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A carved oak thirty hour longcase clock with painted dial, 205cm

A MAHOGANY EIGHT DAY LONGCASE CLOCK the 13" arched brass dial with silvered Roman chapter ring, Arabic five minutes, silvered centre with subsidiary seconds dial, date aperture and foliate scroll engraving, blued steel hands and rococo spandrels, the moon phase arch signed Thomas Brown, Chester, No.690. The glass panelled swan neck hood with raised top, fluted pillars over a dentil moulded and blind fretwork throat, book matched flame veneered trunk door with shaped top flanked by fluted quarter columns upon a raised panel base with canted brick work quoins, 233cm high, complete with pendulum, two weights and key

AN OAK EIGHT DAY LONGCASE CLOCK the 14" break arch painted Roman dial with Arabic five minutes, subsidiary seconds dial and pointer date, signed Jackson of Frodsham, decorated with a bullfinch, the arch with rolling moon, the corners decorated with wild roses and strawberries, the hood with swan neck pediment over faux verre eglomise panels, fluted pillars, the trunk with mahogany crossbanded door flanked by fluted quarter columns upon a panelled base with ogee bracket feet, 219cm high

A GOOD 19TH CENTURY DUTCH BLUE AND WHITE POTTERY LONGCASE CLOCK, 18ins high, with eight-day movement with blue and white Roman numerals, striking on a single bell.

A mahogany eight day longcase clock signed J Lawrence, Lancaster (one weight missing)

An oak cased eight day longcase clock, circular brass dial with later inscription John Steel, later movement

A mahogany cased eight day longcase clock, the arched painted dial bearing inscription Bolton, Durham

An oak and mahogany thirty hour longcase clock, painted dial signed Edwd Bell of Uttoxeter, circa 1820

An oak carved thirty hour longcase clock, brass dial with silvered recessed plaque inscribed Monkhouse, Carlisle, later case

An oak Elliott miniature longcase clock

A mahogany eight day longcase clock, painted dial signed Scales Bros, Kendal, circa 1840

A modern chiming longcase clock, arched brass dial with silvered plaque signed Canham, London, three chime selection

A 19th Century circular longcase clock by WM Hunter Dundee, The circular glazed hood enclosing a 13inch painted dial with Arabic numerals and a single train movement, the painted case with a glazed door complete with a single weight.

A 17th/18th Century carved oak longcase clock, Tho. Townson, PinningtonThe arched carved hood applied with two human masks above a frieze carved 'E. G. 1667' over a glazed breakfront aperture, the gilt metal and silvered dial by 18th Century clock maker Townson of Pinnington with a 12 inch silvered bezel with Roman and Arabic numerals, subsidiary dial and date aperture applied with open work human mask spandrels with a later two train movement, the profusely carved case with barley twist rope uprights flanking three panels each carved with stylised foliate designs, above a similarly carved lower panel, complete with two weights and pendulum, 240cm high. CONDITION REPORT: lot 465 - Missing back feet, case complete although some alterations around hood and movement board.

Four longcase clock dials complete with movements, also a wall clock with movementThe four break arched dials to include J Reynolds, Coventry also a circular wall clock, dial complete with a single fusee movement.

An 18th/19th Century mahogany longcase clock, W. Trick, BidefordThe case with a twin swan neck pediment above turned uprights flanking a break arch dial with subsidiary second and date dial, Roman numerals and signed W. Trick, Bideford, the eight day movement striking on a saucer bell, the mahogany case with a plain rectangular door flanked by canted corners above an ebonised and embellished lower front panel and plinth base, complete with weights and pendulum, height 228cm.

Six assorted longcase clock weights and assorted pendulum partsThe longest weight approximately 30cm.

A George III oak mahogany and crossbanded longcase clock, J. N. HarrifonHaving a gilt embellished twin swan neck pediment above a break arch 13 inch dial with subsidiary second dial and date aperture, the spandrels painted with figures, the clock with a two train movement striking on a bell, within a case with a quarter cluster columns flanking a shaped cross banded door above a conforming lower panel, complete with weights and pendulum, height 222cm.

Five assorted longcase clock cases To include three glazed examples including a George III inlaid mahogany case with quarter cluster columns 17th/18th Century oak carved example and others.

An early 19th Century oak cased longcase clock, Rea, WaltonWith moulded cornice above two ring turned columns flanking an eleven inch painted dial with Arabic numerals and concave date aperture, the dial signed Rea, Walton with a thirty hour movement striking on a saucer bell, the plain oak case with rectangular door above a plain panel and plinth base with bracket feet, with weight and pendulum, 190cm.

Six assorted longcase clock weightsThe longest 24cm.

Nine assorted longcase clock dialsTo include two 12" brass dials, break arch dials with painted spandrels, a dial with a rolling moon, etc.

Six assorted longcase clock casesTo include George III oak and mahogany crossbanded, early 19th Century mahogany case with turned uprights, three assorted clock case doors.

