We found 41737 price guide item(s) matching your search

An inlaid mahogany eight-day longcase clock James Williams, Bath, circa 1800 The four-pillar rack and bell striking movement with 12 inch single-sheet Roman numeral brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed James Williams BATH to the foliate engraved centre, with flowerhead and scroll engraved spandrels and eagle above banner inscribed TEMPUS FUGIT flanked by floral trails to arch, in a swan neck pedimented case with floral inlaid cartouche to frieze above reeded hood pilasters and line inlaid rectangular trunk door, on rosette centred plinth base with bracket feet, 228cm high. James Williams is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as working in Bath 1799-1805.

A pine thirty-hour longcase clock David Nicholas, Hartrey, early 18th century The posted countwheel bell-striking movement with turned posts and 10.75 inch square brass dial with false ringed winding holes and calendar aperture to the matted centre within an applied Roman numeral chapter ring with stylised fleur de lys half hour markers and twin cherub and crown pattern spandrels to angles, with a pine case with blind fret fronted upstand, moulded cornice and conforming frieze above integral pilasters to hood, rectangular trunk door with lenticle, on plain plinth base, movement part dismantled, case distressed, 198cm high. David Nicholas is recorded in Moore, A.J. The Clockmakers of Somerset 1650-1900 as working in West Harptree 1717-32.

A mahogany thirty-hour longcase clock George Gould, South Molton, circa 1790 The four-pillar outside countwheel two-handed movement with 11 inch square brass dial, the centre with engraved view of two gentlemen in 18th century dress standing before two ranges of buildings with horizon beyond, within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed Geo. Gould South Molton to lower edge, with female mask and scroll pattern spandrels applied to angles, the case with cavetto cornice and blind fret frieze above integral turned pilasters to hood and long rectangular trunk door, on plinth base with moulded skirt, 196cm high. George Gould is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in South Molton 1784-95.

An inlaid mahogany eight-day longcase clock Edward Bilbie, Chew Stoke, circa 1745 and later The four-pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers, Arabic five mintes and signed Edward Bilbie CHEW STOKE to lower edge with female mask and scroll cast spandrels to angles, now in a swan neck pedimented case with twist pilasters to hood above oval fan cartouche centred crossbanded rectangular trunk door and conch shell inlaid plinth with shaped apron skirt, 205cm high. The movement and dial are almost certainly by Edward Bilbie III who, according to Moore, Rice & Hucker in Bilbie and The Chew Valley Clock Makers is recorded as working 1736-86.

An early 18th century walnut longcase clock, the eight day five pillar movement striking on a bell, to a 12in (30.5cm) brass dial with subsidiary seconds dial and pierced date aperture, with a foliage engraved centre, the silvered chapter ring inscribed 'Zac. Mountford, St Albans,' with cast crown and cherub spandrels, the hood with pierced fret frieze and glazed panel sides above a rectangular waist door with glazed lenticle raised on bracket feet, 80in (203.5cm) high. Restoration to case.

An oak Tempus Fugit longcase clock, the arched hood with silvered chapter ring and pierced spandrels, above astragal gazed trunk door upon plinth base with bun feet, 187cm high, three weights and pendulum.

A 19th century oak longcase clock, with painted enamel 11" dial, the thirty hour movement with count wheel strike, crossbanded trunk door and on plinth base, 194cm high, one weight.

An 18th century oak longcase clock by Daniel Dalton Church Lawford, the hood with blind fret frieze over three quarter columns and 10" brass dial with silvered chapter ring, the thirty hour movement with outside count wheel strike, the trunk with lip moulded door and on plinth base, one weight and pendulum, 188cm high.

A George III mahogany and oak longcase clock with white enamel dial and eight day movement

A George III oak longcase clock by J Kenway of Bridport

A large late 18th Century mahogany and brass inlaid eight day longcase clock, with painted dial inscribed Wm. Davis Oaken Gates 7ft. 10in.

A George III oak longcase clock by John Motley, London, 12in. dial with silvered Roman chapter ring, subsidiary seconds dial and calendar aperture, with brass spandrels in later carved case, decorated with figures and creatures amongst flowers and foliage 7ft.

An 18th Century style walnut longcase clock, with 10in. arched brass dial and silvered spandrels, in square hood with turned columns (some faults) 6ft. 1in.

