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An early 19th century oak longcase clock, by D. J. Hoy Mattishall, the painted dial with eight day Birmingham movement, the trunk with arched door, two weights, 207 cm high.

A George III pine longcase clock, by John Effington, London, the hood with brass capped columns enclosing brass dial with eight day movement, the trunk with break arch door, 202 cm high.

A walnut cased miniature longcase clock, 20th century, silvered dial signed Tempest Fugit with Westminster chime movement, 168 x 32 cm, (Movement A/F).

Horology, Loomes (Brian), Grandfather Clocks and their Cases, 1989, 4to., dust wrapper; Tennant (M.F.), Longcase Painted Dials, Their History and Restoration, 1995, dust wrapper; Cloutman (Edward) & Linnaird (William), Henry Williams Lancarvan, A Clock and Watchmaker .., 2003, numbered ltd. edition, signed by authors, dust wrapper; with four others (7)

AN EARLY VICTORIAN MAHOGANY AND INLAID LONGCASE CLOCK - CASE WITH SWAN NECK PEDIMENT

A 18th/19th mahogany eight day striking longcase clock with an arched 12" painted dial having calendar and second dial signed TYLER Soham, the slender shaped door flanked by quarter columns-in need of some restoration 83" tall

An oak eight day striking longcase clock with a naval painted 12" arched dial having second dial and calendar signed M Read Aylesham with an arched trunk door standing on bracket feet 85" tall

An oak Country eight day striking longcase clock with a brass 12" square dial having calendar, signed BRADLEY ILKISTON above a shaped crossbanded door and stepped base 79" tall

An oak eight day striking longcase clock with a painted 12" arch dial having strike/silent second dial and calendar signed Wm HARRIS Chippenham, with turned columns to the hood above an arched trunk door and a stepped base 85" tall

A pitch pine longcase clock case 78" tall would take a 11" dial

A 1930`s three train longcase clock in a oak veneer case standing 76" tall

An oak and mahogany eight day striking longcase clock with a 12" arched brass dial with strike silent, second dial and calendar signed CROUCH Hertford above a shaped trunk door and stepped base 80" tall

A modern three train longcase chiming clock with a moon roller dial

A Georgian Oak 30 hour Longcase Clock, the hood having swan neck pediment and triple finials. The painted dial having Roman numerals and shells and foliage, 30 hour movement. The case having long arched top door and standing on short bracket feet. 19" wide x 84" high x 10" deep approx.

A 19th Century mahogany and inlaid 8-day longcase clock, the 33cm arched painted dial with subsidiary seconds, and date aperture, and the text `here i stand with all my might, to tell the hour both day and night, therefore a warning take by me, and serve the lord as i serve thee`, the hood flanked by twisted columns, the case on plinth base, height 209cm (82 1/4in.).

JOHNSON AYR, AN EARLY 19TH CENTURY MAHOGANY SCOTTISH LONGCASE CLOCK having hood with swan neck pediment, turned central finial and satinwood alternating dentil pediments, the trunk with crossbanded panel door on box plinth, 8-day mechanism with false plate later gong strike, faced by an arched painted dial with floral spandrels, 2.25m high

METCALF, MALTON, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the hood having a swan neck pediment with later brass finial, flank plain pilasters on a crossbanded surround, the trunk with chamfered front, waist panel door, on abox base with remnants of bracket feet, the eight day mechanism of Clerkenwell type with four pillars and anchor escapement, rack bell strike, faced by an arched painted dial with Roman calibrated chapter, 2.21m high

An early 19th Century oak longcase clock having scrolled pediment over painted and arched brass dial enclosing eight day movement the mahogany cross banded three quarter length door within quarter turned reeded pilasters on box base and bracket feet.

AN EARLY 19th CENTURY OAK COTTAGE LONGCASE CLOCK, BY THOMAS PREW OF TEWKESBURY, HAVING PLAIN OAK CASE WITH SQUARE PAINTED FACE UNDER A MOULDED CORNICE FLANKED BY TURNED PILLARS. THE WAIST WITH PLAIN DOOR ON PANELLED BASE. 30 HOUR MOVEMENT STRIKING ON ONE BELL. 12" FACE. 74" HIGH OVERALL.

A 19th century mahogany longcase clock, the arched painted dial with a moon phase supporting on an eight day striking movement

A GOOD 18TH CENTURY WALNUT EIGHT DAY LONGCASE CLOCK BY JOSEPH SAER OF LONDON the movement with brass domed top dial, silvered chapter ring, subsidiary seconds dial and date aperture, set within a figured walnut case with brass eagle finials, column sides over a cross-banded case. With pendulum and two weights. 8ft 2ins high.

Nelson interest: A longcase clock made from wood from HMS Victory (of modern construction), the arched circular Roman numeric and Arabic moon rolling dial fitted in a flat topped carved hood with part glass door on stylised bracket feet with weights and pendulum, 214 cms high.

