We found 44425 price guide item(s) matching your search

A mid 18th century lacquered, eight day longcase clock by Tho Bradford, London, having a brass dial, silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture. The five pillar movement striking on a bell and the case door having visible pendulum and fluted columns to the hood, 77 1/2"h

An early 18th century oak longcase clock, with eight day strike on bell movement, regulated by a pendulum, the brass and silvered dial with Roman numerals, subsidiary second hand dial and date aperture, the matted centre engraved with cherub mask spandrels, signed WM Farrer, Pontefract, the square hood with cushion canopy, moulded cornice and plain pilasters, the pendulum door with later carved portraits, the base later carved with heraldry, 83" h

A Georgian oak cased longcase clock, with a 12" white enamelled Roman dial with date aperture, 30hr movement, striking on a bell, with two weight trains and pendulum, 82" h

A MID 18TH CENTURY OAK CARVED LONGCASE CLOCK BY ARCHIBALD STRACHAN - NEWCASTLE, the 11" brass dial with subsidiary seconds dial and bearing maker's name, the hood and the case having carved decoration, two weights and pendulum, H 202 cm

A FRENCH TALL COUNTRYMADE LONGCASE CLOCK, H 260 CM, a/f

A George III mahogany longcase clock with 13 inch painted arch dial with moon phases and maritime view, he dial with birds and shell spandrels, in gilt metal mounted swan neck hood with ball finial and columns above trunk with flame figured door and reeded pilasters, (a/f), 221cm high

A George III inlaid mahogany longcase clock with 13 inch brass arched dial, Roman numerals, subsidiary seconds and calendar dials, pierced spandrels and plaque inscribed, Wm. Greaves, Newcastle, in swain neck hood with brass ball finial and capped columns above trunk with flamed figured door flanked by fluted panels, 237cm high

19th century eight day longcase clock by Underhill of Newport with white painted face and second and date apertures, 204 x 53 x 26 cms

An oak and mahogany banded 30 hour longcase clock in inlaid oak case, the arched painted roman dial inscribed 'Yates, Penrith', the hood with broken swan neck pediment and brass finial, the door flanked by turned columns with brass mounts, above a trunk with shaped crossbanded door, plinth base (missing feet).

A 19th century longcase clock with painted dial by Clark of Morpeth, with pendulum and two weights, height 222cm.

A George III oak 30 hour longcase clock, with painted dial signed R. Morland, height 210cm.

An early 19th Century Scottish figured mahogany Longcase Clock, with attractive hand painted domed dial, decorated with a landscape showing stately home by a lake, flowers etc., and signed Arch.d. Grey, Lesmahagow, and bearing a brass plaque engraved with coat of arms, and name James Reid, 1841, 229cms (90") high. (1)

Robert Sutton, Stafford, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell with a wood rod to the pendulum, the thirteen-inch break-arch brass dial engraved to the solid centre with the maker's name Sutton, Stafford and with cast brass female-head corner spandrels, the chapter ring engraved with black Roman numerals, large Arabic five minute numerals, with decorative blued steel hands and a sweep seconds hand, the arch showing the date and phases of the moon to a finely painted disc showing two moons, with a landscape picture to one side and a seascape to the other unusually depicting a sailing and steam ship, a feature seen on another Staffordshire moon disc, the mahogany case with finely fluted free standing pillars to the trunk and hood, a shaped top to the door, with three shells inlaid to the frieze above the door and further shell inlay to the four corners of the base and to the plinth below the trunk pillars, the swan-neck pediment to the hood fronted with three panels of blind fretwork, with side blocks, a ball-and-spire brass finial and brass paterae, the case standing on cabriole bracket feet, height 236cms.* Biography Robert Sutton is recorded as working from circa 1769 when he took John Chambley as an apprentice followed by William Gilbert in 1779. Various watches were recorded stolen from his premises in 1774 and 1781. He is known as a maker of fine longcases, with one in particular being an exceptional musical example with the dial showing the saint's days, holy days and the Gods of the four seasons along with an annual calendar.Another example, with a wooden movement showing the influence of the great John Harrison who had previously worked in the area, is on display at The Collection, Art & Archaeology in Leicestershire where it is stated: Although influenced by Harrison, Sutton remains an outstanding craftsman and innovator in his own right. Reference: Joseph McKenna, Clockmakers & Watchmakers of Central England, Mayfield Books, 2002.The rear of the moon disc and the frontplate of the movement are both signed, one scratched, the other punched, by the clockmaker Thomas Pear of Stafford who is recorded as working at 4, Marston Road, Stafford, from before 1880 until at least 1896 and beyond. This mark would indicate that he carried out some repairs/restorations on this clock.

