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William Hoadley of Rotherfield, a George III oak longcase clock, the brass face with date aperture supporting a 30 hour movement under a square hood, the trunk with rectangular door and plain base on a plinth foot.

A George III Oak Longcase Clock, by William Snow, the square hood with moulded cornice and turned pilasters above a shaped rectangular door and conforming plinth base, the engraved brass dial with brass chapter ring and Roman and Arabic numerals and with corner spandrels with date aperture

A Victorian mahogany eight-day longcase clock, the 14" arched enamel dial with roman numerals painted corner spandrels under a rolling moon, the hood with swan neck pediment over arched glazed hood door flanked by spiral turned front corner pilasters over a gothic arch trunk door, flanked by front corner spiral pilasters on a crossbanded box base and cut out plinth, 87" high

A George III mahogany eight-day longcase clock, the 13" arched brass dial signed Thomas Clare, Warrington, the 2.5" chapter ring of both arabic and roman numerals centred by subsidiary and date dial with two winding holes and leaf engraving, the corner spandrels showing mask decoration within C scrolls and flowerheads under a rolling moon, the arch bearing the signature, the hood with arched cornice and turned corner acorn finials over an arched glazed door flanked by fluted tapering front corner pilasters above a shaped trunk door flanked by quarter fluted pilasters, the box base with single flame veneered panel and fluted canted front corners, 78" high (lacking feet) Note: Listed as working in Warrington, circa 1790

An oak and mahogany eight-day longcase clock, the 12" square painted dial signed E Harris, Bromyard, with inner ring of arabic numerals, outer ring of quarter minute arabic numerals, centred subsidiary seconds and date dial painted with scrolling leaf and medallion corner spandrels, the hood with swan neck pediment over square glazed hood door flanked by tapering fluted front corner hood pilasters over a crossbanded trunk door flanked by fluted canted front corner pilasters on a box base, 81" high

A Regency mahogany eight-day longcase clock, the 14" square dial signed Barry, Bolton with inner ring of roman numerals, outer ring with arabic numerals at the quarters, florally painted corner spandrels and centred subsidiary seconds dial, the hood with swan neck pediment over square glazed door flanked by satinwood banded flat fronted boxwood strung front corner pilasters over a shaped trunk door flanked by satinwood banding and inlaid bell flowers over a box base with canted corners on shaped bracket feet, 88" high

A George III eight-day longcase clock, the 12" square brass dial signed John Owen, the 2.25" chapter ring having both arabic and roman numerals with centred subsidiary seconds dial and date aperture within scrolling leaves, the pierced corner spandrels of floral and leaf design, the movement striking on a single bell, the hood with plain moulded cornice over a square glazed hood door with three-quarter front corner pilasters over an arched long trunk door with shaped brass key escutcheon on a box base and later plinth, the interior of the case has a depository label for Brown & Co (Chester), Ltd’, No.197029, Warehouse, Chester, 81.5" high. John Owen is listed as working as listed circa 1780 in Llanrwst, Wales

A William IV mahogany longcase clock, the 14" circular painted dial with ring of roman numerals, the centre singed George Bell Gosforth with subsidiary centred seconds dial striking on a single bell, the hood with circular glass door within C scroll moulded mounts over an arched short trunk door flanked by short turned cut front corner pilasters on a high box base and short turned front feet, 88" high, 24" wide

A George III oak eight-day longcase clock, the 12" square painted dial with inner ring of roman numerals, outer ring of arabic numerals, painted floral corner spandrels, centred date aperture and subsidiary second dial striking on a single bell, the head with pierced swan neck pediment over a square hood door flanked by fluted tapering front corner hood pilasters over a shaped trunk door on box base,. height 82"

An oak longcase clock, the 12" painted dial signed M Bartley, Bristol, with ring of roman numerals, subsidiary seconds dial and date aperture, the oak case boxwood and ebony strung, the hood with cavetto cornice over square hood door and three quarter turned front corner hood pilasters over a long trunk door on a box base and ogee moulded feet, 84" high £500-700

