We found 41737 price guide item(s) matching your search

AN OAK LONGCASE CLOCK dial cream painted, subsidiary seconds ring and calendar crescent, signed W. Birch, Ashcott, gilt bright-cut hands, the spandrels painted with shells, the arch set with a mechanical group of Adam tempting Eve, case with part mahogany facings, 85 1/2ins. (217cms.) high

AN OAK LONGCASE CLOCK dial 13 inch silvered chapter ring with subsidiary seconds ring and calendar ring, the arch with a displaying eagle to the boss, case with mahogany crossbanding and inlaid with a shell and a patera, 91ins. (231cms.) high overall

A MAHOGANY LONGCASE CLOCK dial the chapter ring signed Dobson, London, subsidiary seconds ring and calendar aperture, case hood flanked by stop fluted pillars beneath an architectural pediment, the shaped waist door and base each inlaid with boxwood outlined oval, 80 1/2ins.(227cms.) high overall

AN OAK LONGCASE CLOCK dial 11inch silvered chapter ring, subsidiary seconds ring, calendar aperture and signed on a tablet Reuben Lmude, Chard, case the mahogany hood flanked by turned pilasters, the waist door with mahogany crossbanding, 82ins. (208cm.) high

A George III oak longcase clock, with 11 inch square painted dial, Reynolds, Potton, and Roman numerals, the thirty hour movement striking on a bell, 194cm high

A longcase clock, the painted arched dial signed W. Hepton, Northallerton, 30hr movement

An early 19th century oak and mahogany crossbanded longcase clock, enamelled dial, Roman numerals, date aperture, 30 hours movement

An Edwardian mahogany and strung longcase clock with silver chapter ring, gilt brass spandrels, the arched hood above a trunk door with bevelled oval glass on plinth base and bracket feet, eight day movement, 198cm h

An 18th century oak longcase clock, brass dial, subsidiary seconds aperture, date and moon phase with eight day movement, 220cm h

An 18th century black lacquer and chinoiserie decorated arched top longcase clock door, 96cm high.

A Dutch mahogany miniature longcase clock, the four and a quarter inch arch top gilt brass dial enclosing a two train movement, the hood with a pair of flanking columns, over a long trunk door, resting on a shaped plinth base, 158cm high.

A George III oak thirty hour longcase clock, the 12 inch square painted dial indistinctly signed and with later hands, the hood with dentil moulded cornice over a square glazed hood door flanked by turned front corner hood pilasters over a crossbanded trunk door on a box base and later skirting plinth, 209cm high (at fault)

An early 19th century mahogany eight day longcase clock the 12 inch arched painted dial signed 'James Robertson, Dundee' to the arch over an inner ring of Roman numerals and outer ring of Arabic numerals centred by subsidiary seconds and date dials, the hood with swan neck pediment over an arched glazed hood door between reeded turned front corner hood pilasters over an ogee arched trunk door between quarter turned reeded front corner pilasters on a plain box base and ogee shaped bracket feet, 207cm high

A George III mahogany eight day longcase clock the 14 inch arched brass dial signed `Hadwen, Ormskirk`, with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and classical urn moulded corner spandrels under a rolling moon to the arch, the arched hood with brass finials over fluted tapering front corner hood pilasters above a long crossbanded trunk door between fluted corner pilasters on a single panel box base and ogee moulded bracket feet, 227cm high, WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.

