We found 41737 price guide item(s) matching your search

A GOOD SOMERSET OAK 30-HOUR LONGCASE CLOCK, c.1720, the posted countwheel bell-striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring with lozenge half-hour markers and signed 'E. Rundell, Norton' to lower edge, with twin cherub and crown pattern spandrels and finely engraved tulip decorated centre with calendar aperture, in flat-top pedimented case of good colour with integral hood pilasters, rectangular trunk door and on plain plinth base, 197cm.

A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.

A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.

A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).

A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.

A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.

A WILLIAM & MARY 8-DAY LONGCASE CLOCK MOVEMENT AND DIAL, c.1695, the 5-finned pillar inside countwheel striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring signed 'Fab' Robin, Londini Fecit' along lower edge, with cherub head spandrels, subsidiary seconds dial, calendar aperture with unusual crown engraved surround, ringed winding holes and tulip engraved centre to the mated ground, with original blued steel hands and now in later North Country oak case with ogee caddy to the pedimented hood with break-arch topped trunk door and on plain plinth base, 207cm.

George III oak 8 day longcase clock, by 'Giscard Downham', arched brass dial cast dolphin and cherub head spandrels, silvered chapter ring engraved Roman numerals, with subsidiary seconds and date aperture, mahogany banded trunk on bracket feet, 207cm high.

18th century oak 8 day longcase clock, square brass dial with cast cherub head spandrels, silvered chapter ring engraved Roman numerals, with subsidiary seconds and date aperture, marked 'Mac Laurin', London, case later carved with figures and fruiting branches, 214cm high.

JAS HAWKE, BURY ST. EDMUNDS, A GEORGIAN OAK LONGCASE CLOCK, the arched floral painted dial with subsidiary seconds and date, supporting an eight-day movement, the arched top hood flanked by reeded pillars, arched long door, above a stepped base with shaped bracket feet, 81ins high.

A late 18th century mahogany longcase clock, the arched brass dial with silvered chapter ring, with alarm set engraved in reverse to the inner edge, with matted centre and subsidiaries for seconds and for date. The latter with aperture signed Robert Sampson, petty France, Westminster and with subsidiary in the arch for strike/silent. The twin train movement with anchor escapement and with alarm work to the side striking on a bell, the swan neck hood with original flambeau and leaf finials and fretwork sides the trunk showing 'Liverpool' brickwork carved features. 236cm high.

A painted pine 30 hour longcase clock with 10" painted dial and square ionic columned hood.

A mahogany 8 day longcase clock with a painted 12" arch dial having seconds hand and calendar aperture height 83.

An 8 day longcase clock with painted arched moonroller dial with second hand and calendar contained in a mahogany and inlaid case with swan neck pediment the hood and trunk with reeded columns and ormolu mounts with a wavy top door inlaid shell and matching base.

A 1930s oak three train longcase clock with a silvered dial and glazed door.

A 30 hour longcase clock with painted arched dial with calendar signed Richardson Brampton contained in an oak and mahogany case with swan neck pediment and long door.

Joseph Smith, Chester, oak cased eight day longcase clock, circa 1740, the hood with cavetto cornice over two slender turned columns flanking a brass 30cm square dial with silvered chapter ring, signed and with Roman numerals, matted centre with subsidiary seconds dial and date aperture, four pillar movement striking on a bell, the trunk with a shaped door over a plain box base with plinth, height 198cm

Thomas Richardson, Weaverham, oak and mahogany eight day longcase clock, circa 1800, broken swan neck pediment over reeded columns flanking a painted 32cm square dial with Roman numerals, subsidiary seconds and date aperture, movement striking on a bell, the truck with a mahogany banded door flanked by reeded quarter pilasters raised on box base with raised panel canted corners, height 228cm

S J Bibby, Carnarvon (sic), a Victorian mahogany eight day longcase clock, swan neck pediment over double turned baluster columns flanking painted arched 41cm dial, signed and dated 1876, with Roman numerals, subsidiary seconds, the spandrels painted with wild beasts and a roving eye lion to the arch (mechanism deficient), the movement striking on a bell, the wide bodied trunk with turned baluster columns flanking an arch panel door, all raised on an arched raised panel base with bracket plinth feet, height 239cm

