We found 44426 price guide item(s) matching your search

Thomas Chune, Shifnal, An oak longcase clock, the eight day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, cast rococo spandrels to the four corners, a matted dial centre with subsidiary seconds dial and date aperture, blued steel hands and a silvered boss within the arch engraved with the maker`s name `Thos. Chune, 1773`, the oak case having a raised panel to the base with canted corners, fluted quartered columns to the trunk with cast brass capitals, the hood having fluted pillars, with the swan neck pediment having a turned wooden finial to the centre, height 226cm (inc. finial). * Thomas Chune is recorded as working in Shifnal, Staffordshire until 1796.

J. Summerhayes, St Ives, A 19th century pine longcase clock, the eight day duration movement striking the hours on a bell, the arched hood with turned columns, with an arched waist panel door, on a box base, the thirteen inch painted arched dial signed `J.Summerhayes, St Ives`, with subsidiary seconds dial and date aperture, height 200cm.

A mid to late 19th Century mahogany encased longcase clock having an arched and scrolled hood with turned pillars, a painted dial with eight day rolling moon movement by Richardson, Huddersfield, 24 ins wide max, 100 ins high (dial catalogue illustrated)

A late 19th Century oak and mahogany longcase clock having an arched and scrolled hood with turned pillars, painted dial eight day rolling moon movement by John Hughes, Caernarfon, 21 ins wide max, 90 ins high (damage to door)

An early 19th Century mahogany longcase clock with arched and scrolled hood, square reeded pillars and a painted dial with eight day movement, maker unknown (dial requiring refurbishment)

An 18th Century oak longcase clock having a square hood with turned pillars, a long shaped door with half reeded side pillars and having an eight day movement with brass dial by Watkin Owen, Llanrwst (catalogue illustrated)

An 18th Century oak longcase clock having a square hood with turned pillars, a long door with half Corinthian columns and having a brass and silvered dial with eight day movement by Moses Evans, Llanddoged, 82 ins high (Provenance: purchased at a Copenhagen auction in 2007 having been shipped out there during the Second World War)

A late 19th Century mahogany longcase clock having an arched and scrolled hood with twin turned pillars, painted dial eight day movement by Hugh Roberts, Llangefni, 25 ins wide, 90 ins high

An early 19th Century oak longcase clock with eight day square painted dial by J Siblly, Chester (distressed)

19th Century mahogany Longcase Clock, swan-neck pediment, fluted supports, short door with three-quarter columns and on bracket feet, arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Barber, Nottingham", eight-day movement, striking on a bell.

19th Century oak and mahogany Longcase Clock, the hood with turned supports, short door, the base with bracket feet, square brass dial, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Step: Sutcliffe, Oxonhope", eight-day movement, striking on a bell.

Dan Brown, Glasgow, A Scottish mahogany cased longcase clock, the hood with flat top, dentil moulded cornice, blind-fret quadrants and arched glazed door, flanked by twist-turned columns, the trunk with dentil moulding and gilt-metal acanthus mount, incurved upper corners to the rectangular door, flanked by twist-turned quadrant columns, raised on a plain plinth, the 8-day movement with brass dial and circular disc to the arch inscribed Dan Brown, Glasgow, flanked by gilt metal dolphins, gilt metal rococo spandrels, silvered chapter ring and centre, engraved with foliate scrollwork, incorporating subsidiary seconds and calendar dials, late 18th/early 19th Century, 203cm high

A PAINTED LONGCASE CLOCK DIAL, Roberts Otley, 33 cm wide

A BRASS LONGCASE CLOCK DIAL, signed Hen Deykyn Worcester No 1196 30cm wide

A LONGCASE CLOCK, the 36 cm arched square painted dial signed JAMES GIBB, Strathavan, with Roman numerals, subsidiary seconds and calendar dials, the arch painted the May Queen, and the spandrals the seasons, fitted an eight day movement, in a mahogany case, 218 cm high See illustration

A LONGCASE CLOCK, the 29.5 cm square painted dial signed Norman Sherborne, with Roman Numerals, subsidiary seconds dial and calendar aperture, and painted flowers, fitted a 30 hour movement, in an oak case crossbanded in mahogany, 192 cm high See illustration

A LONGCASE CLOCK, the 28 cm square painted dial with Roman numerals and subsidiary calendar aperture, fitted a 30 hour movement, in a pine case, 197 cm high See illustration