A Gordon Russell oak longcase clock, the circular silvered dial with Roman numerals and subsidiary seconds dial and an eight day chiming movement, the oak case with a long trunk door on a plinth base. Part label attached to the rear inscribed in ink 'This piece a long clock No:43 was designed and made throughout in the Russell workshop in Feb 1926, designer S. Gordon Russell, foreman E.Taylor, cabinet maker C. Beadle', remainder of label loose, 186.5cm high, dial diameter 25.5cm

An early 19th Century oak longcase clock, the square painted dial with date aperture and conch shell spandrels inscribed J Beale, with 30 hour movement, dial 11" square

Miniature, Dutch style, A silver longcase clock, with a lever watch movement, the enamel dial with polychrome enamel scene, 22cm high

An early 19th century mahogany eight day longcase clock, the arched twelve inch dial with Roman and Arabic numerals, subsidiary seconds dial and twin date apertures and painted with rosette carved swan neck pediment and brass capped columns above the trunk and pedestal base on bun feet, 218cm high.

AN ANTIQUE OAK LONGCASE CLOCK having a square brass dial, signed J.N.O. Coates, Cirencester with roman numerals and brass spandrel, the case with carved artichoke and stylised decoration, 58" high (the movement was formerly a wall clock).

A GEORGE IV MAHOGANY MINIATURE LONGCASE CLOCK having a square brass dial, Roman numerals and spandrels, single weight and pendulum, the case with break arch, spiral pilasters and brick work base, 44 1/2" high (see illustration).

AN ANTIQUE PAINTED LONGCASE CLOCK having an arched brass dial, with silver chapter ring, roman numerals, date aperture and brass spandrels signed J. Bradford, Bucks, the case with stylised chinoiserie and flower head decoration of blue ground turned finials and arched panel doors, 94" high (see illustration).

George III Longcase Clock, oak case, the door with an oval floral inlay, bracket feet, square painted dial with Roman numerals, subsidiary seconds dial, inscribed, "Jno. Hanbury, West Haddon", eight-day movement.

George III Longcase Clock, oak mahogany and inlaid case, the door with a shell oval, bracket feet, square painted dial with Roman numerals, signed, "T. Heighton, Kettering", thirty-hour movement.

An early 19th Century mahogany crossbanded oak longcase clock the hood with scrolled broken pediment, the trunk having a shaped edge door, and with a thirty hour striking movement having a painted dial depicting . A young woman reading, a brightly coloured bird and floral spandrels, inscribed Christ. Talham, Cockermouth, 6 ft 6 inches high

An oak longcase clock the 30 hour movement with arched painted dial striking on a bell the hood with turned pilasters the case enclosed by an inlaid door on a panelled base, 81 inches high

R. Stedman, Godalming 8-Day Striking Longcase Clock having painted arched dial depicting figures fishing on riverbank with ruined building in background, with seconds dial and calendar, in oak case, 1m 93cm high

Fagg, Margate, 8-Day Striking Longcase Clock having arched white painted dial with seconds dial and calendar (dial in need of restoration), in mahogany case having arched panel door, 2m high

Woodham, Hungerford, 30-Hour Longcase Clock having square painted dial with calendar, having cottage, floral and leaf decoration, in oak case, 1m 97cm high overall (no weight or pendulum)

Oak and Mahogany Longcase 8 Day Clock, Wainwright, Nottingham, Painted Dial

A large quantity of wooden dolls house furniture including a green painted dresser and longcase clock, c.1940/50's

Clocks and Watches. Various including Samuel Roberts Clock Maker, 1985, The Longcase Clock, Carriage Clocks, Antique Watches, Thomas Cole and Victorian Clock Making (Antique Collector's Club), English Domestic Clocks, Rees's Clocks Watches and Chronometers, 1970, and 13 other items including booklets

George III oak longcase clock, the hood with swan neck pediment and reeded pillars, the trunk with crossbanded arch shaped door, the arch shaped brass dial with subsidiary seconds dial and fan shaped aperture signed Thos. Twigg, Newtown - eight day striking movement, 205cm high

Early 19th Century crossbanded oak longcase clock having a swan neck pediment - arch shaped painted dial with subsidiary seconds dial and calendar shaped aperture inscribed Cotterill Wicksworth - eight day striking movement, 215cm high

19th Century crossbanded mahogany longcase clock, the hood with swan neck pediment and spiral twist pillars, the trunk with decorative moulding to the panels, arch shaped moon phase painted dial with seconds hand and subsidiary calendar dial signed John Murray Lockerbie - eight day striking movement, 235cm high

