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An eight day longcase clock, the associated arched brass dial signed Thos. Pinfold, Middleton Chainey and dating from the late 18c. The dial has a moon phase in the arch and seconds and date rings and has female head spandrels (date and moon phase inoperable). The oak case has a new backboard and its hood has a full arched top and attached columns on the hood door. The trunk door has an arched top and raised edge moulding and the base and plinth are plain, 86" tall overall.

A late 18c eight day longcase clock by Robert Honey of London, the 12" arched brass dial having floral spandrels, a strike-silent to the arch and a centre date hand. The mahogany case has a pagoda top (since cut down) and brass reeded fluted columns flanking the dial. The hood sides have wooden sound frets. The long trunk door has an arched top and raised edge moulding and the base has a raised central panel with edge moulding and a double plinth, the lower one with a wavy edge, 90" tall overall.

A mahogany eight day longcase clock, the 36cm arched painted dial signed Clayton, Blackburn,with moonphase, subsidiary seconds, and date, the hood flanked by Corinthian columns, the case with reeded pilasters, on plinth base, height 234cm (92in.).

A Channel Islands oak cased longcase clock late-18th century, the brass Roman dial signed `Naftels Guernsey`, with pierced steel hands, date aperture and gilt shell and scroll spandrels, the weight driven thirty hour movement striking on a bell, the case with a flared cornice over a square glazed door flanked by turned pilasters, the trunk with canted corners and inlaid with toothed banding and crossbanded in mahogany, on a plain base with bracket feet and shaped apron, 75.25in. (191cm.) high.

A late 18th century oak cased longcase clock the painted Roman numeral dial with central castle decoration and thatched cottage spandrels, signed `John Player Reading`, with date aperture, 30 hour weight driven movement striking on a bell, in an inlaid oak and mahogany case.

Oak longcase clock case

An early Victorian mahogany eight day longcase clock, the arched painted dial with ring of Roman numerals and centred subsidiary seconds and date dials, within classical ruin painted corner spandrels under a biblical 14 inch painted arch, the hood with swan-neck pediment over double baluster turned front corner hood pilasters, above an ogee arched short trunk door between canted front corners, on a box base with circular flame veneered panel raised on slender bracket feet, 234cm high (at fault)

A Regency oak crossbanded mahogany eight day longcase clock the 13 inch arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman and Arabic numerals, with florally painted corner spandrels under a painted classical arch, the hood with arched glazed door flanked by fluted front corner hood pilasters over a short trunk door with central urn motif on a crossbanded base with cut-out plinth, 204cm high (at fault)

A George III oak eight day longcase clock, the 13 inch arched brass dial signed `Samuel Liddell, Old Swinford` with inner ring of Roman numerals, outer ring of Arabic numerals, centred date aperture and subsidiary seconds dial the hood with pierced frieze over an arched glazed hood door flanked by three quarter front corner hood pilasters over a long ogee moulded trunk door with later carved lozenge and central rosette above a carved box base raised on ogee moulded short bracket feet, 226cm high (later carved trunk)

A 19th Century 8 day oak Longcase Clock, painted dial marked Tom Griffiths, Bethedsa, scrolled cornice above baluster columns

A Longcase Clock with arched dial painted quay scene and exotic birds, 14in W and another inscribed `J. BOWES, HELMSLEY`, 13in D

SCOTTISH GEORGE IV MAHOGANY LONGCASE CLOCK CIRCA 1825 the figural painted arched dial signed Whytock, Dundee, with a subsidiary second and date dials and an 8-day bell striking movement, surmounted by a broken swan neck pediment and flanked by turned pilasters, the panelled case with reeded quarter columns and raised on bracket feet 49cm wide, 207cm high, 24cm deep

WALNUT LONGCASE CLOCK 18TH CENTURY the stepped caddy top with blind fretwork enclosing an arched brass dial, strike/silent to the boss, silvered chapter ring subsidiary seconds dial and date aperture, an applied silvered oval inscribed `JNO Ellicot London` date aperture, plain case, arched door with cross banding plain base, an eight day movement striking on a bell 245cm high, 49cm wide

An 18th Century mahogany longcase clock having an arched and scrolled hood with scrolled fretwork pillars over a long door with ebony crossbanding and half Corinthian corner pillars and having a brass and silvered dial with rolling moon eight day movement by James Thomas, Chester, 87 ins high

A late 18th/early 19th Century oak longcase clock having a square hood with scrolled pediment, turned pillars, long door and a painted dial thirty hour movement (dial requiring restoration)

A Victorian mahogany and crossbanded longcase clock, the arched hood having a scrolled pediment with twin turned columns over a short door and having a painted dial eight day movement by Griffith Owen, Llanrwst

19th century oak longcase clock, with broken swan neck pediment, fluted supports, long door with three quarter pilasters, on bracket feet, circular painted dial with Roman numerals inscribed Jas. Hibbs, Hucklow, with eight day movement, striking on a bell.

