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George III Longcase Clock George III Longcase Clock, William Thompson Chester, mid 18th Century {Dimensions 77 x 18 x 9 inches} [two weights, pendulum, key, certificate] Starting Price: $300

LONGCASE CLOCK, George III oak, mahogany and inlaid with painted face inscribed J. Mackie, Brechin, secondary dials and eight day movement, parts later, 206cm H x 50cm W x 25cm D.

A George III oak eight day longcase clock by Robert Melville, Stirling, with anchor escapement, striking bell, simple moulded cornice over arched face with applied chapter ring and spandrels, Roman and Arabic numerals, subsidiary second dial, date aperture, flanked by Doric columns and moulded arched trunk door on plinth base, 200cm high

A circa 1800 provincial oak longcase clock, having white enamel painted dial, thirty hour weight driven movement, sold with single weight and pendulum

A circa 1800 provincial oak and fruitwood longcase clock, having arched white enamel painted dial signed George Berrill of Stratford, with eight day striking movement

A dwarf 18th century-style longcase clock in a walnut case CONDITION REPORT: With defects and losses to veneer, no guarantee as to working

Jacob Housman of Lancaster, an 18th century and later longcase clock, the 11 inch brass dial with single hand and date aperture under a square hood with triangular pediment, the trunk with panelled door on a plain base CONDITION REPORT: With restoration, hand ?later, case with splits, no guarantee as to working, please see additional images

James Stewart of Armagh, a modern 18th century-style longcase clock with silvered chapter ring and moon phase in a mahogany, strung and inlaid case CONDITION REPORT: Good, no guarantee as to working, case with minor wear, with 3 weights, pendulums, 5 x tubular bells, working order unknown, 3 hands

A group of six Lladro figures including a pair of sisters and a spaniel seated on a sofa, w. 22 cm, a goose girl at a pump, h. 24 cm and four others CONDITION REPORT: top of longcase clock has been glued back on

George III mahogany longcase clock by Charles Duplock of London, the case with pagoda hood having reeded pillars and arch shaped door, trunk with long door flanked by reeded split pillars and standing on a plinth base, arch shaped brass dial with Roman and Arabic numerals and subsidiary strike/silent, seconds and month dials, signed to the centre, eight day striking movement, 240cm high Please see extra images and TELEPHONE department for further details

Early 20th Century oak longcase clock, the arch shaped hood with moulded pediment and fluted pillars, trunk with long glazed door having astragal tracery and standing on bracket feet, the arch shaped engraved brass and silvered dial with Arabic numerals and subsidiary seconds, chime/silent and Whittington/Westminster dials, triple weight striking movement, 226cm high Please see extra images and TELEPHONE department for further details

George III mahogany crossbanded oak longcase clock by Robert Skelton of Malton, pagoda hood with moulded cornice and tapered reeded pillars, trunk with long arch shaped door and standing on turned supports, brass and silvered dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 214cm high Please see extra images and TELEPHONE department for further details

19th Century oak longcase clock by Thomas Brown of Chester, the hood with mahogany swan neck pediment, trunk with long door with mahogany crossbanding and flanked by conforming reeded split pillars, standing on ogee bracket feet, the arch shaped painted dial with moon phase, subsidiary seconds dial and calendar aperture, eight day striking movement, 235cm high Please see extra images and TELEPHONE department for further details

A GEORGIAN LONGCASE CLOCK The painted and enamel dial with Roman numerals and seconds dial and moon phase over, the canopy with broken swan neck pediment, brass eagle and ball finials and contained in an inlaid mahogany case. 234cm high

A. Matthews, Ely. An early 19thC longcase clock, the arched dial painted with a hay cart pulled by horses, floral spandrels, with an eight day four pillar movement striking a bell, the dial 31cm wide, in an oak and mahogany cross-banded case, with swan neck pediment and brass finials, 217cm high.

Camm, Brigg. A mid 19thC longcase clock, the arched dial painted with a church and with female figures to the spandrels, four pillar movement, striking a bell, 229cm high overall.

