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Eight day five pillar longcase clock movement, the 12" square brass dial signed Charles Harris, Peterbrow on the silvered chapter ring enclosing a subsidiary seconds dial, ringed winding holes and calendar aperture (pendulum and two weights)

Box of longcase clock weights (8)

Thirty hour longcase clock birdcage movement, the 9" square brass dial signed John Webb, Stwerton to the centre

Oak thirty hour longcase clock, the 10" square brass dial signed Thomas Fudge, Froom Fecit on the silvered chapter ring enclosing a matted foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a flat moulded stepped pediment, 86" high (pendulum)

Mahogany eight day longcase clock with five pillar movement, the 12" square brass dial signed Sam Douglas, Chertsey on an arched silvered plate to the foliate engraved matted centre with subsidiary seconds dial, within a silvered chapter ring, the case with long door and the hood surmounted by a stepped cornice, 80" high (pendulum, two weights and winding key)

Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Henry Baker, Malling on a silvered boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded arched door decorated overall with figures in pagoda landscapes, the hood with a rounded moulded cornice surmounted by three ball and eagle brass finials, 68" high (pendulum, two weights and keys)

Mahogany thirty hour longcase clock, the 10" square brass dial signed William Knight, West Marden on the silvered chapter ring enclosing a matted centre, the case with long door and the hood surmounted by a moulded stepped cornice, 81.5" high (pendulum and weight)

Mid 20th century oak three train longcase clock striking on eight rods, the 14" square gilt dial within a glazed case with exotic wooden banding, 78" high (wooden rod pendulum and three brass weights)

Oak eight day three train longcase clock, the 12" brass arched dial signed Richard Holland, Coventry on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with strike/silent dial to the arch, the movement playing on a nest of eight bells and striking the hours on another, the case with long door and the hood surmounted by a caddy top over a foliate carved frieze, 84" high (pendulum, three weights and keys)

Ebonised oak eight day three train longcase clock, the 12" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with chime/silent and Whittington chimes/Cambridge chimes subsidiary dials to the arch, the movement playing on a nest of eight bells and striking the hours on a large gong, the case carved in deep relief allover with flowering foliage, with long panelled door and surmounted by a rounded arched hood with foliate carved cornice, 95" high (pendulum, three weights and keys)

Oak eight day longcase clock, the 11" square brass dial signed F. Horstmann & Co, Guildford on an arched plate to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring, the movement with deadbeat escapement, the case with long door fitted with a lenticle and the hood surmounted by a moulded stepped pediment, 84" high (with unusual regulated steel rod pendulum and two weights)

Oak eight day longcase clock, the 13" brass arched dial signed Dold.Bros, Liverpool on a silvered convex boss to the arch, the case carved overall with scrolling foliage and with shaped moulded arched long door, the hood surmounted by a triangular broken arched pediment with brass ball and spike finial, 96" high (pendulum, two cast iron weights and keys)

Mahogany eight day longcase clock, the 12" brass arched dial signed Samuel Whitchurch, Kings Wood on the silvered chapter ring enclosing a marine engraved centre with subsidiary seconds dial and calendar aperture, with high water at Bristol Quay and moon phase to the arch, the case with long reeded moulded rounded arched door and the hood surmounted by a moulded rounded arched stepped pediment, 87" high (pendulum and two brass cased weights)

Oak thirty hour longcase clock, the 10" square brass dial signed Richard Weller, Eastbourne on the silvered chapter ring enclosing a matted centre, the case with long door and the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze, 79" high (pendulum and weight)

Oak and mahogany eight day longcase clock, the 14" square painted dial signed J & Rt. Coats, Wigan, with subsidiary seconds and calendar dials, the case with medium length crossbanded wavy door and the hood surmounted by a moulded swan neck pediment, 87" high (no weights or pendulum)

Oak and mahogany eight day longcase clock, the 12" painted arched dial signed George Honneybourne, Fairford, the case with short inlaid crossbanded door and the hood surmounted by a swan neck pediment and three rounded finials, 90" high (pendulum and two weights)

Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed John Ellicott on the gilt chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with large strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a caddy top with giltwood pierced foliate carved panel and three brass and ball finials, 100" high (pendulum, two brass cased lead weights and keys)

Oak thirty hour longcase clock, the 11" square brass dial signed William Upjohn, Exon on the shaped plate to the matted centre with calendar aperture, the case with long door and the hood surmounted by a flat stepped moulded pediment over a blind fret carved frieze, 77.5" high (pendulum and weight)

Oak eight day longcase clock with five pillar movement, the 12" brass arched dial signed Samuel Smith, London on an arched plate to the matted centre with subsidiary seconds dial and calendar aperture, surmounted by a strike/silent lever and a chapter ring enclosing an aperture depicting Father Time, the case with long rounded reeded arched door and the hood surmounted by a caddy top, 94" high (pendulum and two weights)

Mahogany eight day longcase clock, the 12" brass arched dial with high water at Bristol Quay and moon phase to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched door inlaid to the centre with a paterae and a star, the hood with a stepped moulded cornice, 92" high (pendulum, weights and key)