Thomas Sherwood Snr, Yarm, an oak and mahogany longcase clock with an eight-day duration movement striking the hours on a bell, the 12½ inch painted arched dial with black Roman numerals, a subsidiary seconds dial, decorative brass hands and painted with scenes to the four corners depicting ruined buildings with a further scene to the arch depicting fishermen and boats within a riverscape, the centre painted with the maker`s name `T. Sherwood Snr, Yarm`, the falseplate to the dial embossed with the dialmaker`s name `Finnemore, B/Ham`, the oak case with mahogany crossbanding to the trunk door and base with mahogany quarter columns to the trunk and standing on bracket feet, the hood having mahogany quarter columns with brass capitals and a shallow swan neck pediment, height: 220cm. * Thomas Sherwood Snr is recorded as working in Front Street, Yarm, Yorkshire from 1771, the year of his marriage, having being apprenticed to the clockmaker Robert Burgrave of Doncaster. He married Mary Bushley with whom he had twelve children and following her death in 1798 he married Ann Melbury with whom he had a further two children including Thomas Jnr. Thomas Sherwood Snr died in 1821 whereupon Thomas Jnr continued the business having been apprenticed to the well-known maker William Pridgin of York in 1794. In 1807 Thomas Jnr married Eleanor, who then died giving birth and immediately married Jane Chapman with whom he had eight children, one of whom Thomas, became the third clockmaker in the family of that name taking on the business in 1836 after the death of his father. * George Walker & William Finnemore starting working life in a partnership with George Walker and were two of the most influential dialmakers in Birmingham in the first part of the 19th century. They are first recorded working in 1808 at Edmund Street although they were probably together for a few years before this date. The partnership split up in 1811 after which Finnemore went out on his own and started a dialmaking concern that stretched on for a number of years beyond his death, being run by firstly his wife and then his sons.

James Blackborow, London an ebonised and japanned longcase clock with the eight-day duration movement having turned finned pillars and striking the hours on a bell, the twelve-inch arched brass dial with a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five minute numerals, fleur-de-lys half-hour markings and `meeting arrow head` half-quarter markings, the matted centre with ringed winding holes, subsidiary seconds dial, date aperture, cast brass female-head spandrels to the four corners, decorative blued steel hands and engraved to a silvered boss within the arch `Jams. Blackborow, London`, with a `strike/silent` lever to the base of the arch and wheat-ear border engraving to the top, the ebonised case now with raised chinioserie decoration to the trunk door only, having three-quarter columns with brass capitals to the caddy-top hood, a lenticle glass to the trunk door and with a plain base, height: 220cm. * James Blackbarow is recorded as working in London in the early 18th century having been apprenticed in July 1701 to the well-known Hugenot maker David Lesturgeon and made a Freeman of the Clockmakers Company in February 1711. He was made a Liveryman and then died in 1746 whilst in the position of Warder within the Company

Robert Lech of Jedburgh,Scotland, a longcase clock, the arched dial painted with moon faces and landscapes, with floral spandrels, 8 day movement, in an oak case, 203cm high.

W.Greenwood & Sons Leeds and Huddersfield, a grandmother longcase clock with Westminster chime in mahogany case, 152cm high.

A reproduction longcase clock in lacquered case, brass finish arched dial

An early 20thC Continental style longcase clock.

An early 19thC mahogany and oak Griffith longcase clock case and an arched enamel dial signed Griffin.

An inlaid mahogany pocket watch holder modelled as a longcase clock.

MINIATURE LONGCASE CLOCK, late 19th/early 20th century oak, carved fruiting branches in relief, 43cm H overall.

LONGCASE CLOCK, George III mahogany, with flat hood and painted face, indistinctly inscribed Bridport, seconds dial, date aperture and eight day movement, 203cm H x 47cm W 24cm D. (as found)

LONGCASE CLOCK, George III oak with scrolled pediment and brass face inscribed `W Parkinson Lancaster`, with date aperture, eight day movement and quadrant pilasters to the trunk, 217cm H x 55cm x 29cm. (as found)

A Victorian oak longcase clock, the shaped pediment mounted with brass gold rosettes flanking an eagle finial, having an egg-and-dart moulded cornice above an arched door, with movement by James Potts of Berwick, the enamelled dial with floral spandrels above a trunk with fluted columns, and a base with further egg-and-dart carvings. (88in),400,600

A GEORGIAN MAHOGANY LONGCASE CLOCK enclosing 12" brass dial with second hand, calendar aperture and eight day movement by Henry Daykin of Worcester

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the case with inlaid decoration, the hood with broken swan neck cornice, enclosing a 12" painted dial, second hand and eight day movement

An 18th century mahogany crossbanded oak 8-day longcase clock, the 11 inch brass dial with calendar and subsidiary seconds to matted centre within applied Roman numeral chapter ring and cast foliate spandrels, signed Redshaw Newcastle.

