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George Clapham of Brigg - Late 18th century 8-day oak cased longcase clock c1790 - flat topped hood with later carved addition, dog tooth moulding and blind fretwork beneath, break arch hood door flanked by reeded pilasters and capitals, trunk with canted corners and door with a triple arched top, plinth with a later base with decoratively shaped feet, early painted dial with flowers enclosed in a gesso border to the spandrels, rolling moon to the arch, seconds dial and calendar aperture, Roman numerals and five minute Arabic's with makers name (indistinct), dial pinned via a false plate to a rack striking movement. With weights, key and pendulum.Dimensions: Height: 235cm  Length/Width: 50cm  Depth/Diameter: 27cm

English - mid 19th century 8-day oak longcase clock, with a flat topped pediment and blind fret beneath, square hood door flanked by reeded pilasters with brass capitals, trunk with inlay and three-quarter reeded columns and a wavy topped door, plinth with a raised panel to the front, square fully painted dial, with a white chapter, Roman numerals and minute markers, seconds dial and calendar aperture, dial pinned via a false plate to a rack striking movement, striking the hours on a bell.With weights, bell and pendulum bob.

A large 19th century mahogany longcase clock with painted arched dial and moon phase movement.

A 19th century mahogany Scottish longcase clock with eight day movement, arched dial signed Alex Semple, Kilmalcolm.

An 18th century small mahogany longcase clock with eight day movement, the square brass dial signed Sedley, London.

An 18th Century oak longcase clock case

An 18th Century John Baddely of Tong 8-day brass longcase clock dial and movement, with pendulum and weights

An early 19th century oak eight day longcase clock, the 13in arch painted dial inscribed 'Gowland, Blyth', 208cm high, with pendulum and weights.

An early 19th century oak and mahogany eight day longcase clock, the 13in painted arch dial inscribed 'W Robson, N Shields', 203.5cm high, with pendulum and weights. 

A 19th century oak, mahogany and inlaid eight day longcase clock, the 14in arched painted dial inscribed 'Stephens, Coventry', 231cm high, with pendulum and weights. 

A 19th century eight day longcase clock dial and movement, the 14in painted moonphase arched dial inscribed 'Radcliffe * Ellard', (lacking pendulum and weights).  

Five various clocks or timepieces; together with a longcase clock movement. (6)

A Georgian oak longcase clock with inlaid detailing and painted dial named to 'E. Mathews, Welchpool' with moon phase - height 207cm

Henry Waters of Lemington 8 day Longcase Clock with unusual date calendar in the arch of the dial. 12" arch brass dial with subsidiary seconds date calendar and days of the week in the arch of the dial. Mask spandrels and boarder engraving to the dial. Two train movement with fined pillars, striking on a bell, and brass cased weights. In a mahogany case with barber shop inlays to the trunk corners. Raised on a plinth which may be associated.Dimensions 81" (86 with plinth) x 18 (24" with plinth) x 10"Condition report - Parts of the case look to be refinished. The plinth maybe a later addition Movement seat-board is a replacement pendulum and trunk door key present. Movement not tested.

Mahogany eight-day longcase clock, the 12" painted arch dial with moonphase signed W.Cox, Devizes, the case with a pagoda pediment over a single door, 88.5" high (with two weights, key and pendulum)

An 18th century eight day longcase clock, the painted dial set with Arabic and Roman numerals and decorated with exotic birds and floral detail, within inlaid oak case with shaped door, height 200cm.

JOHN EVANS, PWLLHELI; an 18th century eight day longcase clock, the painted dial set with Arabic and Roman numerals and subsidiary dials, decorated with buildings and floral sprays, within a dark oak case, the hood with broken swan neck pediment, above a shaped door, height 211cm.

A 19th century longcase clock, the painted dial decorated with a horse and cart above chapter ring set with Roman numerals, within an oak case, the architectural shaped door flanked by turned columns, on bun feet, height 230cm.Condition Report: We are unable to test the clock as it is lacking key, pendulum and weights.