A PEARLWARE WATCH STAND, NORTH EAST ENGLAND. in the form of a longcase clock flanked by the crowned figures of Apollo and Ceres bearing their attributes and painted in the Pratt palette, the clock with stylised flowers on flat green base, 23.5cm h, c1820. ++ Old restoration to top of clock and the watch pocket, also one arm of the figure and the base where broken in two

A GEORGE III OAK LONGCASE CLOCK. the brass break-arched dial with silvered chapter ring and matted centre, signed on a ring THO BAYLEY BURTON, with mask spandrels and lunar work to the arch, having three- train movement chiming on a carillon of six bells, in crossbanded case with swan neck pediment, turned pillars and an inlaid star to the door, 243cm H. Provenance: George Brough (1890-1969) (see p40).. ++ Case - the backboard replaced in the mid 20th c; superficial repairs and old repolishing, the movement extremely dusty with old seat board repaired with strips of aluminum

A GEORGE II LONGCASE CLOCK. the brass dial with matted centre signed on the oval tablet Pat Cock NOTTINGHAM, with date sector and mask spandrels, having eight day movement in (associated) light oak case with swan neck pediment and crossbanded in fruitwood, 206cm h, mid 18th and early 19th c Patrick Cock, Clockmaker of Nottingham (b1713) working (1739-1755). Provenance: George Brough (1890-1969) (see p40).. ++ Case - backboard replaced in the early/mid 20th c; minor scratches and marks. Movement - dial with two small holes to the left and right of the date sector where an attempt has been made to refix the movement to the dial plate. The movement extremely dusty; the seatboard replaced

A GEORGE II JAPANNED LONGCASE CLOCK. the brass break arched dial signed on a silvered tablet James Scholefield LONDON with subsidiary seconds dial, matted centre, date aperture and STRIKE/SILENT ring to the arch, having rococo spandrels and eight day movement, the hood with swept pediment, turned pillars and brass finials, the trunk enclosed by a break arched door decorated with birds, buildings and foliage, 232cm h excluding finial . ++ In good restored condition, the dial original to the movement and with what could be the original rough oak seatboard. Recently striped and cleaned with a pair of brass cased weights and pendulum. The case restored and attractive

A GEORGE III OAK LONGCASE CLOCK. the brass dial signed on a silvered cartouche Thomas Glazebrook MANSFIELD, with silvered date sector and chapter ring and mask spandrels, having thirty hour movement with outside countwheel, the case with swept pediment, brass finials and turned pilasters, 223cm h. ++ The movement with small chip to the lower right corner of the dial plate, the movement original to the dial but with build up of dust and dirt. The seatboard old and possibly original, apparently free from having been packed but the case restored with replacements. The dial and movement possibly married to the case.

A GEORGE III MAHOGANY LONGCASE CLOCK. the brass break-arched dial with matted centre and signed on a silvered tablet Thomas Baker, with subsidiary seconds dial and date aperture, the arch with the rocking figure of Time and inscribed Tempus Fugit, having eight-day movement in inlaid and figured case with brass stop fluted pilasters, moulded door and panelled base, 192cm h. ++ The movement complete and in reasonably good condition on packed seatboard and possibly associated. The case also in good condition but repolished and with replaced runners and some brackets, etc, originally with finials

A GEORGE III MAHOGANY LONGCASE CLOCK. the brass break-arched dial with recessed chapter ring and matted centre having roman chapters and date ring, lunar work above, the arch circumscribed A BUTLER NORTHWICH, the hood with swan neck pediment and stop fluted pillars, the conforming trunk enclosed by a well figured door, on panelled base and bracket feet, 227cm h. ++ Movement associated to the dial, clean and complete, the seatboard hanging loose. Some restoration and repolishing of the case

A CORNISH GEORGE III DATED OAK LONGCASE CLOCK. the brass break-arched dial with subsidiary seconds dial and date aperture, engraved Roger Wearn St Erth 1769 and with foliate scrolls, an eagle on a disc above, having eight day movement, the case crossbanded in fruitwood and inlaid with shell, segmental paterae and chequer stringing, the hood with Greek key and swan neck pediment, the ogee arched door to the trunk flanked by fluted pilasters, on bracket feet, 225cm H. Roger Wearn`s name appears with the date 1752 on a brass arched dial clock. His son, Roger (w1748-d1820) the maker of the present clock, bequeathed his tools to his son and its buried in St Erth churchyard.. ++ The dial original to the movement but not to the slightly later case. The seat board replaced and resting on packed supports, the movement overhauled and cleaned the case of pleasing colour and patina with small repairs.

