We found 44425 price guide item(s) matching your search

A mahogany and marquetry inlaid longcase clock, the 8-day movement striking on a bell to a 12in arched brass dial with subsidiary seconds dial and silver date aperture, inscribed 'James Evill, Bath', the arch engraved a griffin and 'Tempus Fugit,' the hood with a swan neck pediment and shell marquetry above gilt brass corinthian capitals, the canted waist with a shaped door and central patera, the base on bracket feet, 91.5in (232.4cm) h

A Georgian oak longcase clock, the brass dial with single hand, flanked by barley twist columns, the narrow case with arch top door, upon bracket feet, (205cm high).

An 18th century eight day longcase clock, the swan neck pediment over a painted dial, with moon-phase inscribed W.Nickisson, Newcastle, the case with quarter columns, crossbanded shaped door and bracket feet, (228cm high).

A Country oak longcase clock, with thirty hour movement, the hood with plain columns, (190cm).

A Regency mahogany longcase clock, the hood with swan neck pediment and plain columns, the enamelled dial with painted spandrels and figural scene in the arch, eight day rack striking movement, over a trunk with columns flanking a bow front door, upon panel plinth, (215cm tall).

A George III oak longcase clock, by William Porthouse, Penrith, the hood with swan neck pediment and fluted columns, the brass dial with calendar aperture, eight day rack striking movement with anchor escapement, the trunk with inlay, fluted quarter columns and panel plinth, upon bracket feet, (232cm tall).

An Early 19th century oak longcase clock, the swan neck hood with fluted columns and painted enamel dial, eight day Birmingham movement, the trunk with reeded quarter columns flanking an arch top door, (200cm tall).

An Early 19th century stained pine longcase clock, with swan neck hood over enamel dial signed W.Gibbs Hartford shire, eight day Birmingham movement, the trunk with canted corners and ogee top door, (213cm tall).

An Early 19th century mahogany longcase clock, the brass dial engraved W.Galloway, Beers and with moon phases in the arch, eight day movement, the trunk with reel moulding, flanking an inlaid door and plinth, (211cm).

A 20th Century Oak Longcase Clock in Art Deco Style with silvered circular face, small barometer dial, glass door revealing three plated weights. Height 75". Diameter width 11.5".

A 19th Century Oak Eight Day Longcase Clock having hood with broken swan neck pediment arch, painted face with seconds dial and one apertature having young girl with dog and cottages to spandrel, mahogany banded waist with rectangular door, above box base on bracket supports, Height 85". Diameter Width 12". Circa 1820.

A Victorian Banded Mahogany Eight Day Longcase Clock having broken swan kneck pediment above arch painted face decorated with milk maid, country houses and churches, rectangular waist with flanking turned columns, panel base and bracket feet. Circa 1875. (Llandeilo maker or retailer, purchased in Carmarthen in 1946).

A George III and later painted and decorated longcase clock, the eight-day movement having 12ins painted break-arch Roman dial, with subsidiary seconds and date aperture, decorated with Mediterranean scenes, the case having pagoda top and break-arch trunk door on plinth base, decorated with prints of lovers in gilt borders, H 243cm W 48cm

An oak longcase clock, 20th century, the eight-day movement striking and chiming on gongs, and having brass dial with Roman chapter ring, the panelled break-arch case having glazed barred door, H 96cm W 45cm

An oak longcase clock, late 18th century, having 30-hour movement, the associated face inscribed William Jared, (modified), H 205cm W 89cm

A George III mahogany longcase clock, John Wenham, Dereham, the eight-day movement with silvered Roman chapter ring, subsidiary seconds and date dials, maker's plate to arch, mask and dolphin spandrels, in stained oak case, with fret-carved pediment, H 234cm W 52cm

A part 18th Century thirty hour Longcase Clock, signed Henry Deykin of Worcester, Number 895, the mahogany case with square hood and overhanging cornice to free standing columns over a shaped trunk door and plinth base, the 9 3/4" brass dial with foliate urn spandrels to a silvered Roman chapter ring with inside quarters track and fleur de lis half hour markers to a matted centre with single pierced steel hand and applied name plate, the plated movement with four knopped pillars and anchor escapement, strike on a bell (associated), height 76"

A 1920s oak cased Longcase Clock, the arched case with single door with blind fretwork, scrolling decoration to a convex glass and large oval panel revealing three weights and pendulum to a plinth base, the 12" circular silvered dial with applied Arabic numerals and black steel pierced hands, the 3 train movement with anchor escapement and strike on eight rods, height 75"

18th century oak longcase clock profusely carved in the 19th century with flowers and foliage, with eight day striking movement, brass dial by Hindley, York, 87 1/2" high