A late George III oak crossbanded mahogany 30 hour longcase clock, the 12" painted dial with ring of arabic numerals signed Edward Matthews, Welshpool, with centred subsidiary date aperture and painted with a Bird of Paradise to the centre with painted corner spandrels, the hood with swan neck pediment over square glazed hood door flanked by tapering fluted front corner hood pilasters over a short mahogany crossbanded trunk door with central lozenge inlay, flanked by short baluster front corner pilasters on a box base and cut out plinth, 82" high

A walnut and floral marquetry longcase clock the eight-day tree-train five-pillar movement with anchor escapement striking the hour on a bell and chiming the quarters on six bells the square brass 12in dial with Roman numerals and Arabic five minute divisions and with subsidiary seconds dial the silvered chapter ring inscribed Fra. Dorrell LONDON the case with floral marquetry panels the door with lenticle the hood with spiral columns and caddy top with two flambeau urn finials 262cm high

An oak longcase clock the eight-day two-train movement with anchor escapement and rackstrike on a bell the arched brass 11 3/4in foliate engraved dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture within foliate cast spandrels with masks the arch with a boss inscribed John Smith Sleaford within dolphin spandrels the hood with pagoda pediment with central ball and eagle finial and a pair of ball and spire finials the trunk with domed-top door and plain plinth 234cm high

A George III mahogany longcase clock the eight-day two-train movement with interior countwheel strike on a bell the countwheel on the striking train the arched brass 12in dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture the arch with a disk inscribed Thos. Allen Deptford the hood with domed pediment and brass capped Doric pillars the trunk with domed-top door and plain plinth base 229cm high See G.H. Baillie Watchmakers & Clockmakers of the World (1974) where a Thomas Allen of Deptford is listed ante 1789

A mahogany longcase clock 19th century the eight-day two-train movement with anchor escapement and rackstrike on a bell the 12in square painted dial with Roman numerals subsidiary seconds dial crescent date aperture and inscribed Scovell Newbury the hood with swan-neck pediment and a pair of brass-capped fluted pillars the trunk with rectangular door and panelled plinth the case with pale-wood banding 206cm high (hour hand broken)

A George II oak cased longcase clock the two-train outside countwheel bell striking movement with four wheel trains narrow diamond barrels and anchor escapement the plates grooved for dust shutters (lacking) the 11in square brass dial with recessed seconds dial calendar aperture and ringed winding holes to the foliate engraved matt centre the silvered Roman numeral chapter ring with foliate half-hour markers Arabic five-minute and signed Philip Antrobus to the lower edge with female mask spandrels the caddy-top case with integral hood pilasters over rectangular trunk door and plinth base 200cm high

A William and Mary/Queen Anne arabesque marquetry eight-day longcase clock early 18th century the inside countwheel bell striking movement with lined pillars (one removed) and anchor escapement the 12in square brass dial with subsidiary seconds dial foliate border engraved calendar aperture and ringed winding holes to the matted centre the Roman numeral silvered chapter ring with stylised fleur-de-lys half-hour markers Arabic five-minutes and signed John Eagle Lothbury London to lower edge with twin cherub and crown pattern spandrels and herringbone band engraved border in a case with moulded cornice over integral pilasters to hood over long trunk door with lenticle above conforming plinth base inlaid with tight foliate scroll designs throughout 225cm high (movement and dial associated to case Provenance: The Old Rectory Peasemore See G.H. Baillie Watchmakers & Clockmakers of the World (9th ed. 1974) where John Eagle is listed as an apprentice 1683 and of the Clockmaker’s Company 1690-1712

A George III oak longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in arched brass dial with silvered chapter ring with Roman numerals and Arabic five-minute divisions encompassing a subsidiary seconds dial date aperture and shaped plaque inscribed Geo: Maynard Long Melford the arch with strike/silent dial foliate spandrels the plain case with arched door the pagoda pediment surmounted with three ball and spike finials 240cm high See G. H. Baillie Watchmakers & Clockmakers of the World (1974) where a George Maynard of Melford is listed second half 18th century

