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George III oak longcase clock, the square brass dial with silvered chapter ring, the centre with calendar hand and signed William Bird of Seagrave - eight day striking movement, 197cm high

George III oak longcase clock having a square brass dial engraved with a house and rococo scrolls, signed Thomas Honeybone of Wanboro - 30 hour striking movement, 182cm high

19th Century oak and mahogany longcase clock having a broken arch pediment and arch shaped door flanked by reeded pilasters, the square painted dial with seconds indicator and fan shaped calendar aperture inscribed Sam. Maddock of Winsford - eight day striking movement, 211cm high

19th Century mahogany longcase clock having rope twist pilasters and arch shaped long door, the painted arch shaped dial decorated with huntsmen and hounds and with seconds indicator and calendar aperture inscribed Woller and Strawb of Norwich - eight day striking movement, 218cm high

18th Century longcase clock 30 hour movement having an 11" brass dial signed Thos. Dicker of Reading

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK with square brass dial by William Parslow of Stonehous (sic), in a plain ebonised case, with 10" dial (some later gilding)

A GEORGE III OAK LONGCASE CLOCK with arched painted seconds dial and date aperture, with 8-day movement, maker Broderick of Boston, the case with broken scroll pediment and fluted pillars, 88" high

An unusual C18th mahogany longcase clock, by Martin of Dover the plinth base with Flame Mahogany Panel with arched panelled trunk door, supported by Brass inlaid fluted columns with Brass capitals, the hood with a dentil frieze with 2 Brass inlaid columns with Corinthian capitals, the movement with Brass cased weights, Brass pendulum & Brass dial engraved with urns & flowers Signed Martin Dover with central sweep seconds hand, calendar dial to the top hour hand and minutes hand on secondary dials, the canopy with 2 spires, the central spire with Old Father Time bearing a scythe, lacking a bell

A George III oak and mahogany banded longcase clock, the twin train movement with anchor escapement striking on a bell, the twelve inch square brass dial signed 'J Green, Nantwich', with calendar and seconds subsidiary dial and silvered chapter ring, the caddy-topped hood with projecting columns above an ogee arched trunk door flanked by quarter columns, on a panelled box base, 210cm high

A George II walnut veneered longcase clock, the twin train movement with anchor escapement, striking on a bell, the twelve inch brass dial with matted centre and subsidiary seconds dial and date aperture, the silver chapter ring signed 'Thomas Jenkinson, Sandwich', within female mask shell and leaf scroll spandrels, the flat top hood with three quarter barley sugar twist turned columns, above a rectangular trunk door and a box base with reduced plinth, possibly associated, 204cm high

A George III inlaid mahogany longcase clock, the arched brass silvered dial with calendar and seconds subsidiary and 'strike/silent' in the arch, the 8-day movement now striking on gongs, the later inlaid case with an arched door, on a later plinth base, 221cm high

A George III mahogany longcase clock, the twin train movement with anchor escapement striking on a bell, the broken arch twelve inch painted dial signed 'Robbins Canterbury' with subsidiary seconds dial and date aperture, the hood with fretted crest above an arched glazed door and projecting columns, above a broken arch trunk door and a box base with plinth foot, 207cm high

A George III oak and mahogany banded longcase clock, the twin train movement with anchor escapement striking on a bell the twelve inch white painted dial signed 'William Hickman, Stamford', with subsidiary seconds dial and date aperture, the arch painted with a cornucopia of flowers, the broken swan neck pediment above an arched glazed door, above a shaped trunk door and a box base, 223cm high

A George III mahogany longcase clock, the twin train movement with anchor escapement striking on a bell, the brken arch inch silvered dial signed 'Danl. Catlin Lynn' with subsidiary seconds dial, the broken arch hood surmounted by three brass globe finials, above an arched glazed door and projecting fluted columns, the broken arch trunk door above a box base with shaped apron and bracket feet, 220.5cm high

A George III inlaid mahogany longcase clock, the twin train movement with anchor escapemnet striking on a bell, the twelve inch painted broken arch dial signed 'Mich Robson Chester Le Street' with subsidiary seconds dial, date aperture and arabic hour numerals, the flat top hood (crest lacking)with arched glazed door and reeded columns headed by gilt metal Corinthian capitals, above a gabled trunk door between chamfered corners, on a box base and bracket feet, 221cm high

An unusual early 19th century burr walnut veneered longcase clock, the twin train movement with anchor escapement striking on a bell, the thirteen inch broken arch painted dial signed 'T. Foster Tiverton' with subsidiary seconds dial and date aperture, the arch decorated with a huntsman and hounds, the hood formerly with broken swan neck pediment above an arched glazed door and turned columns, above a rectangular trunk door between chamfered corners and a box base with reel moulded borders and shaped apron stand, 212cm high

