We found 44426 price guide item(s) matching your search

A George III mahogany and line inlaid thirty hour longcase clock, the 13in painted arched dial inscribed 'Josh Harding, Timsbury', 212.5cm high, with weight and pendulum. 

XIX Century Painted Longcase Clock, dial ** coates with raised centre.

A 19th century longcase clock - George Leach of Salisbury, the painted dial with Roman numerals, subsidiary second hand and date aperture, within an oak and mahogany banded case, with one weight and pendulum, height 206cm.

A Jo? Berrenges, Helston 8 day longcase clock - the painted dial with roses and church vignette, incorporating a subsidiary second dial and date aperture in a distressed painted pine case, height 184cm.

A mahogany longcase clock by Jas Black, Berwick - the painted dial with foliate spandrels and Roman numerals with subsidiary second and date dials, two weights and pendulum, height 212cm.

Peter Hitt, Liskeard, longcase clock Peter Hitt, Liskeard, late 18th century longcase clock, 8-day movement striking on a single bell, square brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial with applied brass spandrels, mahogany case, the hood with a moulded cornice and four rope twist columns to each corner, trunk with long door that opens with button release in the form of a doric column, on bracket feet, weights and pendulum included.40cm wide, 22cm deep, 184.5cm highClock ticks and strikes on the hour, with the subsidiary seconds dial moving with the pendulum, however we do not guarantee the working order or time keeping of any timepiece. Please see all additional images of the dial, movement, cheeks and seatboard.

Late 18th-century longcase clock Late 18th-century longcase clock, 8-day movement striking on single bell, painted arched dial decorated with classical urns and swags of flowers, Roman numerals, oak and mahogany crossbanded case, canopy with swan neck pediment, trunk with single long door flanked by fluted quartered columns, box base.height 221cm (87")Movement requiring refurbishment, original seat board, dial scratched with movement of fingers across surface, replacement turned finials.

William Massey, Nantwich Longcase Clock William Massey, Nantwich, early 19th century longcase clock, 8-day movement striking on a single bell with false plate, painted arched with rolling moon an floral illustrations to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, swan neck pediment, glazed door flanked by barley twist pilasters, trunk with figured mahogany panels and barley twist pilasters, inlaid box base with chamfered edge219cm highClock with false plate attached to rear of the dial, right-hand train is knotted and needs loosening. No finials, crack to box base.

Palin, Nantwich Longcase Clock Palin of Nantwich, mid 19th century longcase clock, 8-day movement striking on single bell with false plate, painted square dial depicting Oriental scenes to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, swan neck pediment, glazed door flanked by barley twist pilasters, trunk with figured mahogany panels and barley twist pilasters, inlaid box base with chamfered edge all raised on bracket feet211cm highClock with a false plate attached to the rear of the dial, clock ticks and strikes with pendulum and two weights included. Crazing to the painted face, no finials.

John Shepley, Stockport Longcase Clock John Shepley, Stockport early 18th century longcase clock, 30-hour movement with an outside count wheel striking on a single bell, square brass dial with silvered chapter ring, Roman and Arabic numerals for hours and minutes, subsidiary seconds dial and date aperture, all contained in an oak case, canopy with moulded cornice and square glass flanked by brass capped columns, trunk with quartered columns, box base with raised panel on bracket feet. No pendulum or weight59cm wide, 25cm deep, 219cm high

A 19th century oak and mahogany 30hr longcase clock, the 13" dial signed Griffith Davies Dolgelly. 86½" high. Base panel detached.

A George III oak 8 day longcase clock, the 12" brass dial signed Stepn. White, Alton; the trunk door and base with starburst inlay. 84" high. Pendulum suspension spring lacking.

Oak interlock longcase clock with Westminster quarter-hour strike on gong bars. Second half of the 20th century. Dimensions: H 201 cm. In good condition.

A late 18th/early 19thC longcase clock by John Galbraith of Falkirk, the arched Roman numeric dial with subsidiary seconds, date aperture, and eight day striking movement, in a mahogany case.

An 18thC longcase clock by Henry King of London, the square dial with gilt metal spandrels and Roman numeric chapter ring, eight day movement, in red and gilt raised chinoiserie case, with bracket feet, 205cm high.

Longcase clock (in need of repair) 

Richard Broad of Bodmin - A 20th century mahogany cased George III 'Royale' revival longcase grandfather clock. The clock having crested top over a silvered and gilt metal face with ornate spandrels to each corner and reeded pilasters to each side over a plinth base. Accompanied by pendulum, weights and original literature. Measures 208 x 51 x 28 cm.