A 19th centruy oak and mahogany longcase clock the eight-day two-train movement with anchor escapement and rackstrike on a bell the 13in painted dial with Roman numerals and subsidiary date and seconds dials the spandrels painted with foxes indistinctly inscribed Newbury the case inlaid with marquetry borders the hood with swan-neck pediment and brass-capped pillars 201cm high

An oak cased longcase clock the thirty-hour movement with anchor escapement and outside countwheel strike on a bell the 11in brass dial with silvered chapter ring with Roman numerals date aperture and inscribed Tho. Baker Portsmouth in a plain case with flat pediment and rectagular trunk door 192cm high See G.H. Baillie Watchmakers and Clockmakers of the World (1974) where a Thomas Baker of Portsmouth is listed ante 1753

A mahogany longcase clock the eight-day three-train movement with anchor escapement and striking the hours on a bell and the quarters on eight graduated bells the arched 12in dial with silvered chapter ring and subsidiary seconds dial the case inlaid with rosettes and with brass capped Corinthian columns the hood with three gilt metal ball and spire finials 230cm high (much adapted some damage to the case)

A thirty-hour posted longcase clock movement and dial circa 1740 the countwheel bell striking movement with anchor escapement and 10in square brass dial signed Geo. Hewett Marlbro within a Rococo scroll cartouche to centre the applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers with sea shell and scroll-cast spandrels to angles See G.H.Baillie Watchmakers & Clockmakers of the World (9th edition 1974) where George Hewett is recorded working in Marlborough 1720-69

An eight-day longcase clock movement and dial circa 1790 the five pillar rack and bell striking movement with 12in single sheet brass break-arch Roman numeral dial with seconds and calendar dials to centre with Arabic five minutes and signed Budgen Croydon to the chapter ring with 'strike/silent’ dial to arch 41.5cm high See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where a William Budgen is recorded working 1750-1824

A thirty-hour posted longcase clock movement and dial circa 1790 the countwheel striking two-handed movement with anchor escapement and 10in square brass dial signed Will’m Wise WANTAGE over an engraved cottage scene to centre the Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where William Wise is recorded working circa 1791

A thirty-hour posted longcase clock movement and dial circa 1760 the countwheel striking two-handed movement with anchor escapement and 10in square brass dial signed Rd Quinton Downton to silvered plaque applied to the cartouche engraved centre the Roman numeral chapter ring with fleur-de-lys half hour markers with seashell and scroll-cast spandrels

An eight-day longcase clock movement and dial with moonphase circa 1770 the five pillar rack and bell striking movement with 12in single sheet brass break-arch Roman numeral dial with recessed seconds dial calendar aperture and signed John Watts Canterbury to the foliate engraved centre with scroll engraved spandrels with moonphase to arch 41.5cm high See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where John Watts is recorded working 1751-75

A thirty hour longcase clock movement and dial circa 1770 the four pillar outside countwheel bell striking movement with 12in square brass dial with seconds dial arched calendar aperture to the landscape engraved centre the arcaded Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes inscribed George Miles HORTON with scroll-cast spandrels

A walnut longcase clock mid 18th century the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in brass arched dial with silvered chapter ring with Roman numerals Arabic five-minute divisions subsidiary seconds dial and date aperture within masked and foliate spandrels the arch with a silvered boss inscribed Jere Quelch London the hood with flat pediment and domed door with brass capped plain pilasters the trunk with a domed top door 230cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a Jeremiah Quelch is listed 1735-54

A panelled oak longcase clock the thirty-hour posted movement with outside countwheel strike on a bell and anchor escapement the 10in square brass dial with single hour hand and Roman numerals the chapter ring inscribed Fra’Webb Watlington in a panelled case of so-called 'pencil’ type the hood with flat pediment 203cm high See Britten’s Old Clocks and Watches (9th ed. 1982) where a Francis Webb is listed circa 1710-30

A George III yew longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the brass 10in square dial with silvered chapter ring with Roman numerals Arabic five-minute divisions the foliate engraved centre inscribed Willm. Bafsett MAYFIELD the hood with flat pediment and plain turned pilasters the trunk with rectangular door with lenticle 193cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a William Bassett is listed circa 1790

A 19th century mahogany longcase clock, the broken swan neck pediment above turned columns and short trunk doors and base, the 36 cms dial with Roman numerals, seconds subsidiary dial and calendar dial painted with cottages to the spandrels and shooting scene to the arch, 230 cms high.

