We found 44425 price guide item(s) matching your search

A George III oak longcase clock, 12" painted brass arched dial signed James Harley, Hickling, 8 day movement with calendar whee rack and snail striking five pillar movement, with crank key, weights and pendulum. 216cm high

An early 19th Century mahogany longcase clock, painted archd 12" dial with calendar wheel, signed Bell, Norwich, 8 day rack and snail striking movement with pendulum, weights and crank key. 228cm high

An antique stained pine 8 day longcase clock, the 12 1/2in repainted arched dial inscribed 'R Barker, Fishbourne', height including finial 218cm, with mismatched weights and pendulum.

An antique pine eight day longcase clock, the 12in brass arched dial inscribed 'Thos Pryor, Helston', 196.5cm high, with pendulum and two mis-matched weights.

An early 19th century mahogany and line inlaid eight day longcase clock, the 12in painted arched dial inscribed, 'D Maffia, Monmouth', 208cm high, with pendulum and two mis-matched weights.

Early 19th Century oak and mahogany cased longcase clock, the hood with pierced scroll pediment above an arched glazed door flanked by turned pilasters, the painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arched top painted with a cottage beside a river, the case with shaped door above a plinth base, 48cm wide, 216cm high

George III oak longcase clock, Thomas Barker, Framlingham, the pediment with three gilt metal finals above the arched glazed hood and long trunk door above a panel base, the white painted signed dial with Roman hours and Arabic quarter numbers and subsidiary seconds dial, twin train movement with anchor escapement striking on a bell, 203cm high

George III mahogany longcase clock, Thomas Wilmhurst, Deal, the arched hood above the arched glazed door and long trunk door flanked by reeded canted corners and a panel base, the signed brass dial with moon phase, Roman hours and Arabic minutes, subsidiary seconds dial and date aperture, twin train movement with anchor escapement, with a single weigh and pendulum, 225cm high

George III oak longcase clock, Bar Dammant, Colcestrie, with swan neck pediment above a glazed hood flanked by columns and a long trunk door with panel base, the signed brass dial with silvered chapter ring, date aperture and subsidiary seconds, together with two weights and pendulum, 202cm high

A selection of 18th/19th century longcase clock painted and brass dials and movements, including a painted dial with swan automata in the arch, rolling moonphase dial signed William Greaves, Newcastle, brass dial signed Wm Smith, London, circular regulator silvered dial signed T.Lancaster, Bd Castle, etc (five boxes)

A selection of 18th/19th century longcase clock painted and brass dials and movements, including a thirty hour square brass dial and movement signed Jonas Barber, thirty hour brass dial and movement signed Jno Harrison, Newcastle, eight day arched painted dials signed R.Marshall and Michael Clark, Blyth, etc (four boxes)

A quantity of clock case mouldings including, clock seat boards, wooden wall clock dial and movement, 19th century painted clock dials, and three longcase clock dials and movements, etc ( six boxes)

An eight day longcase clock dial and movement, 12 inch square brass dial with chapter ring signed John Sanderson, eight-day movement with an anchor escapement and rack striking on a bell

A George III oak cased thirty hour longcase clock, with square painted dial incorporating date chapter, signed Hollingshead, Olner, 200cm

An oak thirty hour single hand longcase clock, dial signed Rd Hardwick, Willm Stacey 1763, bird cage movement with anchor escapement, later case

A pine cased eight day longcase clock, signed Sam Ogden, Benwell, 18th century

An oak thirty hour longcase clock, signed Lough, Penrith, 18th century

An 18th century oak longcase clock case, 208cm high

An 18th century carved painted pine longcase clock case

A mahogany eight day longcase clock, signed Jno Jones, Carnarvon, early 19th century, painted arch dial with Cavalry soldier on horseback automata, together with an oak eight day longcase clock, signed A Talbot, Crook, early 19th century, painted arch dial with automata in the arch (a.f.) (2)

An oak thirty hour longcase clock, signed Jno Ramsbottom, Hall Green, 18th century, together with an eight day longcase clock, arch painted dial, early 19th century (2)

