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Early 19th century mahogany longcase clock, maker A. Breckbridge of Kilmarnock, the arched brass dial with date and seconds dials, the case with swan neck hood and inlaid inspection door, 225cm high.

19th century mahogany Eight Day Longcase Clock with Arch Painted Face, complete with weights and pendulum

19th century Mahogany Longcase Clock, the arched painted face decorated with game shooting scenes with a date aperture

James Wight of London early 19th century mahogany longcase clock, having a signed and arched silvered dial (w.12") within stop-fluted brass pilasters, the dial with strike/silent dial to the arch, subsidiary seconds and date dial, twin winding holes for an eight day four pillar weight driven movement, having deadbeat anchor escapement and striking on a bell, the case with arched panelled door to a boxbase, h.224cm (note: dial and movement appear associated)

Samuel Coxall of Royston late 18th century longcase clock, the square brass dial (w.11") signed to the centre, having brass chapter ring, cast brass spandrels and single hand, thirty hour weight driven movement, the whole housed in later oak case, h.191cm

John Stanyer of Nantwich late 18th century oak longcase clock, having a signed square brass dial (w.13") with subsidiary seconds dial, the brass chapter ring with Roman and Arabic numerals within cherub mask and cast corner spandrels, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the hood with twin fluted pilasters, the case with quarter turned fluted pilasters flanking mahogany crossbanded and panelled door, h.207cm Condition Report / Extra Information Dial and movement associated. Backboard later. Dial tarnished. Case generally good, traces of worm to frieze feet with losses, otherwise minor age wear. Sold with weights and pendulum.

Morris Thomas of Carnarvon late 18th century oak cased longcase clock, having an arched brass dial (w.12"), signed to the arch, with subsidiary seconds and date dial, brass chapter ring with Roman and Arabic numerals within scroll cast spandrels, twin winding holes for an eight day weight driven four pillar movement striking on a bell, the case with fluted pilasters and plain door, h.205cm Condition Report / Extra Information Backplate with several holes to upper right. Dial tarnished with polish residue. Backboard modern. Movement very dusty. Seatboard early, possibly original. Cheeks re-enforced. Glass to door cracked. Door split and later cradled verso. Case with age wear. With weights and pendulum.

Samuel Vale of Coventry 18th century mahogany longcase clock, having a painted brass and silvered arched dial (w.12.5"), the arch with painted ships automata, the dial with Roman and Arabic numerals enclosing subsidiary seconds dial and date dial, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case with panelled door within quarter turned fluted pilasters, h.226cm

James Monkhouse of Carlisle a circa 1800 mahogany longcase clock, the painted arched dial (w.13") with maritime and landscape painted moonphase, subsidiary seconds dial, date aperture, twin winding holes for an eight day four pillar weight driven movement striking on a bell (movement requires overhaul), the case with quarter turned pilasters to a boxbase, h.234cm Condition Report / Extra Information Trunk width 37cm. Backboard original but chipped. With weights and pendulum.

James Pike of Eltham early 19th century oak longcase clock, the brass dial (w.11.75") signed to a silver plaque to the arch within cast brass dolphin spandrels above silvered main dial with Roman and Arabic numerals, matted centre with date aperture, subsidiary seconds dial, twin winding holes for an eight day brass five pillar weight driven movement striking on a bell, the associated oak case having panelled door and lenticel to a boxbase, h.219cm

I Journeaux of Jersey early 19th century mahogany longcase clock, having a signed painted arch dial (w.12") with subsidiary seconds and date dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case with trident topped panelled door to a boxbase on turned feet, h.212cm

William Wainwright of Leicester circa 1830 mahogany longcase clock, having a signed painted arch dial (w.14"), rolling date aperture, twin dummy winding holes and brass thirty hour weight driven movement striking on a bell, the broad case with crossbanding to a boxbase, h.222cm

An 8 day longcase clock with a painted arched dial with seconds hand signed Lefever Wisbech in a mahogany case 219cm tall - Split to front of base, side of body both sides, damage to back of body, split to side of clock hood

A pine clock makers stand with Giscard of Ely movement 30 hour longcase

A 30 hour oak case longcase clock with a painted dial by J. Blakeway Rushbury - Roman Numerals to chapter ting, Arabic at 60,15,30 and 45 - Case has a few knocks, small splits, overall fair condition

A 30 hour oak case longcase clock - with painted dial, un named, Arabic numerals and floral sprays - Case has a few minor defects, finial off top left, no weights

A Georgian Oak and Yew wood country Longcase Clock, having swan neck pediment with central finial, single pane arched top door to the hood, flanked by slender turned and fluted columns with brass ends, the painted face marked Pros...r, Hay. Second hand and date roller and eight day movement. The lower section having arch top long door flanked by decorative quarter turned and fluted columns supported by Yew wood blocks plain box base. 21'' wide x 82'' high x 9'' deep