Oak eight day longcase clock, the 10" silvered square dial signed Thomas Knight, Wickham, with subsidiary seconds dial, the case with long door and the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze, 75" high (pendulum and two weights)

Mahogany and oak inlaid thirty hour longcase clock, the 12" square painted dial signed Josh Hollyoak, Smockington, the case with short crossbanded door and the hood surmounted by a moulded swan neck pediment, 77.5" high (pendulum and weight)

Small oak thirty hour longcase clock, the 9" square brass dial with brass chapter ring enclosing a matted centre with single iron hand, the case with long door and the hood surmounted by a stepped flat pediment, 64.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 10" square brass dial with silvered chapter ring enclosing a foliate engraved centre, the case with long beaded moulded door and the hood surmounted by a moulded stepped flat cornice, 74" high (pendulum and weight)

Oak grandmother eight day longcase clock, the 8" square brass dial with silvered chapter ring enclosing a foliate engraved centre, the case with long lozenge panelled door and the hood surmounted by a moulded stepped cornice, 71" high (pendulum and two weights)

Good early longcase clock regulator movement, the 10" silvered arched dial signed Isaac Rogers, London to the arch over a subsidiary seconds dial and calendar aperture, the six pillar movement with deadbeat escapement, within a later pine glazed case, 55" high (mercury pendulum and weight)

Irish oak eight day longcase clock, the 13" circular cream dial signed Dobbyn & Son, Dublin, with subsidiary seconds dial, the case with long glazed door and the hood surmounted by a wavy cornice and carved fleur de lys, 63" high (pendulum, two weights and winding key)

Mahogany eight day longcase clock, the 12" silvered arched dial signed Gregory, Basingstoke, with subsidiary seconds and calendar dials to the centre, also with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a moulded rounded arched pediment, 84" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square brass dial signed Rd Boyfield, Gt Dalby to the foliate engraved centre with calendar aperture enclosed by a brass chapter ring, the case with long wavy arched door and the hood surmounted by a flat moulded stepped pediment, 82.5" high (no pendulum or weights)

Scottish mahogany and crossbanded eight day longcase clock, the 13" painted arched dial indistinctly signed and with subsidiary seconds and calendar dials to the centre, painted with a Classical rural scene to the arch, the case with short mahogany and rosewood crossbanded door flanked by quarter fluted inlaid columns, also with ebony and boxwood banding, the hood surmounted by a swan neck pediment and brass ball and flame finial, 88" high (pendulum and two weights)

Mahogany eight day longcase clock, the 12" painted arched dial signed George Stephenson, Warminster to the dial centre with subsidiary seconds dial and calendar aperture, the case with short door inlaid with boxwood lines and the hood surmounted by a wavy rounded arched pediment and three brass ball finials, 90" high (pendulum and two weights)

Oak eight day longcase clock, the 12" brass arched dial signed Robert Swan, Bridlington on a silvered circular boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood with a rounded arched moulded pediment, 82" high (pendulum, two weights and winding key)

Black lacquer and chinoiserie decorated eight day longcase clock, the 10" square brass dial signed James Barrow, Harmitage, London on the brass chapter ring enclosing a matted centre, the case with long moulded rounded arched door decorated overall with figures in pagoda landscapes, the hood surmounted by a caddy top, 91" high (pendulum, no weights) (condition issues)

Mahogany three train longcase clock, the movement playing on a nest of eight bells and striking the hours on a large gong, the 14" brass arched dial with wide silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, with an engraved eagle convex silvered boss to the arch, the case with long moulded rounded arched door flanked by fluted columns and the hood surmounted by a moulded swan neck pediment, 91" high (pendulum, three weights and keys)

Oak thirty hour longcase clock, the 10" square brass dial signed Richard Stone, Thame on a cartouche to the foliate engraved centre, the case with medium length door and hood surmounted by a stepped moulded flat pediment, 80.5" high (pendulum and weight)

Oak eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, painted with a country house on a hill to the arch, the case with long rounded arched door and the hood surmounted by a broken arch pediment, 85.5" high (pendulum, weights and winding key)

Oak and mahogany crossbanded eight day longcase clock, the 14" painted arched dial signed D.R. Jones, Penrhyndaudraeth to the centre underneath a subsidiary seconds dial and calendar, with moon phase to the arch, the case with short mahogany crossbanded door flanked by fluted pilasters and the hood surmounted by a swan neck pediment, 89" high (pendulum, two weights and keys)

Oak eight day longcase clock, the 10" square brass dial with silver chapter ring enclosing a silvered engraved centre signed Anthony Lynch, Newbury, the case with long door and the hood surmounted by a flat moulded stepped pediment, 74" high (pendulum and two weights) (condition issues)

Elm eight day longcase clock, the 12" painted arched dial signed James Oram, Somerton below a subsidiary seconds dial and calendar aperture, the case with long wavy door and the hood surmounted by a swan neck pediment and brass ball and spike finial, 85" high (pendulum, but no weights)