A LONGCASE CLOCK, the painted arched square dial with Arabic numerals and subsidiary seconds dial and date aperture, signed E Cohen Redruth, fitted an eight day movement in a stained oak case, 180 cm high See illustration

A LONGCASE CLOCK, the 25.5 cm arched square brass dial signed J W BENSON, London, German make, the silvered chaptering with Arabic numerals, and acanthus leaf engraved centre with subsidiary seconds dial, the arch with S T MICHAEL/WHITTINGTON/WESTMINSTER CHIMES, and with STRIKE/SILENT to 3 and 9, fitted an eight day movement striking on nine gongs, in a mahogany case with blind fret carved decoration, the trunk door and sides with glazed panel, on ogee bracket feet, 211 cm high See illustration

A LONGCASE CLOCK, the 30 cm arch square brass dial signed WILLM FRODSHAM/LONDON on a tablet, the arch with STRIKE/SILENT dial, and the matt centre with subsidiary seconds dial and date aperture, fitted an eight day movement, in a mahogany case, crossbanded in satinwood, and inlaid with oval paterae, on ogee bracket feet, 223 cm high See illustration

A LONGCASE CLOCK, the 28 cm wide painted dial with Roman numerals and calendar aperture, fitted a 30 hour movement, in a mahogany case, 197 cm high See illustration

A VICTORIAN INLAID MAHOGANY LONGCASE CLOCK with a 14" arched enamel dial, signed Barraclough Thornton with subsidiary seconds and date dials, painted foliate spandrels the arch painted with a shepherd, shepherdess, and child playing the pipes, 30 hour movement with outside count wheel striking on a bell, the case with a swan neck cresting above turned columns the trunk with a shaped inlaid door flanked by fluted quarter columns raised upon an inlaid plinth base, shaped apron and bracket feet 94" high see illustration

A 19TH CENTURY OAK LONGCASE CLOCK with a 13" circular dial, the 30 hour movement with outside count wheel striking on a bell the case with a swan neck cresting, glass roundels above plain wood columns, shaped long door, raised upon a plinth base, 82" high.

A GEROGE III OAK AND POLLARD OAK CROSSBANDED LONGCASE CLOCK with a 13" arched brass dial signed H Butler, Northwich with date aperture, Roman and Arabic numerals with a lunar calendar in the arch, mask and leafy spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, turned hood columns, the crossbanded long door door raised upon a plinth base 85" high. see illustration. NB: Ex Kinnerton Lodge

Oak eight day longcase clock, the 13" painted arched dial signed James Wilson, with subsidiary seconds and calendar dials, painted with floral sprays to the arch and spandrels, the case with long arched door and surmounted by a swan neck pediment, 81" high

Oak thirty hour longcase clock, the 12" brass square dial signed John Bell on the chapter ring, the matted centre with recessed subsidiary calendar dial, the cockbeaded case with long door surmounted by a flat moulded stepped pediment, 84" high

Scottish mahogany eight day longcase clock, the 14" painted arched dial signed M Kaiser, Glasgow, with subsidiary seconds and calendar dials, painted with rural scenes to the arch and spandrels, the case with banded inlays and short wavy door, surmounted by a swan neck pediment with stylised embossed floral roundels, 89" high

A George III oak longcase clock by W. Muncaster Whitehaven, with ball and steeple finial between the swans neck pediment, with punched brass terminals in turn above the arched painted dial with moon phase, Roman numerals and subsidiary Arabic numerals with date hand, width 12.5 ins and with thirty-hour movement, flanked by fluted columns with 3/4 length arched trunk door flanked by fluted columns and with conforming base raised on bracket feet. Height including finial 87 ins (see illustration).

A George III longcase clock by D. Simpson Carlisle, mahogany and oak, with swans neck pediment above the arched glazed door enclosing the 13.5 inch brass dial with moon phase to the arch and with eight day striking movement, with centre date and inscribed to the dial "D. Simpson Carlisle" and "Tempus Fugit", with plaque to the arch "Matthew and Barbara Cape", with Roman numerals, subsidiary Arabic numerals, with long crossbanded trunk door flanked by quarter column corners and with conforming base. Height 86.5 ins (see illustration).