Three various painted longcase clock movements, two pendulums and two pairs of weights (a lot)

Victorian painted longcase clock, dial and movement, marked for Pinkerton of Duddington

Victorian painted longcase clock, dial and movement, marked for Ritchie of Edinburgh

Richard Garland, Plymouth, a George III mahogany longcase clock, having brass Roman face with eight day striking movement, half length conch inlaid door within reeded chamfered pilasters, box base and bracket feet, 218cm

Brentwood, Sutton, a late 18th century oak and mahogany crossbanded and strung longcase clock, having swan neck pediment over eight day movement faced by Arabic and subsidiary dials above half length door within reeded quarter pilasters, box base and bracket feet, 224cm

Potchet, Bedon, an early 19th century oak longcase clock, having arched hood enclosing eight day mechanism faced by Arabic dial over reeded canted trunk, box base and bracket feet

A mahogany and boxwood strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door enclosing a 14" white painted arched enamel dial with subsidiary seconds dial and date dial, roman numerals and marked indistinctly 'Lancaster ?, Bradford' painted with bucket bonnet maidens in the corners representing the seasons and heralding angels in the arch, eight day movement string on a bell above a double ogee arched top three quarter length trunk door with kite shaped ivory escutcheon between canted angles over an ogive moulding and crossbanded base board, distressed, 90" high

A George III cottage longcase clock, c.1800, the square hood with ogive cornice and brass capped turned pilasters enclosing a 12" brass dial with silvered chapter ring and roman numerals, subsidiary seconds dial and date aperture and marked 'Baddeley, Albrighton', eight-day movement striking on a bell above a cushion moulding and crossbanded three quarter length trunk door with shaped top over a further moulding and crossbanded plinth and on bracket feet, 79" high

A GEORGE III MAHOGANY LONGCASE CLOCK having an eight day movement with arched brass dial, embossed spandrels, Roman numerals and secondhand, signed Swan Margate, the case with eagle and ball finial, fluted columns and panel door, 80" high.

A LATE GEORGE III MAHOGANY LONGCASE CLOCK having an arched painted dial signed William Roberts of Bath with second hand date aperture and painted decoration, the case with break arch pediment, brass sphere, ebonised pilasters and panel door, 83" high. (see lot 316 for image)

A VICTORIAN TREEN WATCH HOLDER in the form of a longcase clock with break arch pediment and inlaid decoration, 12" high.

A George III oak longcase clock, the arched painted dial with a calendar aperture, inscribed, 'Fordham Braintree', below a strike/silent dial, supporting an eight day striking movement, the pagoda shaped hood over a cut down plinth, dial 11.5 inches diameter

An early 19th Century mahogany longcase clock, the hood and trunk with two pairs of twist turned columns, the arched dial painted with rustic scenes, with a striking eight day movement, 2.24m high

An early 19th Century mahogany longcase clock, the case with inlaid stringing, crossbanding and applied roundels, the arched dial painted with flower spandrels, globes and a revolving moon phase disc, inscribed A Riley, Bromley, with an eight day striking movement, 2.32m high

A late George III oak and mahogany crossbanded eight day longcase clock, the arched painted dial with Roman hours, Arabic minutes and subsidiary seconds dial, the twin train movement with an anchor escapement, striking on a bell, 220cm

VICTORIAN MAHOGANY LONGCASE CLOCK, by Thomas Wilson, Barnard Castle, the swan neck pediment flanking a shell and raised on baluster turned columns flanking an arched painted dial, the spandrels and arch decorated with churches and cottages, thirty hour movement, the trunk with crossbanded door. Height 231cm.

GEORGE III OAK LONGCASE CLOCK, EARLY 19th CENTURY, by Price Evans, Shrewsbury, the moulded panelled cornice surmounted by brass urns, above a blind fretwork frieze, supported on brass-mounted fluted columns flanking a silvered brass dial with subsidiary seconds dial and date aperture, within urn- and exotic bird-cast spandrels, eight day movement, the trunk with double-arched cross-banded door, flanked by fluted quarter columns. Height 225cm.

A late 18th Century Mahogany Longcase Clock by T.W. Field of Aylesbury, the pagoda top hood centred by blind fret carved panel, turned columns flank the break arch door and enamel 30cm arched dial with rolling moon to the arch, seconds and date dials and faintly inscribed, the 8-day movement striking on a bell, the case with arched trunk door, fluted chamfered sides on plain panel base, 223cm high (Field recorded circa 1790).

A Scottish late 18th Century Mahogany Longcase Clock with arched hood 36cm circular brass dial incorporating date dial, engraved with flower heads and inscribed MALKIN KIRKBY with Roman and Arabic numerals, the 5-pillar 8-day movement striking on a bell, the trunk line inlaid and the door inlaid with the figure of a Warrior on panelled base with central roundel and fan inlaid to the corners on splay legs with shaped apron, 206cm high.