John Gardner of Sandwich. An early 18th century longcase clock, the 30cm square brass dial with boys and crown spandrels and silvered chapter ring, the 30 hour iron posted frame movement with outside count wheel, in a stripped pine case, 194cm high

Bridges, Okehampton. A walnut longcase clock, the arched brass dial with Tempus Fugit to the arch, gilt spandrels and shipping scene engraved to centre, and eight day four pillar bell-striking movement, the well-made 20th century case with barley-twist pilasters to the hood and bulls eye glass to the trunk, 219cm high

A MID 18TH CENTURY BLACK & GOLD LACQUERED LONGCASE CLOCK, with two train movement, the broken arch brass dial with a central gilt metal statuette of Perseus in a concave niche within the arch, flanked by quadrant panels and inscribed "George Neale Gloucester", the other with Strike/Silent with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the centre with second dial and calendar aperture, the rectangular domed hood with blind fret decoration and angle pillars, the sides with glass panels, the trunk with long arched door decorated with chinoiserie scene, the base similarly decorated, on ogee bracket feet, the sides painted to simulate lacquering. Dial Width 12". Width 13.5". Height 96".

A MID 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK, with three train, hour striking and rod chiming movement, the brass dial with painted mechanical moon phases within the arch with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre having a second dial with calendar aperture on aperture and inscribed "Thomas Bristol", the domed rectangular hood with open fret work and fret angle pillars, the sides with open fret panels, the trunk with long arched cross banded door, the base similarly banded, on a moulded plinth, the pine sides simulating walnut. Dial Width 12". Width 13.5". Height 96".

A MID 18TH CENTURY OAK LONGCASE CLOCK, with eight day movement, the square brass dial with gilt metal spandrels, roman hour and arabic minute numerals, the engraved centre with second dial and calendar aperture inscribed "Thos. Davies Chester", the square hood with swan neck pediment and fluted angle pillars, the trunk with long shaped cross banded door flanked by fluted quadrant angle pillars, the base with shaped plinths. Dial Width 12". Width 14". Height 84".

AN EBONIZED CARVED OAK LONGCASE CLOCK, with eight day movement, the square brass dial with gilt metal spandrels, calendar aperture and roman numerals, the square hood with fluted angle pillars, the trunk with long rectangular door, the base skirted. Dial Width 10.5". Width 12.5". Height 83".

A 19th Century oak longcase clock, the 12 inch square brass dial with a 30 hour movement and two false winding holes, inscribed Adam Costen, Kirkham, 2.15m high

An early 19th Century mahogany longcase clock, the hood with a swan neck cornice, three brass ball finials, painted gilt scrollwork and fluted columns over a trunk with quarter fluted columns and a raised panelled base. The arched painted dial with a strike/ silent ring in the arch, over a raised chapter ring and centre, inscribed 'Walter, Witney', the three train movement with a centre d ate hand, striking the quarters with three bells, 2.40m high to finial

An oak and walnut cased longcase clock, the square brass dial inscribed 'Glover,Chester', with an eight day movement

A MAHOGANY LONGCASE CLOCK dial: cream painted, subsidiary seconds and calendar rings, signed John McCredie, of Stranraer,rural view painted spandrels, the arch with a ploughing scene, hood: rectangular, 84 1/2in. (214cm.) high

A MAHOGANY LONGCASE CLOCK dial: painted, signed R.T. Smith, Irvine, the spandrels with named figures of the seasons, the arch with a political group entitled Scotland weeping..., 83in. (211cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted, subsidiary seconds ring and calendar crescent, signed Robt. Dobel, Yeovil, phases of the moon dial to the arch, case: the hood flanked by turned columns with ormolu Corinthian capitals beneath a swan neck pediment, 86in.. (218cm.) high

A mahogany cased miniature longcase clock, 27cms tall. Also an Edwardian miniature mahogany cheval mirror. 20cms tall x 13cms wide./2