J. Coviller, Alford. A mid 19thC longcase clock, the arch painted dial decorated with fruit and flower sprays picked out in gilt, with an eight day four pillar movement striking a bell, the oak case with a swan neck pediment, and a central brass finial, 218cm high overall.

A 19thC oak longcase clock, with a painted arched 29cm dial signed I. Reynolds, Potton, with an Arabic and Roman numeric dial, subsidiary second hand and date appertue the eight day hour striking movement fitted in a swan neck pedimented hood above a curved arch door terminating in slender bracket feet, 221cm high.

A George III oak and mahogany longcase clock, the eight day movement striking on a bell, the painted dial with Roman numerals, signed Shaw, Spalding, the hood with swan neck pediment, centred with an eagle finial, with an ogee trunk door, flanked by canted fluted sides, 220cm high.

An 18thC oak and cross banded longcase clock, the eight day striking movement with a square 30cm brass dial, silvered chapter ring, second dial and date aperture, to the matted centre, signed jn. allen, MACCLESF`D, with foliate and mask spandrels, the caddy hood with brass orb finials, with a dentil cornice over a verre eglomice frieze with fluted pilasters, the crossbanded trunk door flanked by fluted quarter columns, on ogee bracket feet, 214cm high.

A George III longcase clock, the 35cm arched dial with a moon rolling eight day movement with Roman numeric and Arabic dial, signed Lawson Wigan with a subsidiary second hand and a date apperture, with painted spandrels fitted in a flame mahogany and part inlaid case with a swan neck pedimented hood with fluted columns, above a part inlaid case terminating in bracket feet, 232cm high.

Oak case brass faced longcase clock h-186cm w-45cm

A Victorian Longcase Clock with square painted dial, date aperture, 30-hour movement, in oak case cross-banded with mahogany, 6ft 3in

A 19th Century mahogany and inlaid Longcase Clock with seven day movement and painted moon dial by D Lloyd-Price, Beaufort, face 13in W, 90in H

An 18th Century oak Longcase Clock with arched brass dial inscribed James Biddulph, Warburton, Wolverhampton, with eight day movement, subsiduary date and seconds dials and scolled and foliate spandrels, 6ft 10in H

A George III mahogany longcase clock, the brass dial signed Thomas Killgoure, Inverness

A 19thC single fusee clock movement, with a longcase dial in brass, marked Sam Smith, Stamford, 28cm square.

An early 19thC flamed mahogany longcase clock, with swan neck pediment, pillared hood, architectural door, canted base on bracket feet, the 34cm painted dial having Roman numerals subsidiary dates and seconds, 8 day movement striking a bell, 235cm high.

An early 19th century mahogany eight day longcase clock The painted dial with Roman and Arabic numerals inscribed Meredith Merthyr and decorated with scenes of Netley Abbey. 215 cms high. CONDITION REPORTS: Some small restorations, some small veneer losses, general wear.

A George III oak carved and mahogany banded gilt metal mounted eight day bell striking longcase clock The finial mounted scrolling pediment above a white painted 13" arched dial with Roman and Arabic numerals, seconds dial, date aperture and signed Jno. Scandrett, Worcester, the arch with portrait vignette within gilt painted spandrels, the arched glazed door and long trunk door flanked with fluted columns, standing on a plinth base. 249 cms high overall.

A late 18th century longcase clock having square pillar hood containing brass face and 30 hour movement by Tibbot, New Town on square trunk and base

Early 19th century oak cased 30 hour cottage longcase clock, square white enamel dial by Pollard Credition, H200cm (1 weight, 1 pendulum)

Reproduction walnut longcase clock, triple weight chiming moon phase movement with second, day, date and month apertures, H190cm (three weights on pendulum)

J. HOLLAND DUMMER A 19TH CENTURY OAK LONGCASE CLOCK having hood with pilasters, 30 hour chain mechanism faced by a painted 11"" dial with subsidiary calendar, 1.98m high