18th Century oak longcase clock, the hood with brass finials to the pagoda top, the trunk with long door and later carving, the moon phase arch shaped brass dial having fan shaped calendar aperture and signed George Donisthorpe, Birmingham No.1013 - eight day striking movement, 250cm high - see colour illustration

Longcase clock brass chapter ring signed Thomas Hough, Tatton, 26cm diameter and another, unsigned, 26cm diameter

MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12" square brass dial signed John Andrews, Leadenhall Street, London, with subsidiary seconds dial, calendar aperture and ringed winding holes, the plain case with long door and square hood with stepped pediment, 80" high

1930's oak three train longcase clock, the 10.5" circular silvered dial within a carved arched hood over a long bevelled glazed door, 79.5" high

A rare George II walnut large bracket clock Windmills & Wightman, London, circa 1735 The five-pillar twin fusee rack and bell striking movement with verge escapement, rise/fall regulation and Hoho bird inhabited foliate engraved backplate signed Windmills & Wightman, LONDON within a circular cartouche to centre, the 12 inch brass break-arch dial with false bob and calendar apertures and arched signature plaque to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, with female mask and scroll cast spandrel applied angles beneath rise/fall regulation dial between dolphin cast mounts to arch, the case with later inverted bell top and foliate pierced frets above husk and scroll carved canted angles with conforming frets and brass handles to sides, on cavetto moulded base with shaped apron, 74cm high. The exact date on which William Wightman joined the celebrated Windmills firm is uncertain however Ordnance Office bills record the partnership in September 1735 (see Neale, J.A. Joseph and Thomas Windmills, Clock and Watch Makers 1671-1737, p.233). Five longcase clocks are recorded by Neale but no bracket, lantern clocks or watches are noted. The reason why this unusually large clock was made is uncertain however another ebonised example (a timepiece with silent pull repeat signed Windmills) is described by Neale and a walnut clock of similar proportions but with a rectangular dial by George Graham was formerly in the Iden collection. It is probable that such clocks were utilised in a semi-public context where the use of a longcase clock would be problematic.

A George III provincial mahogany bracket timepiece with pull quarter repeat John Ratcliffe, Chester, circa 1780 The four-pillar single fusee movement with tic-tac escapement and silent pull quarter repeat on two bells for the quarters and a larger bell for the hour, the backplate signed John Ratcliffe CHESTER within a foliate scroll cartouche, the 7.25 inch square brass dial with calendar aperture, false winding square and repeat signature to the foliate engraved silvered centre within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrel applied angles, the inverted bell top case with brass carrying handle and rectangular side windows on moulded base with ogee bracket feet, 41cm high excluding handle. John Ratcliffe is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Chester 1763-97. The form of repeat mechanism employed in this clock is derived from a design by Joseph Knibb however utilises a stepped cam rather than a rack to count the hours. A longcase clock by Joseph Smith of Chester with almost identical repeat work was sold in our Apsley Road Saleroom, Bristol, Lot 271 Tuesday 1st March 2005. The close similarities of these two clocks suggests that John Ratcliffe and Joseph Smith may have had some form of working relationship.

A mahogany eight-day longcase clock Tanner, Lewes, early 19th century The four-pillar rack-striking movement with Finnemoore & Son false plate and now striking on a gong, the 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and signed TANNER LEWES, with gilt foliate painted spandrels and STRIKE/SILENT dial to arch, in a case with brass ball-and-spire finials to the fretwork crest applied break-arch cornice, above brass stop-fluted pilasters to hood and break-arch trunk door flanked by quarter columns to angles, on plinth base with applied mouldings to front and double skirt, 236cm high overall. Probably Thomas Tanner who is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Lewes circa 1839.

A mahogany eight-day longcase clock Reid & Son, Edinburgh, early 19th century The four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed REID & SONS, EDINBURGH to centre, with figural polychrome painted Four Seasons spandrels beneath scene with musicians to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular trunk door flanked by quarter columns, on panel fronted plinth base, 211cm high.