A Victorian 19th century Welsh mahogany longcase clock with  arched painted dial inscribed Meredith, Merthyr . Dial with Roman numerals and cathedral hands  having a  subsidiary second’s dial and twin winding hole, 8-day movement striking on a bell, the case with arched hood, rectangular door to waist Circa 1860 William Meredith was working at Merthyr Tydvil from 1852 to 1899; in his earlier years he also signed clocks from Tredegar. Measures 207cm tall.

J.H. CHAMBERLAIN (1831-1883) GOTHIC REVIVAL LONGCASE CLOCK, CIRCA 1878 carved oak and walnut, inset with marquetry panels, and carved to the roundel with initials TR, the 14" silvered brass dial inscribed HURT & SON, BIRMINGHAM, with seconds dial and strike silent facility, the three-train movement with dead-beat escapement, quarter-chiming on a nest of eight bells and striking the hour on a subsidiary bellDimensions:61cm wide, 248.5cm high, 30cm deepNote: Note: This magnificent clock was designed by the architect, John Henry Chamberlain, and the case was probably made in the workshop of Samuel Barfield, a skilled woodcarver who frequently worked for Chamberlain. A related set of wall shelves and an entire room by Chamberlain, currently on display in the British Galleries at the Victoria and Albert Museum, were removed from The Grove, Harborne. The Grove, demolished in 1963, was one of a wide range of projects designed by Chamberlain and his partner William Martin (1828-1900) in and around Birmingham. Frequently designed in the Ruskinian Gothic style they pumping stations, libraries, schools, shops, churches and chapels as well as a number of private houses. His ideals chimed perfectly with Birmingham's ruling liberals at the time, who sought to transform industrial Birmingham into a cultural centre to rival the great European capitals. One of his finest achievements, the Municipal School of Art of 1885, still stands today in Margaret Street. Chamberlain was one of the earliest practical exponents of the ideas of architectural theorist, John Ruskin and was increasingly influenced by the early Arts and Crafts movement in his later works. His belief in the value of individual craftsmanship and patterns inspired by nature are evident in the profusely carved and inlaid case of the current lot.

A GEORGE III OAK AND CROSSBANDED EIGHT-DAY LONGCASE CLOCK WITH ENAMEL DIAL AND ROLLING MOON BY THOS.READ, TARPORLEY

A 19thC longcase clock dial and movement, painted with Roman numerals and with flowers, with eight day movement and date aperture, in associated oak case, 210cm high.

AN IRISH MAHOGANY LONGCASE CLOCK, BY JOHN DALTON, DUBLIN C.1770, the brass dial signed John Dalton, Dublin, with subsidiary seconds dial, date aperture and ringed winding holes, the case with swan neck and urn finial above a carved foliate frieze and Corinthian-capped reeded pilasters, the trunk with carved rosettes to the corners, on ogee bracket feet. 239cm high

AN IRISH INLAID MAHOGANY CASED LONGCASE CLOCK BY EDWARD TOWNLEY, DUNDALK, C.1790, the architectural hood with broken swan pediment and centred with an eagle perched on a brass finial, over an arched glazed panel door enclosing a brass dial with subsidiary second and date dials the chapter ring with Roman numerals and inscribed 'Edward Townley, Dundalk', the dial surmounted with painted moon phase, rotating to painted scene of a three mast ship at sea, above waisted case fitted with panelled door inlaid with conch shell paterae, on platform base with bracket feet. 244cm high, 53cm wide, 26cm deep

A large walnut and marquetry inlaid longcase clock, maker inscribed on dial Joseph Sephton of Prescott, approx. 250cm, movement incomplete.

A Dutch blue and white delftware model of a longcase clock containing a late 18th Century watch movement the case painted with figures in landscapes and flower sprays, the movement by Thomas Haley, London, the circular enamel dial signed Lis Woirol, Paris, the case late 19th century, 31.5cm. high [some damage].

Benjamin Rogers, Chesterfield, an oak longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and flame half-hour markings, the matted centre having engraved decoration, subsidiary seconds dial, date aperture and silvered plaque engraved Benja. Rogers, Chesterfield, with blued-steel hands, with cast-brass four-seasons spandrels to the four corners and engraved border decoration, the flat-top oak case with mahogany cross-banding to the trunk door and base, the hood with blind-fret and turned pillars, height 203cm.

George Adams, Halesowen an oak longcase clock the thirty-hour duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and the maker's name George Adams, Halesowen, with a matted dial centre, date aperture, cast-brass urn corner spandrels and blued steel hands, the flat-top oak case with barley-twist columns to the hood and mahogany crossbanding to the shaped trunk door, height 205cm.

