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A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high

A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms

A 19th Century oak longcase clock, the hood with broken swan neck pediment and carved square pillars flanking a single glazed door with 14 ins square dial behind, decorated spandrels and Roman numerals with subsidiary seconds dial and date aperture, maker E Griffiths, Abergele, with eight day movement, striking on a bell, twin weight pendulum driven (included), the trunk with concave pillar fronts and single shaped top door on a stepped trunk base with applied square panel and bracket foot with shaped frieze, 215 x 54 cms

Thomas Stewart, Auchterarder: a Georgian oak longcase clock, the arched painted roman dial decorated with rose designs, subsidiary seconds and date dials, two train movement with anchor escapement, the case with swan neck pediment, shaped waist door, panel base on plinth (with single weight and pendulum), 84in. high to top of brass finial.

John Sanderson, Wigton: a pine thirty hour longcase clock, the brass roman dial centred by inscription "Remember Man That Die thou Must And after that too Judgement Just", with date aperture to centre, single train movement with anchor escapement, plain pine case with rectangular waist door, panel base on plinth, 74in. (188cms) high. NB John Sanderson was orphaned as a child and was brought up by his father's brother. He then went on to father a child by the wife of this uncle who had brought him up. When the child was baptised, he had to face the shame of this being announced in church before every member of his family and the rest of the parish. His early mistake caused him to turn to religion and for a while he turned to Quakerism. The inscription on this clock appears to have been his favourite verse. Almost all of his output was in thirty hour square dial clocks with anchor escapements and some with lantern movements.

William Gray, Mid Calder: a mahogany drum head longcase clock, with painted roman dial, subsidiary seconds and date dial, two train movement with anchor escapement, the case with arched waist door, panel base, on bracket feet (with single weight and pendulum), 81in. high.

Charles Ross, Broughty Ferry: a mid 19th Century mahogany longcase clock, with gilt enriched roman dial with subsidiary seconds and date dials, two train movement with anchor escapement, the case with leaf design pediment, the glazed door flanked by turned quadrants and foliate design, panelled waist door flanked by carved quadrants, panel base on bracket feet, 80in. high.

Read, Knutsford: a mid 18th Century oak and mahogany banded longcase clock, the 12in. brass dial with silvered roman chapter ring, subsidiary seconds dial, date aperture, mask and foliate spandrels, two train movement with anchor escapement, the case with caddy top, cavetto cornice, shaped waist door, panel base on bracket feet, 78 1/2in. (199.5cms). See illustration

A Victorian mahogany longcase clock, with painted roman dial and unidentified Carlisle maker, subsidiary seconds and date dials, interior scene to arch, two train movement with anchor escapement, the case with swan neck pediment, banded waist door flanked by fluted columns, panel base on bun feet, 90in. high.

Willm. Thomson, Newcastle: an oak longcase clock, the brass roman dial with calendar dial to outside of centre, rocking ship mechanism to arch, ornate spandrels, two train movement with anchor escapement, pull repeat lever, the case with dentil cornice, arched waist door, fluted canted sides, panel base with small bracket feet, 79in. high.

F. Finnemore, Wigton: a Georgian oak longcase clock, with painted roman dial, harvest scene to arch subsidiary dial, two train movement with anchor escapement, case with convex cornice, shaped waist door, panel base, 80 1/2in. high.

M. Young, Newcastle: a Victorian mahogany longcase clock, with painted roman dial, subsidiary seconds and dater dials, with scene to the arch of a King playing a harp, two train movement, anchor escapement, shaped weights, the case with pierced frieze, shaped waist door with arcaded surround, fluted detail, bun feet, 91in. high.

William Tickle: a Georgian mahogany longcase clock, with painted roman dial, subsidiary seconds and date dials, vacant winding hole at 3 o'clock, painted four seasons spandrels and fusilier to arch, two train movement with anchor escapement, pull repeat mechanism, cavetto cornice, shaped waist door, panel base, 82in. high.

A handsome mahogany longcase clock, c.1900, with silvered roman chapter ring and subsidiary seconds dial, chime/silent and Whittington chimes/Westminster chimes dials to arch, three train quarter striking movement with deadbeat escapement striking on one coiled gong and eight tubular bells, fretwork sound board to rear, three graduated brass cased weights, the case with swan neck pediment with brass finial, arched glazed door below flanked by two pairs of fluted columns with brass detail, arched waist door flanked by fluted quadrants, panelled base with bracket feet, 97in. high.

Jas. Cameron, Dundee: a Georgian mahogany and satinwood banded longcase clock, with painted roman dial, subsidiary seconds dial with Home Countries spandrels and 'domestic happiness' scene to arch, two train movement, anchor escapement, swan neck pediment with giltmetal flowers, waist door flanked by leaf carved quadrants, panel base on bracket feet, 82in. high.