A longcase clock, the 30.5 cm square painted dial with Arabic numerals signed Willm Preddy, Langport, fitted and eight day movement striking on a bell, in an oak case, 208 cm high

A rare William III eight-day longcase clock movement and dial, William Kenyon, Liverpool, circa 1700, The substantial four (formerly five) finned pillar rack and bell striking movement with thickly turned pillars and escapement set relatively low within the plates, the 12 inch square brass dial with fine foliate border engraved decoration to the ringed winding holes and inset subsidiary seconds ring above open scroll decorated calendar aperture to the Ho-Ho bird inhabited centre within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes to outer track and signed W’m Kenyon, Leverpoole to lower edge, the angles applied with female head and foliate scroll cast spandrels within a herringbone engraved outer border, now in a late 18th century oak case with cavetto cornice and pierced frieze above slender turned columns to hood and ogee throat moulding over star centred narrow caddy moulded and parquetry banded door flanked by rounded angles to trunk, on crossbanded plinth base with skirt incorporating bracket feet, 200cm (78.5ins) high. William Kenyon is recorded in Loomes, Brian LANCASHIRE CLOCKS and CLOCKMAKERS as believed born in 1667, Loomes further notes that various children, fathered by a William Kenyon, were born between the dates 1708-20. A James Kenyon is also recorded as working at Redcross Street in 1715 then Newmarket in 1725 and was declared insolvent in 1743. An ebonised thirty-hour longcase clock by Kenyon that could be stylistically dated to the 1690’s was sold in these rooms on 4th September 2012 (lot 216) for £5,500 hammer. The centre of the dial of the current lot is particularly noteworthy for the quality of its decoration and appears to retain traces of gilding to the crevices. The subsidiary seconds ring is fitted as a separate item but in a ring-shaped recess so that it sits flush to the plate - presumably to allow it to be removed for silvering. The movement has survived in relatively fine original condition and is of particularly heavy construction with massive pillars. The use of rack striking also further demonstrates the confident and high-quality approach of the maker.

A George II oak thirty-hour longcase clock, Henry Deykin, Worcester, mid 18th century, The single handed plated countwheel bell striking movement with 10 inch square brass dial boldly signed Hen’r Deykin, WORCESTER n.1311 to centre and with fine pierced blued steel hand within applied silvered Roman numeral chapter ring with lozenge half hour markers and female mask and scroll cast spandrels to angles, in a case with small shaped crest to the canted caddy upstand above ogee cornice, plain frieze and slender three quarter columns to hood door, the trunk with rectangular door, on plain plinth base with canted skirt, 211cm (83ins) high. Henry Deykin is recorded in Loomes, Brian LANTERN CLOCKS & Their Makers as born in Worcester around 1715 and apprenticed to his father, Thomas, gaining his freedom in 1736. He succeeded his father in 1777 moving the business from Broad Street to Lich Street before dying in 1779 leaving his business to former workman, William Rouse. Loomes notes a miniature hooded wall timepiece by Deykin signed and numbered ‘891’ to a boss applied to the arch of the dial.

A fine early Victorian mahogany eight-day longcase clock, Vulliamy, London, circa 1840, The five pillar rack and bell striking movement with thick shouldered plates, anchor escapement and wide jaw ‘T’ bar suspension for the wood rod pendulum fitted with heavy brass-faced lenticular bob, the 12 inch circular silvered brass Roman numeral dial with subsidiary seconds dial and signed VULLIAMY, LONDON to centre, with blued steel moon hands and outer track divided for minutes, the case with shallow triangular pediment above brass fillet inset circular glazed dial aperture to the square hood door flanked by canted angles, the trunk with narrow convex throat moulding above rectangular flame figured door with reeded border, on conforming flame veneered plinth base with moulded skirt, 194cm (76.25ins) high. Benjamin Lewis Vulliamy is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1780 to Benjamin Vulliamy and gaining his freedom of the Clockmakers’ Company in 1809; he served as Warden 1821-5 and was appointed Master five times. He was the last of the celebrated dynasty of Royal clockmakers which started with his grandfather, Justin, forming a partnership with George II’s clockmaker, Benjamin Gray. Benjamin Lewis Vulliamy was perhaps one of the most influential horologists of his time publishing many works and undertaking numerous high profile public commissions as well as holding the Royal Warrant. However his horological legacy is perhaps slightly blighted by his tendency to undertake significant alterations to earlier important clocks by makers such as Tompion, including many in the Royal collection.