JOSKELL, LIVERPOOL; a 19th century eight day longcase clock, the painted dial with rolling moon phase, set with Roman numerals and subsidiary dials, within a mahogany case, the hood with broken swan neck pediment and brass mount above a shaped door, on bracket feet, height 232cm.

JOHN WARD; an oak cased eight day longcase clock, the brass dial set with Roman numerals, within a later oak case, the hood with barley twist columns above a rectangular door, on plinth base, height 202cm.

ROBERT FLETCHER, CHESTER; an 18th century longcase clock, the painted dial set with Roman numerals and subsidiary dials, within an oak case, the hood with broken swan neck pediment above two columns, blind fret decoration, and shaped door, height 225cm.

ROBERT JONES, AMLWCH; an 18th century eight day longcase clock, the painted face set with Roman numerals and two subsidiary dials inside floral detail to the corners, within an oak case, the hood with broken swan neck pediment with applied brass mount above a pair of columns and rectangular door with inlaid decoration, height 220cm.

WILLMAN, BANGOR; an early 19th century eight day longcase clock, the painted dial with moon phase above a chapter ring with Roman numerals and painted with exotic birds and floral detail, within mahogany case with Prince of Wales feathers to the hood, above six carved columns and shaped door, terminating on paw feet, height 236cm.

A slate mantel clock in the form of a longcase clock, height 56cm.

ROBERT WEBSTER, SHREWSBURY; a late 18th century thirty hour longcase clock, within an oak case, the hood with blind fret decoration above shaped rectangular door with inlaid star, height 197cm (lacking footboard)

CHESTER; an 18th century eight day longcase clock, the painted dial set with Roman numerals and subsidiary dials, within an oak case, the hood with broken swan neck pediment above columns, and a rectangular door, height 214cm.

A 19th century inlaid mahogany longcase clock case.

STRIPLING, LITCHFIELD; an 18th century thrity hour longcase clock, the painted dial set with a Arabic and Roman numerals within an oak case with blind fret detail to the hood, height 182 (af).

A modern oak effect longcase clock, the brass face set with silvered dial and Roman numerals, above shaped glazed door, height 197cm.

LATE GEORGIAN MAHOGANY LONGCASE CLOCK DAVID DEWAR OF DOUNE, EARLY 19TH CENTURY with two train eight-day movement, the white enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar dials, the hood with swan neck pediment

J. Windmills, London, an eight day longcase clock, the 11 inch signed dial with boys and crown spandrels between engraved foliate scroll motifs to the border, date aperture, the movement with six latched pillars and brass cased weights, now contained in a 20th century marquetry walnut case of typical design218cm highCurrently set up but not wanting to run so may need a general clean and overhaul of movement. Hands are wrong, movement probably restored. Well made case. Old brass cased weights, one has a new attachment to the top for suspension.

Oak and mahogany crossbanded 30 hour longcase clock 19th Century, the break arch painted Arabic dial signed W. & W. Roberts, Derby with date aperture, the arch decorated with column ruins and songbirds to the corners, the hood with swan neck pediment, brass ball a spike finial and plain pillars, the trunk with short door flanked by fluted quarter columns over a panelled base, 54cm wide x 226cm high x 23cm deep overallProvenance: The property of a Gentleman, from a period Winchcombe Town House.At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Randall of Marcham Oxfordshire 30 hour longcase clock with single hand, 10" brass dial. Contained in a oak case.

A George III mahogany longcase clock, the hood with arched top flanked by reeded brass capped Corinthian columns, the silvered dial with date aperture and engraved Peter Upjohn, Bideford, the trunk with canted reeded columns, on ogee bracket feet, eight day striking movement, 235cm highcondition: glass AF

A 20th century burr walnut Tempus Fugit longcase clock. 