George III gilt brass and silvered thirty hour longcase clock movement, inscribed William Wyberd, Bishops Stortford

George III oak and mahogany crossbanded longcase clock, the pagoda top with a painted glass frieze above a shaped door flanked by quarter fluted pilasters and a plinth base, the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar, inscribed William Lawton, Newton, the eight day movement striking on a gong

George III oak longcase clock, the broken arch hood above a crossbanded arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector to the arch, subsidiary seconds dial and date aperture within floral spandrels, signed George Brown, Beverley, the two train movement with anchor escapement striking on a bell

Antique oak longcase clock case with later carved decoration

Mahogany longcase clock, the broken arch hood with flanking pilasters above a figured, arched and moulded panel door with conforming plinth base, the painted dial signed Sam Harley Salop, with Arabic and Roman numerals, subsidiary seconds dial and date aperture, the two train movement striking on a bell (the dial and movement 19th Century, the case modern)

Pine longcase clock with broken arch hood above a rectangular door and plinth base, the painted dial with Arabic numerals, moonphase arch, subsidiary seconds and date aperture with a two train movement, with anchor escapement striking on a bell, (the dial and movement 19th Century, the pine case modern)

George III oak and mahogany longcase clock, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary strike / silent, date aperture and seconds, inscribed Ambrose Vowell, London, with a two train eight day movement striking on a bell

George III mahogany cased eight day longcase clock having arched hood enclosing a brass dial with silvered chapter ring, Roman numerals and strike silent dial, subsidiary seconds with date aperture, inscribed Junior Gatward Hitchin, the two train movement striking on a bell above a flush panelled door and conforming plinth base

Eight day longcase clock movement, the 12in silvered dial with subsidiary seconds, signed Robert Field Frant, complete with two weights

Ten various pairs of iron longcase clock weights

18th Century oak longcase clock with a square hood above a rectangular panelled door and a plinth base, the brass dial with Arabic and Roman numerals, inscribed Richard Quinton Downton, the thirty hour movement striking on a bell

Reproduction American mahogany longcase clock, the brass and silvered dial with Arabic numerals inscribed Howard Miller, with a three train movement striking on gongs

George III oak longcase clock with later carving, the brass arched dial with Arabic and Roman numerals, subsidiary calendar and seconds, with an eight day two train movement striking on a bell

18th / 19th Century mahogany crossbanded oak longcase clock having painted dial with an eight day movement including weights, pendulum and key (a/f)

19th Century mahogany longcase clock, the arched hood with swan neck pediment above a rectangular panelled door and conforming base, the dial painted with figures in a landscape with Arabic and Roman numerals inscribed W. Smith, Huddersfield, with two subsidiary dials, the two train movement striking on a bell

18th Century oak longcase clock, the rectangular hood with broken arch window and flanking pilasters above a rectangular panelled door and conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date dial to the arch, signed Benjamin Huntsman, Doncaster, with a two train movement

19th Century mahogany longcase clock having arched hood with brass dial and silvered chapter ring with Roman numerals, date aperture and two train weight driven movement striking on a bell, flanked by turned pilasters above a flush arched top door and conforming plinth base with pendulum and weights

19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by spiral quarter pilasters and conforming plinth base, the gilt brass dial with mask head and dolphin spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed William Robb Montrose, the two train movement with anchor escapement striking on a bell

Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

George III oak longcase clock, the square hood with swan neck pediment and flanking pilasters above a rectangular panel door and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Brown, Birmingham, the two train movement with anchor escapement striking on a bell

An 18th Century Oak & Mahogany Cross-banded Eight Day Longcase Clock by William Barnish. The 12 inch (30.5 cm) square brass dial having a silvered chapter ring inscribed with the makers name and encircling an engraved lattice centre dotted with quatrefoils and incorporating a calendar aperture. The corners embellished with fine cherub head spandrels. The nicely patinated case having fluted quarter columns flanking the trunk door and a canted base, 79 ins (201 cms) in height.

A Georgian oak longcase clock with brass dial and later spring driven movement.

An 18th century thirty hour longcase clock, the arch top twelve inch dial with subsidiary day of they month aperture and gilt corner spandrels signed 'John Day Wakefield' the inlaid oak trunk with shaped door and centred corners, 218cm high, pendulum (bob missing), one weight.

A 19th century oak longcase clock case, and a walnut wall clock case.

A 20th century oak longcase clock.