Oak longcase painted face 30 hour clock- R Tyler, Melton

Oak longcase painted face 8 day clock - W Smith, Crowland

A 19th Century mahogany longcase clock with carved decoration to swan neck pediment, the 33cm painted arched dial marked for W. Hamilton, Whitburne with subsidiary seconds dial and date aperture, with eight day bell striking movement

A reproduction polished pine longcase clock case with flanking bobbin quarter columns to trunk

A stained mahogany longcase clock case with spindles to hood and quarter columns to trunk

David Sutherland of Leith, a late 18th century 8-day longcase clock chiming on a single bell, fitted with a broken arch painted dial marked out in Roman numerals with a secondary dial at 12 o'clock and calendar dial at 6 o'clock. Housed in an oak case with an arch-topped trunk door. 204 cm high x 52 cm wide x 26 cm deepFootnote: David Sutherland is recorded in Brian Loomes's Watchmakers & Clockmakers of the World book on page 751. He is listed as working between 1775-1805Condition report: Splits to the plinth door

An early 19th century oak and mahogany cased thirty-hour longcase clock; the broken swan-neck pediment surmounted by an open-winged gilded eagle above a painted dial 29.7cm (11") signed 'Archer - Stow' and with date aperture, the painted dial with Roman numerals and spandrels decorated as stiff leaves and spiral scrolls, flanked by classical-style columns with gilt-metal capitals, the arched mahogany crossbanded trunk door above a lower shaped base (215cm high)

A late 20th century longcase clock produced to commemorate the Prince and Princess of Wales' 1981 wedding: the mahogany hood, centrally carved with a fleur-de-lys above two reeded Classical-style columns with gilt-metal capitals, pulling forward to reveal the gilded mechanism striking on four gongs; the silvered chapter ring with Roman numerals and cornered by pierced fleur-de-lys spandrels, signed 'Smallcombe, England'; rectangular trunk door and with three heavy brassed weights and pendulum, raised on bracket stile feet (191cm high x 49.5cm widest at top)

An early 19th century mahogany and boxwood-strung eight-day longcase clock; the broken swan-neck pediment centrally surmounted with an Adams-style urn above a twelve-inch painted broken arch dial with Roman numerals, subsidiary seconds hand, date aperture and signed 'JAS Hardy, Dorchester' within hand-decorated topographical-style spandrels flanked by reeded columns, rectangular trunk door with kite-shaped boxwood escutcheon, raised on plinth base, together with weights, winding key and pendulum (208cm high to tip of central finial)

A Georgian oak 30 hour longcase clock with painted dial. H.200 W.45 D.23cm

A 19th century eight-day longcase clock by V. De Moulpied of Guernsey, the painted square and arched dial with haystack to the arch and shells to the spandrels, painted Roman numerals denoting hours, subsidiary seconds dial and calendar aperture, housed in veneered burr walnut case, with domed top, fielded panel door and pedestal base, on later bun feet, 198cm tall, two weights, pendulum and winder present

An Everite brass miniature longcase clock, 13cm, a similar brass miniature bracket clock, gramophone and mantel clock (4)

A VICTORIAN MAHOGANY LONGCASE DRUMHEAD CLOCK the painted dial inscribed J Stromie, Glasgow above a curved door, flanked by pillars, 209cm high Condition Report: Available upon request

A VICTORIAN MAHOGANY LONGCASE CLOCK the brass and silvered dial inscribed to Kenth McLennan, London with vase and dolphin spandrels, seconds dial and Roman chapter ring, 218cm high Condition Report: Available upon request

A GEORGIAN LAQUERED LONGCASE CLOCK the brass face inscribed Tho Gordon, Edinburgh, with dolphin, mask and foliate scroll spandrels, surrounding Roman numeral dial, seconds dial and date chapter, 208cm high Condition Report: Arch- 11.5 x 25cm, Dial diameter- 28cm