A Queen Anne walnut and marquetry eight-day longcase clock J. Harmer, London, circa 1705 The four (formerly six) finned and latched pillar inside countwheel bell-striking movement with large plates, original anchor escapement and unusual back-cock with pendulum suspension block mounted onto removable tapered end-plate, the 12 inch square brass dial latched to the movement and with subsidiary seconds dial, calendar aperture and signature cartouche J Harmer, London to the rosette decorated matted centre, within an applied Roman numeral chapter ring with sword hilt half hour markers and Arabic five minutes, the angles with twin cherub and crown pattern spandrels with foliate engraved infill between, in a case with moulded cornice and fretwork frieze above integral ebonised twist turned pilasters to the floral marquetry decorated hood door, with concave throat moulding and later bird and flower panel inlaid trunk door with lenticle, on restored plinth base with conforming decoration and moulded skirt, 221cm high. Probably Jasper Harmer who is recorded in Loomes, Brian The Early Clockmakers of Great Britain as working from circa 1685.

A George III figured mahogany eight-day longcase clock William Webster, London, circa 1760 The five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and silvered signature plaque W'm Webster, Exchange Alley, LONDON to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrel applied angles, the arch with strike/silent dial flanked by dolphin cast mounts, in a pagoda pedimented case with ball and spire top finial and brass stop-fluted pilasters to hood above break-arch trunk door and raised panel fronted plinth base with stepped skirt apron, 239cm high excluding top finial. William Webster is recorded in Britten, F.J. Old Clocks & Watches and their Makers as working in Change Alley from 1734 taking over the business from his father, who was journeyman to Thomas Tompion, in 1735. He was elected Master of the Clockmakers Company in 1755 and died in 1776.

A George III figured mahogany eight-day longcase clock Henry Jenkins, London, circa 1770 The five-pillar (centre removed) rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with calendar aperture and recessed subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and signed Henry Jenkins, London, No. 2789, with foliate scroll cast spandrel applied angles beneath arch with strike/silent dial flanked by conforming mounts, the break-arch pedimented case with brass stop-fluted pilasters to hood above break-arch trunk door and raised panel plinth base with skirt apron, 222cm high. Henry Jenkins is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1730-88. He is particularly well known for complicated astronomical clocks, a fine musical astronomical pedestal clock is in the British Museum's collection.

A fine inlaid pollard oak quarter chiming eight-day longcase clock with Halifax moon Seddon, Frodsham, circa 1740 The substantial five finned pillar three-train rack and bell striking movement chiming the quarter on six bells, with 12.5 inch brass break-arch dial with ringed winding holes, rosette centred subsidiary seconds dial, calendar aperture and applied shaped silvered nameplate Seddon Frodsm to the wheat-ear border engraved matted centre, within an applied silvered Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and large winged cherub head cast spandrels to angles within a wheat-ear engraved border, the arch with central revolving moon calibrated for the lunar month to equator flanked by dolphin cast mounts beneath conforming engraved border, the break-arch case with moulded cornice and fluted pilasters to hood above shaped-top trunk door with central parquetry star to the book-matched veneers, on conforming plinth base with ogee bracket feet, 234cm high excluding finials. Records relating to the Seddon family of clockmakers from Frodsham, Cheshire first appear in the Parish baptismal entries for the children of Mary Cook and John Seddon (described as a clockmaker by trade) in 1676, followed by the supposed supplying of a turret clock by John Seddon to Poole Hall in 1704. Frodsham Parish records apparently further record a John Seddon complaining of an Edward Cook in 1713. Finally Daniel Seddon, Clockmaker from Frodsham, is recorded as working 1754-85. As the general style of the movement, dial and case coupled with the use of a so-called Halifax moon in the arch (a term coined after John Ogden of Halifax who often used this feature in his clocks during the second quarter of the 18th century) suggest a date of circa 1740, it is probable that this clock was made by a relative (probably the father) of Daniel Seddon.

A Queen Anne figured walnut eight-day longcase clock P. Runbaule, London, early 18th century The five finned pillar rack and bell striking movement with 12 inch square brass dial with engraved calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed P. Runbaule, Londini to lower edge within twin cherub and crown pattern spandrel applied angles and herringbone engraved border with S/N lever at 12 o'clock, the case with moulded cornice and blind fret frieze above integral pilasters to hood, with rectangular trunk door and on re-built plinth base, 219cm high.