A George III mahogany domestic longcase regulator, James Vigne, London, circa 1790, The five pillar rack and bell striking movement with Harrison’s maintaining power, deadbeat escapement and wide jaw ‘T’ bar suspension for the large lenticular bob pendulum with fine screw graduated rating nut, the 12 inch silvered brass Roman numeral ogee-arch top dial with subsidiary seconds dial and calendar aperture to centre, pierced blued steel hands and Arabic five minutes to outer track beneath N/S strike/silent lever at twelve o’clock and signed James Vigne, London to arch, in a case with ogee-arch shaped cavetto cornice, brass stop-fluted canted angles and rectangular side windows to hood above conforming shaped-top caddy moulded flame figured door to trunk, on raised panel fronted plinth base with moulded double skirt and later ogee bracket feet, 195cm (77ins) high excluding later feet, 203cm (80ins) high overall. James Vigne is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Strand, London from 1770.

A fine George III mahogany longcase clock, Alexander Cumming, London, circa 1790, The five pillar rack and bell striking movement with deadbeat escapement and 12 inch silvered brass Roman numeral ogee-arch top dial with large subsidiary seconds dial and calendar aperture to centre, pierced steel hands and Arabic five minutes to outer track beneath N/S strike/silent lever at twelve o’clock and signed Alexander Cumming, LONDON to arch, the case with ogee-arch shaped cavetto cornice over brass stop-fluted columns and rectangular foliate-pierced side frets to hood and flame figured ‘block top’ door to trunk, on raised panel fronted plinth base with moulded double skirt, 195cm (77ins) high 119cm (86.25ins) high. Alexander Cumming was born in Edinburgh 1733 and initially worked as a clock and watchmaker in Inveraray. In 1757 Cumming, along with his brother James, was employed by Archibald Campbell, the third Duke of Argyll, to install the organ and supply a longcase clock for his new castle at Inveraray. Cumming subsequently moved to London (perhaps shortly after the death of his patron in 1761) and by 1763 had been appointed as a member of the commission to adjudicate Harrison’s marine timekeeper. In 1765 Cumming presented his celebrated barograph clock for King George III before completing his best-known work on horology Elements of Clock and Watch Work Adapted to Practice in 1766. In 1781 he was made an Honoury Freeman of the Clockmakers Company and in the early 1790’s retired to Pentonville from where he continued to write various papers including Observations on the effects which carriage wheels, with rims of different shapes, have on the roads published in 1797. Alexander Cumming died in 1814 leaving his business to his nephew, John Grant.