A `George III` oak longcase clock, 12in (31cm) brass dial inscribed Thomas Bridge, Roman and Arabic numerals, date aperture, twin winding holes, 8-day movement striking on a bell, the hood with outswept cornice above a deep frieze carved with leafy scrolls, turned columns, ogee arched rectangular door to waist flanked by quarter-columns, shaped plinth base, 204cm high Thomas Bridge was an early 18th century , working from 1708 and who married in 1710.London maker Replaced seat board, movement looks very clean, screwhead in front of dial, chapter ring, dial and movement a marriage, some alterations, case generally ok, country house condition, from a local deceased estate Depth 7 inches

Reproduction three train chiming Longcase clock, the dial inscribed `Westminster, Germany`

A LATE VICTORIAN NOVELTY MANTEL TIMEPIECE, maker`s mark rubbed, Birmingham 1898, modelled as a longcase clock, the white dial with black Arabic minutes numerals enclosing green enamelled Roman hour numerals and subsidiary seconds dial, Swiss movement, in a square case with arched top, plain trunk and swept base, the fascia planished, remaining sides plain, 6 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by J Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, inset moonphase and calendar aperture, chased with foliate scrolls, birds and signature cartouche, the case with split pediment and brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 88" high (Illustrated)

AN OAK LONGCASE CLOCK by Edward Morgan, London, c.1730/40, the eight day five pillar London movement with anchor escapement striking on a bell, 12" arched brass dial, the silvered chapter ring having Roman and Arabic numerals, secondary dial and calendar aperture, signature roundel to arch, the yew banded case with moulded cornice to arched hood and blind fret frieze on turned columns, ogee flush door, panel base and bracket feet, 84" high (Illustrated)

AN OAK LONGCASE CLOCK by Joshua Farrer, Pontefract, the eight day movement with anchor escapement striking on a bell, 10 1/2" square brass dial, the silvered chapter ring engraved with flowers and with Roman and Arabic numerals, calendar dial and unusual mask penny moonphase, the carved case with stepped moulded cornice having gilt wood finials, on turned columns, panelled door, mitre moulded base and bracket feet, 87" high (Illustrated)

A Georgian mahogany longcase clock, with eight day movement, the dial inscribed `Knight, Thaxted`, lacking weights

An 18th Century Dutch marquetry longcase clock, the square brass dial with ornate spandrels depicting figures, and a date calendar all set within an ornate narrow case with shaped lestical to a stepped base. Engraved Daniel Bloos Amsterdam.

An oak grandmother longcase clock.

An early 19th Century oak and mahogany cased eight day longcase clock, with square brass dial marked `William Stocker of Honiton`.

Derby Interest - A Regency mahogany longcase clock, shaped dentil pediment above a deep carved frieze, circular dial inscribed William Cooper, Derby, with Roman and Arabic numerals, twin winding holes, subsidiary dial, shaped rectangular cockbeaded door flanked by pillars, skirted base, plinth foot, 219cm high, c.1820

A REPRODUCTION OAK LONGCASE CLOCK WITH GLASS DOOR TO THE TRUNK

LEONARD JONES - CIRENCESTER A LATE 20TH CENTURY MAHOGANY GEORGIAN STYLE LONGCASE CLOCK, having a hood with arched pediment and flank pilasters, a central urn finial, waist panel door with boxwood strung decoration, and a box plinth with bracket foot, 8-day mechanism faced by an arched brass dial with an automaton galleon decoration, 1.88m high

A 1930`S OAK CASED ART DECO PERIOD LONGCASE CLOCK having geometric shaped case, three train weight driven mechanism with pendulum, faced by a circular silvered dial with chromed hands and Arabic chapter

An 18th century oak longcase clock with swan neck pediment over painted face signed Hook of Newnham with date niche, 30 hour movement

An 18th century oak eight day longcase clock the brass dial with date niche and seconds dial signed Charles Vaughan Pontypool, 8 day movement

"JOHN BOREHAM, Shimpling; A George III mahogany cased eight day longcase clock, the arched brass dial with silvered Arabic and Roman chapter ring with secondary dial and calendar aperture, signed and with moon phase, supporting a twin train movement, under an arched hood with three gilt brass eagle finials on the hood with turned columns, the conforming trunk with quarter cut pilasters and on a panelled base with bracket feet, h137cm "

