trunk door with glazed lenticle, on bracket feet, height approx 173cm, with pendulum.

A collection of nine longcase clock winding keys and ten various brass mantel clock pendulums.

A George III oak and mahogany longcase clock with coromandel crossbanding, the eight day movement striking on a bell, the painted break arch dial with landscape to arch above Roman numerals, subsidiary seconds and date dials and inscribed `John Stone, Aylesbury`, the hood with swan neck pediment, glazed door and turned columns, the trunk with rectangular door and fluted corner columns on a plinth base, height approx 208cm, with pendulum and two weights (some faults).

A George III thirty hour longcase clock movement striking on a bell, the square dial painted with a bird above date aperture and inscribed `R. Prew, Tewkesbury`, cornered with flowers, within a later pine wall clock case with moulded pediment and shaped apron, height approx 75cm (alterations).

An Edwardian brass mounted oak mantel timepiece in the form of a longcase clock, the cream chapter ring with Arabic numerals and inscribed `Alfred Mosley, Oxford`, the case with broken arch surmount, above applied masks, flower vases, lyres, scrolls and Cupid, the trunk with mercury thermometer, on a plinth base and bracket feet, height approx 50cm.

A collection of eleven 18th Century and later longcase clock pendulums and five wood rods.

A large collection of 18th Century and later longcase and wall clock weights.

A collection of 18th Century and later brass cased longcase and wall clock weights.

An 18th Century thirty hour longcase clock movement striking on a bell, the square brass dial with rolling date and inscribed `James Golston, Brislington`, width approx 28cm, within an later oak wall clock case, with weight, together with an early 18th Century brass dial inscribed `Wm Carter, Ampthill`, width approx 30cm.

A William & Mary style stained faux walnut longcase clock with thirty hour movement striking on a bell via an outside countwheel, the square brass dial detailed `No. 178`, the chapter ring with Roman hours and Arabic outer minutes, cornered with mask and scroll spandrels, the hood with barley twist columns, the trunk door with circular glazed lenticle, on a plain base and bracket feet, height approx 210.5cm (faults), with a pendulum and weight.

An 18th century oak longcase clock, the square brass dial supporting a two train striking movement, the case later carved

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the eight day movement having a painted dial with date aperture and secondary dial, decorated with pink lilies and signed T. Richardson Weaverham with two weights and a pendulum (for restoration)

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the eight day movement having a painted dial with date aperture and secondary dial, decorated with pink lilies and signed T. Richardson Weaverham with two weights and a pendulum (for restoration)

A 19th century oak longcase clock by J Knight of Coggeshall

An early 19th century longcase clock, the silvered dial signed Jo Kirkwood Kelso' with 8 day movement

A George III mahogany-cased 8-day movement longcase clock by George Wenham Watton, Norfolk. the white faced dial with handpainted hunting scene above

A 19th century oak longcase clock by J Knight of Coggeshall

An early 19th century longcase clock, the silvered dial signed Jo Kirkwood Kelso' with 8 day movement

A George III mahogany-cased 8-day movement longcase clock by George Wenham Watton, Norfolk. the white faced dial with handpainted hunting scene above