George Williams of Bristol eight day longcase clock with Automaton to the arch. 13" silvered brass dial with a scene of a tree, an angel and a woodman in the arch. Contained in a mahogany case with in lays, the trunk having brass capped mouldings to the sides The hood has barley twist pillars with corinthian caps. Dimensions 89" x 21" x 19"Condition report - Poor condition in need of restoration some components to the movement and case have come off or are missing. Automaton workings don't appear to be present.Those present are in a separate bag. A/F 

* A George III oak and mahogany crossbanded eight day longcase clock by Joyce of Whitchurch, the twin swan neck pediment over fluted columns flanking the 33cm painted square dial, applied with Roman and Arabic numerals, centred with a subsidiary seconds dial and crescent date aperture, along with the makers name, the two train movement striking on a saucer bell, the case with a shaped and cross banded door over a conforming lower panel, upon bracket feet, 210cm high, two weights and pendulum, running and keeping timeCondition report:  Side rails to cheek pieces appear to be later. Movement board also possibly later, indicating some historic restoration. Some light fading wear to the dial. Otherwise general light marks and fading commensurate with age. Backboard appear original. Later lock to the door. 

* A George III mahogany cased eight day longcase clock, signed Read, Tarporley, the moulded twin swan neck pediment with flower head terminals over gilt embellished glazed panels, extending to freestanding fluted pillars flanking the 33cm gilt metal and silvered break arch dial, with a painted moon phase over the dial applied with Roman and Arabic numerals, enclosing a subsidiary second dial and date aperture along with the makers name, the two train movement striking on a saucer bell, the trunk with a dentil frieze and blind fretwork frieze above a shaped and beaded door flanked by conforming quarter pilasters, the lower board with applied beaded detail, conforming blind fretwork canted corners, upon bracket feet, 225cm H, two weights and pendulum, running and keeping time, by repute the kitchen clock of Joseph Dutton, Burland Hall Condition report:  Top of hood some evidence of historic worm. Clock glass appears to be later.Bocks added to inside of hood, indicating evidence of restoration. Some light wear to the gilt detail, tarnishing to the chapter ring and then centre of dial. Some light fading, rubbing, wear, minor gouges and scratches to case and lower panel.

A WALNUT EIGHT-DAY LONGCASE CLOCK SIGNED FOR BROUNKER WATTS, LONDON, LATE 17TH CENTURY AND LATERThe four finned pillar inside countwheel bell-striking movement with anchor escapement and seconds pendulum, with a ten-inch brass dial with calendar aperture and subsidiary seconds to the matted centre within silvered Roman numeral chapter ring engraved Brounker Watts, London to lower edge, with pieced steel hands and winged cherub spandrels to angles, in a case with fretwork frieze over Solomonic three-quarter columns to hood, convex throat mouldings and long trunk door with book-matched veneers, on conforming plinth base with moulded skirt198cm high, 43cm wide, 25cm deep Brounker Watts is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in around 1670, he was apprenticed to Joseph Knibb from 1684/5 until 1691 and gained his freedom of the Clockmaker's Company in 1693/4. In around 1695 he married Ursula Walford and in 1696 he is recorded as working from Fleet Street, London. His name is on the company's Oath of Allegiance which was signed the following year. In 1698 Watts was living in the parish of St. Dunstan in the West and is recorded as avoiding stewardship of the Clockmaker's Company in 1711 due to being 'out of town'. Brounker Watts died in 1717 and was buried in his home parish of St. Dunstans in the West.Condition Report: The movement is in fairly clean working condition with no visible evidence of alteration or noticeable replacements it would appear that the mechanism has received a light service fairly recently. The dial is in good condition with only some slight historic light surface scuff/blemishes to the plate and slight mellowing and patchy tarnishing to the silvering. When the clock was previously sold by Bonhams (24th November 2020) they suggested that the dial plate may be a replacement however we cannot see any evidence of this in the plate itself or the movement hence would be inclined to give it the benefit of the doubt. The hands are well made and in good condition.The movement seatboard is a replacement although it rests directly onto the cheek uprights of the trunk at the correct level. The case has a pine carcass with the structure of the trunk surviving in sound condition. The upper section of the backboard (behind the movement) has been replaced with well-matched timber and a baton applied over the joint to the rear surface. The structure of the trunk continues part way down into the plinth base with the lower sections of the backboard and side panels showing historic degradation/wear/losses to lower edges. The outer box plinth base is an older restoration. The hood would appear to also be an older restoration. The fact that the case has a pine carcass (rather than oak as mostly seen on 'period' cases) together with the walnut veneers being relatively thin would indicate that the veneers are later. From this it is most probable that the case was most likely restored and veneered (around/onto a period carcass) during the early to mid 20th century. The surface presents in good condition with some slight shrinkage, bumps, scuffs, a few small veneer chips and other very minor age-related blemishes. The veneer overlap to the mask around the dial (only visible when the hood door is open) has some slight wear/losses to the edge.Clock is complete with pendulum (with butterfly-type rating nut) two brass-cased weights, a case key and a crank winder.Generally a very attractive example of fine proportions in working order. Please see catalogue images and further images available on request which are supplemental to and form part of this condition report. Condition Report Disclaimer

