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A Late 18th early 19th Century oak and mahogany longcase clock. The case with a twin swan neck pediment above two tapering reeded columns flanking the break arch 12" painted dial, the dial painted with fruit and Arabic numerals with a subsidiary second dial and date aperture the eight day movement striking on a saucer bell, the case with a crossbanded door flanked by canted corners above a panelled base raised upon a shaped apron and bracket feet complete with pendulum and two weights

Horology - a pair of 19th century longcase clock weights (2)

Horology - a pair of 19th century longcase clock weights (2)

Horology - a pair of 19th century longcase clock weights (2)

An early 20th century oak longcase clock case, c.1900

A late 20th century oak longcase clock with Westminster chime, weights and pendulum

A contemporary Westminster, Germany, mahogany longcase clock, arched dial, gilt metal spandrels, Roman numerals, glazed door to trunk.

An 18th Century Longcase Clock the brass arched dial inscribed "John Rigg Gisborough" (sic) with eight day movement, date aperture and silvered chapter ring, in an oak case with dentil cornice and on a plinth base. 6' 10" (210cms) high.

A GUSTAV BECKER ART NOUVEAU OAK LONGCASE CLOCK, the circular brass dial with raised stylized Arabic numerals, twin weight pendulum drive movement marked 'Gustav Becker', DRP no. 171659, the dial door with convex glass, long trunk door with bevelled viewing glass, the trunk base with applied carved decoration on a plinth base, 218 cms high, 56 cms wide

A VICTORIAN MAHOGANY LONGCASE CLOCK by J Griffith, Carnarvon and Blaenau Ffestiniog, 14 ins arched top dial with rocking highwayman and painted decoration set with Roman numerals, subsidiary seconds dial and date aperture, twin weight pendulum driven movement striking on a bell, the hood with broken pediment, turned and twisted reed pillar decoration, short door trunk with oval panels and a stepped trunk base with inset circular panel on bracket feet, 231 cms high, 64 cms wide

AN OAK AND MAHOGANY LONGCASE CLOCK, Lancaster maker, 14 ins square dial set with Roman numerals and date aperture, thirty hour single weight pendulum driven movement striking on a bell, square hood with turned flanking pillars, arched trunk door with reeded side pillars on a stepped trunk base, 203 cms high, 51 cms wide (requiring some restoration)

A GEORGIAN OAK AND MAHOGANY LONGCASE CLOCK by William Evans, Shrewsbury, the hood with broken swan neck pediment and central glazed door with flanking reeded pillars having brass cups and caps enclosing a 12 ins square painted dial set with Arabic numerals, bird decoration and date aperture, chain wind movement striking on a bell with pendulum and single weight included, the trunk with crossbanded door with shaped top and quarter cut reeded brass capped pillars, the trunk base with applied panel (lower area requiring restoration), 201 cms high, 46 cms wide

A CIRCA 1800 INLAID OAK LONGCASE CLOCK by Thomas Heywood, Bangor, the single door hood with swan neck pediment enclosing a 13 ins square dial having painted bird decoration with floral spandrels and Arabic numerals, subsidiary seconds dial with calendar and twin wind apertures, the case with line inlay and heart decoration, ebonized stringing to trunk door and base, pendulum and one weight included, 210 cms high, 54 cms maximum width

A GEORGIAN INLAID MAHOGANY LONGCASE CLOCK by W Holgate, Wigan, the hood with broken swan neck pediment over a single glazed door with flanking reeded pillars enclosing a 14.25 ins square dial with rolling moon movement and floral painted spandrels, Roman numerals with Arabic outer seconds dial and subsidiary date dial, the case with Sheraton shell inlay over a shaped trunk door, flanking reeded half columns with inlaid lower sections, the trunk base with step moulding and canted corners on bracket feet with shaped centre apron, pendulum included, 234 cms high, 61.5 cms wide

A LATE 19th CENTURY MAHOGANY ENCASED LONGCASE CLOCK, exceptionally well preserved throughout and having an arched and scrolled hood with double pillar twist columns, the well preserved painted dial having an eight day movement by John Jones, Pwllheli and the body having a further twist column either side of the short door

A quantity of 20th Century dolls furniture Including green painted metal suite, wooden bed, several items of wooden furniture including longcase clock, Arts & Crafts style wardrobe and a pink upholstered bedroom suite etc.