A lacquered longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted break-arch dial having black Arabic numerals and subsidiary seconds and date dials, the corners and arch painted with gilt and green floral decoration on a black ground, with decorative gilt-brass hands, indistinctly signed to the centre, possibly Blyth, …mouth, the associated black lacquered case having a flat-top hood with gilt-wood capitals to the three-quarter hood pillars, with raised giltwood Oriental decoration to the trunk door and base and further decoration to the case, height 209cms.

An apprentice minature oak cased longcase clock & a coopered brass bound tobacco jar

Carved oak 30 hour longcase clock having square brass dial inscribed Abdell, Richmond

Carved oak triple weight longcase clock having square brass dial inscribed R. Bullock, Ellesmere

A George III mahogany longcase clock, with an arched dial with moon phase inscribed 'A Hutchinson, Leeds', with a silvered dial and chapter ring, subsidiary seconds and calendar dials, enclosing an eight-day movement, dial 12in, 242cm overall

A mahogany chiming longcase clock, playing on eight or four tubes, with a 9 1/2 in dial, 206.5cm high, lacking pendulum and weights

A late George III oak thirty hour longcase clock, by Thomas Haden of Dudley W.52cm

An early 19th century oak longcase clock, with silvered dial signed John Wood, Grantham, day dial and subsidiary seconds dial, eight day, chiming movement, domed hood with broken swan neck pediment, with pendulum, two weights, winder and key, 46 by 25 by 206.5cm high.

AN EIGHTEENTH CENTURY EIGHT DAY LONGCASE CLOCK BY JOHN OWEN OF LLANRWST, the brass face having subsidiary seconds dial and date aperture housed within square section hood above projecting base and raised over stile feet, 204cms high Auctioneer's Note: John Owen (1719-76) was the esteemed Welsh clockmaker and the creator of the famous clock-making dynasty in Llanrwst, the small Conwy Valley market town in North Wales. See 'The Clockmakers of Llanrwst' by Colin & Mary Browncondition:Please find enclosed additional photographs of the clock The front panel at the bottom is coming away, there are a few chips from corners and a few scuffs and scratches 

A 19th c. Mahogany cased Longcase Clock by F.J. Wild of Dundee, having swan pediment hood with turned columns, painted face with Roman numerals, second hand (missing) and date hand, short door case with half turned column detail, on lower cross-banded section, standing on bracket feet, 85'' high x 20'' wide x 10'' deep

A Georgian Oak longcase Clock, cornice and turned columns to the hood, square painted face with Roman numerals and second hand, long door case on lower square section with shaped plinth, 19'' wide x 75 1/2'' high x 9 1/4'' deep

A 19th Century oak 8-day longcase clock, the painted arched dial signed George Moore, Cumnock, a/f

19th century Oak and Mahogany 8 Day Longcase Clock, the painted face marked Rufsell & Vickers, Lancaster, the four spandrels painted with figures, Roman and Arabic Numerals, Seconds Dial, Date Aperture

19th century Mahogany 'Ashwick ' Longcase Clock, 8 day movement, the painted face with seconds dial and date aperture

Richard Ham, Milton Abbas, an eight-day longcase clock, the brass face with cherub and crown spandrels, Roman and Arabic numerals, date aperture and secondary dial, within a plain oak and pine case CONDITION REPORT: Two weights and pendulum, working order unknown and not guaranteed. The auctioneers do not know if the case is contemporary to the movement. Please see the additional images. Dial plate is 30 x 30 cm. Please Note: the hood and door are stained oak, the rest of the case is stained pine.

