A late 18th century 30-hour longcase clock, by James Todd of Bradford, 30cm square brass dial, with applied brass chapter ring with Roman numerals and Arabic minutes, calendar aperture, scroll-engraved centre, applied pierced brass scroll-work spandrels, the stained oak case with plain top, fluted Doric columns flanking dial, the trunk with later-carved door, quarter pilasters, raised on pedestal box base, 29cm high
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A George III mahogany cased longcase clock, by James Rousseau, London, the eight day movement striking on a bell, with an arched brass dial and circular convex name plate and scrolled spandrels, with a silvered chapter ring with black Roman and Arabic numerals, comprising a subsidiary seconds dial and date aperture, the case surmounted by a broken swan necked pediment over a stepped arched glazed door flanked by fluted columns, the flame cut trunk door flanked by fluted quadrant stiles on a cut down rectangular plinth and ogee bracket feet, dial 28cm diameter, 213cm high
An early to mid-19thC mahogany longcase clock with boxwood string inlay and hood topped by three brass eagles mounted on orbs. The eight-day movement is unsigned, the painted dial has rustic and colonial scenes and date aperture and is signed G Lewton, Kingswood (205cm tall including finial)
A Walnut cross banded Oak cased Longcase Clock, Brass dial Robt Scholfield, applied at the corners with Rococo spandrels and circular Roman chapter ring, outside minute track, 30-hour movement with subsidiary minutes dial, the hood with swan neck pediment, central eagle and ball finial and the face flanked on either side with reeded columns with gilt metal capitals, plain trunk and plinth base with bracket feet (seat board missing), 78 = high
Mid 19th Century Oak Mahogany and cross-banded 8-day Longcase Clock, Jno Smith Scarboro, the hood with exaggerated caddy top replacement Brass finials over free-standing columns to a moulded throat and short and shaped trunk door flanked by reeded quarter columns, to a panelled plinth and raised on bracket feet, to a 12 arched Brass dial decorated with a Ruined Abbey in a Landscape to the arch over Daffodil and gilt highlighted spandrels enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector with pierced and stamped Brass hands, to a plain false plate and movement with plates united by four knopped pillars and with anchor escapements strike on a bell, height 89 =
Early 19th Century Oak and Mahogany cross-banded Longcase Clock clock case, the ogee moulded cornice to a replacement frieze and free-standing columns to a moulded throat with long and shaped trunk door on a plinth base (losses and damage throughout), height 78 together with a composite 30-hour Longcase Clock movement, unsigned (associated and both requiring full restoration)
A late 18th Century Oak and Boxwood lined inlaid 8-day Longcase Clock, name rubbed), the hood with arched and shaped pediment over three-quarter columns to a moulded throat and long arched door with strung inlaid detail and raised on a plinth base to a 12 first painted period dial decorated with roses and strawberries with gilt gesso spandrels enclosing a Roman and Arabic chapter ring with outside minute track, subsidiary seconds and date sector, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement strike on a bell, height 87 , (requiring complete repair and restoration throughout)
A mahogany longcase clock,18th century, the arched brass dial with date and seconds dials, inscribed 'B. Francis, Gravesend', the five-pillar movement striking on a bell and with repeat mechanism and strike/silent in the arch, the hood with stop fluted pillars with brass inserts, with a pair of cased brass weights,220cm high dial 12in (30cm)
An eight-day mahogany longcase clock,by Robert Clidsdale, Edinburgh, the arched silver dial inscribed in the arch, with a seconds dial, calendar aperture and engraved spandrels, the hood with an inlaid scrolled pediment, the case with fluted quarter columns,dial 12in (30cm)case 212cm highRobert Clidsdale of Bell Yard, Temple Bar, Edinburgh, was apprenticed in 1738 and died in 1786.
A GEORGE III CHINOISERIE LONGCASE CLOCK BY SPENCER & PERKINS A GEORGE III CHINOISERIE LONGCASE CLOCK BY SPENCER & PERKINS, CIRCA 1780 The longcase clock with Spencer & Perkins movement contained within a green lacquered Chinoiserie embellished case depicting figures within a landscape, the base with an equestrian scene and later built, 48.5cm width x 24.5cm depth x 236cm height. Provenance: Purchased in 1980 from George Curtis Montpellier Clocks, Cheltenham.
A MAHOGANY LONGCASE CLOCK BY PERCIVAL MANN A MAHOGANY LONGCASE CLOCK BY PERCIVAL MANN, LONDON CIRCA 1790 Contained within a mahogany case the swan neck pediment carved with fret work and rosettes, the hood and case with reeded pilasters, the glazed hood enclosing an arch dial with moon face marked Percival Mann, 50cm width x 24cm depth x 242cm height.
An early 20th century Delft model of a longcase clock, with white enamel circular dial decorated with windmills and boats in foliage, 41cm high CONDITION REPORT: Lot 529 - The ceramic case has been extensively damaged, chip to enamel on face below key hole, mechanism marked 137, it is not ticking.
Two 19th century clock movements and dials: an English longcase movement and dial by Owston, Scarborough, with a painted numeral dial and arch painted with urns and flowers, 28 by 40cm, and a French movement and dial by Nicholas Carlin Jeune a St Vallier, with a circular enamel Roman numeral dial bordered by embossed brass surmounted with a sunburst face mask, together with the metal panel sides and a quantity of spare gilt hands.