A late eighteenth century oak-cased eight-day Scottish longcase-clock having an arched silvered dial bearing Roman numerals and foliate decoration, inscribed William Brownlie, Hamilton (worked 1784-1800), 225cms high

An early black Japanned eight-day longcase clock with brass dial bearing Roman numerals and inner second dial, inscribed with maker's name Robert Berry, Hitching, circa 1750, 79.5ins high (202cms

THOMAS BARTOR - FORDING BRIDGE AN EARLY 19TH CENTURY OAK FINISHED 30-HOUR LONGCASE CLOCK, having hood with moulded pediment and flank pilasters, on trunk with door and box plinth base, four-pillar mechanism with anchor escapement and bell strike, fr onted by an 11" brass dial, 1.6m high

A GEORGIAN DESIGN LATE 20TH CENTURY MAHOGANY LONGCASE CLOCK, the hood having broken swan neck pediment, turned column mounted single glazed door on box base, the dial with half moon and silvered chapter ring with Roman numerals, the dial inscribed "E mperor Clock Co. Plc" and "Ascot", 189cm high

JOSEPH ATKINSON A LATE 18TH CENTURY OAK LONGCASE CLOCK, having flat moulded top with dentil cornice, flanked by columns, 8-day striking movement, square dial with cast spandrels, silvered chapter ring with Roman hours and Arabic minutes, with date a perture, 2.03cm high

ROBERT HUTCHINSON A 19TH CENTURY MAHOGANY CASED EIGHT DAY LONGCASE CLOCK with painted enamel dial depicting the masonic symbols, with date and seconds hands, 2.15m high

BAKER MALLING A LATE 18TH/EARLY 19TH CENTURY OAK LONGCASE CLOCK (with later alterations) having later pediment, blind fret frieze, brass capped fluted pilasters, waist door trunk and box plinth, having 30 hour mechanism faced by a painted Arabic enu merated dial, 2.02m high

An early Victorian mahogany longcase clock the dial inscribed to Holytown maker painted with a shepherdess above the four seasons, 230cm high

An early Victorian mahogany longcase clock the dial inscribed to R Black, Cummnock, painted with Halloween above the four seasons, 205cm high

An oak, mahogany crossbanded and inlaid longcase clock the painted face named to Richardson, Weaverham with rose spandrels

A longcase clock (19th Century) the painted face with two ships above peacock feather spandrels within a mahogany and shell inlaid case, 201cm high

Thomas Thorpe, Colchester longcase clock the silvered dial with single hand, striking on a bell and with seawood veneered front, the door with glass bullseye, 183cm high

A good Scottish mahogany longcase clock the hood with swan neck pediment terminating in embossed roundels flanking a ball and spire finial the case inlaid overall with boxwood and parquetry stringing the arched hood with pair of ivory capped pillars enclosing a painted dial the arch with Nelson, the spandrels with anchors and rope, the centre inscribed James Robertson, Perth, subsidiary seconds and month dials, eight-day twin train movement striking on a bell, the figured trunk door with indented angles to the top flanked by chamfered angles, conforming base on ogee feet, 227cm high overall, Circa 1800 (faults)

A fine quality 19th Century Chinese hardwood longcase clock the case carved overall with panels of figures, horses, water buffalo etc., in various landscape settings, the hood with cavetto moulded cornice carved with devices, trailing leafage, the 28cm brass face (from an English longcase clock) with Roman and Arabic numerals, the centre engraved with a bird and scrolls, the spandrels cast with scrolls and flower heads, the door carved fish, bats and deer within bamboo and prunus borders the side panels conforming, the door flanked by a pair of pendant dragons, skirted plinth carved dragons and stylised leafage on grotesque mask and claw feet, 196cm high, 49cm wide max., 47cm deep max., late 19th Century )faults)

A George III longcase clock, with George I walnut case with straight caddy top above a broken arched hood with blind fretted scrollwork frieze, the trunk with arched door and base each of finely figured veneer with herringbone banding, the whole of good quality with cross grain mouldings, the later striking movement being eight day and with moon phase work to the arch, with silvered chapter ring and engraved centre with calendar aperture signed "Joseph Bell" within Rococo spandrels. Joseph Bell was probably of Burnhill Row, London circa 1780. Height 234 cm (see illustration).

A Victorian mahogany longcase clock by Rutherford of Huddersfield, with swans neck pediment above the arched glazed door enclosing the 13.5 inch arched painted dial with eight-day striking movement, subsidiary seconds dial and date, flanked by turned columns and with short trunk door and circular panel to the base. Height 235 cm.

A George III mahogany longcase clock by Monkhouse & Son of Carlisle, with 30.5 cm painted dial, date aperture and thirty hour movement. Case height 218 cm.

A George III oak longcase clock by Hugh Lough of Penrith, with 11 inch silvered brass dial, 30 hour movement and date aperture, with crossbanded trunk door and raised on bracket feet. Height 190 cm. CONDITION REPORT: In our opinion this clock is not a marriage. The dial matches the movement and the movement matches the case. The mask around the dial fits perfectly. The case is in generally first class condition. There are two very minor losses to the top of the cornice at the left hand corner and front right hand corner. The remainder of the hood is in very good order. The trunk door is not warped. There is a small loss approximately 3 inches below the lock escutcheon on the left hand side moulded edge. The base is in very good order as are the feet.

A 19th century mahogany longcase clock, with three-train movement striking on a series of bells, with silvered brass dial and marquetry case. Height 230 cm.