Thomas de Gruchy, Jersey, a mahogany longcase clock, the 8-day two weight movement striking the hours on a bell, with the twelve-inch break-arch painted dial signed Thomas de Gruchy, Jersey, subsidiary seconds dial, date aperture and black Arabic numerals, the mahogany case with shaped trunk door and arched hood with brass-mounted columns, 84in (213cm) high, in need of restoration. THIS LOT WILL BE SOLD ON SATURDAY 12TH SEPTEMBER STARTING AT 10.30AM UK TIME

Jones (?), Newport; an 8-day longcase clock movement, the painted broken-arch dial with date aperture and black Roman and Arabic numerals, a pendulum and one weight. THIS LOT WILL BE SOLD ON SATURDAY 12TH SEPTEMBER STARTING AT 10.30AM UK TIME

An eight day Mahogany cased longcase clock with enamelled broken arch dial, depicting a Georgian country house in English landscape with church in distance, 12" dial with seconds hand and date dial face inscribed W.K. Merrison, Norwich (glass to door of clock broken)

A flamed Mahogany cased longcase clock with two train eight day movement striking on a bell having a Brass 13" dial with silvered chapter ring, seconds dial and date aperture and name roundel for John Hamilton, Glasgow

A Mahogany cased eight day longcase clock with twin train movement striking on a bell with a 12 inch enamelled, broken arch dial featuring an image of the rear of Norwich Cathedral, with a seconds dial and date aperture, name to dial J.Goose Wroxham. J.Goose is recorded as working in 1846 and living in Coltishall, Norfolk

18th century mahogany longcase clock with pagoda top, the hood flanked by brass stop fluted columns enclosing brass dial with silver chapter ring and second hand with strike and silent dial and chased brass spandrels, calendar window, the trunk door to panelled box base raised on a plinth, eight-day striking movement, by John Richardson, London, height 230cm

18th century oak and mahogany longcase clock with swan neck pediment, the hood flanked by turned columns enclosing brass silver dialled face with moon phase and calendar, subsidiary seconds hand with floral engraving with chased spandrels, the door flanked by reeded columns, on a panel box base, bracket feet, eight-day striking movement by Thomas Lister, Halifax, height 223cm

I** FELTON, BIRMINGHAM A VICTORIAN OAK LONGCASE CLOCK, the case with swan neck hood with applied gilt metal foliate motifs and central finial, waist door trunk with brass capped pilasters, 8-day four pillar mechanism with anchor escapement and rack bell strike, faced by arched painted dial with moon phase subsidiary seconds and calendar

UNNAMED A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, having hood with swan neck pediment, veneered and boxwood strung decoration, 8-day four pillar mechanism with anchor escapement, faced by an arch painted dial with subsidiary seconds and calendar, 2.06m high

AN OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the arched painted dial with eight day movement, maker's name indistinct, a painted Britannia scene to the arch with further maritime anchors to each corner, H 209 cm A/F

A GEORGE III OAK CASED LONGCASE CLOCK, with arched brass dial, eight day movement, subsidiary seconds dial and date aperture, bearing makers name 'James Webster, Salop', the hood with fretwork panels, plain oak case, twin weight, pendulum & key, H 223 cm, S/D

EIGHT DAY LONGCASE CLOCK with a brass square dial marked 'William Tomlinson, London', with a subsidiary dial and date aperture and outer chapter ring with minute divisions, in a later stained pine case with three brass thistle finials, 220cm high

An early 20th Century longcase clock, the triple weight eight day movement marked Jsgus DRP with circular dial, silvered chapter ring with Arabic numerals, striking and chiming on eight gongs, in oak case with stepped pediment over a carved panel to the frieze, full length door with arched bevelled glass panel flanked by full length barley twist columns on a plain platform base, 219cm high

An early 20th Century longcase clock, the eight day spring driven movement inscribed Junghans striking and chiming on five gongs with arched brassed dial, silvered Tempus Fugit globe and chapter ring, in mahogany case with inlay and applied carving having swan neck pediment with central finial on turned columns, glass panelled door on base inlaid with batwing patera and protruding platform 198.5cm high

An early 20th Century walnut longcase clock with three train movement, with a silvered dial 'Brook & Son, Edinburgh' 170cm high

A 19th Century mahogany longcase clock with a painted dial and moon phase 227cm high

A 19th Century mahogany eight day longcase clock with a brass dial and subsidiary dial 'Henry James' Bristol 230cm high

A 19th century oak longcase clock, the arch white painted dial with Roman numerals, subsidiary date aperture, the hood with swan neck cornice, shaped door to waist, plinth base

A 19th century longcase clock, oak with mahogany inlay, dial painted and signed Bowen Bradford, thirty hour movement

A 19th century mahogany eight-day longcase clock, unsigned, gilt brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring and Arabic five minutes to outer track, the angles with gilt cast spandrels, subsidiary WHITTINGTON CHIME/WESTMINSTER CHIME selection dial, shaped pediment with brass ball and eagle finials, in a mahogany case with three brass weights, worn, and painted exterior in a classical style, central vignette of a nude female, retailed by Edwards and Roberts, Piccadilly, Oxford Street, London

A modern longcase clock by Richard Broad of Cornwall.