A circa 1800 provincial oak longcase clock, the painted enamelled dial signed 'Dawes Attleborough', having 30 hour movement, with pendulum and single weight, h.202cm

Late 19th Century cast iron cased American mantel clock in the form of a longcase clock Condition:

A large Georgian early 19th century mahogany cased musical moon phase longcase clock with swan neck pediment, with eight-day movement signed B ( Benjamin ) Peers Chester, chime on nine bells Westminster Chimes playing God Save The Queen, Addison's Hymn and Gramacree. The clock spent many years on display in Chester Museum. Measures 246cm high x 59cm wide x 24cm deep.

A 19th century believed Welsh longcase / grandfather clock with painted face being set within an oak case, trunk and hood complete with the weights and the pendulum. The painted face with faceted hands having decorative handpainted spandrel scenes. Measures 210cm high x 44cm wide x 23cm deep.

An 18th / 19th century Thomas Cox of Thornbury, Bristol brass faced longcase clock set within country pine trunk and hood with glass facia. The 30 hour movement complete with pendulum and weight. Brass face with silvered dial, roman numeral chapter ring and marked for Tho Cox of Thornbury, Bristol. Measures 198cm high x 42cm wide and 28cm deep.

A 19th century mahogany longcase clock, the 11 inch square dial with painted design, the movement striking on a bell, 183cm high

A George III oak and crossbanded longcase clock with arched painted dial 216cm high

19th century mahogany and inlaid longcase clock with enamel dial and rolling moon (Jos. Potts & Son, Colborne). Condition report: see terms and conditions

8 day longcase clock (Bury) Condition report: see terms and conditions

8 day longcase clock (Richie, Forfar) Condition report: see terms and conditions

A longcase clock, the 30 cm arched square silvered dial signed Rd Behanna, Penryn, with a subsidiary seconds dial and calendar aperture, Roman numerals, and the arch with Tempus Fugit, fitted an eight day movement, in a painted pine case.

A George III mahogany longcase clock case. (no movement)

AN OAK EIGHT DAY LONGCASE CLOCK, 19TH C the brass dial with subsidiary seconds dial and date sector inscribed John Watson Kirkby and attractively engraved with a man in a rowing boat, sailing vessel and heraldic beasts, rococo spandrels, the arch with early replacement engraved lunette of birds and a hound, in case of slender proportions, 235cm h ++Case stripped and modified, movement apparently complete with two lead weights and a pendulum

A VICTORIAN INLAID OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK THE BREAKARCHED PAINTED DIAL INSCRIBED STEVENSON POULTRY NOTTINGHAM.

A REPRODUCTION DARK STAINED WOOD LONGCASE CLOCK, 185CM H

A Jones of Sevenoaks oak cased longcase clock

A Richardson, Coleford, oak 30 hours longcase clock

An oak longcase clock, the painted dial inscribed J. MANN NORWICH, with an eight day movement, striking on a bell

An 18th century eight day oak longcase clock, by William Peacock, Kimbelton, the brass arching dial with silvered chapter ring, sub second hand and date aperture striking the hours on a bell, 206cm tall

A 19TH CENTURY MAHOGANY LONGCASE CLOCK A/F

Antique 8 day longcase clock movement with painted dial and moonphase

18th Century oak and mahogany longcase clock. The swan neck pediment above a glazed hood and turned columns, long trunk door and plinth base. The white painted dial with Roman hours and flower spandrels, twin train movement striking on a bell, 218cm high

A triple train longcase clock movement, quarter-chiming on eight bells, and a collection of various dials, 3 weights, 1 pendulum

A Queen Anne walnut longcase clockThe movement by Charles Gretton, LondonThe case with a moulded pediment above a pierced frieze, with glazed door and sides between tapering turned uprights, the trunk inset with a panel door, centred with a circular glass, on plinth base; the 12in. dial with crown and twin cherub spandrels, the matted centre signed in an oval 'Cha Gretton, London', with seconds subsidary and calendar aperture, with harboured winding holes, the silvered chapter ring with diamond half hour markers, and with pierced blued steel hands, the twin train movement with five ringed and knopped pillars, anchor escapement and internal countwheel strike on a bell, the case and movement possibly associated, the case with restorations and adaptations219cm. high. 2 weights. 1 pendulum. 1 door key. 1 key. IllustratedCharles Gretton, born in 1649, was a celebrated clockmaker.Apprenticed in 1662, at the age of 13, he was admitted as a member of the Clockmakers' Company in 1672 and Master in 1700. He had his workshop in Fleet Street at 'The Ship'. He died in 1731.COMPARATIVE LITERATURE:Dennis Radage, Laila Radage, and Warner Meinen, Charles Gretton: Clock and Watchmaking: Through the Golden Age, Vancouver 2016