a 19th century carved and stained oak longcase clock the twin train movement with anchor escapement, the leaf scroll pediment centred by a cockerel above arched dentil frieze and a brass and silvered dial with rococo spandrels, subsidiary seconds and calendar dial, inscribed 'Tempus fugit' to the arch, the lion mask carved trunk door between fruting vine pilasters and leaf scroll carved sides, the similarly decorated panelled apron on plinth base 229cm high

a George III period oak longcase clock by George Scot, Canongate the twin train movement with anchor escapement, the swan neck pediment with brass roundels above a shell and 'dolphin' arabesque scroll engraved brass dial with Roman chapters, subsidiary seconds dial and calendar aperture, signed 'Geo Scot Canongate' to the arch, the arched trunk door between reeded quadrant corners, on plain apron and bracket feet 198cm high

a monumental late 18th century mahogany 8-day longcase clock charles Graham, Edinburgh the twin train movement with anchor escapement, the arched brass dial with silvered chapter ring enclosing subsidiary seconds and date dials with moon phase to the arch, the hood with swan neck pediment above reeded brass columns, the shaped trunk door flanked by inset brass pilaster columns, the panelled and moulded base raised on bracket feet 279cm high

an early 19th century mahogany 8-day longcase clock by Andrew Smith, Tranent the twin train movement with anchor escapement, the circular painted dial with subsidiary seconds and date dial, the drum hood above panelled trunk door flanked by turned columns above a panelled base on bracket feet 206cm high

a George III period oak and mahogany crossbanded longcase clock by R. McAdam, Dumfries the twin train movement with anchor escapement, the swan neck pediment above an enamelled Roman dial signed R. McAdam, Dumfries with subsidiary seconds and calendar dials and floral painted spandrels, the arch decorated with a pastoral landscape of watering cattle, the trunk door between reeded quadrant corners, the apron formerly on bracket feet 210cm high

A 19th century mahogany and oak longcase clock, the hood with broken swan neck pediment and reeded Ionic columns, above a long pointed arch door and box base, the 33 cms dial painted with a cottage in the arch and floral spandrels, with Roman numerals, subsidiary seconds dial and calendar dial inscribed 'Stonehouse, Leeds', the eight day movement striking on a bell, 216 cms high.

A 19th century pine longcase clock, the hood with a broken swan neck pediment and Ionic columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a farmstead with windmill spandrels with Roman numerals and calendar aperture inscribed Thomas Davies Llandovery, the 30 hour movement striking on a bell, 210 cms high.

A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and fluted Ionic columns, above a long trunk door and box base, the 33 cms diameter circular dial with Roman numerals inscribed William Holliwell, Derby, the 30 hour movement striking on a bell, 208 cms high.

A 19th century mahogany longcase clock, the hood with broken swan neck pediment and turned columns above a short trunk door and box base, the 33 cms dial painted with cottage and windmill to the arch and cottage spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, inscribed W Spiridion, Cardiff, 222 cms high.

A Capodimonte figure, by Cortese, of a watch repairer in his studio with a cat and longcase clock.

An oak and mahogany banded eight-day longcase clock, circa 1840, the dial painted with a hunting scene to the arch and figures representing the four seasons to the spandrels, with a two-train movement chiming a bell, the false plate stamped 'S. Baker' and probably 'Birmingham', the case with a swan neck pediment and arched door, with ring turned pilasters, 233 cm high.

A circa 1830 oak longcase clock by Thomas Fuller of Bury St Edmunds, having a domed hood with pierced fretwork, fluted pilasters flanking painted arch dial, width 12Ó, signed to the centre, having Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar weight driven movement, striking on a bell, the trunk with arched panel door to a box base on replacement plinth, height, 217cm (Illus.)Footnote: Thomas Fuller is recorded in Suffolk Clocks & Clockmakers by Haggar & Miller as follows; FULLER, THOMAS, Bury St Edmunds, 1823-1846, recorded as a watch and clock maker in Guildhall Street, Bury St Edmunds in 1823 directory, but later directories (1830, 1839, 1844 & 1846) give his address as 3 Churchgate Street. May have earlier been in partnership with Thomas Chaplin

A mid 18th century oak longcase clock, having a step cornice and plain frieze above a square brass dial, width 11Ó, the silver chapter ring having Roman numerals, signed to the centre George Washbourn of Gloster (sic), single blue steeled hand and cast brass mask corner spandrals, thirty hour weight driven movement striking on a bell, the trunk with plain panelled door on a box base, height 191cm (Illus.)

An early 19th century oak longcase clock with square brass dial, width 12Ó, having later arch, silver chapter ring signed John Mears, Gosport, having Roman and Arabic numerals within cast brass corner spandrels, matted centre with subsidiary seconds dial and date aperture, twin winding holes for an eight day weight driven five pillar movement, striking on a bell, the hood having turned yew wood pilasters, the trunk with plain panel door to a boxbase (with alterations), height 204cm (Illus.)