A Goliath eight day Atlas watch in a white metal case, 6.8cm diameter, and a decorative wall clock in the form of a longcase clock hood, 16cm high (2).

A mahogany cased longcase clock,19th century, with broken arched pediment over a brass moonphase dial detailed 'Wm Lanson Newton', the case flanked by pillar supports (key and two weights), 218cm high.

An early 20th century eight day mahogany inlaid longcase clock, bevelled glazed door, 10 1/4 inch arched brass dial supporting a three train Continental movement, 212cm high (no weights).

An 18th century walnut eight day longcase clock, the square 12 inch dial with subsidiary revolving calendar dial and seconds aperture signed Rich Hardwick Ashwick, the featherbanded signed walnut case with split barley-twist and lenticle decoration, 216cm two weights and pendulum.

An 18th century scarlet Japanned eight day longcase clock, the arch top twelve inch dial with subsidiary second and calendar apertures amongst gilt corner spandrels, signed 'Robert Higgs, London', the hood with flanking columns over arch trunk door, on plinth base, 220cm high, one pendulum, weights lacking.

A mahogany-cased longcase grandmother clock with brass face (height 168cm)

A George IV mahogany and rosewood eight day longcase clock with marquetry detail (height 240cm)

An oak effect longcase clock with brass weights and silvered dial (height 190cm)

An oak 30 hour longcase clock with brass dial and single hand. The c1800 movement looks to be a marriage to a later case (height 196cm)

An early 19thC oak-cased longcase clock with a painted dial and village scenes by Heywood of Wrexham

EARLY 18TH CENTURY OAK QUAKER LONGCASE CLOCK, probably North Oxfordshire, unsigned, the 10 1/4" brass Roman dial with engraved centre and foliate scroll pierced spandrels, powered by a substantial 30 hour movement striking on a bell and house in a plain case with moulded carving, long trunk door and plinth base 84" (213.3cm) high

LATE EIGHTEENTH CENTURY CARVED AND CROSSBANDED OAK LONGCASE CLOCK, signed Barker, Wigan, the 13" brass dial with silvered chapter ring and subsidiary seconds dial and date aperture to the matted centre, enclosed within scroll pierced spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, dentil moulded frieze scroll painted glass panel and free standing tapering forecolumns, above a Greek key cut border and crossbanded long trunk door with shaped top, flanked by fluted quarter columns and raised on a conforming base with chamferred forecorners and ogee bracket feet, loose, 89 3/4" (228cm) high

LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, sighed Joshua Harrocks, Emont Bridge, the 12 1/4" brass dial with subsidiary seconds aperture to the foliate leaf engraved centre, enclosed by pierced scrollwork spandrels and powered by a later substantial spring driven movement striking on nine rods, housed in a case with moulded cornice, blind fret carved frieze and free standing fore columns, over a long trunk door with shaped top, flanked by chamfer moulded forecorners and raised on a conforming panelled base with shaped plinth, 84" (213.3cm) high, subsidiary dial not operable and additional winding holes drilled into dial

EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing

EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high

CLOCKS - x3 clocks to include an Edwardian longcase, a Venetian style longcase and an Edwardian C.W.S. mantle clock.

Oak and mahogany longcase clock, square brass dial, silvered centred, signed Lawson & Newton, subsidiary second dial and date aperture, cast spandrels, height 214cms.

19th Century mahogany longcase clock having arched hood with brass dial and silvered chapter ring with Roman numerals, date aperture and two train weight driven movement striking on a bell, flanked by turned pilasters above a flush arched top door and conforming plinth base with pendulum and weights

George III oak longcase clock, the square hood above a rectangular panelled door, the painted enamel dial with Roman numerals and a thirty hour movement striking on a bell

George III carved oak longcase clock case, the broken arch hood above an arched panel door and conforming plinth base with later floral carving (case only)

19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by spiral quarter pilasters and conforming plinth base, the gilt brass dial with mask head and dolphin spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed William Robb Montrose, the two train movement with anchor escapement striking on a bell

Late 19th / early 20th Century miniature longcase clock, the ceramic dial with Arabic numerals and a single train movement