An 18th century mahogany longcase clock, the arched hood with globe finials and fluted ionic columns above a long arched trunk door and box base on bracket feet, the arched brass dial with silvered chapter ring, seconds subsidiary dial, hours strike/silent dial, quarters strike silent dial, the three train movement striking on bells, inscribed John Monkhouse, London, 270 cms high, dial 32 cms diameter.

An 18th century 28.5 cms longcase clock dial of square form with gilt spandrels, the chapter ring with Roman numerals, seconds subsidiary dial and calendar aperture inscribed 'Step Willmott Londini Fecit' the eight day movement striking on a bell.

A 19th century 33 cms longcase clock dial painted to the arch with a maiden carrying straw and floral spandrels, painted with Roman numerals, having a calendar aperture, inscribed Evan Williams *** Castle, the 30 hour movement striking on a bell.

18th century oak longcase clock, hood with turned columns flanking the glazed door enclosing 11in brass dial with pierced spandrels and silvered chapter ring, with subsiduary seconds dial, marked Joyce Ruthin, thirty hour movement, the trunk with crossbanded door, 192cm high.

Victorian mahogany veneered longcase clock, hood with twist turned columns flanking the glazed door enclosing 14in painted enamelled dial with rolling moon to the arch, with figures to each corner symbolisiing the Four Seasons, with Roman numerals, subsiduary seconds and date dials, marked J Merts, Mold, with eight day movement, the trunk with shaped short door flanked by twist turned columns, 229cm high, 67cm wide.

George III mahogany longcase clock, dome top hood with circular glazed door enclosing 13.35 in. dia. circular enamelled dial with Roman numerals and subsiduary seconds dial, marked Cromer, Limerick, striking 8 day movement, trunk with rectangular glazed door enclosing brass stick pendulum and twin weights, 210cm high.

A Georgian Longcase Clock with brass dial, 8-day striking movement by Stansbury, Hereford with pierced frieze, turned pilasters, slim door on bracket feet

An antique Longcase Clock with painted dial, 30 hour movement by W Payne, Ludlow in oak case with cross-banded door, on plinth base

A 19th Century Longcase Clock with painted arched dial, inscribed Davies, Hay, 8-day striking movement, subsidiary date and seconds dials, in mahogany case with cross-banding, turned columns to the hood, raised on bracket feet

Peter Bower, Redlench (sic). An 18th century oak longcase clock, the 30 hour posted frame movement striking on a bell to a 9in square brass dial, the matted ground with a single pierced handle, the hood with bamboo pilasters, 77.5in (197cm) h.

Lowndes, Pallmall. A small oak longcase clock, the 30 hour bird cage movement with an anchor escapement and striking on a bell, to a 7in square brass dial with a silvered chapter ring, inscribed, the matted centre with a single hand to cherubs spandrels, 63.5in (161cm) h.

A burr walnut chiming longcase clock, retailed by Knight & Son Northampton, the 3 train movement striking on 9 tubes to a 10_ in silvered arch dial with brass blind fret face, having a subsidiary seconds dial, the lunette with ‘Westminster/Whittington/St. Michael’ and ‘chime/gilet’ dials, strike/silent lever at 9 o’clock, the case with a glazed tracery waist door, 81.75in (207.6cm) h.

A late Victorian oak longcase clock, the 8-day movement striking on a gong to an engraved silvered arch dial with applied gilt brass numerals having a subsidiary seconds dial inscribed ‘Waring & Gillow Ltd, London & Paris’, the arch with strike/silent dial, the hood with pierced side panels to a rectangular trunk door with a bevelled oval glass panel, the base on bracket feet, 93.25in (237cm) h.

Dary, Aylshan. A 19th century mahogany longcase clock, the 8 day movement striking on a bell to a later floral painted arch 12.25in dial with a subsidiary seconds dial and date aperture the case with arched doors, 77.75in (197.5cm) h.