A fine quality late Georgian marquetry inlaid mahogany cased striking eight day longcase clock by Thomas Moss of Frodsham, Having a moon phase arched brass dial decorated with engraved verse, days of the month and foliated urns to the arch, above the foliate engraved silvered center section featuring three winding holes, makers name, scrolling pierced hands, seconds hand, and date hand, between the silvered chapter ring featuring hours, seconds and days of the month between relief cast scrolling foliate spandrels, the eight day movement striking on seven bells, the highly decorative case featuring brass finials to the swan neck pediment above parquetry inlaid columns with gilt metal caps to the hood, the trunk featuring marquetry, parquetry and stringing inlay, a feathered veneered triple Gothic arch door above an inlaid, cross banded and feathered panelled base flanked by canted corners, the whole raised on bracket feet, complete with three weights, pendulum and winding key, total height approx. 244cm (8 ft).NB: Thomas Moss of Frodsham, Cheshire, is recorded as being born in 1733, first married in 1757, married again in 1773, and died in 1785. Following his death his widow Mary placed an announcement in the Chester Courant, dated 22nd February 1785 that she would be continuing his business. CONDITION REPORT: Pendulum and weights as listed in catalogue description. Weights not got brass sleeves, pendulum has brass covered bob. There is a winder for the weights via 3x winding holes.No makers name on back of moon phase wheelSee photosWhen set up movement does activate, hands turn, bells strike, pendulum swings BUT we cannot guarantee the condition long term of the movement and related parts.Fine quality inlaid multi-wood case, minor blemishes with age, no obvious signs of any serious faultsProvenance: From a deceased estate, the clock has been stood in a private house for many years

An Edwardian mahogany eight-day chiming and striking longcase clock with brass dial, 198cm high

A mahogany cased eight-day longcase clock by Ed. Drakeford, Congleton, the square painted dial with subsidiary seconds dial and date aperture, the hood with broken swan neck pediment, the dial 36cm wide Condition Report: The clock mechanism is not working as ratchets on both trains inoperable. The face is rubbed and chipped at borders, case with lifting veneer to the head and some splitting. Left hand side missing a part of the back. The trunk cornice return is loose and the base has missing mouldings.

A Georgian longcase clock, the pine case with over painted finish, incorporating a square brass dial with details showing man of war firing cannons and a city siege, the seasons, etc, with subsidary calendar and secondary dial with thirty hour striking movement by George Miles of Horton (George Miles is recorded as living in Horton, Gloucestershire during the 1770s period)

A substantial 19th century mahogany longcase clock, the trunk with spiral column supports, the hood enclosing a 40 cm (16 inch) broken arch painted dial, the spandrels showing Europe, Asia, Africa, America, with rolling lunar phase, subsidiary calendar and secondary dial, eight day striking movement

Edwardian walnut and parquetry inlaid miniature longcase clock case / watch stand

Eight day longcase clock movement, the 14in circular painted dial signed Sam Ashburn, enclosed by a calendar dial with pendulum and two weights

Fine quality miniature 19th Century mahogany longcase clock in George III style, the broken arch hood with flanking pilasters above a moulded arched and figured panelled door and conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals and mask head spandrels, the two train movement with anchor escapement striking on a bell, 54.5ins

Reproduction mahogany longcase clock with a moon phase dial and three train weight driven movement

Early 20th Century mahogany longcase clock, the broken arch hood with flanking pilasters and bevelled glass door above a further bevelled glass trunk door and conforming plinth base, the brass fretwork and wooden dial with a silvered chapter ring, moon phase arch, Arabic numerals and subsidiary seconds dial, the three train movement striking and chiming on gongs (some alterations and gongs removed)

Early 20th Century oak longcase clock having three train weight driven movement with pendulum window and circular silvered dial together with a smaller three train grandmother clock (a/f)

George III mahogany longcase clock, the arched hood above an arched panelled door and print base with bracket feet, the painted enamel dial with Arabic numerals with subsidiary seconds, calendar and moon phase dials, inscribed R. Mann, Reading, the two train movement striking on a bell

AN EARLY 19TH CENTURY INLAID MAHOGANY LONGCASE CLOCK, the hood surmounted with twin outturned scrolls with brass rosettes enclosing an enamel clock face with phases of the moon, works lacking, above a single panel door and raised on bracket feet. 230cm high

A brass dial bell striking 30 hour carved oak longcase clock, the 10” square dial inscribed 'Avenell, Farnham', 83” high.