An important Charles II architectural key-wound thirty-hour hooded wall clock, Jonathan Chambers, Shefford, circa 1670, The substantial four finned pillar single-handed movement latched at the front and originally pinned to the rear with thick plates measuring 7.5 by 5.75 inches incorporating integral cast extensions for the strike detents to left hand side and with rounded-arch shaped lower edge, the going train regulated by verge escapement and short bob pendulum with unusual angled escapewheel and arbor to allow offset positioning of the contrate wheel, the backplate fitted with hour wheel on an arbor passing through the movement to the dial, the strike train with outside countwheel and hammer pivot arbor positioned to the centre of the movement fitted with hammer at the front for striking on the inside edge of a vertical bell mounted above the plates, the 9.75 inch square brass dial centred with an engraved five-petal rose motif above drapery lambrequin signed Jonathan Chambers, Fecit to lower margin within applied 1 inch wide silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, with fine generous pierced steel hand and spandrel areas engraved with unusual symmetrical decoration incorporating a dog rose over pomegranate and other fruit, in a wall mounted pedimented case veneered in a padouk-like timber with fine architecturally correct ebonised mouldings, the rising hood with applied gilt brass cherub mount to tympanum above raised mouldings to the glazed dial aperture and rectangular side windows, the backboard fitted with latch to hold the hood in raised position above horizontal table applied with a pair of tall blocks to support the movement, the underside with ebonised shaped apron flanked by conforming side brackets with a short rectangular veneered back panel behind, (case probably later) 58.5cm (28ins) high. Provenance: From the estate of an esteemed antiquarian horologist, sold at Sotheby’s, Bond Street, London, 22nd October 1987 (lot 197) subsequently purchased by the vendor from Asprey, London. Jonathan Chambers is recorded in Loomes, Brian LANTERN CLOCKS and Their Makers as a clockmaker, yeoman and blacksmith who was working in Shefford, Bedfordshire by around 1665. As a recusant Quaker he was prosecuted for not attending church from 1669 onwards. Chambers died in 1693 leaving his widow Alice to marry fellow clockmaker, Thomas Palmer, the following year. Only two other clocks by Jonathan Chambers appear to be recorded; a lantern clock illustrated in Hana, W.F.J. English Lantern Clocks on page 75 (Plate 29) and a walnut longcase clock sold at Christie’s, King Street, London, 16th December 1987. The current lot is well documented featuring in both Darken, Jeff and Hooper, John English 30 Hour Clocks, Origin & Development, 1600-1800 pages 43-7 and Darken, Jeff (editor) TIME & PLACE, English Country Clocks 1600-1840 as exhibit 3 pages 22-5 (where the movement is extensively illustrated). As already noted the movement is of substantial proportions and is very well made with finely finished steelwork. An unusual feature is the way in which the lifting arms, detents, hour hammer and hand are mounted onto their squared arbors - they are all secured via a pin through a hole drilled to the edge of the boss of the arm/lever rather than being held by a pin across the face of the boss (ie passing through an extended section of the squared arbor). The reason why the maker went to the additional trouble of incorporating this detail throughout is unknown but it does suggest that he was endeavouring to produce a movement of the highest quality. The engraving to the spandrel areas of the dial is particularly interesting as it is clearly by the same hand responsible for very similar decoration seen on series of dials by leading makers such as Edward East, Joseph Knibb and Henry Jones all dating to the 1660’s or very early 1670’s. This series includes an eight-day longcase clock signed by Joseph Knibb of Oxford (which dates to around 1665 and also has rose engraved decoration to centre) which was sold in these rooms on Tuesday 11th March 2014 (lot 143 for £240,000). The presence of this decoration to the dial suggests that it was sent to London to be engraved, this would imply that Chambers had connections with the London clock trade (a possibility that is perhaps reinforced by bequests in his Will being made to two London clockmakers, John Harry and John Westoby). The engraving also provides very strong dating evidence for the clock placing its date of manufacture close to 1670 - making it one of the earliest thirty-hour longcase clock type movements to have survived. It is perhaps appropriate to finally note that Shefford is only three miles south of Edward East’s birthplace at Southill and six miles south of Ickwell Green, the birthplace of Thomas Tompion. Although there is no known connection between Jonathan Chambers and East or Tompion evidence in the dial and movement of the current lot would certainly suggest an awareness of the inventive approach and high standards of such makers as well as, in the case of Edward East, the shared use of an engraver.