George III oak longcase by Francis Thorn of Colchester, the arched brass dial with silvered chapter ring and caldener aperture, in dome top case, 204cm with pendulumClock movement is very dirty, full of cobwebs and does not appear to have been running for some time, bell is present but separate. Dial is very dirty and worn, name cartouche is very worn, spandrels possibly repainted and hands are rusty. We cannot confirm if the movement is fully complete. Oak case is tired, some evidence of wood worm, surface is dirty and some areas of damage, door has damage at edges. Hood is damaged and has signs of repair, door does not open and is not hinged, one side glass is broken, hessian covering is damaged and finial mounts are missing. No weights.

John Wilderspin of Cambridge 18th century 8 day longcase clock, the brass arched top dial with subsidiary seconds and date aperture, in black lacquered chinoiserie decorated case with painted figures and temple panels, approximately 245cm highGeneral overall condition good, rack strike movement is somewhat grubby and the gut on one barrel is partly wound round the arbour, we cannot confirm if it is in full working order, dial is also dirty with some scuffing, cartouche is not on straight, back of dial has a number of service labels, arched dial does not fit the surround well with gap at either side of arch. Case is good, surface is dirty and there is some wear to decoration, plinth surround may have been replaced, top left corner of door has been reduced. Hood is good but has a piece of brown paper glued in the top at the back, hood bolt is missing and finials appear to have been refinished. (Photographs to follow)

Late 19th century French longcase clock by Burette of Yvetot with circular white enamel dial with embossed brass bezel in a carved and glazed oak case, 244cm.

18th century 8-day longcase clock by Jonathan Marsh, London with arched gilt and silvered dial signed in arch, strike silent slide, subsidiary seconds and date aperture, four pillar movement striking on bell in a fine red walnut case with arched top and bevelled glazed door, weights and pendulum present, 228cm.230 cm high. Good overall condition , plinth reduced and altered. Unable to test movement as nylon winding string wound around front of sprocket

Early 19th century 8 day longcase clock with arched painted dial in oak case, 210cm high.

Early 19th century 8 day longcase clock by Butler of Reading, the painted arched dial with subsidiary seconds, in an oak case, 214cm high

18th century 8 day longcase clock, the arched brass dial with silvered chapter ring and subsidiary date and second dials, in an oak case with later carved decoration, 228cm.

Early 19th century 8 day longcase clock by J Penistan of Horncastle with painted Nelson & battle of Trafalgar tribute in an oak case. Weight cables need re-attaching Ht 201cm W 49cm D 25cm 

C PICKERING, HULL, MAHOGANY LONGCASE CLOCK - circa 1860, painted arched dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell-strike movement (pendulum and weights included), single glazed hood door flanked by brass capped reeded pillars having a broken swan neck pediment, shaped top trunk door with quarter cut reeded pillars to the case side, on a stepped trunk base, 227cms H, 49cms W