A GEORGIAN BRASS LONGCASE CLOCK FACE inscribed to Geo Monro, Edinburgh, with seconds dial and date chapter, 42.5cm high Condition Report: 41.5cm high x 30cm wide. Arch - 11.5 x 25.5cm. Dial diameter - 29.2cm 

A 30 hour longcase clock by John Pickett Marlborough having brass dial with seconds dial and date aperture and engraved with makers name, in oak case approx 194cms high

An early 19th century oak longcase clock, with ball finials over a painted dial with date aperture, name rubbed, the thirty hour movement with count wheel striking on a bell, 12 inch dial, 205 cm high

Bag of oddments to include; silver and tortoiseshell ladies vanity brush, brass miner's box 'D. Bromhan 1882', brass longcase clock finial etc. (B.P. 21% + VAT)

Mid Century oak three train longcase clock with silver dial and Roman numerals with key and pendulum.(B.P. 21% + VAT)

Reproduction mahogany finish longcase clock with brass and silvered dial, Roman numerals with three brass weights and pendulum.(B.P. 21% + VAT)

An early 19th century mahogany longcase clock by Heywood, Wrexham, the broken swan neck pediment over acanthus carved freestanding pilasters flanking the 36cm painted break arch dial, centred with a subsidiary second dial and the makers name, the two train movement strikes on a saucer bell, the wide case with an inlaid frieze over a shaped door flanked by conforming pilasters, above a cross banded lower board raised upon bracket feet, 236cm high, two weights and pendulumCondition reportCase appears in good condition, probably re polished, left hand rear foot missing, back boards are in sound condition, dial looks clean with the numerals possibly re touched at some point, movement also appears to be in good condition, although no guarantee of working order 

An early 20th century oak cased Westminster chime longcase clock, the arched hood with barley twist pilasters flanking the 33cm gilt metal break arch dial, the silvered bezel applied with Arabic numerals and centred with a subsidiary second dial below two further subsidiary dials, chime/silent and Whittington/Westminster, the three train movement strikes on eight tubular gongs, the longest 182cm, above the case door inset with two glazed panels each with angular moulded spandrels, opening to three brass cased weights and pendulum, flanked by conforming barley twist pilasters over a carved lower panel upon a plinth base, 227cm high, three weights and pendulum

A George III oak and mahogany cross banded thirty hour longcase clock signed Thomas W M Hay, Shrewsbury, the 29cm painted dial with floral spandrels, centred with a date aperture and the makers name, enclosing the chain driven movement striking on a saucer bell, the refurbished case with freestanding reeded pilasters over the shaped and cross banded door and conforming lower panel, 227cm high, weight and pendulum