A George III oak longcase clock, by John Skirving Edinburgh, the circular brass dial with Roman numerals, single-train eight-day movement, the case with arched hood above the circular glazed door flanked by fluted pilasters, with shaped trunk door and with conforming base. Height 79 ins.

An oak longcase clock, by Richard Stone Thame, having a moulded cornice above the glazed door flanked by applied half round pillars enclosing the 11 inch square brass dial with Roman numerals and foliate spandrels, with date aperture and thirty-hour movement by Richard Stone Thame, in turn above the long trunk door inlaid to the centre with a star and raised on a conforming base. Height 76 ins (see illustration).

A George III oak longcase clock, with steeple and ball brass finial above the shaped hood and glazed door enclosing the 11.5 inch arched brass dial and eight-day movement by Thos. Gamble, London, with crossbanded trunk door beneath and conforming base (see illustration).

A late 18th Century oak longcase eight-day clock, the hood with swan neck and central ball finial enclosed by an arch top door with fluted columns to the sides, the trunk enclosed by a panel door, raised on bracket feet, fitted an arch top brass dial with griffin and Tempus Fugit engraved on a silvered concave roundel with pierced spandrels and engraved centre, the silvered chapter ring with Arabic and Roman numerals having subsidiary seconds dial and date aperture, the dial inscribed Thomas Pinfold, Middleton Cheney, 236cm (93") high

Painted archdial 8 day clock - Jas Wilson, Stamford, in oak longcase

A George III mahogany cased eight day Longcase Clock, broken swan neck pediment above a 12.5" broken arch dial with rolling moon phase mechanism, Roman numerals, subsidiary seconds hand, date aperture and signed Wm Mills, Tetbury, the main dial engraved with a country path scene and bordered by ornately engraved foliate style spandrels and flanked by classical style Corinthian columns with acanthus capitals and fluted main bodies, all over shaped trunk door flanked by fluted canted corners, minus feet, 92" high

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial with eight day movement, embossed spandrels and roman numerals, signed Joseph Smith of Bristol, the case with boxwood line inlay, break arch pediment, fluted pilasters and bracket feet, 88" high overall (see illustration).

Early 19th century mahogany and burr walnut eight day longcase clock, by Edward Marsh of Salisbury, with twin train movement, the brass dial with roman and arabic numerals, date dial, 76" high,

18th century thirty hour oak and mahogany longcase clock by Southam Oldham the case with swan neck pediment with gilt metal mounts, the body with reeded quarter column supports, single parquetry inlaid door raised, on bracket base, painted dial with date aperture to weight driven movement striking on a bell 87 x 20in. (220.98 x 50.80cm)

Early 19th century mahogany longcase clock by Martin, King Street, Westminster in a mahogany and ebony strung case, with round silvered dial with subsidiary second dial and date aperture, twin train eight day movement striking on a bell 81 x 16in. (205.74 x 40.64cm)

18th century oak 30 hour longcase clock by Richard Steadman, Godalming brass dial with silvered chapter ring, weight driven movement striking on a bell 87in. (220.98cm)

A mid 18th Century 30 hour oak longcase clock, with shaped cornice over an eleven inch painted square dial, with subsidiary day of the month aperture, the dial signed `Joyce Bewbury `, flanked by gilt metal mounted turned column, over rectangular trunk door, resting on shaped bracket feet, 198 cm high. Illustrated.

A George III oak and mahogany crossbanded longcase clock, the eight day movement striking the hours on a bell, the swan neck pediment above gilt painted foliate frieze and an enamel roman dial painted with birds and enclosing subsidiary seconds and calendar dials, the ogee trunk door between quadrant corners, on plinth base, lacking feet, 215cm high

A quantity of clock accessories, including French suspensions, clock handles, longcase pulleys, etc.

A miniature longcase clock, the George III style mahogany case enclosing the chiming movement with arched Roman dial silvered chapter ring and chime/silent to the arch. Height 87cms.