An early 20thC mantel timepiece, fashioned as a miniature light oak longcase clock with lacquered, decoratively cast brass mounts, the hood having a broken arch cornice over the straight trunk, flanked by four reeded columns, on a box base; the French movement, stamped R&Co Paris, faced by a white enamel Roman dial 18''h
A large George III period mahogany and boxwood strung eight day Longcase Clock, the 12" broken arch brushed steel dial below three gilt metal open winged eagle finials, Roman numerals subsidiary seconds hand and date aperture and the dial signed Lock, Plym. Dock and with Adamesque style husks and spandrels, all flanked by reeded columns and a broken arch trunk with central marquetry conch shell and flanked by quadrant reeded pilasters, raised on bracket feet, approx. 222cm high
A late George III mahogany and crossbanded longcase clock, the hood with broken swan neck pediment above arched painted dial, with rolling moon phase, Roman numerals, subsidiary seconds and date aperture, inscribed "W. Muncaster, Egremont", above a long arched door flanked by fluted quarter cut pilasters with similarly decorated plinth base, height 223cm. CONDITION REPORT: Key, pendulum and weights present. A few old splits throughout case. Dial has been repaired in places.
An early 19th century mahogany longcase clock, the hood with broken swan neck pediment above painted arched with scrolling moon and set with Arabic numerals housing eight day movement, the shaped door flanked by fluted pilasters to a plinth base, height 217cm. CONDITION REPORT: Losses to paint of dial and moon phase. Dial and case seem to fit well. Finial missing. Old repairs to case. Pendulum and weights present.
A GEORGE III OAK CASED LONGCASE CLOCK, the eight day movement striking on a bell, the dial with painted arch and spandrels, with Roman numerals and two subsidiary dials, signed Richmond, York, the hood with swan neck pediment and fluted brass mounted columns, the string inlaid panel door on a chamfered trunk, above a moulded plinth base, raised on bracket feet. 2.25m by 0.52m by 0.28m
A GEORGE III MAHOGANY LONGCASE CLOCK BY JOHN HOWELLS, St CATHERINES, LONDON, the eight day movement striking on a bell, the brass arched top dial with silvered chapter ring with Arabic and Roman numerals, centrally matted and with a subsidiary seconds dial with Arabic numerals, recessed calendar aperture and fan shaped maker's plate, with silvered strike/silent dial to the arch, further embellished with cast spandrels, the glazed hood flanked by fluted brass wire filled and capped pillars, the moulded arched cornice surmounted by a secondary moulded cornice with three ball and spike finials, the shaped figured trunk door with reeded border on a moulded plinth base decorated with raised geometric mouldings raised on bracket feet. 2.22m by 0.46m by 0.24m
A LATE 18th/ EARLY 19th CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK BY JOHN SMITH, PITTENWEEM (d.1814), the eight-day movement striking on a bell, the 13" brass dial with silver chapter ring, Roman numerals and scroll cast spandrels, signed in the arch, Smith, Pittenweem, the hood, with a moulded cornice over an arched glazed door flanked by turned baluster uprights, the trunk with a cupboard door flanked by quarter columns, on a plinth base raised on bracket feet. 2.14m by 0.51m by 0.24m
A MID-19th CENTURY MAHOGANY LONGCASE CLOCK, the 10" arched brass dial with scroll cast spandrels, Roman numerals, subsidiary dial and date aperture, signed Harrocks, Lancaster, with an eight day movement striking on a bell, the satinwood inlaid hood with swan neck pediment and ball finials over an arched glazed door flanked by tapering fluted columns, the trunk with a shaped moulded cupboard door flanked by fluted quarter columns, above a moulded plinth base raised on bracket feet. 2.18m by 0.48m by 0.28m
A VICTORIAN CHEQUERED INLAID MAHOGANY LONGCASE CLOCK, the eight day movement striking on a bell, the elaborately painted face signed A. Molteni, Newcastle, with Roman numerals beneath a painted arch, the hood with a swan neck pediment over a glazed door flanked by boldly turned supports, the heavily inlaid trunk with a shaped door flanked by turned uprights, raised on a massive plinth base terminating in bracket feet. 2.29m by 0.62m by 0.24m
A 19th century mahogany longcase clock, signed Robt Bryson & Sons Edinburgh, the hood with inlaid swanneck pediment, the satinwood strung trunk with panelled door, the 13inch engraved brass dial signed to a boss in the arch, silvered chapter ring and seconds dial, date aperture, upon a rectangular plinth 223cm (87in)
AN EDWARD VII OAK EIGHT DAY LONGCASE CLOCK, C1905 the lacquered brass breakarched dial engraved with the Sun in Splendour and inscribed on a convex disc to the arch Tempus Fugit, the movement striking on a coiled wire gong, the case crisply carved overall with grotesques, foliage and lozenges, the hood with conforming side frets, 230cm h, printed depository label of ARMY & NAVY STORES LONDON WAREHOUSING DEPT++Apparently complete and in good original undamaged condition, pleasing light coloured oak, a typically substantial well engineered example in sound condition
A GEORGE III STAINED PINE THIRTY HOUR LONGCASE CLOCK the 8 ½ inch brass dial with inscription J Hull Harrold, matted centre and silvered chapter ring in light brown scumbled case, 200cm h++Dial and movement probably associated, seat board later and packed, door to trunk slightly warped, not refinished or restored. The movement apparently complete
A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, C1770 with inscription on associated disc to the arch R Simister BIRMINGHAM, 226cm h++Dial/movement associated to the case. Movement apparently complete but dirty, case of pleasing colour with minor old faults and repairs, later brass finials, polish residues to mounts
A GEORGE III OAK THIRTY HOUR LONGCASE CLOCK, C1800 the painted dial inscribed CHA WOOD WEDNESBURY the door inlaid with a gothic niche, 202cm h++Cheeks packed and dial/movement associated to the case, the movement apparently complete but dirty. Pendulum crutch bent, hood with replacement roof board, old damage to blind fretwork, base with later added skirting. Of pleasing deep old colour, polish residue to the brass furniture
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41737 item(s)/page