A late 18th/early 19th Century oak longcase clock, the 12ins arched brass dial inscribed "Joseph Bean of Croft", the chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in case with shaped caddy top and arched moulding, later carved with guilloche ornament, turned and fluted columns to hood, arched trunk door, on later bracket feet, 90ins high (with alterations to case, later carving to hood and later bracket feet)

An Edwardian mahogany longcase clock of George III design, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds dial and chime/silent dial to arch, to the eight day three train movement striking and chiming on a cylindrical gong, four other gongs and eight bells, contained in case, the front inlaid with ribbon and leaf scroll ornament, within wide satinwood bandings and boxwood stringings, the upper part with moulded scroll pediment, with three brass finials to top and gilt metal reeded columns with Corinthian capitals to sides, fretted side panels, arched trunk door, on bracket feet, 92ins high

A late 18thC eight-day longcase clock with painted brass dial by Benjamin Barlow of Oldham, height 92in

An 18th century 30 hour longcase clock movement, the square brass dial with chapter ring painted black Roman numerals, Arabic five minute divisions and calendar aperture and inscribed John Barnes Carlisle within cast spandrels, 30cm (12in) square, striking on a bell

A late 18th century eight-day oak longcase clock, plain case, shaped door top, the hood with three quarter round columns, swan neck, pediment enclosing broken arch, brass dial with subsidiary seconds dial, signed J Peatling, Boston, 205cm

A George III mahogany longcase clock, square dial with moulded swan neck pediment and three spire finials above a blind fret frieze, on brass capped fluted column supports, the square brass dial with silvered chapter ring, black Roman numerals and Arabic five minute divisions, the centre inscribed James & Jacob Butler, Bolton, with painted moon phase (defective) and subsidiary calendar dials enclosed by cast brass spandrels, the moulded shaped matched curl veneer door enclosed by fluted quarter columns, on similar ovolo moulded panel base with shaped bracket feet, 8 day movement striking on a bell, dial 33.5cm (13.25" square), 234cm high overall

A mid 19th century mahogany longcase clock, the arched top with moulded swan neck pediment on bobbin turned column supports, the arched dial painted with a study of a Scottish shepherd with dog, black Roman numerals, subsidiary seconds and date dials and inscribed 'W. Alexander Hexham', shaped moulded panel door enclosed by full bobbin turned columns above a matched curl veneer plinth base with bun turned feet, 8 day movement striking on a bell, dial 47cm (8.5"), 225cm high overall

An oak and mahogany 8 day striking longcase clock, the 12" brass dial signed Thomas Mason Bawtry with a silvered chapter ring and calendar the swan neck hood having turned reeded columns above a shaped trunk door with shell inlay flanked by reeded quarter columns above a stepped base

Arch dial and eight day longcase clock movement, twin fusee, complete with weights and pendulum, seconds dial and date ring, Arabic markers marked Saunders, Wal....ford, a/f

Oak longcase clock case, swan neck hood with circular glazed window, reeded columns with ornate capitals, the trunk with reeded and canted corners, arched door, crossbanded in mahogany, the base with crossband panel and on bracket plinth, movement not related, stand 88"

An oak cased longcase clock by Charles Henson, Market Deeping, the arch above the dial hand painted with a river and bridge, the case cross banded with mahogany.

Lot of longcase and other clock parts

Lot of longcase and other clock parts

Victorian oak drumhead longcase clock, the brass dial inscribed 'William Hendrie / Airdrie' over a glazed trunk door, 80in (203.2cm) high

A George III oak longcase clock, by John Whitehurst II of Derby, the 13 inch diam brass dial signed Whitehurst Derby, with arched date aperture and engraved arrow hand, ringed winding holes, roman chapters and pierced hands, having eight day (formerly 30 hour) movement in crossbanded case with swan neck pediment, inlaid paterae, 'keystone' and fluted pillars, the trunk enclosed by a shaped door flanked by fluted pilasters, on panelled base, 213cm h

A William IV mahogany longcase clock, the 13 inch painted dial with twin subsidiary dials signed clare manchester, with floral spandrels and lunar work to the arch, having eight day movement in figured case with swan neck pediment and spiral columns, the trunk enclosed by an arched and panelled door in matched veneers, flanked by pilasters, 224cm h