George III mahogany longcase clock, the hood with turned column sides, brass and silvered dial with strike/silent and seconds dial, sweep calendar hand, eight day striking movement by William Carpenter, London, 86" high

A glasgow school WALNUT LONGCASE CLOCK, having a circular brass dial with black painted Arabic numerals, eight day chiming movement, the case having a flared cornice above a convex glass and glazed trunk, the lower section having an indented panel with applied linear decoration, on a splayed plinth and bracket base, 75in. (192cms) high

A late 18th Century stripped pine longcase clock, the 12ins arched painted dial with classical figures to the arch and floral spandrels, Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day movement striking on a bell, contained in plain case with deep arched and moulded overhanging cornice and turned pillars to hood, arched trunk door and plinth base, 81ins high

An Art Deco chiming longcase clock, with circular silvered dial in rectangular figured walnut and laburnum rectangular case with bevelled glass panel to the door, raised on block feet, 6ft 6ins

An 18th century lacquered longcase clock, with painted dial decorated with ballooning scenes, incomplete movement, in floral decorated case, 7 ft 4 ins

An early 19th century 8 day longcase clock, the painted dial with moon phase and date apertures inscribed J C Henderson, Liverpool, in string inlaid mahogany case with turned columns, cut down, 7 ft 1 ins

A late 18th century oak 8-day longcase clock, with brass dial inscribed David Harison, Bedford. (in need of restoration).

18th Century Longcase Clock, the square brass dial inscribed, "Step. Sutcliffe, Oxenhope", with crescent date aperture and moon phase, with case and embossed spandrels, eight-day movement, contained within a mahogany case with moulded cornice, the hood with turned supports, arched panelled door and on bracket feet, 98cms, (6'6").

A George lll Oak Eight Day Longcase Clock, swan neck pediment, mahogany crossbanded, boxwood strung, fluted canted corners, the painted enamel dial with seconds dial and date aperture, Maker W. Wain, Burslem, 88ins

A George lll Mahogany 30 Hour Longcase Clock, swan neck pediment, mahogany crossbanded, herringbone stringing, fluted trunk, painted enamel dial with date aperture, Maker Thomas Cooke, Loughborough, 87.5ins

A late George III oak and mahogany longcase clock, circa 1790, the 14" dial with subsidiary seconds dial and date aperture beneath a moonphase movement painted with religious scenes to the spandrils and inside the chapter ring, with an eight day hourly striking movement, the hood with broken swan neck pediment, arched glazed door flanked by turned columns, the trunk with ogee door with crossbanded decoration, on a base with a crossbanded panel, raised on short bracket feet, height 229cm .

An Inlaid Mahogany Longcase Clock, 8 Day Movement, Painted and Signed Dial by Latham of Macclesfield

A Late 18th Century Mahogany Longcase Clock, Unsigned Arch Brass Dial, Subsidiary Seconds, Date Aperture, Trunk with Reeded Pilasters and Panel Base

A large early 19th century inlaid mahogany eight day longcase clock, the arched white enamel dial with moon phase and painted spandrels, signed Ramsey Lawson, Hindley, above gothic arched door flanked by cluster columns

A George III mahogany eight day longcase clock, the arched brass dial with moon phase signed Deykin, Worcester no.602 above door flanked by fluted columns, on ogee bracket feet

A late 18th century oak eight day longcase clock, the square white enamel dial with moon phase signed by J Barlow, Northwich above crossbanded door, on ogee bracket feet

An antique carved oak cased eight day longcase clock, the renovated dial bearing the mark of Samuel Whitaker

An early 19c mahogany longcase clock with plain top, inlaid columns to the side of the hood over a rectangular door and plain base, each with inlaid stringing decoration; the painted dial with bird design to the top, flowers as spandrels and inscribed "W & I Richards Paisley", with eight-day movement, seconds and date dials, 207 cms.

An early 19c mahogany and oak longcase clock with caddy top, brass finials, fluted columns to the side of the hood over a trunk with fluted sides, shaped door, cross-banded base on bracket feet; the white painted dial inscribed "Tate Winterton" and with balloon and sailing vessels to the top of the face, jewelled decorative spandrels, Arabic numerals and seconds and date dials, enclosing an eight-day movement, 230 cms. overall.

An early 19c style oak and mahogany longcase clock with broken arch pediment, plain turned columns to the side of the hood, over a plain case with cross-banded shaped door, raised upon short bracket feet; the painted dial inscribed "W.Hewson, Lincoln" and with a figure to the top, flowers as spandrels, eight-day movement with seconds and date dials, 223 cms. high.