A rare Charles II brass miniature striking lantern clock with alarmBy Joseph Knibb, London, circa 1670, and with some elements replacedSurmounted by a turned finial, above quatrefoil pierced petals and four straps above the bell, the posted frame with three pierced and engraved dolphin frets, the front fret inscribed to the base 'Iofeph Knibb Londini', each continuous pillar with integral finial and foot, cast as one piece, the dial with 3 ⅜ in. narrow silvered chapter ring, engraved with quarter and fleur-de-lys half-hour markers, engraved to the centre with foliage, the silvered alarm disc with 'sunburst' engraving and single blued steel hand, the movement with re-converted verge escapement, bob pendulum and countwheel strike, with alarm train, steel back, iron hoop and a pair of brass doors, on turned feet, with later replaced elements.23.5cm. high. IllustratedThis is probably one of the earliest examples of Joseph Knibb's lantern clocks, following his move to London from Oxford, and displays a number of singular features which underline his authorship. In the narrow chapter ring he uses half hour divisions, which are similar to several table and longcase clocks made circa 1671-73. The dial is finely engraved and bears traces of fire gilt. The alarm disc is engraved with Arabic numerals, and the sunburst to its centre is possibly unique to Knibb. The columns are cast in one piece, with integral baluster finials and rounded feet. It also has his pattern bell strap.A virtually identical lantern clock of the same size, by Knibb, was sold at Sotheby's, London, 2nd November 2011, lot 24. Ronald Lee illustrates this clock in his seminal book The Knibb Family Clockmakers, plate 174, p. 161. It is signed on the dial, whilst on the opposite page, plate 173, is an example signed on the fret John Knibb and dated 1669. In his book English Lantern Clocks, Figure V/111, p. 258, George White illustrates another example of the same model signed Joseph Knibb, Oxford. It appears to be signed on the fret - having the extra narrow band on its base for the signature line - as has the lot offered here. An example, signed John Knibb, Oxon, is in the Museum of the History of Science, Oxford. Signed on the dial, it has the same front fret design, including the narrow signature band, but with hatched engraving along it. Joseph Knibb, a celebrated member of the cadre from the Golden Age of Clockmaking, was born in 1640 at Claydon, Oxfordshire. He was apprenticed to his cousin Samuel in Newport Pagnell circa 1655. In 1662 Samuel moved to London and Joseph moved to Oxford where he set up premises in St. Clement's, outside the city. Around 1665/6 he moved to Holywell Street, within the city bounds. Once his business was inside the city walls, Joseph faced a level of opposition to becoming a Freeman of the City, finally granted to him in 1668. In 1670 he moved to London, most likely to take over his cousin Samuel's workshop, following his death. Admitted to the Worshipful Company of Clockmakers, he set up business at the Dyal, near Serjeant's Inn in Fleet Street. He was elected as a Steward of the Clockmakers' Company in 1684 and Assistant in 1689. He retired in 1697 and went to live at his estate in Hanslope, Buckinghamshire, where he died in 1711.COMPARATIVE LITERATURE:Ronald Lee, The Knibb Family Clockmakers, Byfleet, 1964, pages 157-162.George White, English Lantern Clocks, Woodbridge, 1989, pages 257-263 and 365.

A quantity of metalware collectables, comprising; two Chinese brass hand mirrors cast with prunus, birds and script, 22cm diameter, an Arts and Crafts copper and steel longcase clock face, three shot flasks, a bronze figure of 'Atlas', 24.5cm high, and a horn phallus, 16.5cm long, (qty).

Two antique mahogany and carved oak longcase clock cases, one with painted arch dial

Antique oak eight day longcase clock having square brass dial inscribed John Royle, Bolton

GEORGIAN STYLE LONGCASE CLOCK, WITH WEIGHT DRIVEN MOVEMENT

A late 18thc oak eight day longcase clock with arched painted enamelled dial, 230 cm high

SIMULATED OAK QUARTZ LONGCASE CLOCK with a broken swan neck pediment and urn finial above an arched dial with Roman numerals, 175cm high

LONGCASE CLOCK, George III mahogany with brass face inscribed 'Knight, West Marden', eight day movement, 205cm H x 53cm W x 27cm D. (with faults)

A George III mahogany longcase clock, the domed hood over a 12 inch brass dial, inscribed Thos Hutchinson, Leeds, with sun and moon phase, Roman numerals and subsidiary date and seconds dials within brass foliate spandrels, flanked by fluted pilasters with brass capitals, the trunk door with flame veneer, on a plinth base with bracket supports, complete with pendulum and weights, 242 x 50cm

A 19th century mahogany longcase clock, the hood with a broken swan neck pediment over a 14 inch painted dial with Roman numerals and inscribed W.J. Torry, Kilwinning depicting Burns scenes, having subsidiary date and seconds dials, with pilasters to the hood and pot bellied trunk door, complete with pendulum and weights,

19th century Oak Longcase Clock with painted face marked ' Marlborough '

Tempus Fugit Cherrywood Longcase Clock, 31 day

Early 19th century oak and mahogany banded longcase clock, carved fan pediment, eight day movement, dial painted with country scenes, indistinctly signed 'Robert Bartliff, Malton', H225cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team