A George III oak longcase clock, the 12 inch brass dial signed in a cartouche Nathal:Kirk Kibworth, with subsidiary seconds dial, date aperture and foliate engraving, having mask spandrels, lunar work to the arch and eight day movement, the case with a high swan neck pediment and turned pillars, the trunk enclosed by a break-arch crossbanded door, on ogee feet, 226cm h

An oak longcase clock, the 12 inch brass dial signed on the chapter ring Thos Blundell dublin and with matted centre, ringed winding holes and subsidiary seconds dial, having mask spandrels and eight day movement, the case with swan neck pediment and turned pilasters, the trunk enclosed by a break-arch door, 232cm h

A George III mahogany longcase clock, the 12-inch painted dial signed Tho B... Bath, with arched date aperture, subsidiary seconds dial, roman chapters and gilt spandrels, a medallion of a shepherdess to the arch, having eight day movement in figured and line inlaid case with 'pagoda' top and fluted pillars, the door inlaid with an oval between hollow fluted pilasters, 210cm h

A George III mahogany longcase clock, the 12 inch painted dial signed Kimber Uxbridge, with date aperture, subsidiary seconds dial, brass winding holes and rose spandrels, a basket of flowers to the arch, having eight day movement in break-arch case with brass stop- fluted columns, the trunk enclosed by a curl veneered door, on conforming base and bracket feet, 232cm h

A George III oak longcase clock, the 13 inch brass dial with engraved centre, subsidiary seconds dial and mask spandrels, a medallion engraved with an eagle and Tempus Fugit to the arch, having eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by a shaped door between pilasters, on panelled base and bracket feet, 230cm h

A George III mahogany longcase clock, the finely engraved 11.5 ins brass dial signed Thomas Field bath, with date aperture, subsidiary seconds dial and festoons, the seated figure of Pomona to the arch, having eight day movement in figured case with swept cavetto pediment and fluted pillars, the trunk enclosed by a break-arch door, 224cm h

An oak longcase clock, the 11.5 inch painted dial with date arc and subsidiary seconds dial, painted to the centre with rustics and livestock and having gilt spandrels, signed to the arch jarvis chapman barton, eight day movement, the case with swept cavetto pediment and turned pillars, the trunk enclosed by a break-arch door, 206cm h

A George IV mahogany longcase clock, the 13 inch painted dial with raised centre signed Cooke & Co Nottingham, with date arc and subsidiary seconds dial, pierced hands and roman chapters, the spandrels with young women emblematic of the Seasons and with lunar work to the arch, having eight day movement in crossbanded case with swan neck pediment and turned pillars, the trunk enclosed by a figured door, on panelled base and bracket feet, 228cm h

An early Victorian oak longcase clock, the 12 ins brass dial signed on a silvered tablet to the matted centre John Carr swaffham, with subsidiary seconds dial and silvered chapter ring, pierced spandrels and eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by an arched door, 196cm h

A mahogany longcase clock, the brightly painted dial signed C Roberts Leeds, with subsidiary dials and the figures of the Evangelists to the spandrels, the Sacrifice of Isaac to the arch, having eight day movement in figured and inlaid case with swan neck pediment, shaped door and bracket feet, 240cm h, second quarter 19th c. *The sale of lot 920A is subject to VAT on the hammer price.

An oak longcase clock, early 19th century, the broken swan neck pediment above a round glazed door flanked by turned mirrored balusters, the 11" circular brass dial with Roman numerals and marked 'Stripling, Lichfield', new date wheel, eight-day movement striking on a bell above a cushion moulded frieze and Gothic arched top, three-quarter length trunk door flanked by turned mirrored balusters, canted base with an oak panel with concave corners, raised on ogee bracket feet, 87" high

A mahogany boxwood and ebony strung longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by fluted brass capped pilasters enclosing a 14" square enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked 'Joseph Cornforth, Macclesfield', florally painted black ground corners, eight-day movement striking on a bell above a double pointed arched top, three-quarter length trunk door flanked by reeded uprights over an ogive moulding and crossbanded base board with canted corners and raised on ogee bracket feet, 85.5" high