Oak and mahogany crossbanded eight day longcase clock in need of extensive restoration, the 12" painted arched dial signed Broderick, Spalding to the centre under a subsidiary seconds dial, the case with short mahogany crossbanded door and the hood surmounted by a swan neck pediment, 81" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square brass dial signed John. Wood, Stroud to the centre engraved with a farmer in a rural marine landscape before a windmill and church, with calendar aperture, within a brass chapter ring, the case with long door and hood surmounted by a swan neck pediment over a moulded Greek key carved frieze, 88" high (pendulum)

Fine English flame mahogany regulator longcase clock, the 12.5" silvered dial signed R.F. Cowderoy, London, with outer minute chapter ring and subsidiary seconds and hour dials, the movement with deadbeat escapement, maintaining power and an A-frame plate, the case with long glazed door and the hood surmounted by a triangular pediment, 86.5" high (mercury pendulum, cylindrical brass weight and keys) *This clock is sold with an insurance valuation from Hewitts (Jewellers Limited, 35 Woodside Road, Amersham-on-the-Hill, Bucks) for £3500 dated 13th February 1981; also other paperwork relating to the service history of the clock etc

Oak and mahogany crossbanded regulator longcase clock, the six pillar movement with deadbeat escapement and maintaining power, the 10" square silvered dial signed William Green, Bristol with subsidiary seconds and hour dials, the case with long mahogany crossbanded door and the hood surmounted by a flat stepped pediment, 79.5" high (wooden rod pendulum, weight and key)

Two single fusee movements, nine various longcase and mantel clock movements; also some Black Forest movements and parts (most movements incomplete)

Thirty hour longcase clock movement, the 12" painted square dial indistinctly signed ..., Warminster; also a German ship's bulkhead timepiece, small lantern clock and three wooden case mantel clocks (6)

Novelty pottery miniature longcase clock, encrusted with flowers and applied with two musical winged cherubs, 12.5" high; also another pottery clock modelled as a rocky outcrop with the bisque figure of a child spying a mouse above her, 12" high (2)

A GEORGE II CHINOISERIE LACQUERED LONGCASE CLOCK, the 12" brass arched dial with subsidiary seconds dial and date aperture, the silvered chapter ring inscribed "Henry Rogerson, London", the arch with strike/silent chapter ring and dolphin scroll spandrels, the five pillar movement striking on a bell, in a black and polychrome chinoiserie lacquered case, the hood with a broken arch and ogee dome pediment, surmounted by three giltwood finials, the arched panelled door decorated with pavilions, foliage and figures, on a plinth stepped base, 111" high

CHRISTOPHER GOULD (LONDON, FL 1682-1718): A WALNUT AND MARQUETRY LONGCASE CLOCK, the 12" brass dial with subsidiary seconds dial, date aperture and cherub foliate spandrels, the silvered chapter ring with Roman numerals inscribed "Christopher Gould, London", the five pillar movement striking on a bell, in a walnut and marquetry case decorated with foliage and birds, the long door fitted with a lenticle, 83" high

A GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK, by Thomas Frigg, London, the brass dial with subsidiary seconds dial, date aperture and crowned angel spandrels, the eight day movement striking on a bell, the hood with an arched pediment and stop fluted pilasters, the feather banded case with a stepped base and bracket feet, 86" high x 19.5" wide

Matthew Bance of Kintbury longcase clock, the silvered dial with Roman numeral chapter ring, subsidiary seconds and date dials, in mahogany case. CONDITION REPORT: Dial may not be original as not flush. Top left has chunk of brass missing and a split in dial. Dial is 30cm wide.

Robert Dalgleish of Falkirk longcase clock, the silvered dial with Roman numeral chapter ring, subsidiary seconds dial and date window, in oak case, dial 47 x 34cm. CONDITION REPORT: Dial scuffed/discoloured. Splits in base of case. CLock very dusty/dirty. Possible damage to dial near four and eight, two round sections.

James Smith of London longcase clock, the brass dial with silvered Roman numeral chapter ring, subsidiary seconds dial and date window, in mahogany case. CONDITION REPORT: Scuffs to case. fading to case. FInials missing from top and top right. Section of wood missing below top left finial. Dial not sitting flush in case. Couple of marks to chapter ring. 228cm

Barrie of Edinburgh drumhead longcase clock, the dial with Roman numeral chapter ring, subsidiary seconds dial, in fiddle back mahogany case. CONDITION REPORT: Door does not appear warped nor wormed.

Twelve longcase clock pendulums

Thirteen longcase clock weights, four bells, four pendulum bobs and four wall clock weights (Two boxes)

Fifteen longcase clock weights (Two boxes)

Six longcase clock pendulums and assorted pendulum rods (In cardboard tube)

Four brass cased longcase weights, a box of assorted weights, mostly for wall clocks, a bag of cord and 'cat gut' and a clock plinth

A 1930's oak cased longcase clock with circular pewter dial, 30hr chiming movement, with pendulum, incomplete, 214cm high

MODERN LONGCASE CLOCK