A circa 1700 Walnut Longcase Clock by David Jones of London, the flat topped hood with blind fret carved frieze over square door flanked by three-quarter twist columns and glass side panels, the 27.5cm square brass dial with silvered chapter ring and seconds dial with cast brass spandrels, date aperture and inscribed David Jones with 5-pillar 8-day movement striking on a bell, the trunk door well figured and line inlaid with lenticle on panelled base 193.5cm high.

A Modern Longcase Clock, the dial with Roman numerals, the case with a glazed trunk door, 197 cm

A late 19th Century mahogany cased eight day longcase clock, the blind fretwork swan neck pediment over a pair of reeded columns flanking the movement inscribed 'Thomas Lighton, Lanark', the trunk with an arched top door flanked by pilasters, resting on bracket feet.

A Continental miniature longcase clock.

An 18th Century part longcase clock movement.

An early 19th century oak and mahogany 30 hour longcase clock, painted enamel dial by Pratt of Askrigg 224cm high

An early 19th century Scottish 8 day mahogany longcase clock inlaid with green stained boxwood thistles, painted enamel dial by James Foulds, Kilmarnock 204cm high

A late 18th century oak and mahogany banded eight day longcase clock, later victorian carving, brass dial with moon phase subsidiary seconds and date dials, by Brownbill Leeds 53cms x 220cms high

An eight-day longcase clock movement, with circular brass dial, silvered chapter ring with Roman hour numerals and Arabic minutes, and subsidiary seconds and date rings, c/w weights and pendulum; 13" dia.

An early 19thC mahogany cross-banded oak longcase clock, with swan-neck pillared hood and painted dial with Continental port scene to arch and ships to the spandrels, eight-day movement striking a bell; 80" high.

A George III mahogany cross banded oak longcase clock, with swan-neck pillared hood, canted trunk, with short door, and panel base, with oval shell inlays, the painted dial having a harvest gathering scene to arch, and castle ruins to the spandrels, the embossed centre having Roman numerals, and subsidiary seconds ring, date crescent, and marked 'John Peck, Wellingboro'; 84" high.

Victorian mahogany Longcase Clock, shaped pediment, with dentil moulded cornice, with a fluted frieze of applied roundels, glazed door flanked by fluted columns, the trunk with a long door, box base, above bracket feet, square brass dial with a silvered chapter ring, pierced spandrels, subsidiary seconds dial and date aperture, signed, "Robert Henderson, Scarborough", eight-day movement.

Longcase Clock Movement, square brass dial with pierced spandrels, the chapter ring with Roman numerals, signed, "Thomas Stripling, Barnwell", thirty-hour movement, in a reproduction oak case.

A Late 18th Century Oak Longcase Clock for restoration with brass dial signed Geo. Baddeley, Newport, 30 hour movement

A thirty hour longcase clock with a 12" square dial signed JAS Tamworth contained in an oak and mahogany crossbanded case

A modern mahogany cased three train moonroller longcase clock by Fenclocks, Suffolk height 77 1/2"

A longcase clock, having three-train movement the arched dial incorporating moon phase with Arabic numerals, silvered chapter ring and brass corner spandrels in an inlaid mahogany case.

A 30 hour oak cased longcase clock, the dial painted with flowers to the spandrels 199cm high

A huge Victorian mahogany eight day longcase clock, the arched white enamel dial with painted spandrels signed by Samuel Travis of Leek above arched door flanked by twisted pilasters, on bracket feet, height around 9ft

A 19th century inlaid mahogany eight day longcase clock, the arched white enameled dial with rolling moon, above arched door flanked by reeded pilasters

A late 18th century oak and mahogany crossbanded eight day longcase clock, the square dial signed by Lupton of Altrincham (in need of restoration)

An early 19th century oak and mahogany 30 hour longcase clock with square white enamel dial

A late 18th/early 19th century oak 30 hour longcase clock with square painted white enamel dial signed by Benjamin Reeves of Malmesbury (cut down)

A longcase clock, the eight-day chiming movement with silvered circular dial inscribed H. L. Brown & Sons Ltd, London & Sheffield, in arched mahogany case, trunk with dummy door raised on ogee bracket feet, 20th Century, 52 1/2" high.

A 19th Century longcase clock, the eight day movement striking to bell with painted arched dial depicting a chinoiserie figure scene with floral spandrels, seconds dial and date aperture, inscribed Jn Snowden, Grimsby, in oak case with pagoda hood on fluted supports, canted trunk, on panelled base and bracket feet, 86 1/2" high.