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A GEORGE III OAK LONGCASE CLOCK BY ANTHONY LYNCH OF NEWBURY the 29cm brass dial with silvered chapter ring, pierced spandrels and automaton to arch, to the eight day two train movement striking on a bell, contained in case with shell capped cornice, split turned pillars to hood and arched trunk door, 217cm high
A LONGCASE CLOCK FOR COMITTI OF LONDON the three train movement with Westminster, St Michael and Whittington chimes, as well as silent, strike and night off options, rocking ship to the face cresting, further ships painted to the corners, the chapter ring with roman and Arabic numerals, pendulum and weights included, 215cm high x 46cm wide
Dawson of Haddington longcase grandfather clock, the white enamel dial with Roman numeral chapter ring having two subsidiary dials, held within a flame cut mahogany case with reeded quarter columns, raised on bracket feet, 203cm tall.Losses to paint on dial and crazed. Moulding damaged to lower side of hood. Veneer split in places
19th century Charles Shedden of Perth longcase grandfather clock, the painted dial with Roman numerals and two subsidiary dials flanked by the four seasons beneath handed painted arch with three seated dignitaries, the flame cut mahogany case opening to reveal hand painted pendulum.Was working in vendors house. We cannot guarantee in working condition
Joseph Rose of London, a George III 8-day blue lacquered longcase clock, the arched face with strike/silent dial and dolphin form mounts to the arch, silvered chapter ring, subsidiary seconds dial, date aperture and urn form spandrels,the four pillar movement striking on a bell, the case with ball finials, over a blind fret carved hood, the trunk door and base depicting scenes of figures outside buildings and landscapes, 50.5 cm wide, 25 cm deep, 237 cm highFirstly, I think that it is probable that this movement didn't begin its life with this case the hood door when open shows the mask to be too cramped and also the addition of quadrant moulding to the inner edge of the mask to frame the current dial, perhaps the owner wanted the splash of colour of a lacquer case or the old case became damaged.The five pillar movement has been extensively cleaned and I am slightly suspicious that the back plate is an old replacement as the gauge and tone of the brass plate is inconsistent with that of the front plate, the chapter ring and strike silent and second scale ring have been resilvered and pitched.To sum up I think this clock is very decorative and the movement seems to be intact and freshly (ish) wound with synthetic gut, the chapter ring has some blemishes at 9 o'clock and would require some silvering to make good.The clock comes with two brass-cased weights and a brass strip and brass lens pendulum with lead weighting.On the issue of the case, it shows old historic worm that is now covered in paint in an effort to cover the wormholes, I can not rule out that this case may have been lacquered later in the 18th century.Please see the extra images for clarification.
A Georgian oak longcase clock by Jno Stevenson of Stafford, square brass dial with foliate scroll spandrels, silvered chapter ring bearing Roman numerals, two train movement with bell strike, the hood of plain form raised on turned pilasters, above a plain trunk and base, with pendulum and weights, 205cm high.
Tobias Fletcher of Barnsley - late 18th century oak cased 30hr longcase clock with a swans neck pediment, brass paterie and finial, break arch dial flanked by reeded pilasters, trunk with a wavy topped door with inlay and crossbanding, conforming square plinth on decorative base, painted dial with flowers to the break arch and spandrels, Roman numerals, minute track, five minute Arabic's and matching steel hands, chain driven count wheel movement, with weight and pendulum.Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 20cm
Emanuel Burton (II) of Kendal - oak and mahogany 30hr longcase clock c1830, with a flat topped pediment and blind frieze beneath, square hood door flanked by freestanding turned pilasters with wooden capitals, trunk with recessed quarter columns and a long trunk door with a wavy top, square plinth with an applied moulding to the base, painted dial with roman numerals, minute track, matching painted spandrels and makers name, with stamped brass hands and date aperture, count wheel striking chain driven movement, striking the hours on a cast bell. With weight and pendulum. The Burton family of Westmoreland clockmakers were prolific provincial clockmakers, father, son and grandson all christened Emanuel. Dimensions: Height: 199cm Length/Width: 50cm Depth/Diameter: 24cm
Antique oak longcase clock, with painted arch dial, with seconds and calendar, inscribed O?ding Wincanton, case need attention, split to base, pendulum and weight, not tested so cannot guarantee running and timekeeping, 222 cm high, 50 cm wide, 26 cm deep, t/w mahogany banjo shaped barometer, needs attention, 98 cm high, 25 cm wide.