An 18th century oak thirty hour country longcase clock with exaggerated swan neck pediment and square white enamel dial with day counter above long door

A Bristol mahogany thirty-hour longcase clock, circa 1760, the two-handed four-pillar outside countwheel bell-striking movement with 11 inch square brass dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Wasbrou' & Thomas, Bristol' to lower edge, with female mask spandrels and foliate engraved calendar aperture to the matted centre, in a swan neck pedimented case with later bobbin turned hood pilasters, rectangular trunk door and on plain plinth base with bracket feet, 213cm high.

An early 19th century mahogany crossbanded and inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed 'Farmer, Stockton on Tees' to centre, with vase of flowers polychrome decorated spandrels and country landscape view to arch, in a swan neck pedimented case over fluted hood pilasters, inlaid throat panel and shaped-top trunk door flanked by canted angles, on banded plinth base with bracket feet, 225cm high.

A South Gloucestershire crossbanded mahogany eight-day longcase clock, with penny moon circa 1840, the four-pillar rack and bell striking movement with 13 inch single-sheet silvered brass break-arch Roman numeral dial, the centre with subsidiary date and seconds dials and signed 'John Gough, Thornbury', the arch with penny moon beneath double-ended age pointer, in a break-arch pedimented case with short trunk door flanked by Corinthian quarter columns, on quarter veneered plinth base with bracket feet, veneer losses to case, 212cm high.

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass square dial with arch calendar aperture, recessed seconds dial and signed 'Henry Jory?, Hale' to centre within an applied Roman numeral chapter ring with Arabic minutes and string of pearls pattern spandrels to angles, in a carved oak case with shaped crest and reeded pilasters to hood over short trunk door and plinth base with bracket feet, movement and dial circa 1780, 222cm high.

An 18th century 30-hour posted longcase clock movement and dial, with anchor escapement and countwheel strike on a bell, the 11 inch square brass dial with insect and floral spray engraved matted centre, applied Roman numeral chapter ring with Arabic minutes, fleur de lys half-hour markers and signed 'Edw. Bilbie, Chew Stoke' to lower edge, the angles with string of pearl pattern spandrels, movement associated to dial.

A West Country 12 inch square single sheet brass 30-hour longcase clock dial, with arched calendar aperture and subsidiary seconds dial to the townscape engraved centre within arcaded minutes ring signed 'Geo Miles, Sodbury' to lower edge, and Four Seasons spandrels with lozenge borders; another incomplete dial, the foliate engraved centre signed 'Meyer, Broadmead, Bristol'; and a chapter ring engraved 'Sam. Barrow, Hermatage, London', (3).

A 30-hour longcase clock movement and dial, circa 1740, the four-pillar movement with anchor escapement and outside countwheel strike, the 10 inch square brass dial with arched calendar aperture to the matted centre within applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Ashton, Ashburn' to lower edge, the angles with small urn pattern spandrels. Samuel Ashton is recorded in Baillie, G.H. 'Watchmakers and Clockmakers of the World' as working in Ashbourne circa 1753.

An 18th century oak cased thirty-hour longcase clock, the posted movement with outside countwheel strike on a bell and hanging hoop and spurs to rear, the 10 inch square brass dial with concentric hatched infill ring engraved centre and applied Roman numeral chapter ring with lozenge half-hour markers and signed 'Gilkes, Adderbury' to lower edge, the angles applied with female mask cast spandrels, in a rectangular top case with deep ogee cornice and integral pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 194cm high. Probably Richard Gilkes, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Adderbury 1715-87. Stylistically the movement dates to around 1740 and was originally designed to hang from the wall.

A George III mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed 'Tho's Bullock, Bath' to the foliate engraved centre within an applied Roman numeral chapter ring with Arabic five minute markers, and mask and scroll pattern cast spandrel applied corners, the arch with moonphase calibrated with high water markers, the arch-top case with cavetto cornice and Corinthian columns to hood over break-arch door flanked by blind fret canted angles to trunk, on tall plinth base with bracket feet, 215cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working in Bath 1764-73.

An 18th century green lacquer eight-day longcase clock, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre within silvered Roman numeral chapter ring and cast bird and urn pattern spandrel applied corners, the arch with silvered signature plaque 'Tho's Memory, Thorn, Plymouth Dock' flanked by dolphin cast mounts, in a flat-top case with moulded cornice and integral pilasters to hood over rectangular top trunk door decorated in polychrome and gilt with Oriental figures and pagodas on a mid green ground and with brass lenticle, the plinth similarly decorated with equestrian figures, case with restorations, 213cm high.