A GEORGE IV MAHOGANY LONGCASE CLOCK. the painted dial signed Winstanley Preston, with roman chapters, twin subsidiary dials and green and gilt spandrels, having eight day movement in figured case with swan neck pediment and fluted pillars, the trunk with reeded square pilasters, on ogee feet, 224cm h, early 19th c. ++ Consigned by executors and in well cared for condition. The movement in need of cleaning, the paint on the dial slightly chipped and possibly previously retouched

A mid 19th century mahogany eight day longcase clock, the arched painted enamel dial with rolling moon and subsidiary seconds by P Leadbeater Jnr of Congleton, the arched door flanked by turned columns, height 229cm (cracked glass, some restoration needed to case).

An early 19th century inlaid mahogany eight day longcase clock, the arched painted enamel face with rolling moon, subsidiary seconds (lacking hand) and date aperture, by Joseph Wilde of Macclesfield, the dial and door flanked by fluted columns, on bracket feet, height approx 240cm to top of brass eagle finial. GH Baillie lists Joseph Wilde of Macclesfield as 1782-1814 in Watchmakers & Clockmakers Of The World.

GEORGE III OAK LONGCASE CLOCK BY JOHN SMITH, MACCLESFIELD, CIRCA 1780 the square brass dial with subsidiary second dial and date aperture, with an 8-day bell striking movement, the hood with a moulded cornice and fluted pilasters, the case with further fluted quarter columns and shaped bracket feet 49cm wide, 205cm high, 25cm deep

IRISH GEORGE III MAHOGANY LONGCASE CLOCK LATE 18TH CENTURY the brass moonphase dial inscribed J. Honny, Dublin, with subsidiary second dial and date aperture, with an 8-day bell striking movement, the hood with a broken swan neck pediment above a blind fret carved frieze and shaped figured mahogany door, flanked by fluted quarter columns and raised on shaped bracket feet 55cm wide, 228cm high, 25cm deep

VICTORIAN MAHOGANY LONGCASE CLOCK BY PETER CLAIRE, MANCHESTER, CIRCA 1900 the brass moonphase arched dial with silvered chapter ring and pierced spandrels, the three train 8-day movement with anchor escapement and striking on two bells, the arched hood with a broken swan neck pediment, fret pierced frieze and Corinthian pilasters, the carved case centred by a coat of arms, and flanked by further Corinthian pilasters, raised on ogee bracket feet 59cm wide, 252cm high, 25cm deep

MAHOGANY LONGCASE CLOCK ANDREW BARRIE, EDINBURGH, EARLY 19TH CENTURY the silvered dial with subsidiary second and date dials, with an 8-day bell striking movement, the hood with an arched pediment above a chamfered case with glazed panel door, raised on a plinth base 46cm wide, 204cm high, 23.5cm deep

George III oak longcase clock with painted dial, second hand and date indicators, 74" high

A composite longcase clock movement, with anchor escapement, striking on a single bell, the scroll engraved brass dial with arched top, the brass chapter ring with single hand, engraved with Roman numerals, bears signature, Rd Farmer, London, height approx 29cm, with iron weight,18th centurry and later, a/f.

An Arts and Crafts oak longcase clock, the stylised crenellated top above the clock face with hammered copper numerals and hands, over a three-quarter galleried shelf upon a panelled cupboard door with gilt metal hinges, on square cut supports, 168 x 42 x 21 cm.

An Arts and Crafts oak longcase clock, influenced by Liberty & Co., early 20th century, with some later parts, the sides carved with fleur-de-lis shields, the hammered copper dial and face with stylised numerals above a panelled door carved with a mulberry tree and circle motifs enclosing the pendulum and weights with conforming hammered copper embossed with a linear design, over a curved apron 193 x 57 x 37 cm.

A Victorian mahogany longcase clock, by Harding Portmadoc, the hood with rope twist columns flanking a painted dial, the eight day rat striking movement with anchor escapement with arch panelled trunk and plinth, 226 cm high.

A 19th century mahogany longcase clock, by John Peckham Ashford, with eight day Birmingham movement in plain regulator style case, pendulum and two weights, 208 cm high.

19th Century Longcase Clock, the arched painted dial inscribed - "Rd. Stevens - Leicester", with secondary seconds dial and date aperture, floral spandrels, the arch decorated with a scene of a figure on a beach, eight-day movement, contained within an oak and cross-banded case, with break arch pediment, turned column pilasters, arched door and bracket feet, 191cms, (6`3").

18th Century Longcase Clock, the brass square dial (33cms, 13"), inscribed - "M. Thomas, Caernarvon", with secondary date and second dials, eight-day movement, striking on a bell, contained within an oak case, rectangular hood with moulded cornice, above turned columns, with arched door, fluted quarter pilasters and bracket feet, 198cms, (6;6").