A fine and rare Charles II panelled oak quarter-chiming thirty-hour longcase clock, John Williamson, London, the movement circa 1683, the case circa 1672, The four finned pillar two-handed plated movement with anchor escapement and long pendulum to the four-wheel going train, the two-in-one hour and quarter hour strike/chiming train utilising large countwheel cut for both the hours and quarters planted on the backplate and with pump-action wheel to the front plate for positioning the hammer pin-wheel set along with the quarter hammer pivots within a separate brass carriage fitted to the inside of the frontplate to either peel on a nest of four bells for the quarters or strike the hour on a further larger bell, the 9.5 inch square brass dial with applied silvered seconds ring to the fine boldly engraved symmetrical flowering tulip and foliate decorated centre incorporating drapery cartouche signed John Williamson, Near Temple Barr, Londini Fecit towards lower margin within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the narrow outer minute track, with sculpted blued steel hands and applied winged cherub head cast brass spandrels to angles, in a fine panelled oak case with deeply moulded triangular pediment and tall scroll-lattice pierced frieze to both front and sides above glazed dial aperture and large side windows to hood, the trunk with convex throat over 46 inch full-width single fielded panel door, the base of the same width with simple waist moulding above conforming fixed shorter fielded panel and moulded skirt, 235cm (92.5ins) high. Provenance: From the estate of an esteemed antiquarian horologist, purchased at Sotheby’s, Bond Street, London, 4th April 2001 (lot 300). The movement and dial previously in a purpose-made ebony/ebonised case in a private collection in Derbyshire before passing in the 1950’s to another private collector who in-turn sold it by auction in London in 1976. The current case was supplied for a short-duration movement and dial by John Wise for presentation to a London institution in 1672. The original dial by Wise was retained but the movement had been replaced (probably upgraded to eight-day duration) before being illustrated in Dawson, Percy G.; Drover, C.B. and Parkes, D.W. Early English Clocks on page 494 (plate 733). The clock as it is now is illustrated in Loomes, Brian BRASS DIAL CLOCKS on page 50 (plate 37).. The life and work of John Williamson is described in Loomes, Brian BRASS DIAL CLOCKS where it is noted that he was possibly born in 1651 at Guisley near Leeds and was probably related to the Barber family who worked as blacksmiths and clockmakers in nearby Otley. John Williamson moved to London and was admitted as a free Brother to the Clockmakers Company in December 1682, however records indicate that he only paid one month’s subscription to the Company and by December 1683 he had returned to Leeds to be married. Williamson continued making clocks in Leeds (very much in the London style) until after 1700 when the business is thought to have passed to his former apprentice, William Tipling. The movement and dial of the current lot belongs to a small group of short duration movements made by leading London makers during the late 1670’s and early 1680’s. The dial engraving can be compared to that seen on a key-wound thirty hour clock by Thomas Tompion formerly in the Wetherfield Collection illustrated in Cescinsky, Herbert and Webster, Percy English Domestic Clock (Fig. 77). The two-in-one strike/quarter-chiming train is similar in concept to those originally used by makers such as Fromanteel, William Clement and Joseph Knibb as it relies on a single countwheel cut for both the hours and quarters to control the running of the train. However it differs in that the pump-action that facilitates the switching between the operation of the hour and quarter hammers is achieved by moving the hammer pin-wheel rather than the hammer pivot arbors themselves. This system is inherently simple and is neatly incorporated between the plates by providing a separate cocked pivot plate for the pin wheel and hammer arbors. The case is rare example of one made by a non-specialist maker, with the construction and much of the detail being more typical of craftsman used to making vernacular furniture. It is also notable that the case has survived in fine condition with all of the original structure apparently intact, and is of rich colour. This is entirely commensurate with ‘an easy life’ probably from spending most of its time residing in a London institution. The fact that both the case and movement can be individually accurately dated is highly unusual if not unique. Despite the ten year difference in age between the two the ‘marriage’ of movement and dial into the current case is particularly successful, and allows both to be preserved as a fine useable examples.