A Scottish George III inlaid mahogany longcase clock, circa 1800, the four-pillar rack and bell striking movement with 13 inch silvered brass single sheet break-arch Roman numeral dial with calendar and subsidiary dials to centre and floral engraved decoration to spandrels, the arch signed 'Ja's Howden, Edinburgh' within conforming engraved scrolls, the swan neck pedimented case with blind fret infill and fluted pilasters to hood, over shaped-top line inlaid door flanked by fluted quarter columns to trunk, the plinth with quarter rosette inlaid corners, on bracket feet, 222cm high. James Howden is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Edinburgh 1764-1810, 'A maker of repute'.

A rare oak cased eight-day longcase clock with pull quarter repeat, circa 1740, the four finned pillar movement with internal countwheel strike and Knibb type pull quarter repeat work on the hour bell and small bell nested beneath, the 12 inch square brass dial with subsidiary seconds dial within Roman numeral chapter ring with Arabic five minute markers and signed 'Joseph Smith, Chester' to lower edge, the corners with bird and urn pattern cast spandrels, the flat-top case with moulded cornice and integral door pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 205cm high.

A late 17th century eight-day longcase clock dial, with later movement, the four-pillar rack and bell striking movement with anchor escapement fitted to the 12 inch square brass dial, with three blanked-off calendrical apertures, subsidiary seconds dial, ringed winding holes and signed 'Obadiah Greville, London' within an engraved lambrequin to the matted centre, with applied silvered Roman numeral chapter ring with sword hilt half hour markers and Arabic five minute divisions, the corners with cherub head pattern cast spandrels and foliate engraved decoration between.

A good inlaid mahogany eight-day longcase clock, with moonphase and centre seconds, circa 1830, the four-pillar rack and bell striking movement with deadbeat escapement and 15 inch cream painted break-arch Roman numeral dial signed 'Nicholas, Birmingham' and with sweep calendar hand to centre, the spandrels figural painted with classical maidens representing the Four Seasons beneath arch with moonphase, the substantial case with fleur de lys and conch shell oval cartouche inlay to the swan neck pediment over reeded Corinthian pilasters to hood and parquetry decoration to throat, the trunk with Gothic triple arch topped door flanked by Corinthian pilasters to angles, on oval panel inlaid plinth base with rosette decorated corners and canted reeded angles, feet and centre seconds hand lacking, 231cm high. Probably Caleb Nicholas, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World Vol.2' as working in Birmingham 1787-1842.

Thomas Bilbie, Chew Stoke. A good inlaid oak eight-day longcase clock, circa 1740, the five-pillar rack and bell striking movement with 12 square brass dial with foliate scroll border engraved date aperture, subsidiary seconds dial and arched silvered nameplate 'Tho' Bilbie, Chew Stoke' to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five-minute divisions, the corners applied with Indian mask pattern cast spandrels, the flat-top case with moulded cornice and integral pilasters to hood over parquetry border decorated rectangular trunk door and plinth base with bracket feet, 209cm high.

An inlaid mahogany eight-day longcase clock with moonphase, circa 1815, the four-pillar rack and bell striking movement with cream painted 13 inch break-arch Roman numeral dial with subsidiary calendar dial and unusual windmill automaton (incomplete) beneath XII numeral, the centre signed 'W'm. Muncaster, Whitehaven', the spandrels figural painted with representations of the Four Seasons beneath moonphase to arch, the swan neck pedimented case with reeded hood pilasters and conch shell lozenge inlaid throat over shaped-top long trunk door flanked by reeded uprights, the plinth with chevron bordered circular panel within foliate inlaid angles, 222cm high.

A 19th century Bristol mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and date dials and signed 'Dell Brothers, Bristol' to centre, with polychrome and gilt decorated spandrels and conforming infill to arch, in a break-arch top case with cavetto moulded cornice and plain pilasters to hood over rectangular trunk door and plain plinth, with skirt base, 213cm high.

A George II oak cased eight-day longcase clock, circa 1730, the four-pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with Hoho bird and foliate engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the corners applied with female mask pattern spandrels beneath arch centred with silvered boss of Chronos beneath arched nameplate 'James Tatlock, Leeds', the case with box upstand to the cavetto moulded cornice and integral pilasters to hood, over break-arch trunk door and plain panel plinth, 217cm high.

A late 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement now with a 13 inch brass break-arch dial with arch calendar aperture and subsidiary seconds dial to the lozenge hatched matted centre within an applied silvered Roman numeral chapter ring and foliate cast gilt spandrel applied corners, the arch with silvered boss inscribed 'Coats, Wigan' between conforming dolphin cast mounts, the swan neck pedimented case with verre eglomise infill above dial and turned pilasters to hood, the trunk with shaped-top door flanked by fluted quarter columns, the base with canted angles and ogee bracket feet, 220cm high.

An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.