JOHN JONES, HIGH STREET, PWLLHELI VICTORIAN MAHOGANY LONGCASE CLOCK - having a moon detail arched painted dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell-strike movement (pendulum and weights included), the oversized case hood having a swan neck pediment with central carved detail over the single glazed door, applied half cut turned and twist columns flanked by fully carved turned and twist columns repeated to the trunk, arched trunk door over an oval panel, on a stepped trunk base, 236cms H, 76cms W, 25cms lower trunk D

Gerrit Bramer of Amsterdam. An 18th century Dutch marquetry inlaid walnut eight day longcase clock, with moulded pediment and arched brass dial with silvered Roman chapter ring, date aperture, moonphase, subsidiary seconds and alarum ring, set with silvered spandrels depicting the seasons, the trunk with cartouche shaped lenticle and box base, 55cm wide, 226cm high***CONDITION REPORT***Overall looks to be in fair to good condition with a rich dark toffee brown tone throughout, some cracking through the moulding around the top of the hood with some losses to the right side, some losses to the fret work front top left, dial looks original albeit somewhat oxidised, five pillar movement with anchor escapement in good clean condition although not tested for running, trunk door with original lock and working key, small cracks and splits to the trunk, box base with some separation at the joints together with more notable horizontal splits and small losses and dents to the veneers, comes with two cast iron weights, two winding keys, brass mounted pendulum and a bag containing some of the loose sections and veneers.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A George III mahogany longcase clock, the pagoda top with three brass finials above brass capped Corinthian columns and pierced brass panels to sides, above trunk with canted stop reeded Corinthian pilasters and break arch moulded door, on plinth base, the painted break arch dial with Roman and Arabic numerals, with date aperture and indistinctly signed FORSTER SITTINGBOURN (?), with oval painting of two figures in a dog by a river to arch, the twin train movement striking a bell, 252.5cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.   

A Scottish mahogany eight day longcase clock, by Alexander Rae, Dumfries, late 18th century, with broken swan neck pediment over twin reeded pilasters, over plain trunk with shaped door, on plinth base, the arched brass dial with Roman and Arabic numerals, with cherub head and foliate spandrels, having painted moon phase dial with plaque above signed Alexr Rae Dumfries, the twin train movement striking a bell, with pendulum and two weights, 205cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.Condition Report:   

A George III mahogany musical longcase clock, with swan neck pediment above scrolling fretwork frieze and twin columns, the trunk with fretwork frieze above moulded door flanked by reeded pilasters, on plinth base with canted fretworks corners, on bracket feet, the break arch dial with silvered chapter ring having Roman and Arabic numerals, the brass dial centre with foliate engraving and signed H Knight Stone, with moonphase dial to arch, the three train movement striking on eight bells, approx. 253cm high    Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.   

A George III oak and mahogany longcase clock, first half 19th century, the broken arched cornice over later mahogany door with twin pilasters, above oak trunk with moulded door, on plinth base with bracket feet, the white painted dial signed BOLT, Weymouth, with seconds subsidiary dial at 12 and date aperture, with floral painted spandrels and arch, the eight day movement striking a bell, with pendulum and two weights, approx. 212cm high  Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.  

Eiken longcase clock, Schotland 18e eeuw, adres Alex Brand Edinburgh, met loop en slagwerk, h. 216 cm.

ART DECO LONGCASE CLOCK - WESTMINISTER CHIMES

A Georgian longcase clock with painted trunk and hood enclosing an 11 inch square brass dial with thirty hour movement engraved Robert Newnham, Billericay (complete with weight and pendulum) (Warehouse 2)

A Georgian oak countrymade longcase clock, the hood enclosing broken arch painted dial with floral spandrels with eight day striking movement and subsidiary calendar and secondary dials, by Hardeman of Bridge, pendulum and winder (Warehouse 1)

An 18th century oak thirty hour longcase clock by William Kemp and John Holman, Lewes, the 11in. silvered dial with calendar aperture, height 199cm

A mid 18th century oak eight day longcase clock, marked John Burton of Norton, height 200cm