A VERY RARE and HISTORICALLY INTERESTING SECOND QUARTER OF THE 19TH CENTURY CARVED MAHOGANY FLOORSTANDING STRIKING REGULATOR WITH ORIGINAL HANDRWITTEN RECEIPT MADE TO THE FIRST OWNER, MR SPIERS, DATED JANUARY 22ND 1832John Moore & Son, Clerkenwell, London, No.8687the drum hood with carved snake bezel over an elaborate ionic capital carved with foliage on a tapering reeded trunk to a panel base with applied moulded edge on a moulded plinth with carved ropetwist border, the 12 inch one-piece silvered dial with outer Arabic minute ring enclosing the subsidiaries for running seconds and Roman hours, with blue steel hands, the signed and numbered weight-driven movement with shouldered plates and cast feet, repeat numbered on the frontplate and united by five heavy knopped pillars, the deadbeat escapement to a long crutch and wooden-rod pendulum terminating in a heavy lacquered brass bob with engraved rating nut, the strike train unusually sounding on a pair of linked hammers to a pair of nested bells. 2.14m (7ft) high.Footnotes:This clock retains the original receipt made out to the buyer in 1832:' A very superior eight day clock, 12 inch round engraved dial with dead escapement, large bob and wood rod, the hour to shew in a circle below the centre, seconds above & the minutes in the centre, to strike on a steel spring instead of a bell, in a handsome mahogany carved case to order with brass rings & convex glass name John Moore & Son Clerkenwell......£21'. The receipt mentions a 'steel spring' - a gong in modern parlance - to sound the hours instead of a bell. This is a very early use of a gong on a longcase clock- they are never common, and those that do appear are generally from the latter half of the 19th century. It appears that Mr Spiers, or another owner, had a change of heart and decided to substitute the gong for a bell at some stage. Perhaps even more remarkably, payment was received 189 years ago to the day, 22nd June 1832.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine late 17th century ebony architectural longcase clockJohn Fromanteel, LondonThe architectural case with triangular pediment supported by Composite columns and centred by a typical Fromanteel shield mount over spirally twisted turned columns, three quarter to the front and quarter to the rear, over a 42-inch long trunk door with raised moulded edge framing proud panels and a moulded octagonal lenticle over a plain rectangular base on bun feet. The ten inch square brass dial signed along the lower edge 'Johannes Fromanteel, Londini fecit' with winged cherubs head spandrels framing the narrow silvered chapter ring with outer Arabic minute track, Roman hours and inner quarter hour track divided by fleur-de-lyse half-hour markers, the finely matted centre with large Arabic subsidiary seconds dial, matted shutters and chamfered date aperture, with blued steel hands, and four latched dial feet.The weight driven movement with tall rectangular plates measuring 19cms x 12cms (7.5ins x 4.75ins) united by five knopped and ringed pillars latched to the frontplate, the going train with bolt-and-shutter maintaining power and anchor escapement, the strike train with outside countwheel sounding the hour on a bell, further mounted on the backplate with an L-shaped brass bracket to allow secure fixing to the backboard of the case. 1.95m (6ft 4.5ins) high.Footnotes:Comparable longcase clocks by John Fromanteel feature in Garnier & Hollis: 'Innovation & Collaboration' An exhibition held at Bonhams London, September 2018, Exhibit numbers 55, 60, 77 and 78. Two others are illustrated in The Iden Collection, Volume 1, Nos. 9. and 10. Ahasuerus Fromanteel's 1658 advert has ensured that his name willbe forever associated with the introduction of the pendulum clock toBritain, but one could argue that a more involved role was played byhis lesser-known son John. It was after all, John, and not Ahasuerus,who travelled to The Hague in September 1657 and worked alongsideSalomon Coster at the bench in his workshop, discussing the technologies before him. It was John who returned to London andimparted the knowledge to his father and he was surely involved inthe production and finishing of those earliest clocks such as the sublime'Cupid Fromanteel' sold in these rooms June 2011.John was the eldest of three sons. He was born in 1638 andapprenticed to his father in April 1652 at the age of fourteen. He latertransferred to his brother-in-law, Thomas Loomes from whom he wasfreed in July 1663. He died sometime before 1692.( See Loomes,'Clockmakers of Britain', Mayfield Books, 2014, p208)It has been suggested that those clocks signed by him were madebetween circa 1667 when his father left for Holland, and circa1680 when he moved with his brother (Ahasuerus II) to Vijendam,Amsterdam, giving a window of production of only 12 years or so.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good late 17th century walnut marquetry month-going longcase clock with ten inch dialRobert Dingley, London The case surmounted by a (later?) carved cherub and scroll cresting over a velvet-backed pierced soundfret raised on turned three-quarter Doric columns, the 41 inch long trunk door with half-round moulded edge framing six panels of bird and foliate inlay in different woods and green-stained boxwood, all within an oyster veneered ground, the base panel featuring a bird with outstretched wings, raised on bun feet, the sides inlaid with oyster-veneered panels. The ten inch square brass dial framed by well cast and finished winged-cherubs head spandrels, signed along the lower edge Robert Dingley London, the chapter ring with Arabic minute track enclosing the Roman numerals, fancy half hour markers and inner quarter hour track, the finely matted centre with Arabic subsidiary seconds ring and chamfered date aperture, the tall rectangular plates united by seven knopped and ringed pillars, with five-wheel trains, the going terminating in an anchor escapement, the strike operated via a small outside countwheel and detent. 2.02m (6ft 7ins) high.Footnotes:Robert Dingley was the son of Thomas Dingley of Ewell in Surrey . He was apprenticed to Richard Pierce from 1661 until 1668. He established his business at George Yard, Lombard Street and worked for another thirty years although surprisingly little of his work survives. He took on seven apprentices including Benjamin Willoughby and George Tyler (see lot 70 in this sale). It is noted that he experimented with the power supply to quarter repeating table clock movements. One of his later clocks, a seaweed marquetry longcase, is illustrated in Dawson, Drover, Parkes, Early English Clocks, Woodbridge 1982, plate 400. Another with similarities to the Knibb workshop is illustrated in R.A.Lee in 'The Knibb Family Clockmakers' Byfleet 1964, plate 188 described as follows:'Long case clock by Robert Dingley, London showing the influence of the Knibb family in dial design. Case also from Knibbs' casemaker.' and again as an 'Olivewood long case clock inlaid with panels of floral marquetry with green stained ivory leaves. Delicately cut skeleton dial similar to many by Joseph Knibb.' This clock was sold in these rooms 13th December 2011, lot 110.The backboard carries an 18th century (?) handwritten label 'Mr J W Stee...Chew Stoke to be left....call for....'The interior of the trunk door carries a late 17th/early 18th century printed Equation of Time chart entitled: 'A TABLE of Equation of Natural Days SHEWING How much a Clock or Watch ought to be faster or slower than a Sun Dial, and Day of the Year....Printed for Joseph and Thomas Windmill, Watchmakers at the Dial in Tower Street, London.'This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Mid 19th century eight-day longcase clock, the 12" brass face with roman numerals and minute chapter ring and calendar aperture, signed 'Donisthorp', in oak case with classical turned column, portico style hood, 195cm 