A red japanned longcase clock of small proportions, the 7.5ins square brass dial with raised chapter ring engraved with Roman numerals formerly with single hand and alarum dial to centre to the thirty hour movement (damaged and lacking pendulum and weights), contained in red japanned case decorated in gilt with chinoiseries, moulded cornice to hood, narrow trunk door, on bun feet, 68.5ins high

A late 18th Century mahogany longcase clock by Jno. Marsh of Eastry, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and cast leaf, floral and scroll spandrels to the eight day two train movement striking on a bell, contained in plain mahogany case with moulded pediment and plain turned pillars to hood, plain trunk door, 75ins high. Note: John Marsh Senior recorded working Eastry 1771, died 1788

A late 19th Century mahogany longcase clock by Herbert Blockley, Successor to Lund & Blockley, Duke Street, St. James`s, London, No. 1353, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial with chime/silent and chime/selector dials to arch to the eight day three train auto striking movement striking and chiming on eight bells and one gong, contained in London style mahogany longcase clock with gilt metal mounts, pagoda top and turned, fluted and brass stopped pillars to hood, arched trunk door flanked by fluted quarter columns with Corinthian capitols, the base with raised centre panel, on bracket feet, 93ins high

Early nineteenth century eight day longcase clock by R Cole, Ipswich with painted arched dial with landscape in arch and floral spandrels, subsidiary seconds and date aperture in oak case

Good quality late seventeenth century eight day longcase clock by Jonas Barber, Ratclif Cross, London with gilt and silvered square dial with cherub head spandrels, subsidiary seconds and date aperture, ringed winding holes, ornate pierced hands in original inlaid walnut veneered case with blind fret cornice, spiral twist pilasters, door with oval lenticle glass on platform base, 200cm high

A Mid 18th Century Oak Eight Day Longcase Clock, recently overhauled. The 11 inch (28 cm) square brass dial having decorative spandrels, a brass chapter ring signed Jon Clough Manchester with Roman numerals and fleur-de-lys half hour counters, a matted centre incorporating ringed winding holes and a round calendar aperture surrounded by foliate scroll engraving, The hood having a low caddy top with three globular turned finials to the front above a decorative frieze of applied fret-carved veneer, with two turned columns flanking the dial. The trunk with sunken quarter columns to the side and a lip-moulded door inlaid with a compass rose, 80 ins (204 cms) overall in height.

An 18th Century Longcase Clock, having an eight day movement striking a bell. The silvered chapter ring encircling a matted centre with a subsidiary seconds dial & calendar aperture, bordered by ornamental gilt brass spandrels. The case having a pagoda pediment hood surmounted by three urn finials above a glazed door flanked by columns. Measuring 83½ ins (212 cms) in height, 19½ ins (50 cms) in width, 10 ins (25 cms) in depth.

A restored oak and mahogany 19th century eight day striking longcase clock with an arched painted dial having hunting scene to the arch, signed "HARDY ST IVES" (with local provenance of Annie Noble of Warboys died in 1988 aged 101 years old remembering the clock being collected when she was six)

An eight day longcase clock by JAS HARRINGTON OF NEWCASTLE brass 12in arched dial with seconds and date aperture Height 92in to finial

An Early 18th Century Longcase Clock, the brass dial inscribed Gatland, Cuckfield, the chapter ring with Roman numerals and corner spandrels, housed within a pine case and with 30-hour movement, striking on a bell

19th Century mahogany longcase clock, the hood with swan neck pediment and reeded pillars, arch shaped painted dial with bobbing ship, Roman numerals and subsidiary seconds and calendar dials, signed George Claridge, Chepstow, eight day striking movement, 217cm high

19th Century mahogany and oak longcase clock, the hood with broken arch pediment and tapered reeded pillars, arch shaped dial with moon phase, subsidiary seconds dial and calendar aperture, signed Thomas Adams, Middlewich, eight day striking movement, 229cm high

AN OAK LONGCASE CLOCK by Samuel North, Leconfield, the eight day movement with anchor escapement striking on a bell, arched dial gilded with foliate scrolls and name in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the case with scrolled pediment on turned columns, arched door, panel base on plinth, 86 1/2" high

A MAHOGANY LONGCASE CLOCK, signed Moore, Ipswich, the eight day movement with anchor escapement, 12" arched brass and silvered dial with Roman and Arabic numerals, seconds dial and calendar aperture, strike/silent dial in arch, the case with padago pediment and turned finials, on moulded cornice on stop fluted columns, arched panelled door flanked by fluted quarter columns, panelled base and bracket feet, 93" high, label for Brian Loomes, Pateley Bridge

XIXth Century Flame Mahogany Longcase Clock with Painted Arched Dial and Eight Day Movement

XVIIIth Century Gilt Gesso and Black Lacquered Eight Day Longcase Clock with Brass Arched Dial Inscribed John Burges, Gosport