Schwerer, York a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the fourteen-inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials, decorative brass hands and signed Schwerer, York, with painted scenes to the four corners and arch depicting various ruins, the mahogany case having a swan-neck pediment with fluted columns to the trunk and hood, the trunk door and panel to the base with carved decoration, all standing on bracket feet, height 232cm.The Schwerer family were known clockmakers working in York in the early-to-mid 19th century with brothers Matthew at 6 & 14 Stonegate circa 1846-1858, Peter at Petergate circa 1827-40 and Phillip at 38 Stonegate and 99 Petergate circa 1834-46.Reference: Brian Loomes Yorkshire Clockmakers pub. Dalesman 1972.

John Spier, Newton Stewart, a Scottish mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch round painted dial having a subsidiary seconds dial, black Roman numerals, blued-steel moon hands and indistinctly signed John Spier, Newton Stewart, the mahogany case with inset panels and quartered-columns to the trunk and surmounted by a swan-neck pediment to the hood, height 225cm inc. finials.

Benjamin Trist, Brixham a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having blued steel hands and engraved with black Roman numerals, scroll corner spandrels, and eagle within the arch, subsidiary seconds dial and date aperture and signed in scroll Benjm. Trist, Brixham, the mahogany case with Sheraton style boxwood inlay and stringing, quarter columns to the trunk, columns to the hood and surmounted by a swan-neck pediment with cast-brass finials, height 224cm (inc. finial)Notes: Benjamin Trist is recorded as working in Fore Street, Brixham from before 1830 until at least 1844 with the business under the name of Sarah Trist from 1850. He was quite probably related to the Trist clock makers recorded in Torquay and Exeter.

Peter Green, Apenrade, a Danish walnut moonphase longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-and-a-half-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and maker's signature Peter Green, Apenrade, the matted dial centre having engraved c-scroll decoration, a subsidiary seconds dial and date aperture, with cast-brass c-scroll spandrels to the four corners and blued-steel hands, the arch with a moonphase disc, the walnut case having quarter fluted columns and raised shaped panelling to the sides, the hood with cast-brass Corinthian capitals to the fluted columns and surmounted by a swan-neck pediment, the base with canted corners and further raised panelling, height 233cm.Notes: Peter Green emigrated from Liverpool to Aabenraa, Denmark, also known by the Germanic name Apenrade, with his family in circa 1745, quite possibly due to the close shipbuilding links between the two sea-ports. He was known working there until his death in 1795. His two sons, William, born 1733 died 1817, and Jonathan, were also clockmakers in the town with William's son Jakob continuing the family clockmaking tradition until his death in 1847. Reference: D. Yde-Andersen, Bornholmere og andre gamle Ure, Pub. Borgens Forlag, 1974. 

WILLIAM DOUGLAS, LARGS; a 19th century Scottish mahogany eight day longcase clock, the circular dial with subsidiary seconds and date, height approx 210cm.Condition Report: Some losses to the case. 1 hand is badly bent.

A 19TH CENTURY OAK AND MAHOGANY BANDED EIGHT-DAY LONGCASE CLOCK by Eames, Arlesford, painted dial 200cm high approx (needs attention)

18th century 8 day longcase clock by Gamwell of Alford in an oak case with a brass dial Ht 210cm

Miniature longcase clock with spring driven mechanism Ht 157cm 

A reproduction mahogany longcase clock with pendulum and weights

A reproduction Tempus Fugit longcase clock with pendulum and weights

A George III eight day oak and crossbanded longcase clock, Jn. Bishop Redmile, the 12" breakarched painted dial with brass ringed winding squares, date sector and subsidiary seconds ring, Britannia and lion to the arch, the case with swan neck pediment and fluted pillars above dentil cornice to trunk, pendulum and weights, 217cm h excluding finial Good condition

A Victorian thirty hour oak and crossbanded longcase clock, the 12" breakarched painted dial indistinctly signed, with pierced date sector, flower spandrels and child and mastiff to the arch, the case with swan neck pediment and baluster pillars, pendulum and weight, 218cm h Good condition

An eight day mahogany longcase clock, Jno. Hudson Nottingham, early 19th c, the painted oval dial with lunar work, brass ringed winding squares and twin female figure spandrels in figured and crossbanded case with swan neck pediment and fluted pillars and pilasters, pendulum and weights, 210cm h Pediment damaged, veneers chipped around oval dial, dial paint discoloured and worn

A Victorian eight day mahogany longcase clock, Geo. Claridge Chepstow, the 12.5" breakarched painted dial with date sector, brass ringed winding squares, second ring, gilt rose spandrels and, to the arch, a traveller approaching a cottage, in figured and line inlaid case with spirally reeded pillars, pendulum and weights, 206cm h Dial slightly discoloured and a little worn, veneer cracks mainly around arch, pleasing deep colour

Oak longcase clock, the hood with swan neck pediment, turned columns, trunk with long door, plinth base (adapted), twelve inch square painted dial signed Jno. Deacon, Leicester, thirty hour movement striking on a bell, height 211cm.Condition report:Weight and pendulum present but lacking the weight chain so not able to determine if in working order. Dial repainted in part. The hood with various replacements and restorations. The trunk is generally ok, the base front panel is split and there are numerous lengths of missing crossbanded outlines, with the lefthand bas panel coming away slightly. Adaptation to the baseline.