"SAMUEL OGDEN, Ripponden Fecit; An 18th century mahogany cased eight day longcase clock with a brass dial and silvered Roman chapter ring, secondary dial and calendar aperture, supporting a twin train movement, under an architectural hood with turned pilasters on a plain trunk and base, h212cm ""Condition: Turn button fastening marks, but missing. Split in base, later alterations to hood, d 26 1/2 cm chapter ring, d 27 1/2 cm face, dentile moulding. "

"WILLIAM WOMERSLEY; A George III oak cased eight day longcase clock with brass dial and Roman and Arabic silvered chapter ring with moon phase calendar aperture and chapter ring, supporting a twin train movement, under an architectural hood with reeded columns, plain trunk and base, h198cm "

"An oak cased thirty hour longcase clock with painted Arabic dial and secondary dial under an architectural hood and plain trunk with arched door and conforming base on bracket feet, h198cm "

"A carved oak mantel clock in the form of a longcase clock surrounding an American clock by Ansonia, the case initialled "MF" and dated 1911, h31cm "

"A 19th century French style mahogany longcase clock case with gilt metal mounts with an architectural hood and tapering body, h185cm, together with a matching circular brass Roman clock face for William Gower, Coventry, one other painted arched face by W Corke & Son, Wolverhampton and six various movements including one striking on eight bells and a stained architectural hood (7) "

"DONISTHORP, Normanton; A George III oak cased thirty hour longcase clock, the brass Roman and Arabic dial with secondary section supporting a twin train movement, signed and dated 1756, under an architectural hood supported on turned columns, the trunk with a triple arched door on a plain base with bracket feet, h220cm "

"A George III oak and mahogany inlaid cased thirty hour longcase clock, the circular Roman painted dial enclosing a twin train movement under an architectural case with broken swanneck pediment and reeded columns on a conforming trunk with arched door and reeded pilasters, the base on bracket feet, h212cm "

A good late 18th century Guernsey inlaid mahogany longcase clock the twin train four pillar movement with anchor escapement rack striking on a bell, the 12in. silvered Roman and Arabic dial with subsidiary seconds and date dials, signed `T. A. & N. Naftel Guernsey`, with later applied brass spandrels, set to the arch with a strike/silent subsidiary, the case with deep cornice over a fan inlaid hood with Doric columns and a long trunk with matching fan inlay and central shell inlay, on a conforming base, 80in. (203cm.) high.

An early 19th century oak longcase clock, the arched painted dial with 8 day movement striking on a bell, 225cm high.

19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by Benjamin Joseph, Swansea, having broken swan neck pediment with eagle and ball finial above arched aperture, flanked by turned columns, the waist with moulded plain door flanked by canted angles on a panelled base. Lacks original feet. Eight day movement striking on one bell with arch painted face having seconds dial and date aperture. 86" High. Dial 18" x 12".

19TH CENTURY MAHOGANY HANGING LONGCASE CLOCK, by J Robson, Shildon, having circular painted face with Roman numerals, seconds dial, fluted angles below with pointed arch door flanked by canted angles above inwardly curving panel. 30 hour movement. C1840. Face 14" Diameter. 54" High overall.

EARLY 19TH CENTURY WELSH OAK THIRTY HOUR LONGCASE CLOCK, by Williams of Trecastle, having broken swan neck pediment above arched aperture, flanked by ring turned columns, plain waist door with quarter turned pilasters on a panelled base. Lacks feet. Arch painted face with girl and chickens to the arch and various animals to the spandrels. 17.5" x 12" with date aperture. thirty hour movement striking on one bell.

EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, having broken swan neck pediment above arched aperture flanked by baluster turned columns, mahogany crossbanded door to the waist with canted angles on a crossbanded base with bracket feet. Arch painted face with architectural studies, Roman numerals, seconds dial and date aperture. 17.5" x 12.25" Wide. Eight day movement striking on one bell. Overall 86" High.

19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by Davis, Brecon, having arched hood above arched aperture, arched door to the waist flanked by spirally turned pilasters on a panelled base with bracket feet. 17.5" x 12.25" painted face with seconds dial and date aperture. Eight day two train movement striking on one bell. Overall 88" High.