A walnut and floral marquetry eight-day longcase clock, The dial bearing signature for Jean Brulefer, London, circa 1695 and later, The later four pillar rack and bell striking movement fitted via sheet-iron falseplate to the 11 inch square brass dial with ringed winding holes, subsidiary seconds dial and scroll engraved calendar aperture to the rosette decorated matted centre within applied silvered Roman numeral chapter ring with unusual scroll engraved half hour markers, Arabic five minutes to outer track and bearing signature Jean Brulefer, London Fecit to lower margin, with fine pierced steel hands and winged cherub head and foliate scroll cast spandrels to angles, in a case with domed caddy surmount above moulded cornice, foliate fretwork frieze and floral trail inlaid hood door applied with spiral twist turned three-quarter columns to front angles, the trunk with conforming leafy trail decorated convex throat above 42 inch door centred with a lenticle and decorated with three shaped marquetry bird inhabited flowering foliage panels into an ebonised ground within figured walnut field, the base with conforming marquetry panel and later moulded skirt incorporating bracket feet, 217cm (85.5ins) high

A mahogany miniature thirty-hour longcase clock, The movement and dial by Richard Colley, London, circa 1730, the case later. The four pillar plated outside countwheel bell striking single-handed movement with verge escapement and short bob pendulum, the 4 inch brass break-arch dial with matted centre and blued steel hand within applied silvered Roman numeral chapter ring with lozenge half hour markers and symmetrical foliate scroll cast spandrels to angles beneath arch signed Rich. Colley, London to an oval herringbone cartouche within foliate scroll engraved infill, now in a mahogany break-arch case with cavetto cornice above three-quarter columns flanking dial aperture to hood, slender caddy moulded break-arch door to trunk, on plinth base with moulded double skirt, (the case 20th century possibly incorporating earlier elements), 133cm (52.5ins) high. Richard Colley is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as an ‘eminent’ maker who worked from Fleet Street and died in 1736.

An early Victorian mahogany longcase clock of large proportions, arched painted dial signed Jas Green Liverpool, black painted white dial with Roman numerals, subsidiary seconds dial and calendar dial, hand painted with flowering roses, 30 hour movement striking the hours on a bell, the hood with broken arch pediment, turned spiral twist columns flanking the face, the case with glazed door flanked by turned urnular and spiral twist columns, on a moulded top box base with oval panel, set on bracket feet, 250cm total height

Corthorne Lincoln. A mid 19thC longcase clock, the arched dial painted with a huntsman and spaniels, the oak and mahogany cross banded case with a swan neck pediment and brass finial, 8 day striking movement, 207cm high.

AN OAK LONGCASE CLOCK WITH DOMED TOP, and bevelled glass door (pendulum and triple brass weights)

A GEORGIAN OAK LONGCASE CLOCK, 30 hour movement, square brass dial stamped Storer Derby (pendulum, weight and key) (s.d.)

A GEORGE III LONGCASE CLOCK, by R. Lawson Wigan, oak, burr elm and fruitwood case, square brass dial, eight day movement, bell strike, approximate maximum height 212cm (pendulum, two weights, two keys)

A late 18th Century lacquered Chinoiserie decorated longcase clock carcass, with restorations.

An oak longcase clock, c. 1800, painted dial, eight day movement, weights but lacking pendulum.

A late 18th/early 19th century painted longcase clock dial, the arch decorated with a King listening to a harpist, floral sprigs to the corners, Roman numerals, date aperture, lacks movement and hands

Modern longcase clock

Mahogany crossbanded 30 hour longcase clock. Condition report: see terms and conditions.

A 19th century mahogany longcase clock trunk converted to a novelty side cupboard, partially enclosed by an arched panelled door over a frieze drawer, etc

A 19th century oak longcase clock, the broken swan neck architectural hood enclosing a painted dial with calendar aperture, second dial and 8 day movement, indistinctly signed, the movement by Walker & Hughes, Birmingham 1811-35

An early 19th century mahogany longcase clock, the hood enclosing a 33 cm broken arch painted dial with marine and architectural scenes and eight day striking movement

A late Georgian oak longcase clock case, the trunk cross banded in walnut and flanked by reeded column supports, the hood with turned columns set beneath a swan necked cornice, the square glazed hood to accept a 33 cm square dial

Mahogany longcase clock with brass face

An 18th century oak 8-day longcase clock, having a 12" brass square dial with chapter ring and Roman numerals and 2 subsidiary dials, dial signed Thomas Hill, Lambourne, overall height 84".