A 19th century Longcase clock, by James Canson, Liverpool, moon-roller, 8-day movement, painted white dial, Roman numerals. The walnut and mahogany case having a hood with swan-neck pediment, brass terminals, and Greek-key arch, reeded columnar supports, above a shaped pendulum door, with reeded Doric column supports, stepped base, 239cm high.
A Victorian carved oak longcase clock case, (later 8-day chiming movement), brass and silvered metal dial, Roman numerals. The case extensively carved to the front - the hood having architectural pediment, and a glazed door, flanked by a pair of Corinthian style columnar supports, pendulum door carved with a Chinoiserie dragon amongst stiff leaves and peony blossoms, bracket feet, 245cm high.
THEOPHILUS DAVIES, LLANRWST, VICTORIAN OAK & MAHOGANY LONGCASE CLOCK, 14-inch square dial, having gilt painted centre and spandrels, the dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement, pendulum and weights included, the hood with broken swan neck pediment above a single glazed door flanked by turned pillars, crossbanded trunk door and half cut pillars on a stepped trunk base with corner bracket feet, 222cms H, 61cms W (GOV.UK self-declaration form completed for the sale of this item - Submission reference 86BKVUYT)
OAK LONGCASE CLOCK, SIGNED 'JOHN WYNN', circa 1840, 14-inch square enamelled moon phase dial with painted bird detail and floral spandrels, set with Arabic numerals and date aperture, before a pendulum driven twin weight bell strike movement, the cast back plate stamped 'Walker & Hughes', pendulum and weights included, the hood with broken swan neck pediment and urn finial over a single glazed door with flanking turned gilt capped pillars, slightly shaped top trunk door with diamond shape bone escutcheon and flanking reeded pillars on a stepped trunk base, with corner bracket feet, 213cms H, 57cms W, 28cms D
OAK PAINTED DIAL LONGCASE CLOCK, circa 1830, the dial signed 'Parry', arched top, painted dial set with Roman numerals, subsidiary seconds dial and date aperture, before a twin weight pendulum driven bell strike movement, indistinctly signed cast backplate, pendulum and weights included, the hood having broken swan neck pediment with brass roundels, single glazed hood door flanked by reeded brass capped pillars, shaped top trunk door and quarter cut reeded pillars on a stepped trunk canted corner and panel fronted base, 231cms overall H, 55cms W
A George III mahogany 8-day longcase clock,the arched dial inscribed Robert Ward, London, with a silvered chapter ring, date aperture, and subsidiary silent strike striking dials, fitted bell strike movement, 222cm highCondition ReportIndented blemish to the door. Repair to the lockplate. Restoration to the feet. Loss to one edge. Knocks and wear throughout.
A mahogany longcase clock, with an arched silvered dial signed Thomas Aldridge, Deal, a painted pastoral scene over Roman chapter ring and date aperture, the pagoda-shaped hood with three ball and spike finials and stop-fluted columns, the case with a long flame figured arched door above a panelled base and moulded plinth, with pendulum and weight, 53cm wide 230cm highProvenance: The collection from the estate of the late Roy Carter Condition ReportMovement, pendulum, weights and case associated. Would recommend attention from a professional clock restorer.
P. Price, Chester, a Victorian mahogany 8 day painted dial longcase clock, the 14" dial with subsidiary seconds and date dials, moonphase above, painted with ladies in tartan to the corners, emblematic of the Four Seasons, the movement striking on a bell, the hood with swan neck pediment and turned columns, pendulum, two weights, 227cm.
A 19th century mahogany longcase clock, having an arched brass and silvered dial, twin winding holes for an eight-day movement, signed John Belling Bodmin, with subsidiary seconds dial, with pendulum; together with an early 19th century mahogany longcase clock, having an arched painted dial titled Union of England & Scotland (lacking hands), twin winding holes for an eight-day movement, with pendulum (lacking glass inset to hood) (2)
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41749 item(s)/page