Modern small longcase clock, with a mahogany effect case, with an arched dial and Arabic numerals, the movement by Ridgeway, striking on eight gongs.

LONGCASE CLOCK, George III oak, the silvered and brass dial inscribed Joyce Ruthin, eight day movement (restored, bell loose) 203cm H x 56cm W x 33cm D.

A mid 19th Century longcase clock, in crossbanded mahogany case, the painted dial with eight day movement.

A 20th Century eight day longcase clock in limed oak case of plain form with arched top, 12 inch circular dial and long glazed panel door, c.1930s.

"SAM WRIGHT AN 18TH/19TH CENTURY LONGCASE CLOCK having later early 19th century vernacular oak case, flat top hood with moulding and flank pilasters, the trunk with moulded corner pilasters and arched dial on box plinth, period four pillar mechanism,"

A 20th century Dutch .833 standard silver cased miniature longcase clock, the hood surmounted by a figure of Atlas holding the world on his shoulders, flanked by two trumpeting angels, 32 cm high overall (ILLUSTRATED)

Dutton, Tutbury, an 18th Century and later oak longcase clock, having broken arched and urn pediment supporting bell striking movement above twin columns enclosing arched brass dial, the three quarter length door above box base on bracket feet. 234cm.

Joseph Saxton, Higham Ferrers, a late 18th/early 19th Century oak, ebony strung and crossbanded longcase clock, having swan neck and urn pediment above conch inlay, the twin train bell striking movement supported by silvered arched dial above a quarter length door inlaid with bee patera within reeded quarter turned pilasters above box base on bracket feet. 223cm.

A black lacquer longcase clock, the square dial signed `Wm Sellers, Long Acre`, with silvered chapter ring and engraved dial with cast spandrels, the case now with door decorated with commedia dell` arte figures, fitted an eight-day striking movement

A George III oak longcase clock, the arched brass dial with phases of the moon and engraved centre with scroll spandrels, the case with swan neck pediment and starburst inlay to the door/see illustration

An early 19th Century mahogany Lancashire longcase clock with reeded columns to the sides and similar patera to the door, fitted an arch top painted dial showing the phases of the moon and having an eight-day movement by Nathaniel Dumrite, Stockport

James Yardley, Bishop Stortford, a George III oak longcase clock, the break arch hood with fluted columns, break arch long trunk door, on a rectangular plinth with shaped skirting, the 12inch brass dial signed on a disc to the arch, with silvered chapter ring, engraved centre, seconds dial and date aperture, gilt foliate spandrels, with 8 day 5 pillar movement, 211cm high

An oak cased longcase clock with painted dial, 8 day movement, calendar aperture and Sun and Moon phase.

An oak cased longcase clock with painted dial, 8 day movement and second hand dial by Thomas Hepton of Northallerton

An oak cased longcase clock with painted dial, 8 day movement, 2 subsidiary dials by M. Collingwood of Alnwick.

A mahogany cased longcase clock with painted dial, 8 day movement, 2 subsidiary dials by Alder of Blyth.

A 30 hour brass dial birdcage longcase clock movement, Sam Ollive, Tonbridge

J N Gatward Hitchen, an 18th century eight day longcase clock, with moonphase, brass and silvered dial in arch top, waisted mahogany case (distressed)

A 18th century style diminutive longcase clock, the square dial engraved G. Etherington, London, in a walnut case

19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by Joseph Kern & Company Swansea, hood with eagle and ball brass finals above arched aperture flanked by twist turned pilasters, the waist with similar pilasters flanking inlaid and moulded rectangular door, panel base with bracket feet. Arch brass face with seconds and date dials, marked Josh Kern & Co Swansea. Eight day two train movement striking on one bell. The face 18” x 12.5”. 88” High overall.

LATE 18TH/EARLY 19TH CENTURY ENGLISH OAK COTTAGE LONGCASE CLOCK, by Thomas Pearce, Chard, having broken swan neck pediment above square aperture flanked by baluster turned pilasters, plain mahogany crossbanded waist door with similar crossbanding to the panel base. Square painted face with fruit decorated spandrels, seconds dial and date aperture. Thirty hour movement striking on one bell. Face 11.5” Square. 80” High overall.

AN EARLY 18TH CENTURY ENGLISH FLORAL MARQUETRY EIGHT DAY LONGCASE CLOCK, by Thomas Hickson, London, the hood with moulded cornice above foliate strapwork freize, square aperture flanked by plain turned columns, rectangular moulded waist door with vase and floral inlaid decoration and lenticle, panelled base with foliate and bird inlaid decoration on later skirted bracket base. 12” Square brass face with foliate mask spandrels within a chevron engraved frame, silvered chapter ring with Roman numerals marked “Thos Hickson, London”, seconds dial and date aperture. Two train movement with five baluster pillars C1700. 86” High overall. Note:- See Baillie Watch and Clock Makers of the World-Thos Hickson, London 1690-1706.