Richard Penny, London. An oak cased longcase clock, the 8 day movement striking on a bell to a 12in square brass dial with silvered chapter ring, subsidiary seconds dial to a date aperture in a modern case, 83in (211cm) h.

Henry Higginbothan, Macclesfield. An oak longcase clock, the 8 day movement striking on a bell to a 13in brass arched dial with painted moon dial, in a modern case, 82.25in (209cm) h.

A mahogany Longcase Clock. F H Leah, Shaftesbury. The 13in broken arch painted dial signed in the centre as above, with Roman numerals, calendar aperture, pierced hands, fruit and foliage spandrels, the arch painted with a young woman, taking poultry to market, the thirty hour chain driven movement with anchor escapement and outside countwheel striking on a bell, the case with broken arch pediment on fluted columns, crossbanded door, canted sides, crossbanded plinth and bracket feet, 87in high (with pendulum, weight and brass ball and eagle finial)

A mahogany and inlaid Longcase Clock. Brock, Bristol. The 11.75in broken arch brass dial signed on the silvered chapter ring as above, with Roman numerals, Arabic five minute intervals, seconds dial, matt centre with calendar aperture, arch with phase of the moon and silvered arc showing 'High Water at Bristol Key', and with pierced scroll and flowerhead spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with moulded flat topped pediment on turned columns, long trunk door with parquetry stringing inlaid with a large twelve, pointed star and plain plinth. 82in high (with pendulum, weights and keys)

A mahogany Longcase Clock. Hodges. The 12in diameter painted dial with Roman numerals, seconds dial and signed in the centre as above, the four pillar movement with anchor escapement, rack striking on a bell, the case with shaped pediment, long trunk door and crossbanded plinth. 80in high (with pendulum, weights and crank winding key)

A 18th century oak longcase clock by Thos. Quested, Wye, the hood with plain columns enclosing 11" square brass dial with calendar aperture, the lantern clock type movement with count wheel strike,the trunk with rectangular door on plain plinth, pendulum with two weights, 206cm.

A George III oak and fruitwood longcase clock, by T.M. Rowley, Shrewsbury, the enamel dial with moon phases in the arch and painted figural spandrels, the eight day Birmingham movement with anchor escapement, the trunk with quarter columns and inlaid panel door, 223cm.

A George IV mahogany longcase clock, circa 1820, the swan neck hood with reel turned columns, flanking a break arch enamel dial signed L. White, Birmingham, moon phases in the arch, with subsidiary dials and spandrels painted to symbolise the four continents, the eight day rack striking movement with anchor escapement, the trunk with crossbanded door, plinth with circular panel, pendulum and two weights, 225cm.

A George III mahogany longcase clock by Thos. Ore, Birmingham, the hood and trunk with brass capped reeded columns, the break arch enamel dial with gilt painted swags, subsidiary seconds and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk door with ogee moulded top on plain plinth, pendulum and one weight, 220cm.

An oak longcase clock, circa 1920, with 10" square dial, three train spring driven movement, striking on steel rods, trunk with panel door on plain plinth, 183cm.

An oak longcase clock, circa 1920, in late 17th century style, with brass break arch dial, the movement striking on steel rods, panelled trunk and plinth, 195cm.

An early 19th century oak longcase clock by Saltby, Grantham, the swan neck hood with plain columns, the 12" square engraved dial with painted spandrels, the eight day rack striking movement with anchor escapement, the trunk with fluted quarter columns, 205cm high.

An early 19th century mahogany and inlaid longcase clock, with painted dial, the eight day rack striking movement, with anchor escapement, the trunk with canted corners and rectangular door, 202cm high.

A George III mahogany longcase clock by Wm. Robb, Montrose, the swan neck hood with brass capped Corinthian columns, the brass dial with silvered chapter ring, name engraved boss and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk and plinth with later inlay, 210cm.

An oak longcase clock, circa 1910, the broken arch hood with square columns flanking brass arched dial, with eight day rack striking movement, the trunk with square corner columns, 224cm.