An early 19th century eight-day longcase clock, by Joseph Wilson, Chichester, painted dial with script to the arch, `If Thou Hast Gathered Nothing In Thy Youth, How Canst Thou Find Anything In Thine Age`, dial with subsidiary seconds and date dials, four pillar movement with anchor escapement, in mahogany case with arched trunk door, hood complete with finials, 6ft. 8in. - with pendulum and weights, dial in need of some attention SEE ILLUSTRATION

A 1920`s oak longcase clock, traditional arched dial with movement chiming on eight pipes, bells missing, dark oak case enclosed by panelled trunk door, complete with three weights and pendulum, 6ft. 4in.

A late 18th century style longcase clock face having painted decoration

A late 18th Century/early 19th Century mahogany longcase clock by James Warren of Canterbury, the 12ins arched brass dial with Roman and Arabic numerals and subsidiary seconds dial, the spandrels carved with shells and stooks of corn, the arch painted with a romantic landscape to the eight day two train movement striking on a bell, contained in may case probably by Goulden of Canterbury with shaped cresting and turned and fluted pillars to hood, shaped trunk door, 73.5ins high (plinth reduced in height, lacking original finials and with later weights) Note: James Warren recorded working by St. Georges Gate, Canterbury 1767-1793, the business continued by his son James Warren junior (apprenticed 1785 - 1832)

An 18th Century mahogany longcase clock, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and winged cherub head spandrels, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in mahogany case with shaped pediment inlaid with circular fan motifs and plain turned pillars to hood, the shaped trunk door flanked by reeded cant corners, on bracket feet, 86ins high (dial apparently with some alteration and modification, and movement and case probably associated)

A late 18th/early 19th Century oak and mahogany longcase clock by Ja. Bull of Leicester (?), the 12ins arched painted dial with Roman and Arabic numerals, date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in oak and mahogany banded case with shaped cresting and turned and fluted pillars to hood, plain trunk door, on bracket feet, 84ins high (generally in need of restoration)

A late 18th/early 19th Century mahogany longcase clock by H. Samuel of Swansea, the 13ins arched brass dial with Roman numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon to the eight day two train movement striking on a bell, contained in case with shaped cresting and spiral reeded columns to hood, inlaid trunk door flanked by spiral turned columns, on bracket feet, 84ins high (generally in need of restoration)

An 18th Century oak and stained pine longcase clock by Samuel Guy of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture, all within engraved leaf border, to the eight day five pillar two train movement with alarum, Dutch striking on two bells, contained in Dutch style case with shaped and moulded pediment, fretted central panel and plain turned pillars to hood, shaped trunk door and ogee panelled plinth base, 100ins high (case and movement probably associated) Note: A Samuel Guy of London recorded as apprenticed 1692 - a longcase clock maker

An early 19th Century oak longcase clock, the arched painted roman dial with moon phase to the arch, subsidiary seconds dial and date aperture below, two-train movement with anchor escapement, foliate spandrels, the case with cavetto cornice, an arched glazed door flanked by fluted columns, arched waist door raised on panel base, 86in. high.

A mahogany longcase clock, the arched brass dial with silvered roman chapter ring centred by subsidiary seconds and date dials, foliate spandrels and boss to arch inscribed "Scott, Hexham", two-train movement with anchor escapement, the case with pierced fretwork cornice and turned finial above an arched glazed door flanked by spiral reeded columns, the central rectangular waist door flanked by reeded columns, panel base on turned feet, 91in. high.

An oak and mahogany banded longcase clock, the arched painted dial signed William Robertson, South Shields, gold painted roman chapter ring, subsidiary seconds and date dial, the arch painted with garden scene of a courting couple and attendant by a stream, the spandrels painted with sheep, two-train movement with anchor escapement, the case with swan neck pediment and central brass finial above an arched glazed door, flanked by turned columns, arched banded waist door on panel base with bracket feet, 89in. high.

Early nineteenth century thirty hour longcase clock by Francis of Attleburgh with painted dial in oak case

A modern mahogany veneered longcase clock

EDMUND SCHOLFIELD, ROCHDALE (DIED 1792), A GOOD LANCASHIRE OAK AND CROSSBANDED GEORGE III LONGCASE CLOCK, with long shaped rectangular trunk door flanked with plain quarter round pillasters, the hood with swan neck pediment, 36cm sheet silvered brass dial, signed, with rolling moon in the arch and subsidiary date pointer, 30 hour four pillar pull up wind movement countwheel striking on a bell. 2.39m

JOHN GREAVES, NEWCASTLE (QUAYSIDE 1725-1794), AN 18th CENTURY TYNESIDE WALNUT LONGCASE CLOCK, with long rectangular trunk door, with caddied hood and integral pillasters, 30.5cm arched brass dial signed to convex reserve in the arch, with subsidiary seconds and date aperture, four pillar weight driven movement rack striking on a bell, lacking seconds pointers, date band not connected. 2.28m