TWO VERGE LONGCASE CLOCK MOVEMENTS, on bridge boards. (2)

A MODERN GERMAN LONGCASE CLOCK, the swan neck pediment with an urn finial, above an arched brass dial and silverised chapter ring, with Arabic numerals and phases of the moon to the arch, above a glazed trunk door, on a moulded and panelled box base, 83'' (211cm). (1)

Reproduction mahogany longcase clock with brass dial, signed Fen Clocks of Suffolk

A longcase clock

George III figured mahogany longcase clock, eight day movement, chiming pin train (missing bells), subsidiary second dial with date aperture, dial signed James Thwaites London (no pendulum or weights) CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

19th century carved oak longcase clock case, with eight day movement, polished brass dial, moon phase and date aperture, signed 'Thos. Lister', striking on a bell, (Two weights, pendulum bob) CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

18th century oak longcase clock case, glazed hood, inlaid with ebony, (aperture - 30cm x 29.5cm) with an 18th century brass dial with subsidiary second dial and date aperture, signed 'Robert Floner', eight day movement, CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

Early 19th century oak and mahogany longcase clock, eight day movement, painted dial signed 'Scrafton Snainton' (two weights, pendulum) CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

An early 19th c. Mahogany and Oak Longcase Clock, having swan pediment hood with reeded square column supports and single pane square door opening to reveal floral painted face with cottages and Roman numerals, marked Winstanton, Wrexham, 30 hour movement, the short door case having shell inlay, cross-banded and reeded detail, with lower moulding to the canted corner base, 83 1/2'' high x 25 1/4'' wide x 11 1/2'' deep

A 19th century oak longcase clock, the brass and silvered dial signed Thomas Deykin, Worcester, the eight day movement striking on a bell,. subsidiary seconds dial at 12 o'clock (185cm).

An oak longcase clock, the dial signed Thomas Wilson, Spalding, the eight day movement striking on a bell, the painted dial bearing Roman numerals, second hand dial at 12 o'clock (212cm).

Cornish 19th Century mahogany eight day longcase clock, the arched 12' enamel painted dial signed Josh Beringer, Helston and with river landscape agricultural scene, the arched hood with fluted pillars, the case cross-banded, height overall 85.5'

18th Century oak cased eight day longcase clock, the 12' square brass dial signed Petr Caldwel APPLETON, the caddy top hood with turned pillars over the cross-banded case with star inlay, height 82'

19th Century mahogany cased eight day longcase clock, the 12' arched enamel dial with gilt decoration to the corners, the caddy hood with wrythen fluted pillars over the satin wood and ebony inlaid case with quarter fluted pillars, height 93'

19th century eight day longcase clock, painted lunar arched top dial with painted ruins to the spandrels, replacement brass movement in oak and mahogany case

A 19TH CENTURY OAK LONGCASE CLOCK, having arch top hood flanked by column, trunk with arch top door, base on bracket feet, fitted arched enamel dial with Roman numerals and 8-day striking movement, 209cm high

EDWARDIAN MAHOGANY AND BURR WALNUT LONGCASE CLOCK maker Brown, Edinburgh, the silvered chased dial with Roman numeral chapter ring and secondary seconds dial, with pierced blued steel hands, two front key winding holes, the two weight driven movement chiming on a bell, the hood with broken swan neck pediment and the case with stringing and burr walnut veneer, 225cm high

REGENCY MAHOGANY LONGCASE CLOCK unsigned, the painted dial with Roman numerals, pierced hands (one possibly replaced), contained within an arched hood, with line inlay and over bracket feet, approximately 208cm high

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK with broken swan neck pediment, the painted dial depicting allegorical figures to represent 'Justice', 'Hope', 'Plenty', etc, the twelve inch dial with Roman numerals and two front winding key holes, pierced hands (one replaced), with walnut veneer and inlay to case, 227cm high

LEPAUTE H. GER DU ROIAn early 19th Century French Walnut REGULATOR LONGCASE CLOCK the caddy top hood above panelled spandrels enclosing a brass bezel and a 25cm convex enamel dial with Roman chapter ring and Arabic minute markings; ornate pierced brass hands and centre seconds hand fronting a substantial eight day timepiece movement with pin wheel escapement, grid iron pendulum with heavy bob, brass cased weight and counter weight. The later case with glazed trunk door, panelled sides and panelled plinth base  220cm high

JAN RENSMAN, ZWOLA rare early 18th Century Dutch Ebony lined and cross-banded panelled Mulberry eight day LONGCASE CLOCK with fret work frieze and sound frets to the hood and moulded applied pillars; oval lenticle to the arch top trunk door and moulded plinth base. The 12" square brass dial with wheat-ear border, four season spandrels and roman chapter ring with arabic minute markings enclosing a matted centre with subsidiary seconds and date aperture fronting an eight-day movement with four finely finned bulbous pillars, anchor escapement and Dutch rack striking on two bells 214cm high 