19th century 30-hour longcase clock, the painted 11" square dial decorated with floral spandrels, roman numerals and minute chapter ring, the plain oak case surmounted by turned column square-topped hood, 187cm 

A 19th Century mahogany longcase clock, the painted arched dial with phases of the moon, fitted an eight-day striking movement, the hood with swan neck pediment, 135cm high/see illustration CONDITION REPORT: There is a key for the trunk door but the lock is upside down. There are splits in veneer on the hood door frame and the veneer is lifting to trunk frieze and slightly lifting on door.

Georgian oak and mahogany longcase clock, 12" arched brass dial, signed W Thompson, Chester, the hood with fluted supports, long door, plinth base, worm to the backboard, height 201cm, (including 2x weights, a pendulum, and a door key. No winding key).

Oak longcase grandmother clock with brass face, pendulum, key and single weight. Not working. 64” high

Antique oak and mahogany eight day longcase clock having square brass and silvered dial, signed J.A. Hendrie, Wigton.

Antique oak 30 hour longcase clock having square brass dial, signed Dickinson, Egremont.

A 19th Century oak and mahogany thirty-hour longcase clock, by Richard Moreland, the 12in. arched painted dial with arabic numerals and matching hands, with date dial above the 6, the plated movement with knopped pillars and anchor escapement, contained within a mahogany hood with swan neck pediment and fluted columns, above a shaped waist door inlaid with shell motif, raised on a box base, together with weights and pendulum, 216cms high.

A 19th Century longcase clock, by Young of Newcastle, the eight-day movement and 12 1/2in. painted dial with roman numerals, subsidiary date and seconds dials, with pastoral scenes painted to the arch, contained within a mahogany case, with arched waist door flanked by string inlay, raised on a box base and bracket feet, 212cms high.

A Henry Deeme of Honiton Striking Longcase 11" Clock Dial and Movement and one other. Both A/F

An Early Unsigned 11" Brass Longcase Clock Dial and movement and another 12". Both A/F

Two 10" Longcase Clock Dials _ Henry Deykin of Worcester and Dean, A 12" Longcase Clock Dial John Millar Tewksbury and 11" dial signed Merret of Stroud