Scottish mahogany longcase clock, hood with swan neck pediment and eagle finial, Corinthian column supports, trunk with long arched door, fluted quarter pilasters, plinth on short turned legs, thirteen inch arched brass dial with subsidary seconds dial and date aperture, signed James Bowie, Kirkcaldy, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a pendulum are present (the pendulum shaft is bent and misaligned). Not set up in the saleroom to determine if fully working. The movement appears complete. The minute hand has been replaced. Some spot tarnishing on the dial. HIstoric repairs to the swan necks on the hood. The rest of the case is generally in good presentable condition, some of the crossbanding is replaced. Adaptations to the base and feet.

Scottish mahogany longcase clock, the hood with architectural pediment, trunk with long door and on a plinth base, circular painted dial signed Bryson, Edinburgh, wight day movement striking on a bell, height 205cm.

A 19th century longcase grandfather clock 'Thomas Haden, Dudley'. With an 8-day movement, the brass dial with Roman numerals, and a date aperture, decorated with dolphins and motifs, the oak case with columned hood, long door and a plinth base, H210cm Condition Report: New stringThe movement has been cleaned but a while ago, probably when the case was waxed. The edge of return to top of hood on left hand side ( as looked at) has gone but a very long time ago, corner of right hand side slightly blunted but a while ago.There are joint spaces in the lower cross banded section Basically the wood is in very good order, the suspension has broken so the pendulum has not been tested but I understand it was a working in the house.no further faults to report re case

A mid 20th century Junghans oak longcase clock, silvered dial with black Arabic numerals, 8 day movement with musical chime, with pendulum and key.

William Parr, London. A George III red lacquer painted and gilt Chinoiserie longcase clock. The caddy top hood enclosing an arched brass 12'' dial with calendar and seconds subsidiary and silvered Roman chapter supporting an eight day movement striking upon a bell. The trunk with three quarter door above a box base, on stepped plinth, 264cm

Whitehurst of Congleton (E Whitehurft on the dial)  8 day longcase clock with 12" square dial. Contained in  oak and mahogany case with cross-banding 22" x 80 x 10" deep. Condition report Extensive restoration which is not in keeping with the clock. Possibly a marriage movement to case. No calendar dial hand. No E Whitehurft Congleton recorded.

An oak 30-hour longcase clock, the 10.5 inch brass dial signed Tantum, Loscoe, 204cms h

Joseph Jackson London  18th century inlaid mahogany longcase clock

Waight, Birmingham, a 19th century longcase clock with painted arched dial and a 30-hour movement striking on a bell, set in an oak and mahogany cross-banded case

Smith, Mccles (Macclesfield), 18th century and later brass faced longcase clock with 8-day movement, set in an oak case with later carved decoration

Early 19th century longcase clock with painted dial (maker's name erased), 30-hour movement striking on a bell and set in an oak and mahogany cross banded case

Mid-19th century longcase clock with arched painted dial with Roman numerals, signed 'Northwood', set in an oak and mahogany cross banded case with pillared decoration, 30-hour movement

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK BY MARSTON OF SHREWSBURY the two train movement striking on a bell, the painted dial with subsidiary second dial and date aperture, with Arabic numerals, decorated to the crest with a central image of Britannia flanked by neoclassical swags, the hood with three ball and spike finials and a swan neck pediment, the case with quarter recessed columns, 233cm high x 61cm wideProvenance: Purchased from Duke's, 2nd December 2010, Lot 1129.

19th century oak cased painted dial longcase clock, Charles Haines, Swindon, 11-inch square dial Roman dial with painted spandrels of thatched cottages, 201cm high

Early 19th century painted dial oak longcase clock, Gilbert Moses, Lincoln, signed 11-inch break-arch Roman dial with subsidiary second dial, calendar crescent and gilt scroll spandrels, the painted arch depicting a seated fisherman with building in the background, 222cm high overall, sold with two weights, pendulum, key and winder

A late 18thC walnut figured mahogany and marquetry longcase clock; the hood with a straight top and barleytwist pilasters, the trunk incorporating a pendulum window, on a box base; the bell strike movement faced by a 11"sq cast brass and silvered steel Roman dial, subsidiary seconds and a calendar aperture  inscribed Corn Harbert, London Bridge  81"h

An oak longcase clock by Richard Carter, High Wycombe, with eight-day bell striking movement, the 12inch brass dial with silvered Roman numeral chapter ring and with 'Tempus Fugit' to the boss, 207cm high

An oak country longcase clock, 208cm