JAMES CONDLIFF LIVERPOOLA fine William IV richly figured Mahogany eight day REGULATOR LONGCASE CLOCK the Regency Egyptian style case with panelled base and tapering shaped door beneath an architectural pediment to the hood. The 14” silvered dial with Roman hour ring, Arabic outer minutes dial and inner seconds dial fronting a massive eight day movement with six finely finned turned pillars, jewelled pallets and adjustable end stops throughout the train – stamped to the base of the front plate J Condliff Liverpool; with screwed brass dust covers signed to the top Jno B Mc Fadden A.D.1832 (presumably whom it was made for).  The mercury pendulum in a faceted glass jar swinging against a silvered beat scale, with rare silvered finish on all visable metalwork 200cm high 

THOMAS MUDGE, LONDON A fine late 18th century figured mahogany eight day revolving ball moon LONGCASE CLOCK. Surmounted by a ball and flambe finial on a concave-moulded socle over a break arch hood, the hood door with concave moulded frame flanked by canted reeded corners, the long trunk door of good figure over a panelled base on double plinth with shallow block feet, the 13 inch arched brass dial with revolving ball moon and lunar calander aperture beneath, strike silent lever to the dial side with gilded mask head rococo spandrels enclosing a silvered Roman chapter ring with Arabic minute markings, matted centre with date aperture and applied nameplate fronting an 8 day weight driven movement with five finned knopped pillars, hour strike on a single bell and quarter striking on two bells; bolt and shutter maintaining power and crown wheel mechanism to the revolving moon 244cm high

MILES WEDRED (WETHERHEAD), KIRKBY LONSDALE A fine mid 18th Century dense figured Cuban Mahogany eight day LONGCASE CLOCK the cabinet work undoubtedly by Gillows of Lancaster the 12” arched brass and silvered dial with engraved star-spangled revolving moon phases above a Roman chapter ring with Arabic minute markings enclosing a partly matted centre dial with florally cut engraved date aperture, ringed winding holes and seconds dial above marked Tempus Fugit; the eight day double lead weight driven movement with finely turned and finned baluster pillars, smooth barrels and hourly rack strike on a large bell.The finely coloured and richly patinated case with swan neck pediment to the hood and carved flower head patras, turned side columns and quarter columns to the case enclosing a panelled full length door with finely carved fanned and leaf work mask head to the top; the canted base on bold ogee moulded feet236cm high, trunk width 34.5cm, depth of base 26cm excluding feet*Ref: Clockmakers of Northern England by Brian Loomes pgs 278/9 for details on this maker.*Clock cases of this type are discussed at length by Susan Stewart in her two volumes titled GILLOWS of Lancaster and London pgs 388-413 see plate 479.

A William III figured walnut longcase clock, with 12 inch square brass dial and 8 day bell striking movement, 194cm high, with weights, pendulum and winding key.

A Late XVIII Century Oak and Mahogany Longcase Clock, with stepped cornice and turned columns to hood, eight-day, brass dial with Roman numerals and two subsidiary dials, the trunk with a shaped door, on square base with ogee feet, 198cms high.

A Reid & Sons Newcastle Early XX Century Mahogany Chiming Longcase Clock, the hood with arched pediment and canted corners, with engraved silvered dial and three subsidiary dials, St.Michael/Whittington/Westminster chime selections, the trunk with glazed door and panelled base, on paw feet (needs attention).

A Late XVIII Century Oak and Mahogany Longcase Clock, with swan neck pediment, brass finials and arched door, thirty hour movement, the 30.5cms white dial with Roman numerals and painted with a bird to centre, subsidiary dial, by Jn Hudson, Nottingham, the trunk with shaped crossbanded door and plinth base (no feet), 218cms high.

A Late XVII Century Walnut Longcase Clock by Jonathan Andrews, London, the hood with blind fret frieze and circular columns with brass capitals, the long door with feather banding and circular window, on a plinth base, the square dial with silvered chapter ring engraved "Jno. Andrews, London", seconds dial, calendar aperture and blued steel hands, cherub spandrels to each of the four corners, 207cms high.

A Mid XIX Century Mahogany Longcase Clock, the arched white dial signed "Shearing Sheffield", painted with scenes, with Roman numerals and subsidiary dial, the hood with broken pediment, arched door and turned supports, the base with small shaped door, turned pilasters and bracket feet, 229cms high.