19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK, by William Jones, Tredegar, having arched hood above arch aperture flanked by reeded pilasters, the waist with plain banded door flanked by canted angles on a panel base with bracket feet. Arch painted face with coastal scene to the arch and floral spandrels, and seconds dial and date aperture. Eight day two train movement striking on one bell. Face 18” x 13”.

LATE 18TH /EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, having flat hood over arched aperture flanked by baluster turned pilasters, plain waist door on panelled base with skirted support. Arch painted dial with bird spandrels and portrait to the arch indistinctly named with “Fishguard”. Eight day two train movement striking on one bell. The face 19” x 13.5”. 88” High overall.

A LATE 18TH CENTURY WELSH OAK THIRTY HOUR LONGCASE CLOCK, by G Evans, Pontypool having moulded cornice with later pediment above square aperture flanked by turned columns, moulded arch waist door above panel base with bracket feet. painted face with Roman numerals, seconds dial and date aperture, single finger and thirty hour movement striking on one bell. Dial 10” x 10”. 82” High overall.

AN UNUSUAL DOULTON LAMBETH POTTERY MINIATURE LONGCASE CLOCK, the detailed case overall decorated with coloured scraffito incised foliate designs, and applied flowerheads. French brass drum movement. Impressed flower head shaped Lambeth mark with date 1884 and incised initials F.H.B, F.C. 12.25” High.

Early XIXth Century Inlaid Mahogany 8-day Longcase Clock having brass arched dial, inscribed Jaques, Wakefield

Late XVIIIth Century Oak 30 Hour Longcase Clock having Brass Arched Dial Inscribed Cuthbert Darnton, Durham

A mahogany longcase clock, mid 19th century, the circular silvered dial inscribed Wm. Edmead, 138 Gower St., Euston Square, London’, the movement with pull repeat and striking on a gong, 211cm high 30cm dial

A QUANTITY OF 19TH C LONGCASE CLOCK KEYS, A VICTORIAN DESK STAMP WITH ROSEWOOD HANDLE AND MISCELLANEOUS OTHER SMALL ITEMS AND BYGONES

An oak small longcase clock, 56 1/2" high.

WILLIAM POTTS, PUDSEY (1834-1862), A VICTORIAN MAHOGANY AND SATINWOOD YORKSHIRE LONGCASE CLOCK, the case with short trunk door and swan neck pediment, 35cm arched painted dial with subsidiary seconds and date pointer, 8 day weight driven movement with anchor escapement. 2.25m

CLARK, FROME, AN 18th CENTURY LONGCASE CLOCK MOVEMENT, 30.5cm arched brass dial with subsidiary seconds and date aperture, penny moon in the arch, 8 day weight driven movement with four pillars and rack striking, (moon and date ring not connected), now with a japanned oak case with long arched trunk door. 2.12m

A VICTORIAN MAHOGANY NORTH COUNTRY LONGCASE CLOCK, with 35cm arched painted dial with subsidiary seconds and (dummy) date pointer, 8 day weight driven movement rack striking on a bell, the dial indistinctly signed in the centre. 2.25m

A 19th Century oak cased eight day longcase clock with square painted dial by Morse of Malmesbury

A 19th Century oak and mahogany cased eight day longcase clock with arched painted dial and swan neck pediment with reeded pilasters, the dial with painted spandrels depicting nautical scenes

A 30 hour longcase clock with a painted square dial signed Whitmore and Son Northampton contained in an oak case with a good patina-in working order Height 80in

An eight day longcase clock with a painted arched dial and with moonroller signed JNO Blaylock contained in an oak and mahogany case - in working order Height 88in

A 19th Century longcase clock, the eight day movement with arched painted dial depicting a mother and child, having floral spandrels and secondary seconds dial in mahogany case with satinwood stringing, swan neck pediment on wrythen turned columns, shaped trunk door and bracket feet, 85” high

A longcase clock, having eight day movement with brass dial inscribed Thomas Armstrong & Brother, Manchester, silvered chapter ring and pierced foliate spandrels in dark oak case with moulded pediment and blind fret carved frieze on wrythen turned columns, panelled door, on plinth base, 78 1/2” high

A 19th Century longcase clock, by Anthony Smith, Wellingboro’, the eight day movement with arched painted dial depicting a vignette with a castle beside a river, gilded floral spandrels with anchors and having date aperture, in oak and mahogany case with swan neck pediment on reeded columns, the shaped trunk door with shell inlay on panelled base and bracket feet, 87” high

An 18th Century longcase clock, by Thomas Lister, the thirty hour movement with square brass dial having moon phase with date and seconds apertures and scrolled spandrels, in oak case with blind fretwork frieze on turned columns, shaped trunk door and panelled base with bracket feet, 79” high

AN 18TH CENTURY SCOTTISH EIGHT DAY LONGCASE CLOCK by J. Michie of Brechin, the dome top brass dial with subsidiary seconds and date dial, black roman numerals engraved with flowers, set within an ornately carved case, swan neck pediment, column sides. The case carved with thistles and buildings, supported on bracket feet. 7ft high.