Thomas Muddle, Tunbridge Wells, a thirty-hour longcase clock, the brass and silvered face with Roman numerals, within an oak and gilt highlighted case CONDITION REPORT: One weight and pendulum

William Porthouse, Penrith, a George III longcase clock, the brass and silvered face with Roman and Arabic numerals, cherub and crown spandrels, moon phase and date apertures within a later carved oak case

WALNUT LONGCASE CLOCK, the brass dial with 11 1/2" silvered dial, subsidiary seconds dial and date aperture and a silvered plaque inscribed Benj Gray Just Vulliamy, on a four pillar, eight day movement hourly striking to a bell, the hood with silk backed fretwork panel and 3/4 columns, the trunk with cross and feather banding above a plinth base, with weights and pendulum, height 218cm

WALNUT LONGCASE CLOCK, the brass dial with a 10 1/4" silvered chapter ring, subsidiary seconds dial and date aperture, inscribed Gab. Smith, Chester, on a replacement brass, four pillar movement, the caddy top above a square glazed door flanked by columns, the trunk with a rectangular door and circular lenticle, height including orbs 235cm

MAHOGANY LONGCASE CLOCK, the brass dial with 12" silvered chapter ring, inner date ring and masonic engraving beneath a pair of hemispheres and moonphase, inscribed to the arch W Skeoch, North Shields, on a brass, eight day, four pillar movement striking hourly to a bell, the hood with columns, the trunk with ogee shaped trunk door and Chippendale style blind fretwork to the canted corners, weights and pendulum, height 224cm

OAK MUSICAL LONGCASE CLOCK, the painted dial with 13 3/4" chapter ring and inner date ring, centred with a pastoral scene and inscribed Sam. Ashton Bredbury, flanked by spandrils of maidens allegorical of the four seasons, beneath a pair of terrestrial hemispheres and moonphase, the brass, five pillar movement chiming to a nest of eight bells and striking to one bell, geared to play one of seven different aires each day of the week, the hood with broken swan neck pediment and brass mounted columns, the case with mahogany crossbanding and the door inlaid with a shell motif, with weights, pendulum and key, height 223cm

Modern mahogany cased three weight driven chiming longcase clock by Fenclocks, Suffolk, the break arch brass dial with rolling moon phase over glazed trunk with gridiron pendulum Condition:

Group of assorted wooden ware to include; scoops, Scotch Hands mantel clock in the form of a miniature longcase clock, coffee grinder, pair of Japanese sandals, pair of bell pulls, etc Condition:

A late 18th century mahogany longcase clock by Snelling, Alton. With stepped caddy top pediment, engaged 'Doric' pilasters, long door with brass escutcheon on box base with blind plinth. The cream dial is painted with posies of wild-flowers and a golden urn. With painted Roman and Arabic numerals and subsidiary seconds dial. Eight-day, two-train movement, striking on single bell. 200 x 50 cm.

Three weight modern longcase clock with German marks

A novelty kitsch miniature longcase clock whiskey or brandy bottle presentation box, base compartment fitted with a cut glass tumbler, 62cm high

A George III oak longcase clock by Thomas Fordham, Braintree, having a brass dial with Roman numerals, subsidiary seconds and date dial, 79" h

A George III oak, eight day longcase clock by W M Hayter, Chatham, having a brass dial with subsidiary seconds dial and date chapter ring, dental moulded cornice above carved fretwork and column supports below, 87" 1/2"

A George III oak, eight day longcase clock by Stancliffe, Barkisland, the brass dial having Roman numerals, moon/calendar apertures. The case having swan neck pediment, column supports below and a circular glass hood, 86 1/4" h

An early 19th century mahogany centre seconds longcase, regulator clock, the dial signed John Webster, Edinburgh with a two train movement dead beat escapement and striking on a bell. The painted dial displaying calendar at six, housed within a flame mahogany, arched top case with fluted supports below 79 1/4"h

A George III 8 day longcase clock, having a painted dial, inscribed A Barnesan, Bruton, Roman numerals, subsidiary seconds dial and date ring with moon phase above, housed in a mahogany, arched top case

An early 19th century eight day longcase clock, the dial inscribed Simmons, London with subsidiary seconds and Roman numerals. The five pillar movement having a dead beat escapement and striking on a bell housed in a mahogany case

An early 20th century longcase clock, the Winterhalder chiming movement, striking on eight gongs with a 12 1/2" brass dial, inscribed Thomas Wells, London, with gilt metal spandrels, subsidiary seconds at 12, silvered chapter ring with Roman and Arabic numerals below, a strike/silent, with three weights and a pendulum, the mahogany case having an arched top, turned pillars, gilt metal Corinthian columns over a glazed, panelled door and box base, raised on bracket feet, 81" h

A mid-to-late 18th century oak longcase clock, the caddy top with chinoiserie frieze decoration above an 11" brass dial with single hour hand, date aperture and Roman numerals, marked 'JN. Flook, Bristol', on single train chain wind movement, height 210cm.

A shop display mirror advertising Swarovski Crystal, 49 x 28cm, a framed and glazed Swarovski Crystal figure of a cat and a novelty CD rack in the form of a longcase clock with working clock, height 863cm (3).

An early 20thC mahogany cased miniature longcase clock, with 5cm dia Arabic dial centred by a winding hole, with two cylindrical weights in a shaped case, with a partial metal inlay, 26cm high.

A Tempus Fugit longcase clock, with Roman numeral brass finish dial and quarterly charm, 202cm high.

A late 18th longcase clock by John Wood of Grantham, with square brass dial, and four pillar movement, in an oak case, 207cm high.

A 19thC longcase clock, the circular dial signed Benjamin Browns of Mansfield, in oak and mahogany cross banded case, (AF).

A second quarter of the 19th century crossbanded oak 30-hour longcase clock by Robert Brown of Newtown, the hood with two lion head roundels applied to the swan-necked pediment over reeded free-standing columns, the trunk with recessed quarter columns and cross-banded rectangular door, standing on a rectangular base with moulded plinth, the 12 inch signed painted iron dial has Roman numerals and pheasant corner spandrels, the 30-hour movement has countwheel striking on a bell and anchor escapement, 206cm high

GEORGE II BLACK JAPANNED LONGCASE CLOCK 18TH CENTURY the arched moulded cornice over an arched brass dial with Roman number chapter, signed 'William Lundie, Aberdeen', with subsidiary date and seconds dials, over a moulded arched trunk door decorated with figures and putti, raised on a plinth base 50cm wide, 208cm high, 25cm deep Provenance: The Collection of a Lady of Title

GEORGE III OAK LONGCASE CLOCK 18TH CENTURY moulded cornice over a glazed panel above a brass dial inscribed 'George Booth, Manchester', flanked by columns, over a shaped panel door with lenticle, raised on a moulded plinth base with bracket feet 49cm wide, 223cm high, 24cm deep Provenance: The Collection of a Lady of Title

GEORGE III OAK LONGCASE CLOCK 18TH CENTURY with broken swan neck pediment over a later brass and silvered dial flanked by columns, above a shaped trunk door and plinth base raised on ogee bracket feet 49cm wide, 208cm high, 25cm deep

A late George III mahogany longcase clock by John Price of Chichester, the eight day movement with an anchor escapement and five turned pillars striking on a bell, the twelve inch brass arched dial with Roman and Arabic numerals to the silvered dial, with subsidiary seconds and date dials, inscribed 'John Price Chichester', with four season spandrels and Strike/Silent dial to the arch, with a pagoda top hood and a Gothic ogee trunk door, 227.5cm high.Click here to view the online page turning catalogue.

A George II oak longcase clock by Paul Thackwell of Ross, the thirty-hour brass birdcage movement with an anchor escapement and striking on a bell, the ten inch dial with a silvered chapter ring, with Roman and Arabic numerals, the centre engraved with scrolls and a Chinese style pagoda and signed 'Paul Thackwell ROSS' with Rococo cast gilt brass spandrels, the hood with three turned finials and plain columns, above a trunk door with a moulded edge, 210.5cm high. Provenance: The Property of a Cotswolds Private Collector.Click here to view the online page turning catalogue.

19th Century brass dial longcase clock Joshua Rudd, Bradford

A MINIATURE MAHOGANY CASED LONGCASE CLOCK, 60 cm high